1 : Sustainable Productions (Version Beta.2 for Trialling) Foreword
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Dialect Coaching for Screen 2014/2015/2016 Dialect and Voice
Dialect Coaching for Screen 2014/2015/2016 Nov 16 – Feb 2017 Roseline Productions Dialect Coach for Will Ferrell, John C Reilly: Holmes and Watson Nov 2016 Sky Dialect Coach Bliss Nov 2016 BBC Dialect Coach for Zombie Boy: Silent Witness Aug 2016 Sky Dialect Coach for Iwan Rheon and Dimitri Leonidas: Riviera Jan/Feb 2016 Channel 4 Dialect Coach: ADR: Raised By Wolves directed by Ian Fitzgibbon Oct 2015 Jellylegs/Sky 1 Dialect Coach: Rovers directed by Craig Cash Oct 2015 Channel 4 Dialect Coach: Raised By Wolves directed by Ian Fitzgibbon Sept 2015 LittleRock Pictures/Sky Dialect /voice coach: Elizabeth, Michael and Marlon (Joseph Fiennes, Stockard Channing, Brian Cox) January – May 2015 BBC2/ITV, London Dialect Coach (East London): Cradle to Grave – directed by Sandy Johnson January – April 2015 Working Title/Sky Dialect Coach (Gen Am, Italian): You, Me and the Apocalypse – TV directed by Michael Engler/Saul Metzstein September 2014 Free Range Films Ltd, London Dialect/voice coach (Leeds): The Lady in the Van – Feature directed by Nicholas Hytner May 2014 Wilma TV, Inc. for Discovery Channel, New York Dialect Coach (Australian): Amerikan Kanibal - Docudrama February/March 2014 Mad As Birds Dialect Coach (Various Period US accents): Set Fire to the Stars - Feature directed by Andy Goddard February and June 2014 BBC 3 Dialect Coach (Liverpool and Australian): Crims - TV directed by James Farrell Dialect and Voice Coaching for theatre 2016 Oct 2016 Park Theatre, Dialect support (New York: Luv directed by Gary Condes Oct 2016 Kings Cross -
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson The Timeline charts the Royal Court’s London-based presentations of international plays and related events from 1989–2013. It also records the years in which fi rst research trips overseas were made and exchanges begun. Writers are listed alphabetically within recorded events; translators for the Court are named throughout; directors are listed for full productions and major events. Full productions are marked with an asterisk (*) – other play listings are staged readings. 1989: First international Summer School hosted by the Royal Court 1992: Court inaugurates exchange with Germany 1993: Summer School gains support from the British Council Austrian & German Play Readings (plays selected and commissioned by the Goethe-Institut; presented in October) Rabenthal Jorg Graser; Soliman Ludwig Fels; In den Augen eines Fremdung Wolfgang Maria Bauer; Tatowierung Dea Loher; A Liebs Kind Harald Kislinger; Alpenglühen Peter Turrini 1994: First UK writers exchange at the Baracke, Deutsches Theater, Berlin, coordinated by Michael Eberth. British writers were Martin Crimp, David Greig, Kevin Elyot, Meredith Oakes and David Spencer. Elyse Dodgson, Stephen Daldry and Robin Hooper took part in panel discussions 1995: Daldry and Dodgson make initial contacts in Palestine Plays from a Changing Country – Germany (3–6 October) Sugar Dollies Klaus Chatten, trans. Anthony Vivis; The Table Laid Anna Langhoff, trans. David Spencer; Stranger’s House Dea Loher, trans. David Tushingham; Waiting Room Germany Klaus Pohl, trans. David Tushingham; Jennifer Klemm or Comfort and Misery of the Last Germans D. Rust, trans. Rosee Riggs Waiting Room Germany Klaus Pohl, Downstairs, director Mary Peate, 1 to 18 November* 1996: Founding of the International Department by Daldry; Dodgson appointed Head. -
