Page 1 FCC FORM 1240 UPDATING MAXIMUM PERMITTED RATES

Total Page:16

File Type:pdf, Size:1020Kb

Page 1 FCC FORM 1240 UPDATING MAXIMUM PERMITTED RATES FCC FORM 114!)1240 liP!),\UrDA TINGliM,; MAXIMUMMAX!Ml.'l<!l'KRMlTTfl) PERMITl'ED RATESRATf:S FORfOR Rl:Gl;l,\REGULATED rEI> CABLECABJ.f: SERVICES Cable Operator: MM Name of Cable Operator TIme W ......r Cable - Uberty DivWoa Mailing Address of Cable Operator 11adlUtriaJ Dri.. , City Stale IIZIPCode Mid_...... INY ,1_1 YES NO X If yes, complete !he franchise aU1hority informallOn below and enlel' !he associaIed CUlD number bore: NY0513 YES NO~0 1. Dea dais IiIiq iDvolw a JiD&Ie fraadlite autborily but multiple _If _1 X If yes. enlel' !he associaIed CUIo. below and complete !he franchise aulherity infonnalion at !he bonom of 1his pJl8e: 3. Dea dais IiIiq _ multiple fraadlite _rilies? If yes. anach a separate sheet for each franchise aulherity and inclode the fonowing franchise aulherity information with its _lied CUlD(s): FnUldlise Autborily Iaformalioa: Name of Local Franchising Authority ViIIHe of Walden Mailing Address of Local Franchisins AU1hority a Seofield Street City Stale IIZIPCode Walden NY 12586 Telepbonenwnber FaxNwnber 4. ForFtn' .....wh.att po..,...,"pu:(JHJ1H' htlhi;; dais formForm 1240tMJl _.IiIed?bdug ·UJ-t>d? PleaseJ-tk•;ji(M~ put auan "X""'X'' iDm lhethe appropriate:i.I})JHPp,·j~tt: boLb-i·I'IL a.'"' OriginalO:<)!,in& Formh.·;rrn 1240. kJG for{,n Basici<.?.~it~ TierTit~ b, AmendedAn~~'XlJt.\d FormF:h'1n 1240l2-~:_. fort~.:·r BasiclJ.c.t7.it:. TierT;r.;: c,c OriginalOr;.~=;~in.al Formji!~tm 1240~ ;,::,3 forkJ CPS Tier'fi..:.r .,:id, Amendedi\n'}~:rtd',~l Formf.\;._n;l 1240l2.4·'.i forL'rCP'S CPS Tier TO 5. ladKate lhe .... year lime period for _ you are settiq nta (lhe Projected Period). 0111101/ll I 12111 (mmlyy) TO 6. ladKate lhe lime periocl for wbicb you ..... performiDc a true-up. 01110 I 12110 (mmlyy) 7. SlallU ofPre.ious FiIin& of FCC Form 1240 (enter an "x" iD lhe appropriate box) YES NO a. Is 1his !he first FCC Form 1240 filed in any jurisdiction? X b, Has an FCC Form 1240 been filed previously with !he FCC? X If yes. enlel' !he date of !he most recent filing: L.._===_-'09/1S109 (mmlddlyy) YES NO c, Has an FCC Form 1240 been filed previously with !he Franchising Authority? X If yes. enter !he date of!he most recent filing: '-_=="'--_--'09/1S109 (mmlddIyy) a. SIa.... of Previous FiliD& of FCC Form lltO (eater ID "s" iD lhe appropriate box) YES NO a. Has an FCC Form 1210 been previously filed with the FCC? If yes. enIer!he date of!he most recent filing: '----_____-' (mmlddlyy) YES NO b, Has an FCC Form 1210 been previously filed with !he Franchising Authority? If yes, enlel' !he date of !he most recent filing: '-_____-' (mmlddi)'Y) 9. SlallU of FCC Form 1200 Filial (euter .. "x" iD lhe appropriate bos) YES NO .. Has an FCC Form 1200 been prmously filed WIth !he FCC? If yes, enlel'!he date filed: L ___-' (mmlddi)'Y) YES NO b, Has an FCC Form 1200 been previously filed ",th!he Franchising Authority? If yes, enIer!he date filed: '-_____-' (mmlddIyy) 10. Cable ~ Seni«s Complaiat SlaIlU (eater so "s" iD lhe appropriate bos) a. Is 1his form being filed in response to an FCC Form 329 complaint? If ).... enIer !he date of !he complaint: '-_____--' II.l \_ Isl..r. FCC~··(_(~ Fermt·m:tn 1205t.Z.V~ BeiD&fik>in1;: IDcIuded~m.lnrta:l Wid!Wi!h TIaisThi~ roliaaHlit'l'_:;· ll.U, Sdoctioa.r"GoiDc:,f:,\t,.:tYXi ~·I '·'f;win~ Forward"fr,,~'JO!J ., ~Cl11-_!lfvtd Ad_Ad4rUt>:u MflIMNIoIocyMe1h~1fh•I(r·~y (eeterff"J.1ti!T ao.u-.~ "s",,. l."' iDw lheftb:.· .ppropriateapprvJ.•tiaW 4-c<':tboo) i' I ! Check bore if you are using !he onginal rules (MARKUP MElHODj. : X 1Check bore if you are using !he ne"" alternalive rules ICAPS METIiODl If using !he CAPS MElHOD, have you elected to "",so recovery for cbameIs added dunng!he penod May 15, 1994 to Dec, 31. 1994? Page 1i 13. IIeadead U ......... _odol.1f -NOTE: Op.n:uon Must ceTlify 10 IN COMmlniOft !Mir t!bgilnlifY to 1Ut! lhis upgrade /MthoJoIbgy and attach an t!qlllpmenlli$1 anJ ikpITCiation JChtduk, CJ Check here if you are a qu.a1ii}ing small system USIII8 the streamlined headend lIP8'ade methodology. Page 2 Part 1:I: Preliminary Information Module A: Maximum Permitted Rate From Previous Filing AI Currcm~ MwmumMaxuman PcnruttedPcm:nttcd RaicRate Mod u leIe B : S u bse"bebscn 'be rs h'h" iiPIP u.. __ _ui<. b < d . u.. U..Daeri- Buk TlerlTlu2 TlerJTluJ TIor'Tlu4 TierSTIorS BI81 AvcrastA""'"" Subs<nb<tslupSubsalbcnhtp ForFoc Truc:wUpTrue-Up Paiod I 2,021 0 0 B282 A-A_ Subscrib<r.olupSubscibcnblp ForFoc True-UpTnoe-Up !'<nodPeriod 2 _ A ___p For l'roj<ded Penod 83B3 futun.oted A-Suboocrib<tslup For Proj.-1 Paiod 1,980 0 0 Module C·C" InOationInflation Information u.. __ u.. u..- ClCI Undaimod_,~SWltclungF"""Unclaimed lnflaltm, Opere« SWifdwla Fmm 12IOT.12401210 To 1240 1.0000 Unclaunod lnfI....... Unrcguia!<d Operator Rc.pcodmg., IUtc c__ C2 UllclaimedlnftobOO. Unrqula!ed Opere«~ tc R<l< Complaint 1.0000 C3 lnftatior!FII<ICI<FO<T,.._Upl'eriodlnfI ..... Y..... For T_Up !'<nod I IWb[Wia I)1] 10131LOt 37 C4C. IntIabOllFtct«f«TruewUpPcnod2lnf1altm ........ f0< True-Up Pcnod 2 [Wia(WU 1]I] C5cs CCum::ot...... FCCfCC_f_ 1atlallm Fac:10r 10108 Module D: Calculating the Base Rate u .. __ . b .< d . u.. U..Dea<ripdoa .-... Tlor2n..2 TluJn..3 Tlor4n.r • n..sTluS D1DI c..,....CurTcnI HoadoodfIeadald UpgradeUP@1'Idc SepJontSegmcnI D2Dl c.......c...... ExtomalExtomaI c-Coots SegmentSepJont $454 9036 OJDl C..,....c ....... CIplICaps MethodMdbod Sell"""'Se_ D4D< cc..-....... M..tupMarlwp MdbodMethod Sell""""s._. C..,... ChanneI __DeIetwn Segment DS C..,... ChannelMovancat and Dek<lon Set!"""t D6DO Curmrtc ........ True-Up SegmcnISell"""' $6.3097S6.3097 D1D7 c......lnfIaIiooSegmcnlC.......lnftatiooS.- $0.3309so 3309 D8 llueBase IUtcR<l< [AI-DI-D2-D3-D4-D5-1J6..D1)[A1-D1-D2-D3-D4-DS-D6-D7] $119194$11.9194 Part II: True-UDTrue-Uo PerIOdPer1od Module E: Timing Information u .. __ u.. U..Daeripdoa EIEl WhIIWhat T)I>CofTrue-UpTjpCofT... -Up {.BeinglslleingPerl'onncd?