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Arts Affiliates Business to Arts | Developing Creative Partnerships Lower Ground Floor 17 Kildare Street Dublin 2 D02 CY90 T +353 1 662 9238 W businesstoarts.ie E [email protected] Arts Affiliates MoLI - Museum of Literature AboutFACE Ireland Flying Turtle Productions Ireland Access Cinema Gambit Pictures Limited Museum of Childhood Ireland Project Aimée van Wylick Gaiety School of Acting Music Generation Ais Brady Galway Comedy Festival Music Network Aisling Smith Galway Community Circus Nancy Previs An Taibhdhearc Galway International Arts Festival Natasha Duffy Angelina Foster Galway Traditional Orchestra Na Piobairi Uilleann Anne Tannam Gerard Byrne Studio National Concert Hall Áras Éanna Ionad Ealaíne Glasnevin Trust National Gallery of Ireland Arts & Disability Ireland Glass Mask Theatre National Irish Visual Arts Library Axis Arts Centre Grainne Hallahan National Library of Ireland Baboró International Arts Festival Graphic Studio Dublin National Museum of Ireland for Children Helle Helsner National Print Museum Ballet Ireland Helium Oireachtas na Gaeilge BKB Visual Arts Studio Hunt Museum Olga Magliocco Blue Teapot Theatre Company IMMA Opera Workshop Branar Téatar do Pháistí IPPVA Poetry Ireland Butler Gallery Irish Architecture Foundation Project Arts Centre Caitriona Kenny Irish Association of Youth Orchestras Publishing Ireland Catherine Creaney Irish Baroque Orchestra Rachel Sheil Rebecca Lyons Cavan County Council Arts Office Irish Chamber Orchestra Chester Beatty Library Irish Film Institute Rough Magic Theatre Company Children's Books Ireland Irish Georgian Society Royal Dublin Society Christopher Steenson Irish Landmark Trust Royal Hibernian Academy Gallery Civic Theatre Irish Memory Orchestra Royal Irish Academy Clare Henderson Irish Modern Dance Theatre Royal Irish Academy of Music Irish National Opera Rua Red Common Ground Connections Arts Centre Irish Street Arts, Circus and Russborough House & Parklands Contemporary Irish Art Society Spectacle Network Sample Studios Irish Theatre Institute Cork International Film Festival Science Gallery International Cork Opera House Irish Traditional Music Archive Sing Ireland Crawford Art Gallery Irish Writers Centre Smashing Times Theatre & Film Create James Joyce Centre Company Creative Spark Jason Ellis Smock Alley Theatre JCT Images D-Light Studios Solstice Arts Centre Jen McAndrew Dance Ireland Spraoi Dance Theatre of Ireland John Conway St. Patrick's Festival Deirdre Kearney John O’Reilly SUBSET Diane Crotty K-Fest Arts Festival Temple Bar Gallery + Studios Druid Kari Cahill The Abbey Theatre Dublin Choral Foundation Kilkenny Archaeological Society The Ark Dublin Dance Festival Kilkenny Arts Festival The Discovery Programme Killian Coyle Dublin International Film Festival The Everyman Landmark Productions Dublin Painting & Sketching Club The Factory Centre Ltd. & NPAS Lime Tree Theatre Dublin Theatre Festival The Five Lamps Arts Festival East Asia Film Festival Ireland Linenhall Arts Centre The Galway Music Residency East Cork Early Music Lismore Castle Arts The Gate Theatre Luminosa Music EZ Films The Guinness Choir Macnas Emer Lynch The Lir Erika Tyner Máire Carroll The Little Museum of Dublin Fatale Events Margaret Callan Bergin The Seamus Ennis Arts Centre Féilim O'hAoláin Mary Curran The Source Arts Centre Feis Ceoil Association Mary O’Connor Towers and Tales Fibin Teo Melissa O’Faherty Westport Festival of Chamber Music Fishamble: The New Play Company Michelle Cahill .
