The Winonan - 1920S

Total Page:16

File Type:pdf, Size:1020Kb

The Winonan - 1920S Winona State University OpenRiver The inonW an - 1920s The inonW an – Student Newspaper 4-30-1926 The inonW an Winona State Teachers' College Follow this and additional works at: https://openriver.winona.edu/thewinonan1920s Recommended Citation Winona State Teachers' College, "The inonW an" (1926). The Winonan - 1920s. 123. https://openriver.winona.edu/thewinonan1920s/123 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1920s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. human Vol. VIII WINONA, MINNESOTA, APRIL 30, 1926 No. whistling of "Some Other Bird Whistled a Tune" Junior Class Give by Alfred Kalkbrenner; Miss Leone Irwins fancy dancing in "Taming Mamie," the Charles- Alma Mater of Entire ton chorus in "Sweet Georgia Brown," and the Futuristic Party "Listerine and Dandruff" novelty act by Miss College Chosen Bernice Jansen and Mr. Walter Johlfs. Ralfe Calkins as interlocutor, and John Lynch Saturday evening, April twenty-fourth, the Miss Dorothy Lindberg of Red Wing was Junior class entertained the faculty, student and Charles Pfeilsticker as end men performed chosen by popular election as Alma Mater for body, and friends at a futuristic party. in splendid minstrel style. Miss Theda Gilde- the annual May Fete. meister was a very realistic and successful The Cubist scheme of decoration used was After Chapel exercises Friday April twenty- "Aunt Jemina". very unusual and exhibited ultra-modern ten- third Miss Lewis of the Women's Physical dencies in art. The lights were shaded with Musical numbers as "Red Hot Henry Brown' Education Department took charge of the by Julian Neville, "Sweet Child" by the minstrel long black coverings, decorated with huge election. Each organization in the school was trio, and the singing of a southern medley by splashes of red, yellow and blue in many designs. represented by a member who made a nomina- the faculty quartet were greatly enjoyed. Futuristic flowers and flower pots were placed tion speech. Following are the nominations at each end of the gymnasium. The setting, depicted a scene with real hay, which were made: The program entitled "The Evolution of chickens, dogs, and other farm properties. The Women's Athletic Association. entrance of the auditorium was strewn with hay Dance" presented five phases of American danc- Nominee—Miss Dorothy Lindberg. and enclosed with a fence. The ushers were ing. Those participating in the various dances Nominating Speech—Miss Bebe Jansen. were: Indian Dance of 1492: Miss Leone Irwin. dressed in overalls to help carry out the at- Intermediate Grade Club. mosphere of the entertainment. Minuet of Colonial Days: the Misses Lucretia Nominee—Miss Dorothy Lindberg. The minstrel opened with "Down Town Archibald, Helen Rutherford, and Mary Lois Nominating Speech—Miss Hazel Nelson. Chapel and the Messrs. Clinton Sartwell, Stephen Strutters Ball" by the darkies. "Catar" by Wenonah Players. Spletz, and Robert Fausch; the Polka of 1880: W. E. Hubert and a "Yodel" by Charles Pfeil- Nominee—Miss Eunice Borth. sticker was followed by "Left All Alone Again the Misses Mary O'Byrne, Rhoda Fuller, Viola Nominating Speech—Mr. Michael Bambenek. Richter and Marcella Bhend and the Messrs. Blues" by the men's sextette and "I love My Men's Club. Mitchell Smilanich, Stephen Spletz, Julian Ne- Baby" by the men's chorus. A "clog" dance Nominee—Miss Dorothy Lindberg. veille and Murdo Murray; the Rye Waltz of was given by Ralfe Calkins. Nominating Speech—Mr. Clarence Wedge. 1900, Miss Geneva Lattin and Mr. Grimm; and "Bob" Bateman leading the mixed chorus of Mendelssohn. the Charleston of 1926: Miss Quirene Anderson "Just Around the Corner," and "Clap Hands Nominee—Miss Bebe Jansen. and Mr. Marvin Johnson. Here Comes Charlie" featuring Charles Pfeil- Nominating Speech—Miss Elma Miller. Silhouettes representing each of the dances sticker added more to the success of the show. Kindergarten Club. were shown in life size against a back-ground of One of the prettiest and most graceful of the Nominee—Miss Eunice Borth. futuristic colors and shapes. acts was "Moonlight and Roses" sung by the Nominating Speech—Miss Victoria Potter. In the receiving line were President G. E. old fashioned chorus. The costumers added Ranger's Club. Maxwell, Miss Florence Richards, Mr. Jederman much to the beauty of this scene. Nominee—Miss Dorothy Lindberg. and Mitchell Smilanich, vice-president of the "Thanks for the Buggy Ride" sung by the Nominating Speech—Miss Ina Heggaton. Junior class. entire cast made a very colorful and appropriate Catholic Students' Club. ending. The evening was spent in dancing to music Nominee—Miss Marvel Weld. furnished by Fred Heyer's orchestra and card Nominating