STRAND News STRAND News
STRANDSTRAND NewsNews Summer 2005 INSIDE THIS ISSUE C21 and EC21 Digital Dimmers Fairfi eld Community Arts Center Console Programming Tips New Zealand console landmark Software Focus White Light Light Up Britain for Cheat Sheets Crown Strand People West End & New York Update RSC choose EC21 dimmers Philea Temple, Aswan Professional Dimming for the 21st Century C21/EC21 offers new standards Strand Lighting chose the USITT trade show in Toronto for the introduction of the new C21 of performance, ruggedness and series dimmer racks. ease of installation to meet the A first for C21 is the ability to have up to 96 toughest demands of 21st Century Sinewave dimmers in a single rack greatly entertainment venues. The new simplifying the implementation of Sinewave system is based on a proven Strand dimming solutions. design, with over 2 million dimmers installed around the world– solid reliability, day in, day out. The new range was designed with help from top professional installers– there’s plenty of wiring space, and all terminations are easily accessible. C21/EC21 is flexible – mix and match single, dual, even quad modules, TrueSine™, thyristor, fluorescent, contactors or fillers, in any of three sizes of dimmer rack. We’ll design a system to fit your needs now, and it’ll grow with you as those needs change over time. Continuing our implementation of Strand ShowNet solutions the new dimming system features a “network-centric” 16/32-bit RISC main processor running embedded Linux, an integrated Ethernet port, and a Web based configuration and dimmer status-reporting system. Our new “Dimming Engine” technology allows dedicated slave sub-processors to control individual groups of dimmers. -
Ayesha Antoine
www.cam.co.uk Email [email protected] Address Ayesha 55-59 Shaftesbury Avenue London Antoine W1D 6LD Telephone +44 (0) 20 7292 0600 Theatre TITLE ROLE DIRECTOR Production BLANK Ayesha Maria Aberg Donmar Warehouse WHITE TEETH Irie Jones Indhu Rubasingham Kiln Theatre NAPOLEON DISROBED Ostrich Kathryn Hunter Told By An Idiot Kenneth Branagh Theatre HAMLET Rosencrantz Kenneth Branagh Company LIFE OF GALILEO Mrs Sarti Joe Wright Young Vic DIRTY GREAT LOVE STORY Katie Bonna Pia Furtado Arts Theatre TRADE - Bryony Shanahan Young Vic THE SUICIDE Cleo Nadia Fall National Theatre Kenneth Branagh Theatre RED VELVET Connie Indhu Rubasingham Company / Garrick Theatre THE WOLF IN SNAKESKIN SHOES Afreeka Toof Indhu Rubasingham Tricycle Theatre Royal Exchange / Told By An THE GHOST TRAIN Elsie Winthrop Paul Hunter Idiot THE HOUSE THAT WILL NOT STAND Agnes Indhu Rubasingham Tricycle Theatre VENICE PRESERV'D Aquilina Charlie Westenra The Spectator's Guild WE ARE PROUD TO PRESENT..., Actor 6 / Black Woman Gbolahan Obisesan Bush Theatre TARTUFFE Dorine Roxana Silbert Birmingham Rep ABSURD PERSON SINGULAR Eva Alan Ayckbourn Stephen Joseph Theatre Theatre Royal Stratford CINDERELLA Cinderella Kerry Michael East ONE MONKEY DON'T STOP NO SHOW Beverley Dawn Walton Eclipse Theatre THE MOUNTAINTOP Camae Tom Attenborough Derby LIVE SJT / 59E59 Theaters Off MY WONDERFUL DAY Winnie Alan Ayckbourn Broadway / UK Tour BIG WHITE FOG Caroline Michael Attenborough Almeida Theatre Television TITLE ROLE DIRECTOR Production IN THE LONG RUN Dawn Various Sky / Green Door -
Studies in International Performance Published in Association with The