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  • Copyrighted Material
    18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown),
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  • 2012-Dubliners-Programme.Pdf
    DUBLIN: ONE CITY, ONE BOOK: EVENTS (continued) ABOUT THE BOOK JOYCEAN TOUR OF GLASNEVIN CEMETERY FARMLEIGH, CASTLEKNOCK Dubliners is Joyce at his most direct and his most accessible. Any reader Following upon Dublin’s designation as Glasnevin Cemetery, the heart of the James Joyce in the Phoenix Park may pick it up and enjoy these fifteen stories about the lives, loves, small UNESCO City of Literature, what more Hibernian necropolis, has many links to Area – exhibition of rare books from the triumphs and great failures of its ordinary citizens without the trepidation James Joyce’s life and writing. From the Benjamin Iveagh Library. Wed-Sun & appropriate title could there be for Dublin: Hades Chapter in Ulysses, which takes Bank Holidays from 1 April. 10am-4.30pm that might be felt on opening, say, Ulysses, famed for its impenetrabil- One City, One Book 2012 than James place in the cemetery, to the family grave as part of the guided tour. Further ity and stream-of-consciousness hyperbole. At the same time, although Joyce’s DUBLINERS! which is the final resting place of his information Tel: 01 8155981 Also Joycean simply written, there is great depth and many levels to the stories, in parents; walk through the life, time and exhibition by contemporary Japanese which the characters – young, middle-aged and old – are revealed, to imagination of James Joyce. photographer Motoko Fujita. Admission Joyce is the city’s most celebrated lit- Daily throughout April at 1pm. Tickets free themselves, or sometimes only to the reader, in all their frail humanity. erary son and his masterly collection €10 include a visit to Glasnevin Museum THE JAMES JOYCE CENTRE, 35 NORTH GREAT •The Sisters•An Encounter•Araby•Eveline•After the Race•Two Gallants• of short stories gives a remarkable JOYCEAN WALKING TOURS GEORGE’S STREET insight into the lives of a disparate group of Dublin citizens in the early Echoes of Joyce’s Dublin.
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  • Durham E-Theses
    Durham E-Theses The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir James, David Lewis How to cite: James, David Lewis (1982) The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1984/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 iý THE DEVELOPMENT OF QUR'ANIC CALLIGRAPHY AND ILLUMINATION UNDER THE MAMLUKES 1300- 1376 AND IN IRAQ AND IRAN IN THE SAME PERIOD A THESIS SUBMITTED TO THE FACULTY OF ARTS !N THE UNIVERSITY OF DURHAM FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DAVID JAMES MA (DUNELM) SUPERVISOR ; DR R. W. J. AUSTIN The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged.
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  • However Students May Use Their Own Transport Tickets Where Valid
    The Linguaviva Centre Ltd. Social and Activity Programme July and August 2015 Some things to keep in mind: 1. Some of the social and outdoor sport activities may be changed nearer the time as these activities are weather dependent. Prices subject to change. 2. Spaces are limited students who would like to join activities should sign up and pay for excursions as early in the week as possible. For the weekend activities students MUST sign up by the previous Wednesday at morning break. This is crucial for the organisation of the activities. It is also very important for students to be on time for all activities. 3. Meeting points and times will be stated on the excursion board each Monday morning. Sign up sheets are located in the office. 4. In the case of ‘pub outings’ students must be at least 21 and have valid I.D. in order to join. We cannot be held responsible if entry is refused. Neat dress is essential e.g. no running shoes or hoodies. 5. The prices listed for weekday activities are for entrance fees only . Transportation costs are not included, however students may use their own transport tickets where valid. 6. Students who do not want to join the listed activities are welcome to watch a movie in the ‘student cinema’ in the afternoons. Movies will be shown every weekday afternoon starting at 14.00. 7. Students are also welcome to use the ‘games room’ during breaks and after classes. We now have table tennis, billiards, air hockey and table football. 8.
