2011 Sypmposium Program Web
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Private Studies with Leif Lauritsen and André Orlowitz 2
CV of David Danholt, Tenor Born in Faaborg, Denmark Education: Private studies with Leif Lauritsen and André Orlowitz 2002-2005: The Opera Academy at the Royal Opera House, Copenhagen 2005-2007: The Soloist Class, The Royal Academy of Music, Copenhagen 2007-: Private studies with Tonny Landy, Gregory Lamar and Klavs Lewinsky OPERA: 2004: Lysander, A Midsummer Night's Dream, Royal Opera House, Copenhagen, DK 2005: A Messenger, Aida, Royal Opera House, Copenhagen, DK Eurimaco, Il Ritorno d'Ulisse in Patria, Royal Opera House, Copenhagen, DK Don Ottavio, Don Giovanni, The Rialto Theatre, Copenhagen, DK 2006: Gastone, La Traviata, Royal Opera House, Copenhagen, DK 2007: The Fisherman, Le Rossignol, Bramstrup, DK 2008: Faust, National Opera, Århus Steuerman, Der fliegende Holländer, National Opera, Århus, DK Tamino, Die Zauberflöte, National Opera, Århus, DK 2009: Nemorino, L'Elisir d'Amore, National Opera, Århus, DK Alfredo, La Traviata, National Opera, Århus, DK 2010: Idomeneo, National Opera, Århus, DK SS-Officer and cover the role of Walter, Die Passagierin, Bregenzer Festspiele, AU Hans, The Bartered Bride, Staatstheater Mainz, DE 2012: Don Ottavio, Don Giovanni, National Opera, Århus, DK Idomeneo, Grange Park Opera, UK Junger Seemann & Hirte, Tristan & Isolde, National Opera, Århus, DK 2013: Claudio, Das Liebesverbot (Wagner), Oper Leipzig/Bayreuther Festspiele, DE Arindal, Die Feen (Wagner), Chelsea Opera Group, London (Concert performance), UK 2014: Claudio, Das Liebesverbot (Wagner), Oper Leipzig, DE Arindal, Die Feen (Wagner), -
First Glimpse 2018: Songs from the Great Room
presents First Glimpse 2018: Songs from the Great Room World Premiere Songs rom e 17-19 omosers e oie series Composers & the Voice Artistic Director - Steven Osgood Musical Direction by Mila Henry & Kelly Horsted 2017-19 Composers & the Voice Composer and Librettist Fellows Laura Barati Pamela Stein Lynde Sokunthary Svay Matthew Browne Scott Ordway Amber Vistein Kimberly Davies Frances Pollock Alex Weiser 2017-18 Composers & the Voice Resident Singers Tookah Sapper, soprano Jennifer Goode Cooper, soprano Blythe Gaissert, mezzo-soprano* Blake Friedman, tenor Mario Diaz Moresco, baritone Adrian Rosas, bass-baritone *Songs written for mezzo-soprano will be performed tonight by Kate Maroney Resident Stage Manager - W. Wilson Jones May 19 & 20, 2018 - 7:30 PM SOUTH OXFORD SPACE, BROOKLYN FROM THE ARTISTIC DIRECTOR I always have mixed emotions when a cycle of Composers and the Voice arrives at the First Glimpse concerts. It is thrilling to FINALLY throw open the doors of this room and share some of the wonderful pieces that have been written since last Fall. But it also means that my time working so regularly and directly with a family of artists is drawing to a close. It takes a huge team of people to make a program like Composers and the Voice work, but I would like to thank two who have stepped into new and significantly larger roles this year. Mila Henry, C&V Head of Music, has overseen the musical organization of the entire season, while also preparing several pieces for each of our workshop sessions. Matt Gray, as C&V Head of Drama, has brought his insight into character and operatic narrative into every element of the program. -
Newsletter • Bulletin Summer 2002 Été
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2002 Été P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A new Canadian star!!! by Renate Chartrand Opernglas’ featured a six-page interview with her on the occasion of her Covent Garden debut as Donna Anna with Bryn Terfel as Don Giovanni. (Perhaps while I am writing this, ‘Opera Canada’ is doing the same?) For several years she was based in Vienna, singing lead roles at the State Opera. Elsewhere in Europe she has had great success as Elsa, Arabella, Tatiana, Desdemona and Alice Ford in Munich, Paris, Glyndebourne and Milan. Four years ago in