Speech—Miss Margaret O'Brien. playing in the room adjoining the gymnasium. Contempt is a feeling you have for people Art Club. Delicious punch was served after the program. that are not like you. Nominee—Miss Eunice Borth. Those who were on the committees are as Nominating Speech—Miss Elizabeth Burns. follows: Girl Scouts. Refreshments: Miss Sue McCleary. PLAN ADOPTED FOR ADVERTISING Nominee—Miss Dorothy Lindberg. Program: Miss Lucille Mueller assisted by SCHOOL THROUGH STUDENT'S Nominating Speech—Miss Olive Crocker. Miss Quirene Anderson. HOME-TOWN PAPERS Junior High School Club. Decorations: Miss Susan Cochrane assisted Nominee—Miss Dorothy Lindberg. by Evan Beynon, Marion Crandall, Eleanor Principally through the efforts of President (Continued on page 4) Murphy, Viola Richter, Gertrude Sunde, Viola Maxwell and Mr. Reed a plan has been adopt0 to bring about a closer co-operation between the Alberts and Mary Corcoran. by the families of students who would be honored student and his or her home town, through the column of the local newspaper. in this way. I therefore send you the following "BARNYARD" MINSTREL PROVES Blanks have been printed in the T. C. Print news item with the hope that it will find a place SUCCESSFUL Shop and are now available in the office or from in your columns. The "Barnyard Minstrel" which was given Mr. Reed. On the top of each blank is the fol- Very truly yours, Friday evening April sixteenth was proclaimed lowing note addressed to the newspaper editor: G. E. MAXWELL. a huge success. Miss Betty Bosshard deserves Your community furnishes us with students Below this is a space which is to be used for much credit for the success of the entertainment. and we furnish graduates for your teaching the writing of the article. After filling out the She was assisted by the members of the Die-no- corps. We believe that if we send you news blank it is handed in to the office where it is mo club and other members of the student body. items which you may print in your paper about looked over for mistakes and so forth and for- There were many surprise and delightful our students, who reside in your town, we can warded to the student's local newspaper. features. Among them were the singing and be of mutual help. Such items will be especially Accept this proposition and boost your school. THE WINONAN apt to be "close to home." They will probably THE WINONAN be without a position at all, and will be right at OFFICIAL STUDENT PUBLICATION OF THE home to help Mother with the canning. Sure WINONA STATE TEACHERS COLLEGE and we all love to be near home but we will not have that home all our lives to fall back on. FRIDAY, APRIL 30, 1926 It is an education within itself to be far enough away from the home environment to be upon Marion L. Johnson Editor-in-chief Kenneth Wright Assistant Editor your own resources and to meet new people Robert Bateman Business Manager with different ideas and perhaps different modes Robert Bateman Sport Editor of living. A stronger power of initiative and Elma Miller Feature Editor personality will be developed. It all might be Helen Elliot Organization Helen Rutherford Reporter summed up by saying, "Some good backbone Marcella Bhend Reporter will be developed." Abner Sunde Reporter I happened to be in the office the other day Evelyn Schreiber Exchanges when along came two young ladies wishing to Quirene Anderson Typist be nominated to a certain position. These Mail subscriptions $1.00 per school year or 50c per term. young women had previously been elected to certain positions but would not accept because THE BOOKSHELF THE COMING OF SPRING the salary offered was only one hundred and five dollars per month. After awhile a young man In this generation, people are becoming so At last we can feel sure that the lovely season broad-minded that it is necessary for students of the year is here. How happy we all are. came along who had refused a position which would pay about one hundred and thirty dollars especially to read a great variety of literature. Nature awakens all of our senses and makes our As time is always valuable, we must be sure that minds alive to its beauties. After the long cold per month. Not one of these three people has had even one year of experience. we select books which will be instructive as days of winter we enjoy the bright fresh days of well as entertaining. The following books, spring. You know, friend Editor, I feel sorry for these children. It is going to be a shock to them when which are all in our own library are highly recom- Did you ever compare forms of nature and mended because of the reliable information which human beings? The trees in winter are dull they wake up to the fact that the world is not going to hand out its best on a gold platter.
