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Teachers and Themes TCFE-Forum and Push Hands Meeting 2008
Teachers and Themes TCFE-Forum and Push Hands Meeting 2008 Dan Docherty has studied tai chi chuan since 1971 with Master Cheng Tin Hung. In 1980 he was the south-east open- weight champion. Dan is a founder member of both the Tai Chi Union for Great Britain and the Taijiquan & Qigong Federation for Europe where he serves as President. Theme: Tai Chi qinna shuai jiao & die pu and their connection to tui shou Luis Molera studied Tai Chi Chuan since 1980 & taught since 1984. He studied with Master William CC Chen and in Taiwan with with masters like Chen Shiu-Yao (Rosa Chen), Chen Zhi Dan and Jeang Shen Chih. He has won many tournaments in pushing hands, tai chi form, sword, sabre and fan in Europe and Taiwan. Theme: Pushing Hands (Tui Shou): various elements such as rooting/relaxation, posture/coordination and good timing, in order to better understand the meaning of Tai Chi Chuan as a soft martial art and also as a practical tool for everyday situations. Sam Masich A passionate and gifted teacher, Sam Masich is one the most accomplished North American practitioners of Taijiquan and the Chinese Internal Arts, having studied full time since 18 years of age. His work as a full time instructor has, in the past 25 years, taken him to over 100 cities and towns in Canada, USA, Mexico, Spain and Germany. Students from around the world have traveled to his Annual Push Hands Training Camps in Vancouver, Canada. The subject of several documentaries, Sam has produced over 20 films on Internal Arts related topics. -
Yang Family, Yang Style楊家,楊式
Yang Family, Yang Style 楊家,楊式 by Sam Masich Frequently I am asked questions about the curriculum of Yang Style Taijiquan. What does it include? Why do some schools include material that others don’t? Why are some practices considered legitimate by some teachers but not by others? In order to understand the variances in curriculum from school to school it is first necessary to understand a few historical factors relating to the creation of this branch of Taijiquan as well as the opinions of the Yang family itself. In 1990 I had the fortune of riding with master Yang Zhenduo from Winchester, Virginia to Washington D.C. in a van filled with Tai Chi players. We were all going to the Smithsonian institute and to see the sights. It was a sunny day and everyone in the vehicle was in very good spirit after an intense, upbeat five-day workshop. The mood was relaxed and, as I was sitting close to Master Yang and his translator, I took the opportunity to ask some questions about his life in China, his impressions of America, his training and his views on Tai Chi. At some point I came to the subject of curriculum and asked him, among other things, what he thought about the 88 movement Yang Style Taijiquan San Shou (Sparring) routine. Master Yang said, "This is Yang Style Taijiquan not Yang Family Taijiquan." He went on further to explain that this was the creation of his fathers’ students and that, while it adhered well to the principles of his father’s teachings, it was not to be considered part of the Yang Family Taijiquan. -
2019 Saturday & Sunday Workshop Descriptions and Instructor Bio's
2019 Saturday & Sunday Workshop Descriptions and Instructor Bio’s Arms don't move; or do they? Frames of reference (Saturday, 5:10 to 6:20) Instruction: DAVID BRIGGS Description: Explore the body mechanics of movement within your form and practice. Improve your own practice with a better understanding of the development of Qi and power through connected movement. BIO: Dave Briggs started training Martial Arts in 1970. He started Tai Chi Chuan in 1980 under Susanna DeRosa and through her met and studied with Master JouTsung Hwa. He has dedicated his life to the motto "Seek not the masters of old .. seek what they sought." Tai Chi Warmups (Saturday, 10:20 