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Pat:Moderately Good Stuff Iget Nervous': Avvesome Album
...' ,. PAGES SOUTHWEST STANDARD PAGE 9 .. o They came with three semi-trucks, three position of sound mixers and crew calls. "It is crew buses, one van bus and three drivers for a very technical contract. It also establishes • each vehicle. such things as food requirements for the They brought 40,000 pounds of sound crews, " he said. equipment, 25,000 pounds of lights and When the crew of Benatar arrived at HSC 20,000 pounds of set equipment. staff members were ready. The stage was Twenty-two people began working at 7 built the night before and power requirements a.m. and continued well into the night. were met. The construction of the set began REVIEW , 'They" were the show of Pat Benatar. the morning of the concert. When Benatar recently took the stage in the Throughout the day speakers were hoisted Pat: Moderately good stuff Hammons Student Center it was the result of to the ceiling and a lighting truss was hoisted efforts by many people. According to Keith above the stage. Work continued throughout by Mike Glynn Certainly Benatar, dressed in a black sweater, red skirt Stafford, assistant director of operations of the afternoon with sound checks and set "Listen," someone must have told Pat Benatar, and high heels, looked as sexy in person as on album HSC, there is a great deal of planning and construction. "Springfield is a conservative town. Don't get too wild or covers. She strutted from speaker to speaker, casting sassy work to be done before the concert takes By 8 p.m. -
UNIVERSITY of CALIFORNIA Los Angeles Reexamining Portamento As an Expressive Resource in Choral Music, Ca. 1840-1940 a Disserta
UNIVERSITY OF CALIFORNIA Los Angeles Reexamining Portamento as an Expressive Resource in Choral Music, Ca. 1840-1940 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Musical Arts by Desiree Janene Balfour 2020 © Copyright by Desiree Janene Balfour 2020 ABSTRACT OF THE DISSERTATION Reexamining Portamento as an Expressive Resource in Choral Music, ca. 1840-1940 by Desiree Janene Balfour Doctor of Musical Arts University of California, Los Angeles, 2020 Professor William A. Kinderman, Co-Chair Professor James K. Bass, Co-Chair This study reexamines portamento as an important expressive resource in nineteenth and twentieth-century Western classical choral music. For more than a half-century, portamento use has been in serious decline and its absence in choral performance is arguably an impoverishment. The issue is encapsulated by John Potter, who writes, “A significant part of the early music agenda was to strip away the vulgarity, excess, and perceived incompetence associated with bizarre vocal quirks such as portamento and vibrato. It did not occur to anyone that this might involve the rejection of a living tradition and that singers might be in denial about their own vocal past.”1 The present thesis aims to show that portamento—despite its fall from fashion—is much more than a “bizarre vocal quirk.” When blended with aspects of the modern aesthetic, 1 John Potter, "Beggar at the Door: The Rise and Fall of Portamento in Singing,” Music and Letters 87 (2006): 538. ii choral portamento is a valuable technique that can enhance the expressive qualities of a work. -
Musical Rhetoric and Sonic Composing Processes Kyle D
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2012 Musical Rhetoric and Sonic Composing Processes Kyle D. Stedman University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Music Commons, and the Rhetoric Commons Scholar Commons Citation Stedman, Kyle D., "Musical Rhetoric and Sonic Composing Processes" (2012). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4229 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Musical Rhetoric and Sonic Composing Processes by Kyle D. Stedman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Joseph M. Moxley, Ph.D. Trey Conner, Ph.D. Marc Santos, Ph.D. Meredith Zoetewey, Ph.D. Date of approval: June 12, 2012 Keywords: Music, Sound, Composition, Creativity, Aesthetics Copyright © 2012, Kyle D. Stedman DEDICATION I dedicate this project to Margo, who partnered with me through writing marathons, bad moods, cluttered desks, long conferences, and endless drives between Orlando and Tampa. She never stopped speaking truth into me and reminding me how good I am at this whole teacher/scholar thing. And she filled our home with music, the best writing support of all. I also owe a debt to the fifteen composers who took the time to talk to me about their work, as well as all the composers over the years who have translated their musical instincts into words through interviews. -
Romantisk Punk-Kynisme Udforsker Alle Afkroge Af Livet Og Kærligheden