Recommended publications
  • ARSC Journal
    THE MARKETPLACE HOW WELL DID EDISON RECORDS SELL? During the latter part of 1919 Thomas A. Edison, Inc. began to keep cumulative sales figures for those records that were still available. The documents were continued into 1920 and then stopped. While the documents included sales figures for all series of discs time allowed me to copy only those figures for the higher priced classical series. Thus the present article includes the 82,000 ($2.00); 82,500 ($2.50); 83,000 ($3.00) and 84,000 ($4.00) series. Should there be sufficient interest it may be possible to do the other series at a later date. While the document did list some of the special Tone-Test records pressing figures were included for only two of them. I have arbitrarily excluded them and propose to discuss the Edison Tone Tests at a later date. The documents also originally included supplementary listings, which, for the sake of convenience, have been merged into the regular listings. The type copy of the major portion of the listings has been taken from regular Edison numerical catalogs and forms the framework of my forthcoming Complete Edison Disc Numerical Catalog. Several things may be noted: 1) Many of the sales figures seem surprisingly small and many of the records must be classed as rarities; 2) Deletion was not always because of poor sales-mold damage also played a part; 3) Records were retained even with extremely disappointing sales. Without a knowledge of the reason for discontinuance we cannot assume anything concerning records that had already been discontinued.
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Rigoletto En La Biblioteca Pública “Azorín” Octubre 2012
    Rigoletto en la Biblioteca Pública “Azorín” Octubre 2012 ■ INTRODUCCIÓN Rigoletto es un melodrama en tres actos con música de Giuseppe Verdi y libreto en italiano de Francesco Maria Piave, basado en la obra teatral Le Roi s'amuse, de Víctor Hugo. Fue estrenada el 11 de marzo de 1851 en el teatro La Fenice de Venecia. Está considerada por muchos una de las primeras obras maestras operísticas de mediados de la carrera de Verdi. Se trata de un drama de pasión, engaño, amor filial y venganza que tiene como protagonista a Rigoletto, el bufón jorobado de la corte del Ducado de Mantua. Historia Composición A principios de 1851, el teatro de La Fenice de Venecia invitó a Verdi a componer una nueva ópera para ser estrenada allí, en una época en que ya era un compositor bien conocido con un grado de libertad a la hora de elegir las obras que prefería musicar. Pidió entonces a Piave (con quien ya había trabajado en Ernani, I due Foscari, Macbeth, Il corsaro y Stiffelio) que examinara la obra Kean de Alejandro Dumas, padre, pero sentía que necesitaba un tema más enérgico con el que trabajar. Verdi pronto dio con el drama francés Le roi s’amuse (El rey se divierte), del escritor Víctor Hugo. Más tarde explicó que "Contiene posiciones extremadamente poderosas... El tema es grande, inmenso, y tiene un personaje que es una de las más importantes creaciones del teatro de todos los países y todas las épocas". Era un tema muy controvertido y el propio Hugo había tenido problemas con la censura en Francia, que había prohibido producciones de esta obra después de su primera representación casi veinte años antes (y continuaría prohibida durante otros treinta años).