to 11:30) Instruction: DAVID CHANDLER, Waterford, CT (www.eaglesquesttaichi.com) Description: This set of Tai Chi Warm ups, put together by David Chandler, include Qigong, Soon Ku, Indonesian Hand Dances, Circular Patterns, Swinging Motions and stretching practices culled from many different traditions of Tai Chi Chuan. These simple techniques can be done alone or prior to Form work for dynamic health benefits. Appropriate for all levels. An instructional DVD is available for purchase for home practice. Sun Style Basics (Saturday, 5:10 to 6:20) Instruction: DAVID CHANDLER, Waterford, CT (www.eaglesquesttaichi.com) Description: Sun Style Tai Chi, also known as Open Close Tai Chi, is a synthesis of Hsing-I, Bagua and Tai Chi, promoting maximum cultivation and flow of energy. Movements help the player to develop balance, flexibility and strength while amplifying internal energy awareness. This workshop will cover the basic fundamentals of Sun Style as well as the beginning movements of a Sun Form. -
Historia TAI CHI CHUAN - Opracowanie Na Podstawie Informacji Z Internetu I Książek (M.In
pokolenie historia TAI CHI CHUAN www.chentaichi.pl - opracowanie na podstawie informacji z internetu i książek (m.in. "Chen Żywe Taijiquan w klasycznym stylu" - Jan Silberstorff) - w razie zauważonych błędów proszę o kontakt: [email protected] 1 Chen Bu (1368 - 1644) 4* STYL CHEN … … … … 9 Chen Wang Ting (1597 - 1664) 1* powstanie tai chi 10 Jiang Fa Chen Ruxin 11 Chen Dakun Chen Dufeng 12 Chen Shantong Chen Shanzi 13 Chen Bingqi Chen Bingren Cheng Bing Wang POCZĄTEK STYLU YANG 14 Chen Chang Xing - stara forma - (1771 - 1853) 2* 15 Chen Gengyun Chen Ho Hai Yang Lu Chan (1799-1872) 7* 16 Chen Yannian Chen Yan Xi (mistrz starego stylu) Yang Banhou (1837-1892) Yang Jianhou (1839-1917) 17 Chen Lianke Chen Dengke Chen Fa Ke (1887 - 1957) 3* Quan You (1834-1902) nowy styl WU Yang Shaohu Yang Chengfu (1803-1935) 8* Xu Yusheng Założyciel dzisiejszego YANG 18 Chen Zhaochi Chen Zhaotanhg Chen Zhaoxu - 5* Chen ZhaoKui (1928-1981) 19* Wu Jianquan (1870-1902) nowy styl WU Chen Zhaopi 19* Chen Zhaopu Ma Yuliang (1901-1998) Fu Zhongwen Yang Zhenduo (ur. 1925) 9* Zheng Manquing Chen Weiming Chen Zhaohai obecny spadkobierca Yang 19 Chen Yinghe Chen Xiaowang (1945) 10* Chen Xiaoxing 14* Ma Jiangbao (ur. 1941) najstarszy syn brat Chen Xiaowang Chen Bing Chen Jun Chen Yingjun 16* najstarszy syn Chen Xiaoxinga (1971-) pierwszy syn mistrza drugi syn mistrza Chen Ziqiang 15* Chen Zhenglei 13* Wang Xi'an 12* Zhu Tiancai 11* 4 smoki rodziny chen, główni spadkobiercy stylu. Większość obecnie znanych mistrzów Chen Taiji zostało wytrenowanych przez dwóch mistrzów 18 pokolenia rodziny Chen. -
YMAA News and a Grand Finale Party
YM A A NEWS Issue 42 • June 15, 1997 Web site: www.ymaa.com e-mail: [email protected] FOREWORD Dear Friends: Self Recognition for All YMAA Students By Dr. Yang can plow and how beautiful it is while living in Jwing-Ming Traditional Chinese Martial Arts are like clas- the world of appearances, or do you plow to cut sical music. They need time and patience (i.e. through the appearances so that you may culti- gongfu, or energy and time). Traditional Chinese vate and harvest a profound understanding of Martial Arts are based on the feeling of the art, life? not looking. They are not a fashion, and they will Awareness (Spiritual Connection) last forever. Modern Wushu is a fashion that must change Modern Wushu or Sport San-Shou is like rock all the time in order to catch its audience. music. It requires only a short time to train, and Traditional martial arts have deep roots both in is based mainly on appearance, not the feeling. theory and practice. Modern Wushu can be cre- It is a fashion. Once a fashion is over, it is over. ated by any Wushu athlete with only a couple of It is not something that can last forever. years of basic training. Sequences are common- Self-Recognition (Identity) ly created by the athletes instead of traditional martial arts masters. Athletes seldom have the YMAA is an international martial arts organi- foundation of root and Jing manifestation zation that trains only traditional Chinese martial required to create a meaningful sequence. arts. YMAA does not train modern Wushu. -