(Answ..-"1", Pctfonncd1 (Answer 'I', "2',0<"2', or "3'."3' s..See -...lnslrudions forfur. a descnption o(oflhese these type<)types.) I I 2 lf"l",ptoModllle11"1",10 10 Modale L 1f"2",lf"l",auwerll auwer El alldl.l..... E3. It")",lf"l",auwer auwer £2,El, El,EJ,~aad E4,aad as.£5. E2 NumberofMoathsmNumber ofMooths m the Tt'Ue-UpTrue-Up Period JI 12 E3EJ Nwnbc.-ofMonlhsNumbcrofMomhs betw...,betwcc::u the endofTnoe-Upend of True-Up PenodPcnod 1 and !hethe eudofthemostend of the most....,. m:enl PrOJ......tProjected pfJ'IOdPaiod 0 E4 NumberNumb<.- ofMonlhsofMoo!h. min True-Up PenodPaiod 2 EligibleEiisible for_fur 1nlerest E5 NwnbccNumber of Months True-Up Period 221nelisibk Inebpble for Interest Module F: Maximum Permitted Rate For True-Up Period 1 _ui<. b < d . u.. Uu .. ~~ner1p~~ooo...riplioll TIorlTlerl n..JTluJ Taer4Tier' n..STluS FIF1 CapsMcthodSepJontFarTrue-UpPcnodCap. Method Sell"""" For True-Up Penod 1I [Wb[Wial] 2) F2f2 MarlwpM..tup Method SegmentSell"""' For True-Up Period 1I [Wks[Wia 3)3] - F3FJ Chan M_Mvmnt DeldnDeieIn SepJontSegmcnI For True-Up !'<nodPeriod 1I [Wia'[Wb' 4/S]4/5) F4fo True·UpTrue-Up PcnodPeriod 1I Rate EligtbleEligsbJe For IntlatiooIntlauon {D8+F1+F2+F3}[D8+Fl +F2+Fl) $11.9894 F5FS _lnftaboo SepJontSegmcnI foefur True-Up PenodPaiod 1I [(F"C3)-F41[(F4*C3)-F4J $0.1646 1 F6 HeadeadHeodend UpgnodeUp(!lllCie SepJontSegment F«for True-UpT_Up PenodPeriod I [Wia[Wb 616] F1 ExtenulExternal CcstsCoots SepJontSegmcnI ForF..- TNC-UpTrue-Up PenodPeriod I [Wia[Wb 7)7] $1292.$7.2928 F8FS Tt'Ue-Up~ForT~UpP~lTrue-Up SegmcnI For True-Up Penod I $5.9882 F9 MaxMaxPennR<I<fo.-True-UpPcnod Perm Rate for True-Up Pcnod I1 [F4+FS+F6+F7+F8J[F4+F5+F6+F7+F8J $25.4349525.4349 Module G·G' Maximum Permitted Rate For True-Up Period 2 _ui<. b < d . u.. u..o...ri_u .. ~~ne- Tler2n.rl TIorJTluJ Titr4Tler4 Tlu5TIorS Gl CapsCIplI Method SegmcnISepJont ForFoe rT .......... Upup Period 2 [Wb[Wia 21 ·- I I! 02G2 MadrupMarlwp Methods._.Method SegmcnI For True-UpT...... Up PeriodPenod 2 [Wks[Wb 313] I I G3GJ Clw!~Chan MYIIllll..... DeldnDeieIn Se_Sell"""' For True-Up PenodPaiod 2 [Wks' 415]4151 I I G4 TU PenodPaiod 21Utc2 R<l< Ebl!lbleEligible ForFc< lnfIlnf1altm..... [D8+f5-tGl-tG2..v31[D8+FS+G1+G2+G3] iL !I osGS lnfI""""lnftal>oll s._.SegmcnI foefor True-Up PenodPeriod 2 {(G4·C4)-(l41[(G4•C4)-G4] , iI ' I G6 HeadendHe.deod UP@1'IdcSegmcnlforTrue-UpPenod2[Wks61Upgrades._. For True-Up Period 2 (Wia 6j I iI Ii I 07G7 E'II<tnlIlE.........J c-Coots SegmcnIs._. ForFer True-UpT.... up !'<nodPcnod 2 [Wia[Wb 71 I I !I Ji G8 True-Ups._.True-UpSegmcnl ForF... T""'-UpT",,-Up PcmcllPenod 2 I ,i !I 1I G9 Max I'GmPerm RateIUtc f.:.-fur True-UpTf'lle..Up PcnodPenod 2 !G4-tGS~7..vs1fG4-tGS+G6+G7+G8) i , SOOOOOisooooo! ! ', I PagePage3 3 .Module"lndule H: True-Uprr:ll''.:''!!'_'\lljustnH:lt_~~~':'kUialion Adjustment Calculation . b . d . u.. u .. o...ri.