Studies in International Performance Published in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the pan- oply of performances that make up the global surround. The series embraces ‘Culture’ which is institutional as well as improvised, underground or alternative, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Khalid Amine and Marvin Carlson THE THEATRES OF MOROCCO, ALGERIA AND TUNISIA Performance Traditions of the Maghreb Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Christopher B. Balme PACIFIC PERFORMANCES Theatricality and Cross-Cultural Encounter in the South Seas Matthew Isaac Cohen PERFORMING OTHERNESS Java and Bali on International Stages, 1905–1952 Susan Leigh Foster (editor) WORLDING DANCE Karen Fricker and Milija Gluhovic (editors) PERFORMING THE ‘NEW’ EUROPE Identities, Feelings and Politics in the Eurovision Song Contest Helen Gilbert and Jacqueline -
Joseph Mydell
www.hamiltonhodell.co.uk Joseph Mydell Talent Representation Telephone Joshua Woodford +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer THE VISIT The Reverend Jeremy Herrin National Theatre Marianne Elliott/Miranda DEATH OF A SALESMAN Ben Loman Young Vic/Piccadilly Theatre Cromwell THE TRAGEDY OF KING RICHARD THE SECOND Gaunt/Willoughby/Scroop/Torturer 2 Joe Hill-Gibbins Almeida Theatre HAMLET Polonius Simon Godwin RSC MOTHER CHRISTMAS Peter Donnacadh O'Briain Hampstead Theatre English Touring Theatre/Theatre WILLIAM WORDSWORTH George Beaumont Michael Oakley By The Lake THE TEMPEST Gonzalo Gregory Doran RSC/Barbican RICHARD III Stanley Rupert Goold Almeida Theatre EVENING AT THE TALKHOUSE Bill Ian Rickson National Theatre THE CRUCIBLE Danforth James Brining West Yorkshire Playhouse A SEASON IN THE CONGO Kala Lubu Joe Wright Young Vic A THOUSAND MILES OF HISTORY Gerard Basquiat Harold Rainey The Bussey Building RSC (Stratford/West End)/BAM JULIUS CAESAR Casca Gregory Doran (New York/Moscow) THE COMEDY OF ERRORS Aegeon Dominic Cooke National Theatre HAMLET The Player King Paul Miller Sheffield Crucible ELEKTRA Pedagogus Carrie Cracknell Young Vic CAT ON A HOT TIN ROOF Doctor Baugh Debbie Allen West End/Novello Theatre THE TEMPEST Prospero Liam Steel Regents Park THE JEW OF MALTA Barabas Anna Coombs Hall for Cornwall THE RESISTABLE RISE OF ARTURO UI Dogsborough David Farr Lyric Hammersmith Theatre KING LEAR Gloucester Dominic -
Simon Coates
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Coates Location: London Other: Equity Height: 5'10" (177cm) Eye Colour: Blue Weight: 12st. 7lb. (79kg) Hair Colour: Light/Mid Brown Playing Age: 41 - 55 years Hair Length: Balding Appearance: White Stage 2018, Stage, Gayev, The Cherry Orchard, Royal Exchange/Bristol Old Vic, Michael Boyd 2016, Stage, Bishop of Ely, Richard III, Almeida Theatre, Rupert Goold 2015, Stage, Parsons, 1984, Headlong, West End, Australia and USA, Robert Icke 2015, Stage, King Philip, King John, Globe Theatre, James Dacre 2014, Stage, Anderson/Dr.Yealland, Regeneration, UK Tour, Simon Godwin 2014, Stage, Parsons, 1984, Headlong, West End, Robert Icke 2014, Stage, Tate, Donkeys' Years, Rose Theatre, Kingston, Lisa Spirling 2013, Stage, Philante, The Misanthrope, Liverpool Playhouse & ETT, UK Tour, Gemma Bodinetz 2012, Stage, Sir Epicure Mammon, The Alchemist, Liverpool Playhouse, Robert Icke 2012, Stage, Friar Laurence, Romeo & Juliet, Headlong & UK Tour, Robert Icke 2011, Stage, Cleante, Tartuffe, ETT, Liverpool Playhouse & UK Tour, Gemma Bodinetz 2011, Stage, Sir Andrew Charleson, Plenty, Sheffield Crucible, Thea Sharrock 2010, Stage, Colonel Hennings, The Prince of Homburg, The Donmar Warehouse, Jonathan Munby 2010, Stage, Captain Anson, Arthur and George, Birmingham Rep, Rachel Kavanaugh 2009, Stage, Beralde, The Hypochondriac, Liverpool Playhouse/ETT UK Tour, Gemma Bodinetz 2009, Stage, Max, The Real Thing, The Gate Theatre Dublin, Alan Stanford -