Tongren August 2011
Iching-hexagram-13 7/15/09 4:20 PM TongRen A publication of the Canadian Taijiquan Federation Une publication de la Fédération Canadienne de Taijiquan August 2011 Août Volume 18 . Issue 3 Numéro file:///Users/rhubarb/Desktop/Iching-hexagram-13.webarchive Page 1 of 1 TongRen August/Août 2011 Volume 18 . Issue 3 Numéro Published by the Canadian Taijiquan Federation, P.O. Box 32055, London, Ontario, Canada N5V 5K4 www.canadiantaijiquanfederation.com Editor: Michelle McMillan, KI DESIGN, Guelph, Ontario <[email protected]> Copy Editors: Charles Dunphy, Oakville, Ontario & Bob Chessell, Barrie, Ontario TongRen provides a forum for the discussion, TongRen fournit un forum pour discuter, exprimer et expression, and experience of Taijiquan and related vivre le Taijiquan et ses domaines connextes. Articles, subjects. Articles, reports on events, biographies, reportages, activitiés, biographies, lettres, critiques de letters, book reviews, poems, illustrations, scholarly livres, poèmes, illustrations, textes savants et réflexions research, and philosophical musings are welcomed. philosophiques sont les bienvenus. Veuillez soumettre Please email submissions for consideration for tout matériel à fin de publication à la rédactrice de publication in TongRen to the editor, Michelle T o n g R e n , M i c h e l l e M c M i l l a n McMillan <[email protected]> <[email protected]> TongRen is published quarterly: February, May, TongRen est publié quatre fois par année, en février, August, November. Submissions must be received by mai, août et novembre. Toute sumission doit être reçue the first day of the preceding month to be included. avant le premier du mois qui précède la date de The Editor reserves the right to determine content of publication. -
Tai Chi Chuan Martial Applications: Advanced Yang Style Tai Chi Chaun Pdf
FREE TAI CHI CHUAN MARTIAL APPLICATIONS: ADVANCED YANG STYLE TAI CHI CHAUN PDF Jwing-Ming Yang | 364 pages | 05 Nov 1996 | YMAA Publication Center | 9781886969445 | English | Rochdale, United States Tai Chi Chuan Martial Applications: Advanced Yang Style by Jwing-Ming Yang The Yang family first became involved in the study of t'ai chi ch'uan taijiquan in the early 19th century. Yang became a teacher in his own right, and his subsequent expression of t'ai chi ch'uan became known as the Yang-style, and directly led to the development of other three major styles of t'ai chi ch'uan see below. Yang Luchan and some would say the art of t'ai chi ch'uan, in general came to prominence as a result of his being hired by the Chinese Imperial family to teach t'ai chi ch'uan to the elite Palace Battalion of the Imperial Guards ina position he held until his death. Yang Jianhou the third son Yang Chien-hou Jianhou — passed on the middle frame long form, sometimes called the 2nd generation Yang form or the Yang Jian hou form to his disciples who still pass on this more martial form that is when seen more reminiscent of Chen style for which it is closer to in time as well as form than the Yang Cheng fu form or 3rd generation styles. Thus, Yang Chengfu is largely responsible for standardizing and popularizing the Yang-style t'ai chi ch'uan widely practised today. Yang Chengfu developed his own shortened "large frame" version of the Yang long Form, in order to make it easier to teach to modern students who are busy with modern life. -
BAGUAZHANGBAGUAZHANG BAG of Baguazhang (Emei Baguazhang)
