Chanter Reeds for Smallpipes; Session Et

Total Page:16

File Type:pdf, Size:1020Kb

Chanter Reeds for Smallpipes; Session Et "Pipes presented to James Fraser... as a token of esteem " IN THIS ISSUE New Classes for smallpipes; North Hero Gathering; Galloway Summer School; Chanter reeds for smallpipes; Session Etiquette; Irish origins of Jacky Lattin; Whats in a Name; Pastoral Pipes; Music; Reviews From David Stevenson From Richard Evans Edinburgh Cumberland THE STANDARDISATION OF I do not know of `Glen Kabul or `Trip BELLOWS OUTLET DIMENSIONS to Pakistan, but if Robert is interested in It would seem to be a good idea to have tunes linked to that region I have noted some sort of standard dimensions for down and arranged for my own playing a Letters bellows outlets, allowing interchange melody played by the Azad Kashmir Editorial between makers. Standardisation is not a pipe band of the Pakistan army. Also, new idea of course, having been when in Kabul and Peshawar three years Information about the cover From Malcolm McLaren Brisbane Australia mentioned several times in Common ago I was trying to recall the old picture is to be found on page 27. If any Stock [Vol 7.1 pp 8-11; Vol 14.1 p16. English(?) tune `Fortune my Foe and reader can add to this, please get in Ed]. came up with a number of variations or touch. In the last "Common Stock" was the wonderful article by Colin Ross about Julian Goodacre recently supplied developments which are playable along The Melrose piping weekend in me with the dimensions he uses, with a with the original. The original is said to June was reported to be well attended the Chanter Reed for Border Pipes....he request to pass them on. His bellows have been popular at executions, which and productive, with the three tutors is to be congratulated for this. One thing outlet consists of a wooden block with a may have an ironic link to bloody events moving groups to give I have noticed is that for some chanters it between tapered socket. The connecting tube which occurred near where I had been maximum spread of expertise. The may be necessary to make the staple remains attached to the bag and has a staying in Kabul shortly after I left, when Galloway Summer school was also well from a size smaller brass tube eg : 4.00 matching tapered end. The only critical the Taleban took the City. I could attended (see Ian Murrays report in mm. dimensions are those of the taper itself. probably find and post photocopies of these pages), and now available are the Metric sizes are available in good This is 60mm in length and tapers from adult learning evening classes in hobby stores, and are very handy as they these tunes to you or Robert if you wish. Edinburgh set up by Jim Buchanan (see allow for smaller increments between the 17mm down to 13mm over that length. The `Scottish Poetry Library Jig further on for more on this). The North inch sizes. My only observation on the on page 31 is not exactly as I wrote it - Hero Gathering, with its emphasis on Also I have found a good way to measurements is that the taper is a bit though it works! [Apologies; correction teaching and exchange of information is "stabilise" cane (as in chanter reeds) and long for convenience - I would prefer is printed on page 29 - Ed]. described by Craig Hohm, and Hamish make it less susceptible to climatic about 45mm. The answer to that is to use Moores annual classes, with a change... simply spray it from a spray a rather shorter length, measuring from encourage young pack of Automotive Silicon. You dont the wide end. This will maintain scholarship award to From pipers, continue in Vermont. All of have to put that much on that it drips, it compatibility, since a longer plug will Frank Klawonn which points to a growing and healthy will soak in to a certain extent, and you simply protrude slightly into the bellows, Emden Germany interest in the bellows blown pipes - a can carefully direct the spray into the through the socket. state of affairs which the out-going cavity between the lips of the blades. I am told that these dimensions I have recently joined the LBPS and chairman - Andy Hunter - has been I have been doing this for about are used by Jonathan Swayne and Simon Munro has just sent me the latest particularly keen to encourage. And 12 months now, without any apparent Hamish Moore as well as Julian; we will edition of Common Stock (Vol 14 No.1). of course such interest can be change to the tone or volume of the reed. also use them in future. Robert MacDonald asks in his letter to initialised by a visit to the web site - I do think it makes the reed resist As compared to the traditional Common Stock for some tunes. I guess which can be which now has a new address: moisture ingress, Northumbrian-style system we have used many others have already answered, but particularly noticed in smallpipe chanter www.scotmusic.co.uk/lbps up to now, there is a further advantage: in case he needs the Easy Club Reel I Jock Agnew, reeds at times. the bellows will lie flatter in the pipe can supply a copy of the notes that I got 11 Ulting Lane, Langford, Essex, CM9 6QB case. from a friend who found them [email protected] I hope this information is useful somewhere on the internet. There is also and I am sure Jock would welcome a recent recording of this reel by a comments. German group called DeReelium. 