- Tied Tier 3 Tier' TierS AoIj_,'orrr-Uphriodl HI ~ucFromPenod 1 5388.032- 0000 I I HZ Revenue from Max Penruttcd Rate for Pmod 1 5616.841.7562 H3 T_UpPmod I Adj_ [HZ-HI] $228.8157562 H4 _",Period I AdjwilJneul SI2.810.8863 AdjutMu, For T,...Vp Pmod 2 H5 _ F.... Period 2 Eh ..bl. fur_ I H6 Revenue From Max Pem Rate for Penod 2 Eligible For mwesa H7 Pcnad 2 Adj_ Fli ..ble Fcc Int=st {H6-H5J , H8 lmercst 00 Penod 2 Adjustment {See lIlStJ'UcUOnS f« formula} I I H9 Re\.'CftUC Frun Pcnod 2 1nebgible for lnt«est I I 1110 _ From Max Pmn a..
Recommended publications
  • FCC-06-11A1.Pdf
    Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service ..............................................................................................................
    [Show full text]
  • Comcast Channel Lineup
    • Basi.c Service , $ 14.99 Equipment and Options (prices per month) The minimum level of service available and is required before you HOTV Equipment Charge~ ... .., ...............•.........$ 7.00 can subscribe to additional services, HO OVR Service .................•........................$ 15.95 SO DVR Service ..................................•........$ 8.95 Starter Cable , $ 55.99 Digital/Analog Converter . .. .....................•........$ 3.20 Includes Starter Cable channels plus OCT & Remote. Analog Converter for Basic Service Only ......•............ " .$ 1.00 Digital/Analog Remote Control . .•.......•.. ,... .$ 0.20 Digital Preferred ,,,,, $ 16.95 This package can be added to Starter Cable and includes the Installation and Service' channels in Digital Classic. Home Installation (Wired) ......., .......•........ , .$ 23.99 Home InstaiJation (Unwired) ............................•... .$ 33.99 Digital Preferred Plus Package , $ 107.99 Additional Connection at Time of Imliallnstall , $ 12.99 Includes the channels in Starter Cable. Digital Classic, and HBO Additional Connection Requiring Separate Trip ..........•.....$ 20.99 and STARZl. Move Outlet ........................................•. , ..$ 16.99 Upgrade of Services _.......•.. , ..$ 14.99 Digital Premier Package , ,.$ 127,99 Downgrade of Services ,... .. , ..........•.........•....$ 10.95 Includes the channels in Starter Cable, Digital Classic, Sports Change of Service or Equipment Activation ........•......•.....$ 1.99 Entertainment Tier, HBO, Showtime, Cinemax and Starzl. Connect VCR at Time of InitiallnstaiJ $ 5.99 Connect VCR Requiring Separate Trip .................•......$ 12.99 Digital Premium Services. ,,,,, $ 19.99 Hourly Service Charge. .........,.. $ 30.99 Premium services can be added to any Digital package, Select Service Call Trip Charge ........ $ 27.20 from HBO, Showtime, Cinemax, The Movie Channel, STARZI Administrative Fee for Delinquent Accounts at 30 Days $ 5.95 or E(1core. Administrative Fee for Delinquent Accounts at 60 Days ,$ 5.95 Additional Late Fee Every 30 Days After.
    [Show full text]
  • American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
    Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts.
