Sawyer, Self-Proclaimed Outlaw and Former Conman, Is Being Suspected
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ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
Scamming: the Misunderstood Confidence Man
Scamming: The Misunderstood Confidence Man Jean Braucher* Barak Orbach** "Swindling is not a crime known to our law." -Chase v. Whitlock (1842)' "The origin of the diddle is referrable to the infancy of the Human Race. Perhaps the first diddler was Adam." -Edgar Allan Poe (1843)2 "One of the indigenous characters who has figured long in our journals, courts, and cities is the Confidence Man." -Boston Daily Evening Transcript (1857)3 I. INTRODUCTION Scamming-also known as the confidence game, diddling, conning, and swindling-loosely refers to schemes where the confidence man (the "con man") persuades the victim (the "mark") to trust him with her money * The late Roger C. Henderson Professor of Law, the University of Arizona, James E. Rogers College of Law. ** Professor of Law and Director of the Business Law Program, the University of Arizona, James E. Rogers College of Law. Jean Braucher passed away on November 25, 2014 before this Article was completed. She hoped to publish the paper in the Yale Journal of Law & the Humanities. In this instance, all mistakes are indeed mine. The credit goes to my co-author. 1. Chase v. Whitlock, 3 Hill 139, 139 (N.Y. Sup. Ct. 1842). 2. Edgar Allan Poe, Diddling: Considered as One of the Exact Sciences, in 4 THE COMPLETE WORKS OF EDGAR ALLAN POE 267 (1867) [hereinafterPoe, Diddling]. 3. Knick, Literary, BOSTON DAILY EvE. TRANSCRIPT, Apr. 10, 1857, at 2 (reviewing Herman Melville's The Confidence-Man: His Masquerade (1857)). 249 Yale Journal of Law & the Humanities, Vol. 27, Iss. 2 [2015], Art. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Trauma, Fear, and Paranoia Lost and the Culture of 9/11
Trauma, fear, and Paranoia Lost and the Culture of 9/11 rachEl aldrich onE of thE Most popular tElEvision shoWs of thE last dEcadE, Lost (2004-2010) con- foundEd Many of its viewers With its tWisting, convolutEd plotlinEs. this articlE is an EXploration of thE Many ElEMEnts of thE shoW ovEr its first few, dynaMic yEars that ultiMatEly weavE togEthEr to forM a suBtlE, suBvErsivE iMagE of post-9/11 aMEri- can sociEty. through an EXaMination of spEcific charactErs, and thE cast as a WholE, as well as various distinctly tErroristic and apocalyptic coMponEnts of thE shoW’s plot, Lost is rEvEalEd as Both a rEproduction and a critical rE-iMagination of thE aMErican rEsponsE to thE EvEnts of sEptEMBEr 11th, 2001. Lost BEcoMEs not MErEly an artifact of post-9/11 aMErican sociEty But a MEans through Which viewers arE invitEd to sEE Ways in Which our World can groW and changE. The events of September 11, 2001, not only permanently subtle. The first scene of the pilot episode depicts Jack disfigured the face of New York City and greatly changed Shephard (Matthew Fox), a surgeon and the main charac- the lives of thousands of Americans, but also created a cul- ter of the series, sprawled on the ground in the middle of tural shockwave in America that is still felt today. Ameri- the jungle. He is wearing a tattered business suit and looks can society was transformed almost immediately after the remarkably like a corpse. The positioning of his body and attacks; this response to terror can be seen in much of the his costuming is meant to align him with those many vic- visual culture that followed. -
Books and Coffee Past Presenters
Books and Coffee Past Presenters Year Speaker Author Title 1951 William Braswell Hemingway Across the River and Into the Trees Chester Eisinger Miller Death of a Salesman Paul Fatout -- “Mark Twain” Robert Lowe Pound Letters Barriss Mills Faulkner Collected Stories Herbert Muller Niebuhr Faith in History Albert Rolfs Fatout Ambrose Bierce Louise Rorabacher Orwell Animal Farm Emerson Sutcliffe Kent Declensions in the Air 1952 Welsey Carroll Boswell London Journal Richard Voorhees Greene The Power and the Glory Richard Cordell Irvine The Universe of George Bernard Shaw Harold Watts Mann The Holy Sinner Roy Curtis Hall Leave Your Language Alone! Richard Greene Altick The Scholar Adventurers R. W. Babcock -- “On Reading Shakespeare” Richard Crowder Williams Later Collected Poems 1953 Herbert Muller Ceram Gods, Graves, and Scholars William Hastings Wouk The Cain Mutiny J. H. McKee Ferril I Hate Thursday Arthur Koenig Dostoievsky The Diary of a Writer George Schick Boswell Boswell in Holland Darrel Abel Steinbeck East of Eden H. B. Knoll Walton The Compleat Angler Raymond Himelick Cabell Quiet Please 1954 Paul Fatout