2 EDINBURGH HAS A NEW CLASS ALP Scottish Music Group provides levels of tuition for absolute beginners, improvers, intermediates, advanced intermediates and weekend FOR SCOTTISH SMALLPIPES (IN A) workshops. The teaching method is principally learning by ear in the belief that the acquisition of this skill frees the player to use expression in the tune rather than being tied to the page; also that playing should be from memory Jim Buchanan, Secretary to LBPS, has set up this teaching enterprise which which will help students to join in the numerous sessions that take place caters for pipers coming, so to speak, directly off the street. around Edinburgh. Thirty classes are run by ALP on a wide variety of instruments at all levels. " The growing number and quality of Edinburgh It began with a desire to learn "proper gracings for piping in the Highland folk sessions is an indication of their success. manner. This drew me to Andrew Warrens class for the practice chanter for Rory Campbell and Gary West happily agreed to share the teaching the great Highland bagpipe that is run by the Adult Learning Project Scots of the class. With this promise ALP were then keen to include a new class Music Group, usually known as ALPSMG. This experience made me to complement the existing Highland Bagpipe class. Their brochure said realise that there was a demand for a class for smallpipes, some rented, that "Highland bagpipes are in one key and are probably best described as the could be run within the ALPSMG framework. With prompting from pipes you imagine when you think of the bagpipe. Scottish smallpipes are classmate Kenneth Dickson who shared the same view, I raised the idea with played using a small bellow which is strapped under the elbow. These pipes the LBPS Committee. For about two years Andy Hunters committee had come in several different keys and can therefore be played with other been thinking about a specification for practice pipes for beginners and it instruments - without drowning them out! " seemed to me that here would be an ideal opportunity to try out the Next we set up stall on enrolment night on 14th September and were experiment of practice pipes, paid for by the LBPS, being rented out to gratified by the queue of applicants at our table. By the end of the evening learners. If we had some sets then we should seek people to teach a course twenty-two people had signed on for the first term. The cost for 10 lessons and then get ALP to provide the framework by hiring teachers and providing is 36 per person and we found 5 sets of practice pipes to hire out at 10.00 a venue. per month. LBPS paid for two sets and Nigel Richard, Julian Goodacre and I should explain what the ALP initiative is about. It is part of a City myself cobbled together three more. Seven people were keen to hire so of Edinburgh Council Community Education organisation initiative and is a demand outstripped the supply. It turned out that about a third of the new registered charity. ALPSMG is run by a voluntary committee with active class are beginners, one third improvers and one third Highland pipers participation by students and tutors who decide the format and composition wishing to learn smallpipes with the divergent aims of being able to join in of their classes. The Group employs a part-time Development Worker and pub sessions and of preserving domestic harmony. an Administrator funded by the Scottish Arts Council. The aims of the Scots Now we have split into two classes; beginners taught by Ian K Murray Music Group are: (to whom grateful thanks for giving so freely of his time and experience) and • to create a critical relationship of respect and status to Scots music song a bigger class with Rory as principal teacher and Gary as back-up. Our and dance that it may live in the heart of the community and beyond teachers contrasting styles are a constant stimulus to this class and, yes, we • to build a repertoire in the Scots idiom with reference to the past, present really are trying to develop the skill of learning by ear although most of us and into the future are still hooked on the dots.
Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • Newsletter 271, November 1979
    THE INTERNATIONAL CONCERTINA ASSOCIATION No. 271 N E W S L E T T E R Nov. 1979 President: Rev. Kenneth Loveless, V.R.D., F.S.A., F.S.A. Scot., R.N.R. Secretary: J. Harvey, 44 St. Barnabas Street, London S.W.1. Treasurer: F.J. Hutcherson, 45 Valentine Avenue, Bexley, Kent. Notices The next meeting is our Christmass Social, which is on Saturday 8th December, at Montem School Annexe, Hornsey Road, Holloway, London N.7. from 2.00pm to 6.00pm. Nearest Tube stations are Holloway Road, and Finsbury Park. Note the earlier time than usual. The Annual General Meeting will be held on Saturday January 26th at the Conway Hall, Red Lion Square, Holborn, London. Further details in the next Newsletter. We still have no nominations for next year's committee. If you have any suggestions, write to Jim Harvey, address above. We also need an Auditor. If you think you can do the job, or know someone capable of doing it, please write to John Hutcherson, address above. Christmass Message from the President This year the concertina has been celebrating its 150th anniversary. It is one of only two instruments that we have so far managed to invent, the other being the Northumbrian smallpipes, on which so many young people are beginning to be wonderfully proficient. Our instrument was patented in 1829, and had its heyday in the early years of the 20th century, when it could be described as a 'parlour instrument'. These were the times when families made their own music in their own houses and often invited the neighbours in for what was called a 'musical evening'.
    [Show full text]
  • Annual Reports2014
    EASTERN UNITED STATES PIPE BAND ASSOCIATION Annual Reports Saturday, November 8, 2014 Renaissance Cleveland Hotel Cleveland, OH 2 President’s Report ................................................................................................................. 4 Vice President’s Report on Fair Hill .................................................................................. 5 Treasurer’s Report .................................................................................................................. 5 Executive Secretary’s Report ........................................................................................... 8 EUSPBA Annual General Meeting Minutes Nov. 9, 2013 Newark, NJ .............. 9 Membership Coordinator ................................................................................................. 13 Music Board Report ............................................................................................................ 15 The Voice ................................................................................................................................ 15 Florida Branch Report ....................................................................................................... 16 Metro Branch ......................................................................................................................... 18 Mid Atlantic Branch ............................................................................................................ 18 Northeast Branch ...............................................................................................................
    [Show full text]
  • Cs June 2010.Pdf
    ISSN 1352-3848 June 2010 VOLUME 27 NO 1 THE JOURNAL OF THE LOWLAND AND BORDER PIPERS’ SOCIETY Jock Agnew and Martin Lowe launch ‘The Wind in the Bellows’ IN THIS ISSUE From the Archive(4): New Tune Book(5): Music Resources(6): John Armstrong’s Sword(7): Tutor Launch(9): Melrose(11): LBPS Annual Competition(13): Stock Imagery(18): Piper Gould(24): Revival or Survival?(26): Event Reports(35): Nate Banton Interview(41): Coming Events(48): Reviews(51): Back Lill(55) 1 President Julian Goodacre Minute Sec. Jeannie Campbell Chairman: Jim Buchanan Newsletter Helen Ross Treasurer Iain Wells Membership Pete Stewart Secretary Judy Barker Editor CS Pete Stewart THE JOURNAL OF THE LOWLAND AND BORDER PIPERS’ SOCIETY EDITORIAL ol 25 no 1 is the 47th issue of some from far-flung parts of the world; Common Stock [issues were there were lowland pipers in America, in V rather erratic in the early years], Australia, in Germany and the Nether- but it is the first I have supervised as lands, in India and in Oman, it seemed, editor. It is extraordinary to find that I and they were all keen to become part of am only the third person to hold this this new organization and share their privileged position. It is indeed a privi- enthusiasm. lege to take over a publication which has And because they did, I am now given recorded the trajectory of bellows piping the honour of editing the journal they from the days nearly thirty years ago first produced in Dec 1983. when various enthusiasts around the This revisiting of the early days has world began to discover that they were been largely the result of the work that not alone in their interest and that there has been done recently on preparing the was demand for an organization which Society’s records for deposit in the Na- would represent it.