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  • VAN JA 2021.Indd
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  • Chester Beatty Library Financial Statements Year Ended 31 December 2017
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  • WILLIE DOHERTY B
    WILLIE DOHERTY b. 1959, Derry, Northern Ireland Lives and works in Derry EDUCATION 1978-81 BA Hons Degree in Sculpture, Ulster Polytechnic, York Street 1977-78 Foundation Course, Ulster Polytechnic, Jordanstown FORTHCOMING & CURRENT EXHIBITIONS 2020 ENDLESS, Kerlin Gallery, online viewing room, (27 May - 16 June 2020), (solo) SOLO EXHIBITIONS 2018 Remains, Regional Cultural Centre, Letterkenny, Ireland Inquieta, Galeria Moises Perez de Albeniz, Madrid, Spain 2017 Galerie Peter Kilchmann, Zurich, Switzerland Remains, Art Sonje Center, Seoul, South Korea No Return, Alexander and Bonin, New York, USA Loose Ends, Matt’s Gallery, London, UK 2016 Passage, Alexander and Bonin, New York Lydney Park Estate, Gloucestershire, presented by Matt’s Gallery + BLACKROCK Loose Ends, Regional Centre, Letterkenny; Kerlin Gallery, Dublin, Ireland Home, Villa Merkel, Germany 2015 Again and Again, Fundaçao Calouste Gulbenkian, CAM, Lisbon Panopticon, Utah Museum of Contemporary Art (UMOCA), Salt Lake City 2014 The Amnesiac and other recent video and photographic works, Alexander and Bonin, New York, USA UNSEEN, Museum De Pont, Tilburg The Amnesiac, Galería Moisés Pérez de Albéniz, Madrid REMAINS, Kerlin Gallery, Dublin 2013 UNSEEN, City Factory Gallery, Derry Secretion, Neue Galerie, Museumslandschaft Hessen Kassel Secretion, The Annex, IMMA, Dublin Without Trace, Galerie Peter Kilchmann, Zurich 2012 Secretion, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen LAPSE, Kerlin Gallery, Dublin Photo/text/85/92, Matts Gallery, London One Place Twice,
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  • Dorothy Cross Dorothy Cross B
    Kerlin Gallery Dorothy Cross Dorothy Cross b. 1956, Cork, Ireland Like many of Dorothy Cross’ sculptures, Family (2005) and Right Ball and Left Ball (2007) sees the artist work with found objects, transforming them with characteristic wit and sophistication. Right Ball and Left Ball (2007) presents a pair of deflated footballs, no longer of use, their past buoyancy now anchored in bronze. Emerging from each is a cast of the artist’s hands, index finger extended upwards in a pointed gesture suggesting optimism or aspiration. In Family (2005) we see the artist’s undeniable craft and humour come together. Three spider crabs were found, dead for some time but still together. The intricacies of their form and the oddness of their sideways maneuvres forever cast in bronze. The ‘father’ adorned with an improbable appendage also pointing upwards and away. --- Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees the body and nature as sites of constant change, creation and destruction, new and old. This flux emerges as strange and unexpected encounters. Many of Cross’ works incorporate items found on the shore, including animals that die of natural causes. During the 1990s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality Dorothy Cross Right Ball and Left Ball 2007 cast bronze, unique 34 x 20 x 19 cm / 13.4 x 7.9 x 7.5 in 37 x 19 x 17 cm / 14.6 x 7.5 x 6.7 in DC20407A Dorothy Cross Family 2005 cast bronze edition of 2/4 dimensions variable element 1: 38 x 19 x 20 cm / 15 x 7.5 x 7.9 in element 2: 25 x 24 x 13 cm / 9.8 x 9.4 x 5.1 in element 3: 16 x 15 x 13 cm / 6.3 x 5.9 x 5.1 in DC17405-2/4 Dorothy Cross b.
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  • An Chomhairle Ealaion 1976.Pdf
    An Cúigiú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1976. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhuo Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-fifth Annual Report and Accounts for the year ended 31st December 1976. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 [3] and 7[1] of the Arts Act, 1951 Cover: Front Robert Ballagh "Sheridan Le Fanu" (1814-1873) commissioned, for the Council's offices in Merrion Square, where the writer lived. Members Patrick J. Rock, Chairman Kathleen Barrington John Behan Brian Boydell Tom Caldwell Máire de Paor Andrew Devane Eilís Dillon Séamus Heaney Dr J.B. Keamey Patsy Lawlor Hugh Maguire Sean Ó Tuama Brian Quinn Richard Stokes Dr T.J. Walsh James White Staff Director Colm Ó Briain Administration Officer David McConnell Literature and Film Officer David Collins Music Officer Dinah Molloy Visual Arts Officer Paula McCarthy Secretarial Assistants Veronica Barker Kathryn Cahille Patricia Molloy 70 Merrion Square, Dublin 2. An Chomhaırle Ealaíon An Chomhairle Ealaíon was set up by the Arts Acts 1951 and 1973 and consists of a chairman and not more than sixteen other members appointed by the Taoiseach. The present Council was appointed on 31st December 1973 and its term of office expires in 1978. The principal role of the Council is to stimulate public interest in the arts; to promote the knowledge, appreciation and practice of the arts; and to assist in improving the standards of the arts.
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  • Resource What Is Public Art
    WHAT IS– – Public Art – – –––– – – – – – – – – –– – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Irish Museum of Modern Art Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – –– – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theoretical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the inherent problems and contradictions in attempting to outline or summarise 03 the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, much of which emerged in opposition to such totalising tendencies. Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers, and is neither definitive nor exhaustive. The intention is to provide background and contextual information about the art and artists featured in IMMA’s exhibitions and collections in particular, and about Contemporary Art in general, to promote information sharing, and to encourage critical thinking, debate and discussion about art and artists. The talks series addresses aspects of Modern and Contemporary Art, spanning the period from the 1940s to the present.