Hamburg she had already caught my at- tention as a great Ellen Orford in Peter Grimes. As is the custom in Europe we joined the fans wait- ing for her at the stage door and asked her whether she is thinking of doing Tosca. Yes, next year in San Francisco. This year she will sing her first Elisabetta (Don Carlo) in Salzburg, Ariadne in Barcelona and her Met debut as Lisa (Pique Dame) is planned for 2004. For us Ottawans of greatest interest will be her first Sieglinde in Toronto’s (continued on page 3) Adrianne Pieczonka Kat’a Kabanova During my trip to Germany in April I had the pleasure of witnessingBrian a Canadian star being born. Soprano Adrianne Pieczonka made the front page of the ‘Hamburger Abendblatt’Law with the comment “A star was born” follow- ing the opening night of Kat’a Kabanova by Janacek at the Hamburg State Opera. -
Cialis Generic Vs Brand
Arroyo - A Good Voice is No Longer Enough Met legend conducts 3-day master class for UKOT Charm, grace and ers that the foundation of a successful career as a singer wit are immedi- was hard work. ately evident The basic theme of her class was role development – when one first becoming a complete character. To begin with she talked meets Martina about the importance of knowing what you are singing. Arroyo, interna- "You have to know what every word means" she told the tional opera star, students. "You don't have know what it is generally about who was in Lex- or what the sentence is, but every word, and you have to ington to con- feel the words as you sing. Then you can put color on the duct a three-day words." She acknowledged that as you put color on the master class for words you lose something technically. "So take that to students in the your voice teacher," she said and then asked the voice University of teachers in the audience, "do you want to see how stu- Kentucky's Op- dents feel about the role they are singing." "Absolutely," era Theatre program. "What you give of yourself is always replied Dennis Bender. "Do you ask for it? Ask for it," with you,” she said as she began her session at UK. The retorted Arroyo. Professor Gail Robinson, Distinguished renowned soprano, who has graced the stages of the Artist in Music at UK and a contemporary and long-time world's most prestigious opera houses and concert halls, friend of Arroyo, commented, " Everybody is in a hurry underscored the importance of being a complete opera today and wanting to move on to the next job. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Les Pages Sur Les Festivals D'été
festivalsSummer d’été Une pléiade de festivals de musique classique se disputent chaque été les faveurs des mélomanes. Le plaisir des yeux y rejoint celui des oreilles, les sites étant souvent splendides et totalement dépaysants. La Scena en brosse, ce mois-ci, un portrait pastoral. A growing number of festivals appeal to classical music lovers. They aim to please their patrons’ ears, but also they strive to delight their eyes, being located in bucolic pastures. This month, La Scena attempts to capture their unique appeal. 3 2pm. StAC. Ensemble vocal Joseph-François- über die Folie d’Espagne, Wq. 118/9, H.263 JULY Perrault; Oakville Children’s Choir; Academic (1778); Mozart: Fantaisie in C minor, K.V. 475 12 20h. EcLER. $10-22. Chausson: Quatuor; Brahms: Choir of Adam Mickiewicz University; Bach (1785); 9 Variationen über ein Menuett von Quatuor #3 en sol mineur. Quatuor Kandinsky Children’s Chorus of Scarborough; Prince of Duport, K.V. 573 (1789); Haydn: Variations in F 13 20h. ÉNDVis. $10-22. Piazzolla: “Four for Tango”; Wales Collegiate Chamber Choir; Choral Altivoz minor, Hob. xvii/6 (1793); Beethoven: 6 Castonguay-Prévost-Michaud: “Redemptio” 3 8pm. A&CC. Cantare-Cantilena Ensemble; Young Variations, op.34 (1802). Cynthia Millman-Floyd, (poème Serge-Patrice Thibodeau); Dvorak: Voices of Melbourne; Daughter of the Baltic fortepiano “Cypresses” #6 10 5 12; Chostakovich: 2 Pieces 3 8pm. GowC. St. John’s Choir; Scunthorpe Co- 3 8pm. DAC Sir James Dunn Theatre. $20-25. Guy: for String Quartet; Reinberger: Nonet op.139. Operative Junior Choir; Amabile Boys Choir Nasca Lines. Upstream Orchestra; Barry Guy, bass Quatuor Arthur-LeBlanc; Eric Lagacé, contre- 4 8pm. -