    [Show full text]
  • Degrees of Challenge and Diversity BA (Scottish Music — Piping)
    DEGREE Degrees of challenge and diversity BA (Scottish Music — Piping) NE student on the BA (Scottish Music — Piping) degree programme Ois leading the revival of a community pipe band in the Renfrewshire village of Maxwell Derek Photo: Kilbarchan, several are touring and recording with other musicians, one has successfully produced an album for a schools pipe band and others are making their mark as keen solo competitors. All of this is extracurricular activity, but it is helping to further the students’ pursuit of the diverse aspirations that led them to apply for the programme in the first place. The course, taught jointly by The National Piping Centre and the Royal Scottish Academy of Music and Drama (RSAMD), is now embarking on its important third year: a final year for its first graduates. Brian McNeill, director of the Scottish Music programme at RSAMD, admitted to having been “skeptical at first about having a separate BA (Scottish Music — Piping) degree. “I’ve always worked very hard, and with the Battlefield Band (of which he was a co-founder) we fought for 30 years, to get the pipes accepted as another Scottish instrument which was not separate. “But I’ve converted since then. What the National Piping Centre does is so good that I feel a concentration on piping has been a beneficial thing. “There are important issues about how they “Jimmy Banks (the Centre’s degree “The fact that it is more specialised than join in with the rest of us, what their influence programme administrator) and I spend a lot of our general degree is good, and it may well be a should be on the rest of us and what our time working on the right ways to make the model, a template, for future degrees for fiddle, influence should be on them.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene ROBINSON, ALICE,MERIEL How to cite: ROBINSON, ALICE,MERIEL (2021) English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 English Folk under the Red Flag: The Impact of Alan Bush’s ‘Workers’ Music’ on 20 th Century Britain’s Left-Wing Music Scene Alice Robinson Abstract Workers’ music: songs to fight injustice, inequality and establish the rights of the working classes. This was a new, radical genre of music which communist composer, Alan Bush, envisioned in 1930s Britain.
    [Show full text]
  • 2016-Program-Booklet-Final.Pdf
    CONTENTS Page Background on the Workshop 4 “Antique (SSP) Archæology” - Ralph R. Loomis Tips for a New Scottish Smallpipe Owner 8 Chris Pinchbeck The William Davidson (Glenesk) Pipes 12 Ian Kinnear Meet Your Maker - Kim Bull 15 Richard Shuttleworth Goodacre’s Razor A CUT BELOW THE OTHERS. 17 Julian Goodacre How dos Wood choice afect the Tone of Bagpipes? 18 And a number of refections on Pipe Making and Tone - Nate Banton A New Perspective on Old Technique, Scales and Embellishments 21 Barry Shears Biographies 21 Dan Foster 22 Barry Shears 21 Laura MacKenzie 23 Brian McNamara 22 Chris Gray 23 Benedict Kœhler 22 Owen Marshall 23 Bill Wakefeld 22 Iain MacInnes 23 Will Woodson Music 24 The Wisdom House Gathering (music) - Bob Cameron 25 The Lichtfeld Hills (music) - Bob Cameron 26 Didn’t We Meet in Lichtfeld? (music) - Bob Cameron Dear Piping Friends, Welcome to the 2016 Pipers’ Gathering. We’re thrilled to offer you a stellar line- up of instructors - we work hard to bring you a consistently interesting mix of folks from North American and across the pond. You’ll hear a lot at this year’s Gathering about sustainability, applied in many different ways. Attending events like ours and playing in your communities sustains a small piping tradition: • We welcome attendees of all ages who are new to bellows-blown piping. Hopefully this event will inspire you to stick with them, and do your part to sustain the traditional music community in your area in your own unique way! • We welcome those who are taking a risk and trying something new at any age! Whether you already play one type of “alt” pipes, and are giving another type a try, or are push- ing yourself a little outside your comfort zone with new tunes and techniques, you are sustaining the tradition as well.