    [Show full text]
  • Opera Management
    THE CINCINNATI OPERA 1883-1994 Arranged and Described by Vincent Mazzella, Marian stangel "and Ursula Umberq March 1995 THE CINCINNATI OPERA, 1883-1994 CONTAINTER LISTING Box No. Description Date Page SERIES I: PROGRAMS AND BROADSIDES Box 1: Programs and Broadsides 1920-1936 1 Box 2: Programs and Broadsides 1937-1946 2 Box 3: Programs and Broadsides 1947-1957 3 Box 4: Programs and Broadsides 1958-1965 4 Box 5: Programs and Broadsides 1966-1971 4 Box 6: Programs and Broadsides 1972-1979 5 Box 7: Programs and Broadsides 1980-1983 5 Box 8 : Opera Programs 1985-1992 5 Box 9: Assorted Music 1883, 1886-1987, 1890, 1902-1911 6 1934-42, 1978-1979 Festival Programs--Metropolitan Opera Programs, Nippert Concerts Federal Theatre (WPA) Programs. Miscellaneous Programs SERIES II: LIBRETTOS Box 10: Aida to The King's Henchmen 7 Box 11: Lakme to Der Rosenkavalier 7 Box 12: Salome to II Trovatore and 8 Miscellaneous Covers SERIES III: PHOTOGRAPHS Performers Photographs and Program Biographies Box 13: Adler,Arlene to Bardi, G. 8 Box 14: Barlow, Klara to Calleo, Ricardo 9 Box 15: Campora, Guiseppe to Cornell, Gwynn 10 Box 16: Cossa, Dominic to DeAlmeida, Antonio 11 Box 17: DeBlasis, James to Dworchak, Harry & Designers 12 Box 18: Eddleman, Jack to Frigerio, Claudio 13 Box 19: Galiano, Joseph to Harris, Lloyd 14 Box 20: Harrower, Peter to Janku, Hana 16 Box 21: Jenista, John to ~ng, Edith 17 i Box 22: LaSelva, Vincent to Malas, Spiro 18 Box 23: Malfitano, Catherine to Mills, Erie 19 Box 24: Milnes, Sherrill to Muckenfuss, Robert 20 Box 25: Nabokov, Dmitri to Pastine, Gianfranco 21 Box 26: Patachi, Val to Proctor, Elizabeth 22 Box 27: Quartarro, Florence to Rounseville, Robert 23 Box 28: Roy, Margaret to Shade, Nancy 24 Box 29: Shelle, Eileen to Soloman,.
    [Show full text]
  • The Hyechra Club
    THE HYECHRA CLUB The narrator has had a lively interest in The Hyechka Club since its beginning and believes that its history merits recording and dmu- menting in The Chronicles of OkZuhoma, Members of the Club in the past have been interested and its members today are interested in building and supporting a city and a state as cultural centers in which to rear patriotic and Clod-fearing children worthy of the loftiest ideals. Instead of a brief history, this band of music lovers is entitled to a fdsized, two volume publication to report ad* quately all that they have given to the education of young people along cdtural lines and to the wealth of Tulsa and the State of Oklahoma as expressed in the leadership and influence of the known and unknown contributors. Looking over the names of world famous artists that have appeared on its early programs and in its annual Spring Festivals, the words of Warner Van Valkenburg are a fitting tribute and introduction even to this brief history of Tulsa's pioneer organization of music lovers :l "I AM MUSIC. "I am the hymns of the Christian Martyrs in the catacombs; I am the songs of thanksgiving of the kneeling Pilgrime; I am the fugues of Bach, and the oratorios of Handel and Haydn; I am the magic flute of Momrt; I am the immortal symphonies of Beethoven; I am the throbbing mee- sages of Schubert and Schumann; I am the nocturnes of Chopin and the folk melodies of Dvorak; I am the rhapsodies of Linzt and the music- dramas of Wagner; I am the voice of Peter Tchaikowski, crying in the wilderness; I am Brahms and Richard Straues, and Verdi, fulfilling the command of destiny; yea I have breathed upon the harps of MacDowell and Cadman, and have sung of a new world in the west.