YMAA PUBLICATION CENTER YMAA is dedicated to developing the most clear and in-depth instructional materials to transmit the martial legacy. Our books, videos and DVDs are created in collabo- ration with master teachers, students and technology experts with a single-minded purpose: to fulfill your individual needs in learning and daily practice. This downloadable document is intended as a preview only. We hope that you enjoy this preview and encourage you to explore the many other downloadable samples of books, music, and movies throughout our website. Did you know? • YMAA.com has one of the most popular Qigong and martial arts forums online with thousands of posts. • YMAA.com has free articles, interviews, podcasts, news, product reviews, events, and more. YMAA Publication Center 1-800-669-8892 [email protected] www.ymaa.com B1132 cover layout 8/6/08 4:09 PM Page 1 Martial Arts B1132 YMAA PUBLICATION CENTER | Martial Arts — Internal A complete training guide for beginners and advanced practitioners BAGUAZHANGBAGUAZHANG BAG of Baguazhang (Emei Baguazhang). Liang, Shou-Yu Internationally BAG —Theory—Theory andand Applications—Applications— —T renowned author (seven books & seven —T Packed with over nine hundred photographs, this comprehen- videos) and teacher of Chinese Martial sive text offers theory, martial applications, sequences, Qigong Arts and Qigong. heory and Applications— One of China’s top heory and Applications— exercises, weapon training, and is an indispensable resource coaches and a past for those serious about Chinese martial arts. judge for numerous national martial arts • Translation of ancient Baguazhang documents competitions. Head UAZ • Baguazhang Qigong coach for the First UAZ & Second Canadian • Basic Training National Wushu • Body Conditioning Team, and coach for the School of •Eight Palms sequence and fighting set Physical Education at the University of •Swimming Body sequence and martial applications British Columbia. -
Sistema De Ranking Para O Estilo Yang De Tai Chi Chuan
Tai Chi - Ranking Seguindo as necessidades e o desenvolvimento das artes marciais, o Instituto de Artes Marciais Chinesas implementou em 1997, o sistema de graduações para as artes marciais chinesas, para avaliar o nível de habili- dade e contribuições dos praticantes e das pessoas que trabalham no campo das artes marciais formalmente. Nos últimos dois anos de desenvolvimento, alcançou sucesso entre os praticantes e artistas marciais profi s- sionais. A Associação Internacional, com o objetivo de adaptar à ordem atual das artes marciais chinesas e melhorar o desenvolvimento futuro do Tai Chi Chuan, criou o sistema de graduações para os praticantes do Tai Chi Chuan. A estrutura da Associação do Sistema de Graduações está baseada no “Sistema de Ranks das Artes Marciais Chinesas”. Sistema de Ranking para o Estilo Yang de Tai Chi Chuan Artigo I – Propósito Este sistema de ranking foi desenvolvido especifi camente para promover o desenvolvimento do Estilo Yang de Tai Chi Chuan, elevar o nível de habilidade e teoria dentro do Estilo Yang de Tai Chi Chuan e estabelecer um sistema de treino unifi cado dentro do mesmo. Artigo II – Nomes dos Graus Há nove graus que serão nomeados de acordo com uma variedade de fatores. O tempo de pratica, o nível de habilidade e teórico do praticante. Pesquisas realizadas, o respeito ao código ético das artes marciais e as contribuições para o desenvolvimento do Estilo Yang de Tai Chi Chuan, são considerados na avaliação dos graus. Estes são como segue: • Graduação de Iniciante: Um, dois e três. • Graduação Intermediária: Quatro, cinco e seis. • Graduação Avançada: Sete, oito e nove. -
Grandmaster Yang Jun on the Tai Chi Transformation
LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Grandmaster Yang Jun on the Tai Chi transformation August 16, 2014 1:15 PM MST View all 18 photos Grandmaster Yang Jun (in white) demonstrated Two-person Tai Chi. Li Ping Five years ago at the first International Tai Chi (Taiji) Symposium, Grandmaster Yang Jun demonstrated his leadership by uniting all five major Tai Chi families together. At the time he was still under the tutelage of his grandfather Grandmaster Yang Zhenduo on Tai Chi chuan. Now at age 46, he is one of the youngest grandmasters in the world of Tai Chi chuan. Violet Li Born in 1968, Grandmaster Yang Un is the 6th generation descendant of the creator of Yang Style Tai Chi chuan and the future bearer of the Yang Family heritage. During the recent 2014 International Tai Chi Symposium held in Louisville, KY, Grandmaster Yang was the last keynote speaker. With confidence and pride, he agilely skipped up a few steps to the stage in his polo shirt and blue jeans. He delivered a solid speech in English without a translator. He spoke about his ancestor Grandmaster Yang Luchan studied Tai Chi from the 14th generation Chen family Grandmaster Chen Changxin. Having completed his training, Yang Luchan returned to Beijing and taught many the art of Tai Chi chuan and one of his students was Grandmaster Wu Yuxian, who later also went to study Chen Tai Chi directly from a Chen family member and created Wu/Hao Tai Chi style. The Wu style and the Sun Style were directly and indirectly influenced by the Chen Style as well as the Yang Style. -
The Dynamically Balanced Expression of Oppositional Energies
THE DYNAMICALLY BALANCED EXPRESSION OF OPPOSITIONAL ENERGIES Relaxation, Opening and Extending in Tai Chi Chuan Practice Yang Zhenduo on Relaxation (Fang Song) This section of the chapter is an explanation of the role and concept of ‘fang song’ or relaxation in the practice of Tai Chi Chuan. The material is excerpted from Grandmaster Yang Zhenduo’s book, Zhong Guo Yang Shi Taiji, 1997, ‘Thoughts on Practice’ p163-164. Earlier in this book I have already talked quite a bit on the subject of ‘fang song’ or relaxation. Let’s connect related concepts by separately mentioning the terms ‘soft’ (rou) , ‘limp’ (ruan), ‘strength’ (li) and ‘energy’ (jing) so that these can be distinguished, which is helpful in practicing Tai Chi Chuan. In martial arts, we often hear the analogy made between ‘steel’ and ‘energy’ (jing). Likewise, ‘coarse strength’ (juo li) can be likened to ‘iron,’ because ‘steel’ comes from ‘iron’ and the source of ‘energy’ is also naturally from ‘coarse strength.’ Coarse strength is natural strength and is an inherent product of the human body. Coincidentally, the current graph used in Chinese for ‘energy’ (jing) includes ‘strength’ (li) with ‘work’ (gong) added to it. I am not sure if this was really the intent of those who designed this graph, but looking at this graph can surely help serve to explain the relationship of the two. ‘Adding work’ or refining, refers to the way in which, during the process of production, we use the method of high temperature forging; correspondingly for coarse strength we use the method of relaxation (fang song) to remove the stiffness of coarse strength. -
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ISSUE 10 EDITORS Fall 2020 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES EDITORIAL PAUL BOWMAN & BENJAMIN N. JUDKINS Five Years and Twelve Months that Changed the Study of Martial Arts Forever ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/mas.i10 Accepted for publication 30 October 2020 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 10 ARTS STUDIES FALL 2020 1 Editorial Five Years and Twelve Months that Changed the Study of Martial Arts Forever Paul Bowman and Benjamin N. Judkins ARTICLES 9 Tàolù – The Mastery of Space Daniel Mroz 23 Marx, Myth and Metaphysics China Debates the Essence of Taijiquan Douglas Wile 40 Rural Wandering Martial Arts Networks and Invulnerability Rituals in Modern China Yupeng Jiao 51 The Construction of Chinese Martial Arts in the Writings of John Dudgeon, Herbert Giles and Joseph Needham Tommaso Gianni 66 The Golden Square Dojo and its Place in British Jujutsu History David Brough 73 Wrestling, Warships and Nationalism in Japanese-American Relations Martin J.