    [Show full text]
  • University of Sheffield Library
    FOLK MUSIC & WORLD MUSIC The University of Sheffield Library RECORDINGS OF FOLK MUSIC AND WORLD MUSIC UNI - ZIM 1 The Garland encyclopedia of world music The following Compact Discs have been removed from the Recordings collection. CD 507 Southeast Asia [Vol.4] CD 508 Africa [Vol. 1] CD 509 Australia and the Pacific Islands [Vol.9] CD 522 South America, Mexico, Central America and the Caribbean [Vol.2] CD 746 South Asia : the Indian Subcontinent [Vol.5] CD 752 Europe [Vol.8] CD 1018 Middle East [Vol.6] CD 1019 East Asia: China, Japan and Korea [Vol.7] They are now to be found accompanying the volumes of the Garland encyclopedia of world music, kept at REF 780.91 (G). Garland encyclopedia of world music is also available online; see http://www.shef.ac.uk/library/cdfiles/garland.html 2 United Kingdom God save the queen E 3 The Voice of the People collection of cds - also includes material from Ireland A M Shinnie CD 819 The bonnie lass o ’Fyvie CD 801 Abroad as I was walking CD 801 The bonnie wee lass who never Adieu unto all true lovers CD 810 said no CD 813 The Aghalee heroes CD 808 The bonnie wee lassie fae Gouroch CD 801 Airlin’s fine braes CD 820 The bonnie wee tramping lass CD 810 The American stranger CD 811 The bonny bunch o’ roses CD 808 An spailpin fanach (the migrant Bonny Kate CD 814 labourer) CD 820 Bonny North Tyne: waltz CD 819 Another man’s weddin CD 806 Bonny Tavern green CD 815 Australia CD 804 The Boscastle breakdown: stepdance CD 809 The Aylesbury girl CD 815 The bottom of the punchbowl CD 813 Bacca pipes: morris jig
    [Show full text]
  • Jordi Savall and Carlos Núñez and Friends Thursday, May 10, 2018 at 8:00Pm This Is the 834Thconcert in Koerner Hall
    Jordi Savall and Carlos Núñez and Friends Thursday, May 10, 2018 at 8:00pm This is the 834thconcert in Koerner Hall Carlos Núñez, Galician bagpipes, pastoral pipes (Baroque ancestor of the Irish Uilleann pipes) & whistles Pancho Álvarez, Viola Caipira (Brazilian guitar of Baroque origin) Xurxo Núñez, percussions, tambourins & Galician pandeiros Andrew Lawrence-King, Irish harp & psalterium Frank McGuire, bodhran Jordi Savall, treble viol (by Nicholas Chapuis, Paris c. 1750) lyra-viol (bass viol by Pelegrino Zanetti, Venice 1553) & direction PROGRAM – CELTIC UNIVERSE Introduction: Air for the Bagpipes The Caledonia Set Traditional Irish: Archibald MacDonald of Keppoch Traditional Irish: The Musical Priest / Scotch Mary Captain Simon Fraser (1816 Collection): Caledonia's Wail for Niel Gow Traditional Irish: Sackow's Jig Celtic Universe in Galicia Alalá En Querer Maruxiña Diferencias sobre la Gayta The Lord Moira Set Dan R. MacDonald: Abergeldie Castle Strathspey Traditional Scottish: Regents Rant - Lord Moira Ryan’s Mammoth Collection (Boston, 1883): Lord Moira's Hornpipe Flowers of Edinburg Charlie Hunter: The Hills of Lorne Reel: The Flowers of Edinburg Niel Gow: Lament for the Death of his Second Wife Fisher’s Hornpipe Tomas Anderson: Peter’s Peerie Boat INTERMISSION The Donegal Set Traditional Irish: The Tuttle’s Reel Traditional Scottish: Lady Mary Hay’s Scots Measure Turlough O’Carolan: Carolan’s Farewell Donegal tradition: Gusty’s Frolics Jimmy Holme’s Favorite Carolan’s Harp Anonymous Irish: Try if it is in Tune: Feeghan Geleash
    [Show full text]
  • The Compositions of Patrick Mclaurin** Barbara Mclaurin (9/8 March) a 9/8 March for My Mom
    **The Compositions of Patrick McLaurin** www.patrickmclaurin.com Barbara McLaurin (9/8 March) A 9/8 march for my mom. Apparently there are two versions, the 3rd and 4th parts are just the other version. Patrick McLaurin 9 8 www.patrickmclaurin.com Beer with Gillian (Reel) A large portion of the band Haggis Rampant is composed of the Brownlee family. The parentals, Pam and Steven, often tagged their adventures without their daughter Gillian with the hashtag #beerwithoutgillian while Gillian was off getting her masters degree. I was fortunate enough to live in the same city as her graduate school, so I got to have #beerwithgillian. Patrick McLaurin 2 2 www.patrickmclaurin.com Bryan’s Great Pipe (Jig) Bryan has several Great Pipes: 1950’s full ivory Robertson and half engraved silver and moose antler Colin Kyo, to name a couple... Patrick McLaurin 6 8 www.patrickmclaurin.com Burden of Innocence, The (Slow Air) Without children, we would never evolve: physiologically, socially, or spiritually. Our world needs constant reminders of what it is like to be innocent. Children are our clean slate upon which we can conquer disease, bigotry, and evil. The composition of this tune was my emotional response to the murder of 27 people, 20 of whom were children, in Newtown, Connecticut on December 14th, 2012. Patrick McLaurin 6 8 www.patrickmclaurin.com Calista and Clark’s Playtime (Hornpipe) Clark is my nephew, Calista my daughter, and they were born exactly 4 weeks apart. I straight up borrowed, unknowingly, the first part of Moving Cloud as the first part of this tune.