    [Show full text]
  • The H1eclakc Club 361
    The H1eclakc Club 361 Incidental Dances by Anna Ludmilla and Corps de Ballet Nineteenth Festival, 1926: Chicago Civic Opera presented ••La Gioconda" (Ponchielll) Conductor, Giorgio Polacco Artists: Rosa Raisa Gildo Morelato Augusta Lenska Desire Defrere Flora Perini Ludovico Oliviero Antonio Cortis Glocomo Rimini Alexander Kipnis Antonio Nlcollch Incidental Dances by Miles Shermont, Dagmara, Nemeroff, Romany and Corps de Ballet "'Boris Godunotf" (Modest Moussorgsky) Conductor, Giorgio Polacco Artists: Feodor Chaliapin Lodovico Oltvlero Gladys Swartout Augusta Lenska Elizabeth Kerr :f"J.ora Perini Jose Mojica Romeo Boscacci Forrest Lamont Gulseppe Minerva Virgilio Lazzari Alice D'Hermanoy Edouard Cotreuil Cilda Morelato Antonio Nicolich Twentieth Festival, 1926: Carolyn Powers Thomas, violinist Soloists: Kathryn Brown, contralto Rudolph Ganz, Conductor St. Louis Symphony Twenty-first Festival, 1927: Chicago Civic Opera presented Alda (Verdi) Conductor, Giorgio Polacco Artists : Rosa Raisa Edouard Cotreuil Augusta Lenska Virgilio Lazzari Florence Misgen Giacomo Rimtnl Charles Marshall Lodovico Oliviero Incidental Dances by Miles, Shermont, Samuels and Corps de Ballet La Traviata (Verdi) Conductor, Roberto Moranzoni Artists: Claudia Muzio Desire Defrere Charles Hackett Giovanni Polese Richard Bonelli Antonio Nicolich Alice d'Hermanoy Anna Correnti Jose Mojica Gildo Morelato Incidental Dances by Miles, Shermont, Samuels and Corps de Ballet Twenty-second Festival, 1928: 11 Trovatore (Verdi) Conductor, Henry G. Weber Artists: Rosa Raisa Eugenio Sandrini Alice d'Hermanoy Albert Rappaport Giacomo Rimtni Virgilllo Lazzari Antonio Cortis Cyrena Van Gordon Incidental Dances by Misses Chapman, Flnholt, Letteaux, N. Smith and Ballet Rigoletto (Verdi) Conductor, George Polacco .
    [Show full text]
  • Students to Elect Skiff Editor
    G»*iAA «^** J V, '%mmt A NEWSPAPER FORT. C. U. ._/ \_ THE SKIFF EXAS CHRISTIAN UNIVERSITY Nl MHKK 22 VOLUME 22 FORT WORTH. TEXAS, MARCH I. 1921 I STUDENTS TO ELECT SKIFF EDITOR II CAGERS THROUGH; TAKE SECOND; TEXAS FIRST Student Forum Is Frogs Take Two HOUED FROG TO M Frog Netters Have BKKK5, siblefor iKIi From Owl- Drop III MORE INDIVIDUAL rrof ™ , " „ "JKffSHr' P1CMS m m[ ' ii' li 11' rl iti f The Ski!!' will b< F 5 to A 41 Arranged Unusually BE IN T, B. I. TONIGHT ■ '■ Thomas Elmore Lucey, poet-hu- dent body, according to announce- There will In' over 100 more In- morist-actor, versatile i BV ''.v Butler S. dividual pictures In this year's Horn .1 in Cantrell'a company supi • world travelei ai of the publical 2l there were in the 1023 Strenuous Schedule l. - ■ ball stars 'li. b . i. , to be in T. i'. U. | lo.oin manager of day evening after having won book, according to Roy Mack of the g ,,', loi k n the studi the Unlvei I Pre blent Waits In- place immediately below first in Prog staff. At 4:40 o'clock Satur- Two matches with the Trinity ten- It Is nol definitely known whether Mr. l.i: ey ha Bppi ai ed t: acted the publications committee ibis seal on1 I a ki I ball i ai e, They day afternoon with 'Jo minutes more nis team'have been arranged for oi nol this will complete the sched- in half I ■ to pai s on the qualifii can I \no ■ ra pel iod games from before the deadline for picture .