Boswell Boswell on the Grand Tour George S. Wykoff Bonavia-Hunt Pemberley Shades Lewis Freed Eliot The Cocktail Party R. M. Bertram Cary The Horse's Mouth Laird Bell Smith Man and His Gods Bernard Schmidt Michener The Bridges at Toki-Ri Victor Gibbens Randolf & Wilson Down in the Holler William Braswell Thurber Thurber Country 1955 Richard Cordell Larson An American in Europe Arnold Drew Jarrell Pictures from an Institution Russell Cosper Kafka The Castle M. W. Tillson Ives Tales of America Maurice Beebe Faulkner A Fable Walter Maneikis Algren The Man with the Golden Arm Virgil Lokke West The Day of the Locusts Robert Ogle White The Second Tree from the Corner 1956 Lewis Freed Alberto Moravia A Ghost at Noon R.W. -
The Confidence-Man by Herman Melville
Connotations Vol. 29 (2020) The Praise of Cosmopolitanism: The Confidence-Man by Herman Melville DANIEL THOMIÈRES Connotations: A Journal for Critical Debate, Vol. 29 (2020): 77-114. DOI: 10.25623/conn029-thomieres-1 This article is the first entry in a debate on “The Praise of Cosmopolitanism: The Confidence-Man by Herman Melville” (https://www.connotations.de/ debate/herman-melville-and-cosmopolitanism). If you feel inspired to write a re- sponse, please send it to [email protected] Connotations: A Journal for Critical Debate (E-ISSN 2626-8183) by the Connotations Society is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Abstract This essay is an attempt at reconstructing the logic underlying The Confidence-Man by Herman Melville. Its main focus will be on the function of the Cosmopolitan who represents a key dimension which has sadly been very little studied. The novel will be seen as the locus of a philosophical experiment in which Melville tries to determine how far an individual can go in order to be fully free and fulfill his or her inner potential as much as possible. Among the numerous manners of approaching The Confidence-Man, the essay will choose an anti-idealistic tradition going from Heraclitus to Deleuze through Spinoza, Nietzsche and William James and stressing the radically immanent nature of the world in which we live and the problems raised when one wishes to invent a new conception of faith or confidence. Herman Melville’s Cosmopolitan is strangely neglected and regretfully unloved in the literature devoted to The Confidence-Man. -
Lost Tabula Rasa Transcript
Lost tabula rasa transcript click here to download Transcripts for Lost episodes up to and including "Enter 77" are based on the transcriptions by Lost-TV member Spooky with aid of DVR, and at times, closed captions for clarification. She and Lost-TV have generously granted us permission to share/host these transcripts at Lostpedia. Later transcripts were created by the. "Tabula Rasa" is the third episode of Season 1 of Lost. At the beach, Jack becomes increasingly suspicious of Kate, the fugitive being escorted back to America by the marshal. Flashbacks center on Kate's time in Australia prior to the crash, when she lived with a farmer named Ray. See main article: "Tabula Rasa" (Transcript). Episode number: Original air date: October 6th, Flashback: Kate Austen. Written by: Damon Lindelof. Directed by: Jack Bender. Plot: Jack and Hurley discover an alarming secret about Kate, as the marshal's life hangs in the balance. Meanwhile Kate, Charlie, Sawyer. Buffy Episode # Tabula Rasa Transcript - www.doorway.ru Lost Transcript Index. 09/24/05 The complete collection from season one to six is hosted by Lostpedia on wikia for your enjoyment. Season 1. 1x1 - Pilot, Part 1. 1x2 - Pilot, Part 2. 1x3 - Tabula Rasa. 1x4 - Walkabout. 1x5 - White Rabbit. 1x6 - House of the Rising Sun. 1x7 - The Moth. 1x8 - Confidence Man. Criminal Minds s03e19 - Tabula Rasa Episode Script. SS is dedicated to The Simpsons and host to thousands of free TV show episode scripts and screencaps, cartoon framegrabs and movie scripts. SGA "Tabula Rasa" Transcript. From StargateWiki. Jump to: navigation, search. "Tabula Rasa" Transcript. -
Learning from Ambiguously Labeled Images