Recital VIII
2011 DE XVII Ciclo de Lied UNIO J DE 20 Recital VIII 10 TEMPORADA 11 Recital VIII XVII Ciclo de Lied NA N CY FABIOLA HERRERA , mezzosoprano RUBÉ N FER N Á N DEZ -AGUIRRE , piano Lunes 20 de Junio, a las 20:00 horas » S UDO N « : IE R E S RECITAL VIII Coproducido por Miembro de: CATÁLOGO GE N ERAL DE PUBLICACIO N ES OF ICIALES http://publicaciones.administracion.es © TEATRO DE LA ZARZUELA JOVELLA N OS , 4 - 28014 MADRID , ES P AÑA OF ICI N AS : LOS MADRAZO , 11 - 28014 MADRID , ES P AÑA TEL . CE N TRALITA : 34 91 524 54 00 FAX : 34 91 523 30 59 http://teatrodelazarzuela.mcu.es DE P ARTA M E N TO DE ABO N OS Y TAQUILLAS : 34 91 524 54 10 FAX : 34 91 524 54 12 Edición del programa: Teatro de La Zarzuela Coordinación editorial y gráfica: Víctor Pagán Coordinación de textos: Gerardo Fernández San Emeterio Diseño gráfico, maquetación y fotografía: Argonauta Diseño Impresión: Imprenta Nacional del Boletín Oficial del Estado D.L: M-25842-201 Nipo: 556-11-014-1 2 PROGRAMA Primera Parte Segunda Parte ISAAC ALBÉ N IZ DARIUS MIL H AUD (1860-1909) (1892-1974) IL E N EST DE L’A M OUR CH A N SO N S DE N ÉGRESSE CH A N SO N DE BARBERI N E 1. Mon histoire 2. Abandonnée 3. Sans feu ni lieu EDUARD TOLDRÀ (1895-1962) SEIS CA N CIO N ES XAVIER MO N SALVATGE (selección) (1912-2002) 2. Madre, unos ojuelos vi CI N CO CA N CIO N ES N EGRAS 3. -
Myscena.Org Sm26-3 EN P02 ADS Classica Sm23-5 BI Pxx 2020-11-03 8:23 AM Page 1
SUBSCRIBE @ mySCENA.org sm26-3_EN_p02_ADS_classica_sm23-5_BI_pXX 2020-11-03 8:23 AM Page 1 From Beethoven to Bowie encore edition December 12 to 20 2020 indoor 15 concerts festivalclassica.com sm26-3_EN_p03_ADS_Ofra_LMMC_sm23-5_BI_pXX 2020-11-03 1:18 AM Page 1 e/th 129 saison/season 2020 /2021 Automne / Fall BLAKE POULIOT 15 nov. 2020 / Nov.ANNULÉ 15, 2020 violon / violin CANCELLED NEW ORFORD STRING QUARTET 6 déc. 2020 / Dec. 6, 2020 avec / with JAMES EHNES violon et alto / violin and viola CHARLES RICHARD HAMELIN Blake Pouliot James Ehnes Charles Richard Hamelin ©Jeff Fasano ©Benjamin Ealovega ©Elizabeth Delage piano COMPLET SOLD OUT LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 www.lmmc.ca [email protected] New Orford String Quartet©Sian Richards sm26-3_EN_p04_ADS_udm_OCM_effendi_sm23-5_BI_pXX 2020-11-03 8:28 AM Page 1 SEASON PRESENTER ORCHESTRE CLASSIQUE DE MONTRÉAL IN THE ABSENCE OF A LIVE CONCERT, GET THE LATEST 2019-2020 ALBUMS QUEBEC PREMIER FROM THE EFFENDI COLLECTION CHAMBER OPERA FOR OPTIMAL HOME LISTENING effendirecords.com NOV 20 & 21, 2020, 7:30 PM RAFAEL ZALDIVAR GENTIANE MG TRIO YVES LÉVEILLÉ HANDEL’S CONSECRATIONS WONDERLAND PHARE MESSIAH DEC 8, 2020, 7:30 PM Online broadcast: $15 SIMON LEGAULT AUGUSTE QUARTET SUPER NOVA 4 LIMINAL SPACES EXALTA CALMA 514 487-5190 | ORCHESTRE.CA THE FACULTY IS HERE FOR YOUR GOALS. musique.umontreal.ca sm26-3_EN_p05_ADS_LSM_subs_sm23-5_BI_pXX 2020-11-03 2:32 PM Page 1 ABONNEZ-VOUS! SUBSCRIBE NOW! Included English Translation Supplément de traduction française inclus -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
THE TRAGEDY of CARMEN by PETER BROOK DONALD and DONNA BAUMGARTNER Presnting Title Sponsor
March 13, 15, 21 & 22, 2020 Wilson Theater at Vogel Hall Marcus Performing Arts Center ROBERT SOBCZAK Presnting Title Sponsor THE TRAGEDY OF CARMEN BY PETER BROOK DONALD AND DONNA BAUMGARTNER Presnting Title Sponsor VERDI’S MACBETH May 29 at 7:30pm | May 31 at 2:30pm Marcus Performing Arts Center Call 414-291-5700 x 224 or www.florentineopera.org THE SEASON OF THE 2020 2 0 2 1 ENSEMBLE THE TRAGEDY OF CARMEN BY PETER BROOK Photo: Cory Weaver Cory Photo: THE TRAGEDY OF CARMEN BY PETER BROOK PROGRAM INFORMATION 07 From the General Director & CEO 09 From the Board President 10 Donor Spotlights 11 In Memorium 14 Credits 15 Cast 17 Synopsis 18 Program Notes 20 Director’s Notes 22 Conductor, Christopher Rountree 23 Stage