2016-12-05 11:00 CET Romantisk punk-kynisme udforsker alle afkroge af livet og kærligheden Beatbox Entertainment & VEGA Præsenterer Romantisk punk-kynisme udforsker alle afkroge af livet og kærligheden Det engelske horror punk band Creeper udgiver deres længeventede debutalbum i marts og gæster Lille VEGA til en aften med teatralsk horror-punk onsdag den 5. april 2017. Creeper har tidligere udgivet to anmelderroste ep’er i form af The Callous Heart fra 2015 og The Stranger fra 2016. 2016 har endvidere medført prisen for ”Best British Newcomer” ved Kerrang! Awards samt ”Best New Band” ved Metal Hammer Golden Gods Awards. Snart er de klar med deres debutalbum Eternity, In Your Arms, som udkommer den 24. marts 2017. Efter at have imponeret fans i både hjem og udland med deres melankolske punk, er forventningerne tårnhøje til bandets næste udspil. Førstesinglen ”Suzanne” indfrier disse forventninger på fornem vis med en følelsesmæssig eruption af teatralsk teen-horror, tilsat adrenalinfremkaldende punk’n’roll. Bandet viser, at de mestrer at skabe musik på baggrund af forventninger, talent og tårnhøje ambitioner. Den tilhørende video består af bandet, der spiller på livet løs i lilla lys, afbrudt af klip fra hjemmeoptagelser, der kryber én langt ned ad ryggen, når en mystisk skikkelse kommer til syne i baggrunden. Der er noget mørkt over den romantiske sang, hvilket er lige præcis i Creepers ånd. Orkestreret sceneshow i et smukt univers I Creepers univers består hovedrollerne af en gruppe unge, der kalder sig selv for ”The Callous Heart”. På scenen agerer Creeper-medlemmerne som denne gruppe unge, der, i sangen ”The Secret Society” fra ep’en The Stranger, siger om sig selv: ”We don’t love or hate. -
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet). -
Dancers Go All Around the World
The Longest-Running Newspaper In Historic Hudson, Ohio VOLUME CIII WESTERN RESERVE ACADEMY JANUARY 2017 Model UN Conference Athlete Spotlight Bookbag Ban A Restaurant Review Afterthoughts from the Pioneers on Follow Megan ’17 on her swim journey. Zach ’17 and Charlie ’18 expresses their Find out which restaurant Caleigh ’17 their trip to Brown University. thoughts on the latest safety precaution. wants you to try in downtown Hudson. PAGE 2 | NEWS PAGE 3 |COMMUNITY PAGE 6 | THE COIN PAGE 7 | OPINION Dancers Go All Around the World ALAN DOE commented, “For me, the amazing spoke of moving on, traveling, dis- tuming was well appreciated. even nervous after the second show, Ilyana Smith ’20 part of the process is watching the tance, or the music represented a While some dancers admitted which was astonishing!” Contributing Editor growth of the students. From the certain place.” From “Manhattan” their initial feelings of stage fright, This was a splendid perfor- early stages of the rehearsal pro- to “Bombay” to “Amsterdam”, to it is clear that their love for what mance from the WRA dancers. It Lively music. Synchronized cess to the final performance, the the production’s eponymous song they do makes it all worth it. “I've was an enjoyable experience for all movement. Beautiful choreography. amount of improvement that takes “Leaving on a Jet Plane”, this per- been performing on stage since I involved, from the director to the Western Reserve Academy’s 2016 place is of course necessary, but also formance and its music certainly was very young. After ten years, dancers to the audiences. -
Serial Killer: Ten Years Later FREE
Special Report Serial killer: Ten years later FREE a newspaper for the rest of us www.lansingcitypulse.com August 23 - 29, 2017 CityPulse’s Summer of Art: "Yellow Radio," by Kimberly Lavon. See page 13 for story. ANNOUNCING THE 2017/18 SEASON A FAIRCHILD FANFARE TICKETS NOW ON SALE Sat., Sept. 16, 3:00 p.m. A Fairchild Fanfare and more: Fairchild Theatre music.msu.edu/events A fabulous array of musical talent: piano four hands, marimba, voice, viola/piano, brass quintet, woodwind quintet, and jazz octets 2 www.lansingcitypulse.com City Pulse • August 23, 2017 112 N. LARCH | LANSING | 517.999.2631 AMERICANFIFTHSPIRITS.COM City Pulse • August 23, 2017 www.lansingcitypulse.com 3 INDIVIDUAL TICKETS ON SALE NOW! GET GREAT SEATS TO THESE HOT SHOWS & MUCH MORE! 2017-2018 35th Anniversary Season WHARTONCENTER.COM • 1-800-WHARTON COMING IN 2018-2019 SUBSCRIBE TO THE 35TH ANNIVERSARY 2017-2018 SEASON AND RENEW FOR 2018-2019 TO GUAR ANTEE YOUR SEATS! 4 www.lansingcitypulse.com City Pulse • August 23, 2017 cut through the heart of the city, demol- ishing 800 19th and early 20th century VOL. 17 City Hall: ‘Key, residences and changing the character of the adjacent neighborhoods. Another 600 were ISSUE 2 historic landmark’ demolished for the state complex west of the Capitol. With an understanding of architec- (517) 371-5600 • Fax: (517) 999-6061 • 1905 E. Michigan Ave. • Lansing, MI 48912 • www.lansingcitypulse.com By SUSAN BANDES tural history and urban development, these ADVERTISING INQUIRIES: (517) 999-5061 I feel compelled to respond to Mayor as well as the original city hall might have or email [email protected] Verg Bernero’s August 8 City Pulse column been saved. -
NEIL GIRALDO, FOUNDER & CHAIRMAN of the BOARD Neil
2018 Three Chord Neil Giraldo Discography NEIL GIRALDO, FOUNDER & CHAIRMAN OF THE BOARD Neil Giraldo was born in 1955 in Cleveland, Ohio. Immersed in the culture of his beloved Sicilian ancestry, his parents Anthony and Angela instilled the love of music at a young age, giving Neil his first guitar at the age of six, with the hopes that he and his sister, Priscilla, who played the accordion, could entertain family and friends with songs from the old country after church on Sundays. As Neil got older, his mentor, Uncle Tim, introduced him to revolutionary bands like The Yardbirds, The Kinks, The Rolling Stones, and all the other great guitar-driven rock ‘n’ roll bands of the 1960s. Finding new and innovative ways to shadow path his way into songs, Neil developed a discipline early on of not just playing along to his favorite artists, but creating different parts for himself within those tracks. At the same time, the budding guitar artist also became proficient on piano by continuously practicing along to Chuck Berry (Johnnie Johnson), Fats Domino, and Jerry Lee Lewis records. His interest in percussion instruments soon followed; practicing the drums to Simon & Garfunkel albums he explored how different rhythms could alter the complexion of songs. These practices and disciplines created the foundation for his future success as an innovative record producer and musician. Giraldo began his professional career in 1978 as a key member of the Rick Derringer band after competing against 200 other guitarists for the position. It wasn't long before Rick discovered Giraldo’s piano playing prowess and quickly put those skills to work in the studio for the recording of Guitars and Women. -