    [Show full text]
  • •2 •4 •5 •6 •7 •8 •9 •11 •12 •13 •14 •15 •16 •17 •18 •19 •20 •21 •22 •23 •24
    Channel Lineup – Santa Monica Broadcast Basic KJLA (Ind) •57 National Geographic •72 KLCS (PBS) 58 Comedy Central 73 KCBS (CBS) 2 • • • KRCA (Ind) 62 The Weather Channel 74 KNBC (NBC) 4 • • • TV Guide Channel 63 AMC 98 KTLA (CW) 5 • • • Spike 65 KCET (PBS) 6 • • C-SPAN 69 Broadcast Basic KABC (ABC) 7 • • • Educational Access 75 • Standard Cable ESPN 8 • En Español Basico Tier • Court TV 76 • KCAL (Ind) 9 • • Public Acess 77 KTTV (FOX) 11 • • KBEH (Spanish) 78 Nickelodeon •12 • KCOP (Ind) 13 • Standard Cable QVC •14 KHIZ (Ind) •15 Santa Monica City Channel •16 Discovery Channel • 3 KVMD (Ind) •17 Fox News Channel •25 KSCI (Asian) •18 E! •26 ABC Family •19 Disney Channel •31 Government Access •20 CNN •32 A&E •21 CNBC •33 KWHY (Spanish) •22 ESPN2 •36 FSN •23 Sci-Fi •37 FSN Prime Ticket •24 TLC •38 Lifetime •27 TBS •41 Santa Monica College •28 TNT •42 KDOC (Ind) •29 Food Network •43 KPXN (PAX) •30 Headline News •47 KMEX (UNI) •34 Bravo •49 MTV •35 TV Land •51 BET •39 HGTV •60 KTBN (TBN) •40 Galavision ••61 KXLA (Ind) •44 Oxygen •64 KFTR (Telefutura) •46 Cartoon Network •66 MSNBC •48 VH1 •67 KOCE (PBS) •50 The History Channel •70 KVEA (Telemundo) •52 Style •71 FX •53 KAZA (Azteca) •54 USA Network •55 All programming subject to change. HD or digital equipment is required to receive Video On Demand, channel 81 and channels above 99. HD equipment is required to receive High Definition channels. All trademarks and service marks are property of their respective owners.
    [Show full text]
  • Savage Race Maryland Spring 2015 - Alpha List Last Wave of the Day Is 1:00 PM
    Savage Race Maryland Spring 2015 - Alpha List Last wave of the day is 1:00 PM KNOW YOUR BIB NUMBER AND START TIME ON RACE DAY **Only participants registered before 4/22/2015 at 11:59 PM appear on this list. All late registrants may either start with their team or run in the 1:00 PM heat. Bib # Last Name First Name Sex City State Team Name Wave Time 1 Abbasi Taha M Smyrna DE Boom Shakalaka 11:20:00 AM 2 Abbasi Tuba F Smyrna DE Boom Shakalaka 11:20:00 AM 3 abisai Gedalias M fairfax VA Vico's team 1:00:00 PM 4 Acchione Brian M Hanover MD Lost Causes 9:20:00 AM 5 Acevedo Nick M springfield VA Mud Packers 10:20:00 AM 6 Adams Caitlin F Chevery MD 12:40:00 PM 10001 Adams Drew M Laurel MD Mudder Truckers 9:00:00 AM 7 Adams Nick M Arbutus MD Jerks & snatches 10:00:00 AM 8 Adams Shannon F Moon Township PA Red Flash Engineers 12:40:00 PM 9 Adebiyi Victoria F Upper Marlboro MD one love 10:40:00 AM 10 Adelberger Michael M Glen burnie MD Massive Dynamic 9:40:00 AM 11 Adinolfi Elliot M Lake Ronkonkoma NY TheKings 12:40:00 PM 12 Adkins Dustin M Pocomoke MD 10:40:00 AM 10002 Agra Andrea F Gaithersburg MD Prank Call of Cthulhu 9:00:00 AM 13 Aguilar Leonard M Odessa DE Miles to Martinis 10:20:00 AM 14 Ahmay Earl M Severn MD Motley Brew Crew 12:40:00 PM 15 Ahmed Ryan M baltimore MD GFY 2015 9:20:00 AM 16 Aitken Chris M Arbutus MD Jerks & snatches 10:00:00 AM 17 Akeret Joseph M Galloway NJ Rosie Ruiz Running Club 9:20:00 AM 18 Albaig Niss M Reisterstown MD Dirty Dancers 12:00:00 PM 10003 Albert David M Crisfield MD Kenbuild 9:00:00 AM 19 Alexander Alicia F east petersburg PA Molasses 11:00:00 AM 20 alexander andre M Adelphi MD New Hope 12:00:00 PM 21 Alexander David M Chestertown MD CrossFit Assatague 9:40:00 AM 22 Alexander Doug M East Petersburg PA Molasses 11:00:00 AM 23 Alfonso-May Joela F Centreville VA Borrachos baratos 10:40:00 AM 24 Alford Dale M College Park MD 12:20:00 PM 25 Allen Gregory M Rockville MD Littering and..