    [Show full text]
  • The Anchor, Volume 53.03: October 18, 1939
    Hope College Hope College Digital Commons The Anchor: 1939 The Anchor: 1930-1939 10-18-1939 The Anchor, Volume 53.03: October 18, 1939 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1939 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 53.03: October 18, 1939" (1939). The Anchor: 1939. Paper 32. https://digitalcommons.hope.edu/anchor_1939/32 Published in: The Anchor, Volume 53, Issue 3, October 18, 1939. Copyright © 1939 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1930-1939 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1939 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. 1 * * S I SEE I • IY • Prof. Dt Graaf " THE ATTEMPl' ON the part of LIII-3 on of the Students of Hope College •( Holland, Michigan the college newspaper through its October 18,1939 editorial staff to crystallize some of the students' thinking on peace and to invite action as well as thought is certainly bom of a worthy desire to attain an objec- tive with which we all are in agree- ment. We all feel with Mr. Vander ANCHOR CLEARS $2,000.00 DEBT Werf that the student body of our land can exercise a great influence if we are armed with convincing AND HERE'S THE PROOF Lazzari, Basso, Activities Fees Pay Printers argument and with the determina- tion not to enter another world Will Appear After Five Years of Budgeting conflict on European soil.
    [Show full text]
  • ^Perfieldggk-FREE GRACE DI PÎETRO "Lohengrin" English Worthy of the World, Which Introduced the Antoine
    Opera in the Vernacular Foreign Works and Translations . and. Composers Mme. Maria Barrientes, the Spanish "Tosca," with Mme. Farrar and Mesfti Singers . How Schools Are Created .. Concern¬ coloratura soprano wtio since she sang Lázaro and Scotti. the Diction with the Metropolitan Opera Company ing Study of last season has made a tour through th© West Indies, South America and Opera in Brooklyn Spain and back to New York by way "Cavalleria By H. E. Krehbiel In her hand she held the dagger, Rusticana" and "Le Co. And her of Cuba that in miles is almost equal d'Or" will be given as a We arc moved recurrent observa¬ anguish recommences. double bill by Wrctojied maid! She'd slain her hus¬ to s voyage around the world, will re¬ on Tuesday at the tions of evening Brooklyn ancient phenomena which arc band! join the company this week and re¬ Academy of Music. The former discussed as latter de¬ Gazing near, and from her lips a smile open periodically day broke forth. appear on Friday evening as Gilda in will be sung by Mro.es. Easton, velopments to add another to the many the season'3 first With perir.j Ah! Her spirit most unhappy, "Rigoletto." and Mattfeld and Messrs. Crimi and disquisitions which have appeared in Reason';! bonds' had cast away; her will sing the young American lyric Mr. Her Montesanto, Moranzoni conductine The Tribune on the subject of the use spirit unhappy, tenor, Carlo Hackett, as the Duke, Mr. while "Le d'Or" will Her spirit most Coq be sung Ù the vernacular in operatic per¬ unhappy, de Luca as the Jester and Mr.
    [Show full text]
  • Aeolian-Vocalion Records 1924
    AEOLIAN HALL LONDON W.1 The Aeolian Company have great pleasure in pre- senting a new edition of the "Vocalion" catalogue, from which it will be seen that all records previously appearing single-sided have been withdrawn, and the majority of them re-issued as double-sided records. Further than this, in order to bring the magnificent quality of talent, recording and manufacture included in the unique "Vocalion " recording process within purchasing range of all sections of the public, it has been decided from now onwards to classify all "Vocalion" records under two sections only, at the following popular prices :- Pink Label 12" 516 10" records ... ... ... ... 4/- Standard Section 12" 4/6 10" ... ... ... ... 3/- (Including all Labels other than Pink) It will be patent to all that in making these sweeping reductions, we are offering the public the most astounding value ever obtainable in gramophone records, inasmuch as it is now possible to purchase "Vocalion" double-sided records by artistes of world-wide reputation previously issued single-sided and costing from 6/- to 81- each at prices representing reductions ranging from 60% to 70% Finally it should be added that the exceptionally high " Vocalion" hitherto standard of recording and manufacture prevailing will be maintained in all future records issued by The Aeolian Company, and we have every confidence that the endeavour we are now making to give music-lovers the opportunity of obtaining records of real artistic merit at a price hitherto confined to dance music will in the end be amply justified. Page PRICE LIST Inside Front Cover ... ... ... ... ALPHABETICAL LIST OF ARTISTS ALPHABETICAL LIST OF TITLES- Operas (Vocal) ..
