Bagpipe Further Reading
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Annual Reports2014
EASTERN UNITED STATES PIPE BAND ASSOCIATION Annual Reports Saturday, November 8, 2014 Renaissance Cleveland Hotel Cleveland, OH 2 President’s Report ................................................................................................................. 4 Vice President’s Report on Fair Hill .................................................................................. 5 Treasurer’s Report .................................................................................................................. 5 Executive Secretary’s Report ........................................................................................... 8 EUSPBA Annual General Meeting Minutes Nov. 9, 2013 Newark, NJ .............. 9 Membership Coordinator ................................................................................................. 13 Music Board Report ............................................................................................................ 15 The Voice ................................................................................................................................ 15 Florida Branch Report ....................................................................................................... 16 Metro Branch ......................................................................................................................... 18 Mid Atlantic Branch ............................................................................................................ 18 Northeast Branch ............................................................................................................... -
Spring 2015 Vol. 44, No. 1 Table of Contents
Spring 2015 Vol. 44, No. 1 Table of Contents 4 President’s Message Music 5 Editorial 33 Jimmy Tweedie’s Sealegs 6 Letters to the Editor 43 Report for the Reviews Executive Secretary 34 Review of Gibson Pipe Chanter Spring 2015 35 The Campbell Vol. 44, No. 1 Basics Tunable Chanter 9 Snare Basics: Snare FAQ THE VOICE is the official publication of the Eastern United 11 Bass & Tenor Basics: Semiquavers States Pipe Band Association. Writing a Basic Tenor Score 35 The Making of the 13 Piping Basics: “Piob-ogetics” Casco Bay Contest John Bottomley 37 Pittsburgh Piping EDITOR [email protected] Features Society Reborn 15 Interview Shawn Hall 17 Bands, Games Come Together Branch Notes ART DIRECTOR 19 Willie Wows ‘Em 39 Southwest Branch [email protected] 21 The Last Happy Days – 39 Metro Branch Editorial Inquiries/Letters the Great Highland Bagpipe 40 Ohio Valley Branch THE VOICE in JFK’s Camelot 41 Northeast Branch [email protected] ADVERTISING INQUIRIES John Bottomley [email protected] THE VOICE welcomes submissions, news items, and ON THE COVER: photographs. Please send your Derek Midgley captured the joy submissions to the email above. of early St. Patrick’s parades in the northeast with this photo of Rich Visit the EUSPBA online at www.euspba.org Harvey’s pipe at the Belmar NJ event. ©2014 Eastern United States Pipe Band EUSPBA MEMBERS receive a subscription to THE VOICE paid for, in part, Association. All rights reserved. No part of this magazine may be reproduced or transmitted by their dues ($8 per member is designated for THE VOICE). -
Cs June 2010.Pdf
ISSN 1352-3848 June 2010 VOLUME 27 NO 1 THE JOURNAL OF THE LOWLAND AND BORDER PIPERS’ SOCIETY Jock Agnew and Martin Lowe launch ‘The Wind in the Bellows’ IN THIS ISSUE From the Archive(4): New Tune Book(5): Music Resources(6): John Armstrong’s Sword(7): Tutor Launch(9): Melrose(11): LBPS Annual Competition(13): Stock Imagery(18): Piper Gould(24): Revival or Survival?(26): Event Reports(35): Nate Banton Interview(41): Coming Events(48): Reviews(51): Back Lill(55) 1 President Julian Goodacre Minute Sec. Jeannie Campbell Chairman: Jim Buchanan Newsletter Helen Ross Treasurer Iain Wells Membership Pete Stewart Secretary Judy Barker Editor CS Pete Stewart THE JOURNAL OF THE LOWLAND AND BORDER PIPERS’ SOCIETY EDITORIAL ol 25 no 1 is the 47th issue of some from far-flung parts of the world; Common Stock [issues were there were lowland pipers in America, in V rather erratic in the early years], Australia, in Germany and the Nether- but it is the first I have supervised as lands, in India and in Oman, it seemed, editor. It is extraordinary to find that I and they were all