Jimmy Akingbola
www.hamiltonhodell.co.uk Jimmy Akingbola Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company THE TOWER DC Steve Bradshaw Jim Loach Mammoth Screen Limited KATE & KOJI Koji Ben Kellett Hat Trick/ITV TED LASSO Ollie Various Warner Bros/Apple TV+ MOST DANGEROUS GAME Carter Phil Abraham CBS CHEAT DI Hammond Louise Hooper ITV IN THE LONG RUN Valentine Declan Lowney Sky Saul Metzstein/Philippa LIVING THE DREAM Paul Big Talk/Sky 1 Langdale Liberian Ambassador NCIS Bethany Rooney CBS Gabriel Moore THE MACHINE (Pilot) Dr Lubin Caradog W. James Syfy FUNGUS THE BOGEYMAN Rev Jake Ruto Catherine Morshead Sky 1 DC Entertainment/Warner Bros. ARROW Series 4 Baron Reiter Various Television/The CW VERY BRITISH PROBLEMS Himself Lorrie Powles Alaska TV/Channel 4 BALLOT MONKEYS Baz Adebalu Guy Jenkin Hat Trick/Channel 4 ROALD DAHL'S ESIO TROT Keen Petshop Keeper Dearbhla Walsh BBC/Endor Productions SONS OF LIBERTY Peter Salem Kari Skogland History Channel BIG SCHOOL Series 2 Dr. Dalton Matt Lipsey BBC DEATH IN PARADISE Series 3 Terrance Richard Signy BBC REV Series 1, 2 & 3 Winner of Best Comedy Performance, Movie, Video & Screen Awards (MViSAs), 2014 Mick Peter Cattaneo Big Talk Productions Winner of Best Comedy Performance in TV, Movie, Video & Screen Awards (MViSAs), 2012 Winner of Best TV Actor, BEFFTA Awards, 2010 HOLBY CITY Winner of Favourite Male TV Star, Screen Nation -
The Assistant Lighting Designer's Toolkit
The Assistant Lighting Designer’s Toolkit “The Assistant Lighting Designer’s Toolkit is a book the lighting world needs and should be required reading for all new— and not so new— lighting designers.” — Ken Billington, Tony Award- winning Broadway Lighting Designer The ground- breaking text that took the lighting world by storm returns in its second edition, unlocking the insider secrets and proven, time- tested methods to succeed as a professional assistant lighting designer. This definitive guide outlines, step-by- step, the daily challenges that assistant lighting designers face during every phase of production, and the solutions for overcoming them. Furthermore, intermingled among the highly detailed paperwork techniques and essential procedures, top industry professionals reveal tips for success in this challenging career. This fully updated second edition features: • All new advice, real- world stories, and current paperwork examples from over 120 working professionals. • Updated industry practices with case studies from the professionals themselves, such as how to create a video network to record previews for the lighting department; how much printing is done in an increasingly paperless world; how to produce a set electrics package; and how the industry interfaces with cutting- edge technology like remote followspots and pre- visualization software. • New lifestyle tips for traveling abroad, negotiating contracts, and dealing with stressful situations. The Assistant Lighting Designer’s Toolkit, the most trusted authority on assisting in the lighting world, equips budding assistant lighting designers and students studying lighting design with the insider knowledge they need to achieve the successful career that they have always wanted— whether choosing assisting as a career or as a stepping-stone toward design. -
