JWST910-IND JWST843-Meecham May 4, 2018 8:43 Printer Name: Trim: 244mm × 170mm Index Note: Page numbers in bold refer to illustrations. 69th Regiment Armory Building 127, 136, 325, 391 as stranglehold 220 860–880 Lake Shore Drive 264, 271–2 and Swedish modernism 366–9 1900: Art at the Crossroads exhibition 147 absurdity 48 abyss, existence as 20 Aalto, Alvar 379, 380, 384–6, 387, 480 academie´ 84–5 Aarhus Art Museum 229 Academie´ Matisse, Paris 360, 362–3, 362 Abbott, Berenice 181 academies 446 Broadway and Rector from Above (1935) 181, Academy of Art, Australia 326 181 Academy of Things, The exhibition (2014) 223 Abelam 91, 104 Accara (rebel slave) 411, 418 Abelardo L. Rodr´ıguez Market, Mexico City Acropolis, Athens 76, 268 299–300 activism, grassroots 445 Aberth, Susan L. 116 activist art 4, 391, 394–8, 414 Aboriginal art 41–4, 46, 50 Adams, Ansel 180 Aboriginal culture 38–9, 41, 43 ADC see Art Director’s Club About, Edmond 507 adolescence 498, 503, 505, 506–7 Abraham Lincoln High School 398, 402–3 Adorno, Theodor 58, 236 Abramovic,´ Marina 43–4, 48 Adrian-Nilsson, Gosta¨ 361 Abstract Expressionism 1, 393, 474, 485, 487 AEG see Allgemeine Elektricitats-Gesellschaft¨ and Australian art 332 Aesop’s fables 432–3 as focus of modernism 10, 392, 400 aesthetic certainty 2 political use during the Cold War 407 aesthetic experience 21, 25 resistance to 403–4, 406 aesthetic innovation 2–3 abstraction 59 aesthetic life 18–19, 21, 29 abstract figurative art 219, 221 aesthetic orthodoxy 2 abstract murals 398–401, 402 aesthetic radicalism 181 American 213 aesthetic values 418 Aubrey Williams’s use of 414 aesthetics 5 and Australian art 322–3, 325–6, 328–31, 335 adversarial 1 and capitalist commercialism 212 American Abstract Artists’ 399–400 depoliticization through 212, 213 Asmat 100 dominance 414 display 127, 131, 133 and the East-West binary 303 Kantian 435–6 formalist 187 make-do-and-mend 138 German 212, 214, 215 Marxist 250 and Greek art 74, 80,COPYRIGHTED 81–2, 84 modernist MATERIAL 331 hybrid 219, 221 Nietzschean 17–33 and modernism 335 photo-aesthetics 170, 173, 176, 177, 180, 181, and the modernist aesthetic 331 182 and photography 176, 177, 192 and primitivism 93, 95, 96, 100 and primitivism 46 relational 391 representation as 220–1 Romantic 18, 20, 24, 25 set against realism 216–18 af Klint, Hilma 9, 360, 366–9, 439 severe geometric 215 At Work 369 Soviet 212, 215 Chimney Sweepers 269 A Companion to Modern Art, First Edition. Edited by Pam Meecham. © 2018 John Wiley & Sons, Inc. Published 2018 by John Wiley & Sons, Inc. JWST910-IND JWST843-Meecham May 4, 2018 8:43 Printer Name: Trim: 244mm × 170mm 518 ◼◼◼ INDEX af Klint, Hilma (Continued) Anderson, Wallace 334 “excavation” of the works of 367 Evacuation (1928) 332–3 Grupp IV, De tio Storsta¨ (1907) 366 Andre, Carl 253 Paintings for the Temple 367, 368 angles of vision 168, 170, 173, 176, 179, 183 Restless Work 370 Anglo-Irish Revivalists 111 Riddarholmsfjarden¨ at Winter Time 369 Angry Penguins 327–8 Serie WU/Rosen, Grupp 1 (1906–1907) 366 animism 27–8 Africa 61–5, 91, 104 annihilation 40–1, 215 Central 61–3 “Anschauung” 435 myths of 59, 61–3 Anthias, Tefkros 349 West 64 Holy Satan, Bless Me (1930) 349 Africa museum, Tervuren 61 The Second Coming (1931) 349 African American artists 394–8, 406 anthropology 43, 64–5, 304–5, 455 African art 441 and cultural equality 340 African “backwardness”, myths of 61–2 and curatorial strategies 302 African man, representation 416 paradigm shift 304 African Negro Art exhibition (1935) 65, 96 and social constructivism 304 African people 60 anthropomorphism 508 Agamben, Giorgio, “What is the Contemporary?” anthroposophy 438–9 200–1 anti-austerity protests, Greece 7, 257 Agee, James 171 anti-colonialism 110, 159, 414, 415, 419, 421 agency, Indian 486 anti-fascism 215–16, 217 agrarian economies, modernization 9, 375 anti-monuments 335 agriculture, Cypriot 348 anti-portraits 192–3 Aho, Juhani 382 anti-war 233 AIZ (Arbeiter Illustrierte Zeitung) (magazine) 171 Anzac soldiers 331, 333, 335 Al-Azzawi, Dia, Sabra and Shatila Massacre apartheid, end of 2 (1982–1983) 233 apartment blocks 386 Alapuro, Risto 375 Apollinaire, Guillaume 19, 365 Alaska 109 Apollo 24, 27 Albers, Anni 443 Apollonian principle 21, 22, 24 Albers, Josef 439, 443 Appadurai, Arjun 2, 304–5 Alberti, Leon Battista 167 Arab slavers 62 Albertian perspective 78–9, 80, 83, 167 Araeen, Rasheed 302 Albertinum Museum 218 Aragon, Louis 110 Alfred Schmela Gallery 428–9 Paris Peasant (1926) 118 alienation 46, 174, 283, 293, 296, 304 Aran islanders 111 alienation effects 233 Aranda (Arrernte) 38–9, 41, 42 and modernism 300 Arbeiter Illustrierte Zeitung (AIZ) (magazine) and Noguchi 304, 312 171 allegorical mode 61 archaic 5 allegory 406, 411, 453 Archaic (pre-Classical) Greek art 76, 77, 78, Allgemeine Elektricitats-Gesellschaft¨ (AEG) 271, 81–5 378 and the modern 6, 109, 111, 112, 113, 117, 118, Alston, Charles 397, 406 122–3 Modern Medicine (1940) 395–6, 395, 398, 403 and the present 201 Alte Pinakothek, Munich 136 archetypal 20 Altschuler, Bruce 135 archetypes 113 Amanamkai 99–100 architectural modernism 7, 263–80 ambiguity, institutionalization 431–2 Dessau 268–9 AmericaisHardtoSeeexhibition (2015) 146 failure 276 American Abstract Artists, aesthetics 399–400 Finnish 379–80, 381–2, 384–7 American Painting Today exhibition (1950) 137 functionalist 385 American Scene painting 393 Glasgow 7, 274–5 amor patriae (love for an imagined fatherland) Hollywood 266–7 381 IKEA Wuhan, China 7, 276–8 anatomical knowledge 84 multiplicity 263–5 ancient Egyptian art 79 Paris 267–8 ancient Greek art Richmond, California 270–1 as ancient modernism 5, 73–86 Rio de Janeiro 269–70 diversity 75–6 St Louis, Missouri 275–6 Anderson, Benedict 346, 380–1 Vienna 265–6 JWST910-IND JWST843-Meecham May 4, 2018 8:43 Printer Name: Trim: 244mm × 170mm INDEX ◼◼◼ 519 architecture and display 139 Art Nouveau 267 and the dissident’s point of view 221 and Eurocentric histories 269 feminist 257, 368–9 and photography 183–4 Finnish 384 “architecture” 240 global 50 Arget, Eugene` 181 and globalization 233 Argyrou, Vassos 341 and the installation shot 6, 127, 134 Armory shows 127, 136, 325, 391 and neoclassicism 77 Armstrong, Tim 111 “neutrality” 223 Arp 212, 399, 401 and the Parisian hegemony of modern art 359 Arrernte see Aranda and photography 184 Arric vases 83 and Picasso’s classicism 