    [Show full text]
  • Download File
    Portland Grand Opera Season AUDITORIUM MARGH 10,11,12,1924 Cihcago COric 0ptva Company HERBERT M. JOHNSON cAssistant to the President C. A. SHAW Business cTWanager Direction of STEERS fe? COMAN A. E.Wellington For the Portland Publisher Guarantors N. W. Bank BIdg. The Chrysler Pronounced as though spelled, Cry'-sler Si* QUALITY POWER SPEED BEAUTY Covey MotorCarCo Twenty-First at Washington BRoadway 6244 Banking Confidence UBLIC confidence in a bank is fostered by the safeguards thrown about its operations; Pthe men directing it; and its reputation since establishment. The United States National is protected by Gov• ernment laws, membership in the Federal Re• serve, and Portland Clearing House. During more than thirty years' service to the Pacific Northwest, it has borne an unblemished record for stability. Therefore the United States National unhesitat• ingly offers you the hundred per cent service of a substantial banking institution. "One of the Northwest's Great Banks" Si^fh and Starke High urbwn I Coffee is better! Do you know why? The fact that it is better is very evident when you drink — Golden West Coffee "Just Right" LIBERTY NOW—Bebe Daniels and Ernest Torrence in "The Heritage of the Desert' by Zane Grey. Chicago Civic Opera Company — mm A.—. ^ Officers ^\v Mb. Samuel Insull, President Mb. Chaeles G. Dawes, Vice-President Mb. L. B. Kuppenheimeb, V.-President Make the Mb. Chables L. Hutchinson, Treasurer Northwestern Mb. Stanley Field, Secretary National Your Banking Board of Trustees Home Mr. Robert Allerton Mrs. Jacob Baur Located in the heart Mr. R. T. Crane, Jr. of the retail shopping Mr.
    [Show full text]
  • THE METROPOLITAN OPERA on PIRATE CD COMPILED by FRANK HAMILTON © 2011 [email protected]
    THE METROPOLITAN OPERA ON PIRATE CD COMPILED BY FRANK HAMILTON © 2011 http://FrankHamilton.org [email protected] This chronological discography of radio broadcasts and in-house recordings on compact discs is devoted mainly to non-commercial issues. There are still some mistakes such as roles assigned improperly. There have been MET issues on foreign labels without international distribution that I have not had access to, and I have not included those here. I wish to thank Pierre Guillemette of Candiac, Quebec, for the countless corrections that he made in the early stages of this project, and Bill DePeter of New York for his major contributions. Compact disc serial numbers are followed by the total number of CDs in the set, and this is followed by the year of issue when known. 1933 3/03/33: Tristan und Isolde (excerpt): FRIDA-LEIDER-GESELLSCHAFT FLG 11031933 1 2003 Isolde Frida Leider Tristan Lauritz Melchior Brangäne Maria Olszewska Kurwenal Friedrich Schorr König Marke Ludwig Hofmann Melot Arnold Gabor Ein junger Seemann Hans Clemens Ein Hirt Hans Clemens Der Steuermann James Wolfe maestro direttore Artur Bodanzky Kennst du der Mutter Künste nicht? — Herr Tristan trete nah! (Akt I,3) 3/11/33: Tristan und Isolde (excerpts): FRIDA-LEIDER-GESELLSCHAFT FLG 11031933 1 2003 cast same as 3/03/35 except: Kurwenal Gustav Schützendorf Vorspiel (fragment) Nimmermehr ! Nicht heut’ noch morgen ! — Zerschlag es [dies trotzige Schiff] (Akt I,1) wehe mein Kind! - Mir erkoren — Was wohl erwidertest du? (Akt I,2) [Fluch dir, Ver]ruchter ! — nicht hell zu sehn noch hören? (Akt I,3) Kennst du der Mutter Künste nicht? — Ehrfurcht hielt mich in Acht (Akt I,3) Dem Freund zulieb erfand er diese List? — sind untertan ihr, die sie webt aus [Lust] (Akt II,1) [Nie erwa]chen ! - Soll der Tag noch Tristan wecken ? — Hehr erhabne Liebesnacht! (Akt II,2) Der öde Tag zum letztenmal! — Das sollst du, Herr, mir sagen, ob [ich] (Akt II,3) [meiner Ehren Ende] erreiche? — warum mir diese Schmach? (Akt II,3) [Dein Blick, Isolde,] blendet’ auch ihn — Schluß des II.
    [Show full text]