University of Pennsylvania ScholarlyCommons Technical Reports (CIS) Department of Computer & Information Science January 2009 Learning From Ambiguously Labeled Images Timothee Cour University of Pennsylvania Benjamin Sapp University of Pennsylvania Chris Jordan University of Pennsylvania Ben Taskar University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/cis_reports Recommended Citation Timothee Cour, Benjamin Sapp, Chris Jordan, and Ben Taskar, "Learning From Ambiguously Labeled Images", . January 2009. University of Pennsylvania Department of Computer and Information Science Technical Report No. MS-CIS-09-07 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cis_reports/902 For more information, please contact [email protected]. Learning From Ambiguously Labeled Images Abstract In many image and video collections, we have access only to partially labeled data. For example, personal photo collections often contain several faces per image and a caption that only specifies who is in the picture, but not which name matches which face. Similarly, movie screenplays can tell us who is in the scene, but not when and where they are on the screen. We formulate the learning problem in this setting as partially-supervised multiclass classification where each instance is labeled ambiguously with more than one label. We show theoretically that effective learning is possible under reasonable assumptions even when all the data is weakly labeled. Motivated by the analysis, we propose a general convex learning formulation based on minimization of a surrogate loss appropriate for the ambiguous label setting. We apply our framework to identifying faces culled from web news sources and to naming characters in TV series and movies. -
International Regimes: Lessons from Inductive Analysis
Swarthmore College Works Political Science Faculty Works Political Science 1983 International Regimes: Lessons From Inductive Analysis D. J. Puchala Raymond F. Hopkins Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-poli-sci Part of the Political Science Commons Let us know how access to these works benefits ouy Recommended Citation D. J. Puchala and Raymond F. Hopkins. (1983). "International Regimes: Lessons From Inductive Analysis". International Regimes. 61-91. https://works.swarthmore.edu/fac-poli-sci/241 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Political Science Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. International regimes: lessons from inductive analysis Donald J. Puchala and Raymond F. Hopkins Rising interest in the concept “international regime” in the 1970s is much like that accorded to “international system” in the 1950s. It has be come intellectually fashionable to speak and write about regimes.' Current faddishness notwithstanding, the purpose of this article is to show that the notion of regime is analytically useful, and that the concept is therefore likely to become a lasting element in the theory of international relations. As realist and other paradigms prove too limited for explaining an increasingly complex, interdependent, and dangerous world, scholars are searching for new ways to organize intellectually and understand international activity. Using the term regime allows us to point to and comprehend sets of activities that might otherwise be organized or understood differently. Thinking in terms of regimes also alerts us to the subjective aspects of international be havior that might be overlooked altogether in more conventional inquiries. -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
LOST Fandom and Everyday Philosophy
"Accidental Intellectuals": LOST Fandom and Everyday Philosophy Author: Abigail Letak Persistent link: http://hdl.handle.net/2345/2615 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2012 Copyright is held by the author, with all rights reserved, unless otherwise noted. ! ! ! ! ! ! ! ! ! ! This thesis is dedicated to everyone who has ever been obsessed with a television show. Everyone who knows that adrenaline rush you get when you just can’t stop watching. Here’s to finding yourself laughing and crying along with the characters. But most importantly, here’s to shows that give us a break from the day-to-day milieu and allow us to think about the profound, important questions of life. May many shows give us this opportunity as Lost has. Acknowledgements First and foremost I would like to thank my parents, Steve and Jody, for their love and support as I pursued my area of interest. Without them, I would not find myself where I am now. I would like to thank my advisor, Juliet Schor, for her immense help and patience as I embarked on combining my personal interests with my academic pursuits. Her guidance in methodology, searching the literature, and general theory proved invaluable to the completion of my project. I would like to thank everyone else who has provided support for me throughout the process of this project—my friends, my professors, and the Presidential Scholars Program. I’d like to thank Professor Susan Michalczyk for her unending support and for believing in me even before I embarked on my four years at Boston College, and for being the one to initially point me in the direction of sociology.