73 “Art & Language” Index installations (early 1970s) Southeast Asian 158–9 69 and Swedish modernism 359 Art of the Asmat, New Guinea: The Michael C see also social history of art Rockefeller Collection, The 102 Art Institute of Chicago 480 Art in Australia (journal) 321 Art of Lake Sentani, The exhibition 96 Art of Australia, The (1788–1941) (1941) 41 Art in the Life of the Child exhibition, St. Petersburg Art Director’s Club (ADC) 405 (1908) 475 art discourse apparatus 234 Art Nouveau architecture 267 art education 10, 427–48, 473–9 art objects alternative possibilities for 446 dematerialization of the centrality of 431, 444 anti-intellectual 433–4 photographic reproduction 167–8 as a challenge to neoliberalism 446 singularity/uniqueness (auras) 168, 172 and art as language 440–1, 444 Art of Oceania… exhibition (1969) 103 and art as unteachable 437 Art in Our Time exhibition (1939) 481 and the avant-garde 432, 440, 441, 445 art pedagogy, international exchange 474, 486 and Bauhaus 436–8 Art of the South Seas, The exhibition (1946) 65, 94, 96 and the beautification of the world 434–5 Art Styles of the Papuan Gulf exhibition 98 and the beaux-arts/fine art academic model Art Teachers’ Guild 440 433 Art Theory, and postmodernism 234 British 439–40 “Art of This Century” Gallery 139–40 and charismatic tutors 428–31 Art of the Two Germanys exhibition 223 conceptual leaps of 439 Art Work by Children of Other Countries exhibition in different nations 434 480 early reform 432–3 art workers 253–4 early/proto-modern 433 see also artists and educational retreats 441–3 “Art Workers” Coalition 253 and the educational turn 445 art/artefact dichotomy 146 elementary curriculum for children 435 Artaud, Antonin 19, 111–12, 122 exhibitions’ focus on 445 Artek Company 379 and fables of modern art 427, 432–3, 443–4 artist-seer 20 and fees 432 artistic critique 248, 252–3, 255, 258 and formalism 444 artistic production 7, 245–58 laissez-faire method 479 as aesthetically modern 247 and modernism 10, 427–46 in extensive modernity 250–6 parables for 427, 428, 430, 431, 445 as historically modern 245, 252–3 and a pedagogy of ambiguity 431–2 artists Preliminary/Foundation Courses 428, 443 artist as citizen 393 and social values 10 artist as emigr´ e´ in the city 283 and teacher training 436, 441 characterization of modern 3 Victorian reforms 433–4 demographics and employment patterns 252–3 why art is taught 439–40 duty to tell the correct story 215–16 Art Exhibition of the GDR, The 218 failed 252, 257 art gallery, Foucauldian notions 6, 127–8 mythology of the modern artist 69 art historiography, Cypriot 351 photographers as 170 art history 57, 62–3, 145–6, 150, 153, 154 primitive 361 American 391–2, 406 as reproducers 257 Australian 321, 329 artists’ colonies and Classical Greek art 77, 80 Finnish 382, 384 disciplinary changes 2 rural 287 and the discourse of large exhibitions 217 Artists Union 394 JWST910-IND JWST843-Meecham May 4, 2018 8:43 Printer Name: Trim: 244mm × 170mm 520 ◼◼◼ INDEX Arts and Crafts movement 268, 308, 434, 437 and Indigenous artists 322 Aryan body ideal 209 international nature 325 Aryan ethos 217 and landscape 323, 324, 330, 331 Ascherson, Neal