    [Show full text]
  • Friday, August 10
    Friday, August 10 Time General Events Workshop Presenter Room 1:00 Pipe Fettling, Registration Lounge-auditorium 2:00 Small Group Instructors/board hanging out & playing Playing, Vendor 3:00 Tables Pipes maintenance Wakefield Hospitality Room Rhythm Bones Adam C.J. Klein Technique 4:00 Honk n' Squeeze Loomis Back for Seconds: Gray Harmonizing on the Pipes II 5:00 Roundtable: State of PG Board the Gathering 6:00 Dinner (ends at 6:45) Stellar WH Staf WH Dining Room 7:00 Meet & Greet/Play Circle Mitsch Lounge-auditorium Saturday, August 11 Time Workshop Presenter Room 8:00 – 8:45 AM Breakfast Stellar WH Staf Dining Room 9:00 – 10:30 A NSP: Northumbrian smallpipes (Int/Adv) Robb Vendor tables Group Lessons Celtic Yard Sale SSP: GHB to SSP (Beginner) Buda SSP: Gaelic Tunes (Int/Adv) Chaimbeul all day UP: Uilleann pipes (Beginner) Gray UP: Uilleann pipes (Intermediate) O'Connell UP: Uilleann pipes (Advanced) O'Regan Meeting Room (FH) Flute Gavin Cloister II Border pipes Woodson Fiddle Lavoie 10:45 – 11:45 A Bodhran for Pipers Gray The Pipers' Chair O'Connell 12:00 – 12:45 P Lunch Stellar WH Staf Dining Hall 1:15 – 2:45 P NSP: Northumbrian smallpipes (Beginner) Robb Group Lessons NSP: Northumbrian smallpipes (Int/Adv) Wakefield SSP: Scottish smallpipes (Beginner) Chaimbeul SSP: Practice Techniques (Int/Adv) Buda UP: Uilleann pipes (Beginner) O'Regan UP: Uilleann pipes (Intermediate) Gavin (Int/Adv) UP: Uilleann pipes (Advanced) O'Connell Meeting Room (FH) Flute Woodson Cloister II Whistle Gray Fiddle Lavoie 3:00 – 4:00 P Legacy of Martin Bennett Chaimbeul Rhythm Bones Technique Adam C.J.
    [Show full text]
  • Border Pipes
    IN THIS ISSUE Letters(3): Mouth Blown Pipes(4): North Hero 2003(7): Summer School 2003(8): Hamish Moore Concert(12): Interview - Robbie Greensitt Ann Sessoms(15): Dance to Your Daddy tune (23): Washingtons march(24): "Bagpipes and Border Pipers"(26): Jackie Latin(32): Harmonic Proportion(34): Collogue 2003(38): Reviews(52): Letters appropriate key were again made. From Peter Aitchison Sets pitched in D with Highland Dunbar, Scotland fingering had actually been made in the mid-19 t century by the Glasgow Looking back into the Common Stock maker William Gunn. Sets fitted with issue of Dec 2002 [Vol 17 No.2], practice chanters exist but they suffer Nigel Bridges writes about the from the poor intonation and tone of strathspey "The Gruagach" by P/M the miniature pipes. D.R.MacLeennan on page three. On In my opinion the revival of any page fourteen Iain Maclnnes mentions instrument or tradition depends upon D.R.MacLellan. Maybe it should be several factors. There must be an D.R.MacLennan? P.S. I knew him. interest or demand for the particular instrument, there must be music appropriate to the instrument, and From Robbie Greensitt there must be instruments available. Monkseaton Northumberland This implies that there must be EDITORIAL hit the streets and, judging by the [abridged - Ed] makers, players and music publishers, The cover picture of a musette was orders and comments, has been well I was surprised by Colin Ross and as well as other enthusiasts like purchasd by Ian Mackay in Bombay! The received. assertion in the June issue of Common historians, working together to promote the revival.
    [Show full text]