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  • The Inventory of the Terence De Vere White Collection #566
    The Inventory of the Terence de Vere White Collection #566 Howard Gotlieb Archival Research Center WHITE, Terence de Vere Purchase 1972 I. Manuscripts Box 1: A. Novels 1. AN AFFAIR WITH THE MOON. Gollancz, 1959. Setting copy. Typescript with holograph corrections, 295 pp. (Folder Ill) 2. THE LAMBERT MILE. Gollancz, 1969. a. Setting copy. Typescript photocopy with holograph corrections and a few carbon typescript pp., 423 pp. (#2) b. Front matter and text pages, typescript with holograph corrections, 5 pp. (#2) Box 2: 3. LUCIFER FALLING. Gollancz, 1966. a. Typescript with holograph corrections, 375 pp. (#1) b. Front matter. Typescript with holograph corrections, 8 pp. (//1) 4. THE MARCH HARE. Gollancz, 1970. Typescript with holograph corrections, 413 pp. (#2) Box 3: 5. MR. STEPHEN. Victor Gollancz, 1971. a. Setting copy. Typescript with holograph corrections, 369 pp. (Ill) b. Front matter and printer's instructions. Typescript with holograph corrections, and holograph, 11 pp. (#1) 6. NEVERGREEN. Typescript with holograpg corrections, 321 pp. (#2) White, Terence de Vere page 2 Box 4: 7. THE REMAINDERMAN. Victor Gollancz, 1963. a. Typescript with holograph corrections, 294 pp. (Folder #1) b. Front matter. Typescript with holograph corrections, 7 pp. (Ill) 8. TARA. Gollancz, 1967. Typescript and typescript photocopy, both with holograph corrections, 287 pp. (Incomplete) (#2) B. Non-fiction 1. A LEAF FROM THE YELLOW BOOK. Richards Press, 1957. a. Setting copy. Typescript with holograph corrections, c. 215 pp. (Incomplete) (#3) b. Photograph of George Egerton, 4" x 5". (113) 2. KEVIN O'HIGGINS. Methuen, 1948. Notes and misc. draft pages, typescript, carbon typescript, and holograph, c.
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  • Irland Journal 1.90 Irland Journal 2.90
    Best-Nr.: 18143088 irland journal 1.90 Inhaltsverzeichnis ij 1.90 4 - auf entdeckungsreise: Das verlorene Erbe der Blaskets 50 - Das gerechteste Wahlsystem der Welt? Impressionen irischer Institutionen 44 - Krieg ohne Ende: 20 Jahre britische Truppen in Nordirland 14 - literatur aus irland: Midland (Rita Kelly) 76 - Nischt als Joyce 35 - Portfolio Derek Speirs Best-Nr.: 18143089 irland journal 2.90 Inhaltsverzeichnis ij 2.90 6 -auf entdeckungsreise: Versteinertes Chaos. Line Reise, zum Giant's Causeway 50 -Beobachtungen, Meinungen, Momentaufnahmen - Die Bilder Rita Duffys 70 -das interview: Wer war Brian O'Nolan? 22 -Es darf gekickt werden. Irlands unbekannte Fußballwelt 61 -Feten Feiern Festivals: Der Inselsommer 1990 41- Frauenbilder: Ein starkes Stück Frau 36 -Keine Bestenliste: Irland-Reiseführer 46 -Zur Frauenbewegung und zur Situation irischer Frauen heute Best-Nr.: 18143090 irland journal 3.90 Inhaltsverzeichnis ij 3.90 38 -Dann plötzlich...fiel der Boden aus seiner Welt 23 -auf entdeckungsreise: "Unmöglich, sie alle vom Tal fernzuhalten." Glendalough: Kein Geheimtip 12 -auf entdeckungsreise: von Dublin nach Shannon Harbour. Eine Fahrt auf dem Grand Canal 61 -Gegenbilder (1): Deutschsprachige Autoren über Irland: Karl Marx und Friedrich Engels: Ein Land der Ruinen 56 -Rita Ann Higgins: Collin und Hexe Best-Nr.: 18143091 irland journal 4.90 Sonderheft zur Wahl von Mary Robinson zur Irischen Staatspräsidentin Die Sonderausgabe ist komplett der Wahl Mary Robinsons zur Präsidentin der Republik Irland gewidmet. Best-Nr.: 18143092 irland
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