    [Show full text]
  • Theatre Students Find New Play on ‘Craigslist’
    Wednesday, April 9, 2014 VOLUME 33 / NUMBER 27 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews NEWS UIC youtube.com/uicmedia For the community of the University of Illinois at Chicago Photo: S.K. Vemmer UIC Theatre presents the premiere of “i wonder if it’s possible to have a love affair that lasts forever (or) things i found on craigslist,” a play by recent Goodman Theatre playwright-in-residence Christopher Oscar Peña that opens Friday. The student cast includes (L-R) James Crumb, Mark Pontarelli, Alex Rodriguez and Emily Woods. Read more on page 5 and watch the video at youtube.com/uicmedia Theatre students find new play on ‘craigslist’ INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 8 | Student Voice 9 | Crossword / Police 10 | People 11 | Sports 12 Jelena Spanjol studies corporate Greek Week celebrates UIC New use for orphan drug: ‘only Flames baseball sweeps values, job satisfaction student organizations hope’ for kidney transplant Youngstown State Profile, page 2 News, page 4 News, page 7 Sports, page 12 2 UIC NEWS I www.uicnews.uic.edu I APRIL 9, 2014 profile Send profile ideas to Gary Wisby, [email protected] Jelena Spanjol examines how values impact job satisfaction By Gary Wisby If you work for a company that shares your values about the environment, you will have greater job satisfaction and be more creative, says Jelena Spanjol. But if both you and your employer have a high level of concern, the effect is greatly magnified, her re- search shows. The associate professor of marketing in the College of Business Administration (her name is pronounced Yell-EN-a Shpahn-JOHL) surveyed Australian engineers for the project.
    [Show full text]
  • 2005 Programming Guide
    t’s not all movies, teen music and sitcoms any more! The growth of music, non-fiction and Hispanic programming is evident in this year’s guide to providers of programming – our 21st annual edition. On the music side, programmers have discovered I in the past few years that interest extends beyond teenagers. Non-fiction has expanded as well. There are new and expanded offerings from the Discovery Channel, for instance. In short, private cable operators should be able to find programming for almost every taste here! Compiled by Irene Gonzales ■ Broadband Properties Distributor Basic Premium HD Family Religious Movies Children Public Affairs, News, sports, non-fiction, health Comedy Music Hispanic, Asian, other ethnic 4COM Animal Planet ✘ ✪ ✔ BBC America ✘ ✪ BET Digital Networks ✘ ✇ CMT ✘ ✇ Comedy Central ✘ ❂ C-Span ✘ ✔ C-Span-2 ✘ ✔ C-Span 3 ✘ ✔ Court TV ✘ ✔ Discovery Channel ✘ ✪ ✔ Discovery HD Theatre ✘ ◆ ✪ ✔ Discovery En Español ✘ ✪ ✔ Discovery Health Channel ✘ ✔ Discovery Home and Leisure ✘ ✪ ✔ Discovery Kids ✘ ✰ ✔ Discovery Times Channel ✘ ✔ Discovery Wings ✘ ✔ EWTN Español ✘ ★ FitTV ✘ ✔ FLIX ✘ ✌ Galavision ✘ Hallmark Channel ✘ ✪ ✌ 16 | BROADBAND PROPERTIES | www.broadbandproperties.com | DECEMBER 2004 I-LifeTV ✘ ✪ ★ ImaginAsian TV ✘ ■ ✌ ✔ International Channel Networks ✘ ■ KT Communication La Familia ✘ ✪ MTV ✘ ✰ ✇ MTV Español ✘ ✰ ✇ MTV Hits ✘ ✰ ✇ MTV Jams ✘ ✇ NBC Universal Cable ✘ ■ ◆ Nickelodeon ✘ ✰ Nicktoons ✘ ✰ Nick At Nite ✘ ✰ Nick GAS ✘ ✰ ✔ Noggin and The N ✘ ✪ Satellite Management Services Showtime ■ ✌ ✔ Showtime Beyond
    [Show full text]
  • FROM the CINEMA SCREEN to the SMARTPHONE: a Study of the Impact of Media Convergence on the Distribution Sector of American Independent Cinema 2006 – 2010
    FROM THE CINEMA SCREEN TO THE SMARTPHONE: A study of the impact of media convergence on the distribution sector of American independent cinema 2006 – 2010 Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Hayley Trowbridge. September 2014 (initial submission) April 2015 (final submission) Thesis Number: 20120341 ABSTRACT FROM THE CINEMA SCREEN TO THE SMARTPHONE: A study of the impact of media convergence on the distribution sector of American independent cinema 2006 – 2010 Hayley Trowbridge Film distribution has undoubtedly changed during this contemporary era of media convergence, with a range of innovative practices and methods being adopted across US film and the arrival of new organisations to the industry and distribution sector. This should not suggest that conventional distribution and marketing methods are extinct, or that the traditional gatekeepers of these fields are obsolete. Rather it should indicate a merging of old and new strategies, practices, methods, and organisations, and it is through this fusion of tradition and novelty that today’s complex distribution landscape has emerged. At the forefront of many of these changes has been American independent cinema and as such, the central question posed by this thesis is: how has media convergence impacted on the distribution and marketing of American independent cinema, and how can this impact be understood in terms of wider technological, industrial and sociocultural contexts relevant to the current media landscape? In answering this, this thesis provides a comprehensive re-mapping of the distribution sector of American independent cinema, in terms of the distributors involved and methods and strategies through which films are being released, within this contemporary era of media convergence.