keen to become part of am only the third person to hold this this new organization and share their privileged position. It is indeed a privi- enthusiasm. lege to take over a publication which has And because they did, I am now given recorded the trajectory of bellows piping the honour of editing the journal they from the days nearly thirty years ago first produced in Dec 1983. when various enthusiasts around the This revisiting of the early days has world began to discover that they were been largely the result of the work that not alone in their interest and that there has been done recently on preparing the was demand for an organization which Society’s records for deposit in the Na- would represent it. -
Degrees of Challenge and Diversity BA (Scottish Music — Piping)
DEGREE Degrees of challenge and diversity BA (Scottish Music — Piping) NE student on the BA (Scottish Music — Piping) degree programme Ois leading the revival of a community pipe band in the Renfrewshire village of Maxwell Derek Photo: Kilbarchan, several are touring and recording with other musicians, one has successfully produced an album for a schools pipe band and others are making their mark as keen solo competitors. All of this is extracurricular activity, but it is helping to further the students’ pursuit of the diverse aspirations that led them to apply for the programme in the first place. The course, taught jointly by The National Piping Centre and the Royal Scottish Academy of Music and Drama (RSAMD), is now embarking on its important third year: a final year for its first graduates. Brian McNeill, director of the Scottish Music programme at RSAMD, admitted to having been “skeptical at first about having a separate BA (Scottish Music — Piping) degree. “I’ve always worked very hard, and with the Battlefield Band (of which he was a co-founder) we fought for 30 years, to get the pipes accepted as another Scottish instrument which was not separate. “But I’ve converted since then. What the National Piping Centre does is so good that I feel a concentration on piping has been a beneficial thing. “There are important issues about how they “Jimmy Banks (the Centre’s degree “The fact that it is more specialised than join in with the rest of us, what their influence programme administrator) and I spend a lot of our general degree is good, and it may well be a should be on the rest of us and what our time working on the right ways to make the model, a template, for future degrees for fiddle, influence should be on them. -
2016-Program-Booklet-Final.Pdf
CONTENTS Page Background on the Workshop 4 “Antique (SSP) Archæology” - Ralph R. Loomis Tips for a New Scottish Smallpipe Owner 8 Chris Pinchbeck The William Davidson (Glenesk) Pipes 12 Ian Kinnear Meet Your Maker - Kim Bull 15 Richard Shuttleworth Goodacre’s Razor A CUT BELOW THE OTHERS. 17 Julian Goodacre How dos Wood choice afect the Tone of Bagpipes? 18 And a number of refections on Pipe Making and Tone - Nate Banton A New Perspective on Old Technique, Scales and Embellishments 21 Barry Shears Biographies 21 Dan Foster 22 Barry Shears 21 Laura MacKenzie 23 Brian McNamara 22 Chris Gray 23 Benedict Kœhler 22 Owen Marshall 23 Bill Wakefeld 22 Iain MacInnes 23 Will Woodson Music 24 The Wisdom House Gathering (music) - Bob Cameron 25 The Lichtfeld Hills (music) - Bob Cameron 26 Didn’t We Meet in Lichtfeld? (music) - Bob Cameron Dear Piping Friends, Welcome to the 2016 Pipers’ Gathering. We’re thrilled to offer you a stellar line- up of instructors - we work hard to bring you a consistently interesting mix of folks from North American and across the pond. You’ll hear a lot at this year’s Gathering about sustainability, applied in many different ways. Attending events like ours and playing in your communities sustains a small piping tradition: • We welcome attendees of all ages who are new to bellows-blown piping. Hopefully this event will inspire you to stick with them, and do your part to sustain the traditional music community in your area in your own unique way! • We welcome those who are taking a risk and trying something new at any age! Whether you already play one type of “alt” pipes, and are giving another type a try, or are push- ing yourself a little outside your comfort zone with new tunes and techniques, you are sustaining the tradition as well. -
The Secret of the Bagpipes: Controlling the Bag. Techniques, Skill and Musicality