Automated Lighting, Second Edition: the Art and Science of Moving
Automated Lighting This page intentionally left blank Automated Lighting The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment Second Edition Richard Cadena AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier, Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
The Glee Club
FULL CAST ANNOUNCED FOR NATIONAL TOUR OF THE GLEE CLUB OUT OF JOINT, CAST & KILN THEATRE present Spring 2020 Tour of THE GLEE CLUB By Richard Cameron Director - Kate Wasserberg Designer - Mark Bailey Musical Director and Sound Designer - Dyfan Jones Lighting Designer - Katy Morison Associate Director - Sita Thomas Assistant Director - Gavin Joseph “Music was on the move, the swing, the shake, the sex of it was comin’ through the airwaves.” Out of Joint, Cast, Doncaster and Kiln Theatre, London today announced the full cast for their national tour and London run of The Glee Club. Joining Bill Ward who plays Bant, will be Joshua Hayes (Breakneck Bronco – Soho Theatre, A Wondrous Place - Sheffield Theatres/Royal Exchange/Northern Spirit) as Walt Hemmings, Robert Jackson (She Ventures and He Wins – The Young Vic, Kiss Me Kate – The Watermill Theatre) as Scobie, Linford Johnson (The Lion The Witch and The Wardrobe – Bridge Theatre, Much Ado About Nothing – Northern Broadsides) as Colin Shuttleworth, Kai Owen (Torchwood – BBC TV, The Full Monty – UK tour) as Jack Horsfall and Eamonn Riley (Martha, Josie and The Chinese Elvis – Stephen Joseph Theatre, Our Town – The Royal Exchange) as Phil Newsome. This new production of Richard Cameron’s play is directed by Out Of Joint’s artistic director Kate Wasserberg. In the summer of ’62, five hard-working, hard-drinking Doncaster miners, together with their church organist accompanist, are frantically preparing to wow the audience of a local gala concert with their sweet tones. This is The Glee Club, a group of unlikely singers, who though being established in the working men’s clubs, aren’t exactly known for being at the vanguard of a musical revolution. -
Dick Bird Stage Designer
Dick Bird Stage Designer Dick Bird's website is available here. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits In Development Production Company Notes OTELLO Wiener Staatsoper Dir. Adrian Noble 2019 NIXON IN CHINA Royal Danish Opera Dir. John Fulljames 2019 ANNA BOLENA Badisches Staatsoper Dir. Irina Brown 2018 Theatre Production Company Notes STREET SCENE Teatro Real, Madrid Dir: John Fulljames 2018 THE NUTCRACKER Birmingham Royal Ballet at Choreog. Sir Peter Wright 2017 The Royal Albert Hall THE PEARL FISHERS LA Opera Conducted by Plácido Domingo 2017 and Grant Gershon United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes DRAGON QUEST Star Dancers Ballet, Tokyo Dir: Minoru Suzuki 2017 TIS PITY SHE’S A WHORE Teatr Polski, Warsaw Dir: Dan Jemmett 2016 MIKADO The Scottish Opera a new co-production with the 2016 D'Oyly Carte Opera Company. Dir: Martin Lloyd-Evans THE PASSION BBC4 Broadcast In collaboration with The Sixteen 2016 and in association with Manchester’s HOME. THE PASSION Streetwise Opera Dir: Penny Woolcock 2016 in collaboration with The Sixteen and in association with Manchester’s international centre for contemporary visual art, theatre and film, HOME. COSI FAN TUTTE A Garsington Dir: John Fulljames 2016 Opera/Bucharest National Opera House coproduction LES PECHEURS DE PERLES Metropolitan Opera New York Dir: Penny Woolcock 2016 Conductor: Gianandrea Noseda COSI FAN TUTTE Garsington