Director, Eugenia Arsenis 24 The Anello Society 28 Artist Biographies 34 Musicians 38 Board of Directors 39 Lifetime Donors 40 Commemorative Gifts 41 Annual Donors 48 Florentine Opera Staff Cover Photo: Brianne Sura Photo Credit: Becca Kames Photo: Cory Weaver Cory Photo: FLORENTINE OPERA COMPANY 5 GENERAL INFORMATION Please make sure all cellular phones, pagers GROUP RATES: and watch alarms are turned off prior to the Groups of 10 or more are eligible for special performance. No photography or videography discounts off regular single ticket prices for is allowed by audience members during the selected performances. For more information, performance. call (414) 291-5700, ext. 224. LATE SEATING: ACCESSIBILITY: Guests arriving late will be seated at a suitable Wheelchair seating is available on the main pause in the performance. Please be advised floor in Vogel Hall and Uihlein Hall. -
Cynthialawrencecv.Pdf
10 Cynthia Lawrence, Soprano WWW.CYNTHIALAWRENCE.COM CURRICULUM VITAE OFFICE: William T. Bryan Endowed Chair, Voice University of Kentucky School of Music 149 Fine Arts Building Lexington, KY 40506 (859) 257-8597 office CURRENT Endowed Chair, Voice, Chair of Voice Area, School of Music University of Kentucky, School of Music Metropolitan Opera National Council Principal Judge Voice, Opera techniques, Master Class, Private Lessons, Diction, Literature, Judging (international, domestic) ACADEMIC AFFILIATIONS Faculty, University of Kentucky, Endowed Chair, Fall 2009-Current KY Faculty, University of Minnesota, Assistant Professor, 2008-2009 MN Fall 2008, In Residence, Guest Faculty, University of Kentucky School of Music KY Private Voice, Operatic coaching and Role preparation, 4 Master Classes, Recital 2005, Faculty, Astoria Music Festival & Academy, OR DEGREES 1987 MM University of Colorado Vocal Performance/Pedagogy Boulder 1983 BM University of Colorado Voice Performance Boulder PROFESSIONAL AND ACADEMIC ASSISTANTSHIPS AND APPRENTICESHIPS 1995-PRESENT Principal Artist Metropolitan Opera New York 1987-1989 Lyric Opera of Chicago Chicago Lyric Opera Center for American Artists, Ensemble member 1986-87 University of Colorado Graduate Fellow, Voice/Pedagogy Boulder 1986 Central City Opera Apprentice Artist Colorado 1984-85 University of Colorado Graduate Assistant, Voice Boulder AREAS PREPARED TO TEACH Voice Applied Voice; Class Voice; Vocal Laboratory; Undergraduate/Graduate/Doctoral Vocal Literature; Lyric Diction (English, German, -
Madama Butterfly
GIACOMO PUCCINI madama butterfly conductor Opera in three acts Pier Giorgio Morandi Libretto by Giuseppe Giacosa and production Anthony Minghella Luigi Illica, based on the play by David Belasco director and choreographer Carolyn Choa Wednesday, November 13, 2019 7:30–10:45 PM set designer Michael Levine costume designer Han Feng lighting designer Peter Mumford puppetry The production of Madama Butterflywas Blind Summit Theatre made possible by a generous gift from revival stage director Mercedes and Sid Bass Paula Williams The revival of this production is made possible by a gift from Barbara Augusta Teichert general manager Peter Gelb jeanette lerman-neubauer music director Co-production of the Metropolitan Opera, English Yannick Nézet-Séguin National Opera, and Lithuanian National Opera 2019–20 SEASON The 888th Metropolitan Opera performance of GIACOMO PUCCINI’S madama butterfly conductor Pier Giorgio Morandi in order of vocal appearance lt. b.f. pinkerton imperial commissioner Andrea Carè Bradley Garvin goro the registr ar Eduardo Valdes Juhwan Lee suzuki the bonze Elizabeth DeShong Raymond Aceto* u.s. consul sharpless prince yamadori Paulo Szot Jeongcheol Cha cio - cio -san k ate pinkerton Hui He Megan Esther Grey** her rel atives: cousin cio - cio -san’s child Elizabeth Sciblo Kevin Augustine Tom Lee mother Jonothon Lyons Marie Te Hapuku This performance uncle yakusidé ballet soloists is being broadcast Craig Montgomery Hsin-Ping Chang live on Metropolitan Andrew Robinson Opera Radio on aunt SiriusXM channel 75. Anne Nonnemacher