Top 40 Singles Top 40 Albums
06 March 1983 CHART #369 Top 40 Singles Top 40 Albums I Don't Wanna Dance Love Come Down Concert In Central Park Singles Album 1 Eddy Grant 21 Evelyn King 1 Simon & Garfunkel 21 Siouxsie & The Banshees Last week 2 / 7 weeks RTC Last week 14 / 10 weeks RCA Last week 1 / 18 weeks Platinum / CBS Last week 18 / 10 weeks POLYGRAM Nobody Dr Heckyll & Mr Jive Greatest Hits Abba - The Singles 2 Sylvia 22 Men at Work 2 Little River Band 22 Abba Last week 5 / 7 weeks RCA Last week 26 / 9 weeks CBS Last week 3 / 2 weeks EMI Last week 49 / 2 weeks RCA Sexual Healing Zoom Primitive Man Memories 3 Marvin Gaye 23 Fat Larry's Band 3 Icehouse 23 Barbra Streisand Last week 1 / 8 weeks CBS Last week 17 / 12 weeks RTC Last week 2 / 20 weeks Platinum / WEA Last week 37 / 33 weeks Platinum / CBS Rock The Casbah Shame On The Moon Living My Life Howard Morrison Spectacular 4 The Clash 24 Bob Seger 4 Grace Jones 24 Sir Howard Morrison Last week 12 / 2 weeks CBS Last week 40 / 4 weeks EMI Last week 4 / 6 weeks FESTIVAL Last week 31 / 13 weeks RCA The Other Guy Mad World Love Over Gold Are You Lonely 5 Little River Band 25 Tears for Fears 5 Dire Straits 25 Patsy Riggir Last week 4 / 4 weeks EMI Last week 34 / 4 weeks POLYGRAM Last week 7 / 20 weeks Platinum / POLYGRAM Last week 35 / 5 weeks CBS Shoop Shoop Diddy Wop Cumma Cu.. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Rockwired Magazine NOVEMBER 2013 – Rockwired.COM
ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 1 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 2 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 3 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 4 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 5 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 6 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 7 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 8 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 9 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 10 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 11 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 12 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 13 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 14 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 15 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 16 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 17 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 18 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 19 ROCKWiRED MAGAZiNE NOVEMBER 2013 – ROCKWiRED.COM PAGE 20 ROCKWiRED MAGAZiNE It's a very moody album. I love it. WHEN YOU WERE I understand that you guys aren't too far from Alaska KING is a fantastic album. Talk about the title of it. but you are so far up the Canadian north that it's not It took a while for us to figure what to call this album but I even funny. What kind of music scene are you knew that that particular song was important and it was surrounded by? actually the last song that we had recorded. The song In the Yukon, the music scene is actually quite vibrant. -
Memoirs of the Court of Queen Elizabeth
Memoirs of the Court of Queen Elizabeth Lucy Aikin Memoirs of the Court of Queen Elizabeth Table of Contents Memoirs of the Court of Queen Elizabeth........................................................................................................1 Lucy Aikin...............................................................................................................................................2 PREFACE................................................................................................................................................4 VOL. I...................................................................................................................................................................5 CHAPTER I. 1533 TO 1536....................................................................................................................6 CHAPTER II. 1536 TO 1542................................................................................................................14 CHAPTER III. 1542 TO 1547...............................................................................................................25 CHAPTER IV. 1547 TO 1549...............................................................................................................29 CHAPTER V. 1549 TO 1553................................................................................................................41 CHAPTER VI. 1553 AND 1554...........................................................................................................49