    [Show full text]
  • Imaginasian Participant Biographies Imaginasian Online At
    ImaginAsian Participant Biographies Kate Agathon is Purdue University doctoral student and is a community activist for the Asian American community. A former “Angry Reader of the Week” she is the producer of photographer William L. Snyder’s commUNITY photo exhibit created to celebrate Asian Americans in the Midwest and to commemorate the 30th anniversary of Asian Pacific American Heritage Month. An online gallery can be seen at http://williamlsnyder.com/community. Keiko Agena is a L.A.- based artist best known for her portrayal of "Lane Kim" on the TV series, Gilmore Girls. These days it's all about her new company, Mango Pop! Here she designs cards, jewelry, and t- shirts, all featuring her original artwork and oh so witty dialogue. Visit her web site at www.mangopop.com. Jimmy Aquino runs the internet radio station A Fistful of Soundtracks and writes and draws The Palace, a web comic that can be read at afistfulofsoundtracks.blogspot.com. Jeremy Arambulo lives and draws comics in Brooklyn, New York. After graduating from Boston University, he landed a job as Art Production Assistant at Blue Sky Studios working on Ice Age. In addition to drawing comic art, he has created story boards for music videos and album covers. Find him on the internet at JeremyArambulo.com Lindsay Bauer is a native of Floyds Knobs, Indiana, and is a senior at Purdue University. She will be graduating in May 2010 with a Bachelor of Arts in Visual Communications Design and a minor in Communication. Darren Lee Brown is a writer, artist, DJ, and musician currently residing in East Lansing, Michigan, where he is pursuing a Ph.D.
    [Show full text]
  • TO YES NO NO to Page 1
    FCCFORMU40FCC FOllM U.W VPDAl<l'!M.HC':G TING MAXIMUM~!AXJMV\t PERMIITEDl'f:l'U11 !'Tl.'l> RATESR~1'€S FOR REGULARf.:Gl:L\Tl:OTED CABLECHlU: SERVICESSliRV!Cf$ Cable Operator: MM Name of Cable ()peraIor n-W ........ Ca... • Liberty_ Newburgh Mailing Address of Cable ()peraIor 2 IadUitriai Driw CiIy 1 State I ZIP Code Middlet...... NY 110941 YES NO x If yes. complete the fnoncluse ....OOfllY infonnation below and ....ter the associaJed CUID number bet.: YES NO 2. Does fllilliIia& jay_ aliDcJe f.-bile autllority but awltiple _unity uni.. ! x If yes, enter the associaled CVIDs below and complete the fnw:bise aUlborily infonnation at the bottom of Ibis _: 3. Does fIIiI_,_ muItip.. frudWe authorities? If yes. attach • separate sheet for _ franchise aUIbority and inclode the following franchise authority infonnatioo Wllb its associaJed CUlD(s): F..-bUe Authority lafo...... tioD: Name of Local Franchising Aulhorily N... 1JuJU Mailing Address of Local Franchising Aulhority City State IZIP Code Telephone number Fax Number Your_FH 4. For:F<H"l'ilat wbat purJIOIe_pUi1M~SC ilfIIiIi' rbi"l FormJionn 1240124(1 beIaghein~ filed?fd£-.il':* Pleasel"lt'll~-t' put11ut anau "X"''X" iDiu 1bethe appropriateatl{)l'l.t-f.H"i.<~tl' boLbill:. a. OriginalOnJ.-;t:tai Formf•;:w:n 12401'2:-1(1 forf,;;~· Basic1-.i-t(s~c TierTic1 b. AmendedAnc ..-'t;d •.~.d Formf-vni 1240 for Basicf1.-.:r:,t· Tier c. Original(J:-t.r.;::r..U Form-h.;tm 1240 for\br CPS Tier d.C. Amendedi\:n·}tide.ti Formf\'1-n;·~ 12401:40 forf,:;;· CPS TierT,t:r TO~ S.lndicate the ODe year time period for which yoo are settiD& rates (the Projected Period).