CASSANDRE BALOSSO-BARDIN,a AUGUSTIN ERNOULT,b PATRICIO DE LA CUADRA,c BENOÎT FABRE,b AND ILYA FRANCIOSIb The Secret of the Bagpipes: Controlling the Bag. Techniques, Skill and Musicality. hen interviewed about the technique as the Greek tsampouna or the Tunisian mizwid) to of the bag, bagpipe maker and award- a fully chromatic scale over two octaves (the uilleann winning Galician piper Cristobal Prieto pipes from Ireland and some Northumbrian small- Wsaid that. ‘the handling of the bag is one of the most pipes chanters). Bagpipes in their simplest form are important things. The secret of the bagpipes is how composed of a bag with a blowpipe and a melodic one uses the bag […] You need a lot of coordination: pipe (hereafter referred to as the chanter).2 Other blowing, fingers […] it depends on the arm, the pipes can then be added such as a second melodic pressure of the air. The [finger] technique is much pipe, semi-melodic pipes or drones.3 The blowpipe simpler. Everyone blows all over the place when they is usually, but not always, fitted with a small valve start to play. It’s like a car: you have to think how you in order to prevent the air from leaving the bag. In are going to do all of this at the same time. The use models without this system, the piper uses his/her of the bag is the most important aspect, even more tongue to prevent the air from escaping whilst s/he than the fingers, [or] velocity’.1 breathes in. -
The Compositions of Patrick Mclaurin** Barbara Mclaurin (9/8 March) a 9/8 March for My Mom
**The Compositions of Patrick McLaurin** www.patrickmclaurin.com Barbara McLaurin (9/8 March) A 9/8 march for my mom. Apparently there are two versions, the 3rd and 4th parts are just the other version. Patrick McLaurin 9 8 www.patrickmclaurin.com Beer with Gillian (Reel) A large portion of the band Haggis Rampant is composed of the Brownlee family. The parentals, Pam and Steven, often tagged their adventures without their daughter Gillian with the hashtag #beerwithoutgillian while Gillian was off getting her masters degree. I was fortunate enough to live in the same city as her graduate school, so I got to have #beerwithgillian. Patrick McLaurin 2 2 www.patrickmclaurin.com Bryan’s Great Pipe (Jig) Bryan has several Great Pipes: 1950’s full ivory Robertson and half engraved silver and moose antler Colin Kyo, to name a couple... Patrick McLaurin 6 8 www.patrickmclaurin.com Burden of Innocence, The (Slow Air) Without children, we would never evolve: physiologically, socially, or spiritually. Our world needs constant reminders of what it is like to be innocent. Children are our clean slate upon which we can conquer disease, bigotry, and evil. The composition of this tune was my emotional response to the murder of 27 people, 20 of whom were children, in Newtown, Connecticut on December 14th, 2012. Patrick McLaurin 6 8 www.patrickmclaurin.com Calista and Clark’s Playtime (Hornpipe) Clark is my nephew, Calista my daughter, and they were born exactly 4 weeks apart. I straight up borrowed, unknowingly, the first part of Moving Cloud as the first part of this tune. -
The Cultural History of the Bagpipe in Britain, 1680-1840. Phd Thesis
Williams, Vivien Estelle (2013) The cultural history of the bagpipe in Britain, 1680-1840. PhD thesis. http://theses.gla.ac.uk/5085/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] The Cultural History of the Bagpipe in Britain, 1680-1840 Vivien Estelle Williams Submitted in fulfilment of the requirements for the Degree of: Doctor of Philosophy Subject area: English Literature School of Critical Studies College of Arts University of Glasgow September 2013 Abstract In this thesis I seek to trace the cultural history of one of the most representative icons of Scottishness – the bagpipe – within the wider context of Great Britain in the period spanning from the advent of Jacobitism to late Romanticism. In developing my analysis I take into consideration a variety of literary, artistic and musical sources. By investigating the role and symbolism of the bagpipe in the various contexts, I endeavour to illustrate how the construction of the icon changed through time, according to the political and social situation. I argue that during the course of the eighteenth century a radical change in perspective took place; a transformation which is closely linked to Jacobitism and its effect on British politics. -
INSIDE: AGM, Etc Campbell's Border Travels Union Pipe Origins?