    [Show full text]
  • Crossover: How Artists Build Careers Across
    Crossover How Artists Build Careers across Commercial, Nonprofit and Community Work Ann Markusen | Sam Gilmore | Amanda Johnson Titus Levi | Andrea Martinez The Arts Economy Initiative Project on Regional and Industrial Economics Humphrey Institute of Public Affairs, University of Minnesota October, 2006 For The William and Flora Hewlett Foundation | The James Irvine Foundation | Leveraging Investments in Creativity Contents Preface 5 Crossover and Artistic Development 52 Executive Summary 7 Conclusions and Recommendations 59 Complex Attitudes towards Art and Commercial, Nonprofit and Community Sectors Commercial, Nonprofit and What Artists Can Do Community Crossover: the Theory 11 What Educational and Training Institutions Can Do Delineating the Commercial, Nonprofit and Community Sectors What Artists' Service Organizations Can Do How Artistic Sectors Differ Operationally What Commercial Sector Employers Can Do How Artists Navigate Sectoral Divides What Nonprofit and Community Arts Organizations Can Do What Funders Can Do Insights from Prior Research 21 What the Media Can Do Crossover Surveys and Related Studies What Government Agencies Can Do Biographies and In-depth Case Studies What Arts Advocacy Groups Can Do Studies of Bay Area and Los Angeles Artists Networking among Sector Leaders and Managers Survey and Interview Content 27 Appendix I. Survey and Interview Methodology 85 Reaching Los Angeles and Bay Area Artists 31 Appendix II. Methodology in Brief Census vs. Survey Portraits of An Overview of Respondents Los Angeles and Bay
    [Show full text]
  • Invention-Con 2018 Booklet (PDF)
    INVENTION-CON 2018 | THE PLACE FOR INVENTORS, MAKERS, & ENTREPRENEURS Patents’ Office of Innovation Development (OID) is proud to present Invention-Con 2018. “To foster invention and entrepreneurship by providing full access to the U.S. intellectual property system” is our mission; it drives us to deliver education and insight about patents and trademarks across the country. USPTO’S INVENTORS CONFERENCE | AUGUST 17–18 INVENTION-CON 2018 | THE PLACE FOR INVENTORS, MAKERS, & ENTREPRENEURS Table of Contents Agenda . 1 Breakout Session Descriptions . 3 Resource Booth Descriptions . .. 5 Presenter Biographies . 7 Key USPTO Resources For Inventors, Startups & Entrepreneurs . 22 About the Office of Innovation Development (OID) . 23 Invention-Con Planning Team . 24 USPTO’S INVENTORS CONFERENCE | AUGUST 17–18 INVENTION-CON 2018 | THE PLACE FOR INVENTORS, MAKERS, & ENTREPRENEURS From Concept to Commercialization AGENDA 10:45 a.m.−11:45 a.m. We’re the government and we can help: Thursday, August 16, 2018 Available resources Representatives from the SBA, MDBA, OID and 4−6 p.m. USPTO Regional Offices will detail the resources available Registration and badge pick-up to the public via their respective organization . SBA−Brittany Sickler Pre-Conference workshops (optional) MBDA−Patricia Tomczyszyn 6−7 p.m. OID−NaThanya Ferguson USPTO Regional Office−Hope Shimabuku Getting to first base: Moderator: Kathleen Bragdon Understanding patent basics · Vladimir Magloire 11:45 a.m.−12:45 p.m. Understanding trademark basics · Scott Baldwin Lunch break Walk through the USPTO’s website presentation Friday, August 17, 2018 by Ned Landrum from 12:15−12:45 A list of dining options is available at the registration desk .
    [Show full text]