Bellows and mouth-blown Scottish small pipes being examined in the National Museum of Antiquities of Scotland in Edinburgh. The photograph was apparently taken in the mid 1930s. INSIDE: AGM, etc Campbells Border travels Union pipe origins? THE EDITOR offers his apologies journal, Common Stock, and, of small pipes (already the judges for the delay in bringing out course, our first competition. were talking about separate this second issue of Common classes for Lowland and small Stock, which should have He also paid tribute to the pipes), and there were some who appeared in the Summer. societys late honorary president blythely played Highland pipe Nevertheless, the December issue Jimmy Wilson, who died in selections (some of them will appear in December! February, and who would be much excellent) despite the onus on missed. An appreciation of Jimmy the competitor to include The editor also offers his will also appear in the December appropriate Lowland/Border mat- grateful thanks to Peter Cooke Common Stock. erial. and Peggy Morrison at the School of Scottish Studies, Edinburgh OFFICE BEARERS, 1984-85 Chairman Such, however, are the University, for their kind help - Mike Rowan inevitable vagaries of a music in setting this material. Secretary - Jeannie Campbell just at the beginnings of Minute Secretary - Jim Gilchrist revival...and a music which in N.B. Editors new address:- All Treasurer - David Hannay its heyday seems to have been information, manuscripts etc. for Musical Advisor - Gordon Mooney standardised and for which any Common Stock should be sent to Technical Advisors - Colin Ross attempt at standardisation today Jim Gilchrist, 10 Pittville Robbie Greensitt would be highly questionable. -
Thesis&Preparation&Appr
THESIS&PREPARATION&APPROVAL&FORM& & Title&of&Thesis:& Scottish&Fiddling&in&the&United&States:&Reviving&a&Tradition&and&Maintaining&a&Community& & & I. To&be&completed&by&the&Student:& & I&certify&that&this&document&meets&the&preparation&guidelines&as&presented&in&the& Style&Guide&and&Instructions&for&Preparing&Theses&and&Dissertations.&& & & _________________________________& &_______________& (Signature&of&Student)&& & (Date)& & & II. To&be&completed&by&thesis&advisor:& & I&certify&that&this&document&is&suitable&for&submission.& & & _________________________________&& _______________& (Signature&of&Advisor)&& & (Date)& & III. To&be&completed&by&School&Director:& & I&certify,&to&the&best&of&my&knowledge,&that&the&required&procedures&have&been& followed&and&the&preparation&criteria&have&been&met&for&this&thesis/dissertation.&& & & _________________________________& &_______________& (Signature&of&Director)&& & (Date)& & & xc:&Graduate&Coordinator& SCOTTISH FIDDLING IN THE UNITED STATES: REVIVING A TRADITION AND MAINTAINING A COMMUNITY A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Deanna T. Nebel May, 2015 Thesis written by Deanna T. Nebel B.M., Westminster College, 2013 M.A., Kent State University, 2015 Approved by ____________________________________________________ Jennifer Johnstone, Ph.D., Advisor ____________________________________________________ Ralph Lorenz, Ph.D., Acting Director, School of Music ____________________________________________________ -
Wee-Pipes for Wee Folk (And Their Dads)
by John Slavin PRODUCTS NEW Wee-pipes for wee folk (and their dads) THOMAS ZÖLLER HAT do you do when a child is the music, and the instrument, repertoire and simple type of bagpipe which would have one ready to move from the chanter history from him when I was at the RSAMD. drone and a really small bag. He also worked Wto the pipes but is too small to He was a big inspiration for me and a great out how long the mouthpiece should be and play them? There’s now a solution to this person and musician. I felt I wanted to pass put the practice chanter the boy played into problem — a set of Wee-pipes. on his style and approach to the instrument that pipe.” This new product is the brainchild of Ger- and the music.” The Principal of The National Piping man piping teacher Thomas Zöller, who is a The students at the Dudelsack-Akademie Centre, Roddy MacLeod, attended the Du- graduate of the RSAMD BA (Scottish music come from a wide variety of ages and back- delsack-Akademie’s annual concert two years — Piping) degree. His interest in piping grounds. But it was the difficulty faced by one ago and saw the boy playing these new pipes. was first sparked by listening to the music of of the younger pupils that started Thomas on He asked about the instrument and Thomas Planxty, which led to a love of drone-based his journey to design the Wee-pipes explained that it had been developed in Ger- music ranging from medieval music, hurdy He picks up the story: “There was a boy who many and they wanted to take them to a wider gurdy to Far Eastern music and of course bag- was around eight or nine at that time.