Togaman Guitars
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The Search for Consistent Intonation: an Exploration and Guide for Violoncellists
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 THE SEARCH FOR CONSISTENT INTONATION: AN EXPLORATION AND GUIDE FOR VIOLONCELLISTS Daniel Hoppe University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.380 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hoppe, Daniel, "THE SEARCH FOR CONSISTENT INTONATION: AN EXPLORATION AND GUIDE FOR VIOLONCELLISTS" (2017). Theses and Dissertations--Music. 98. https://uknowledge.uky.edu/music_etds/98 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
An Obscure History of the Guitar Or, a History of Obscure Guitars Franklin Lei, Vihuela, Early Viennese Guitar, Archtop Guitar
A 2016 Berkeley Festival Fringe event sponsored by Trinity Chamber Concerts An Obscure History of the Guitar or, A History of Obscure Guitars Trinity Chapel, 2320 Dana Street Saturday June 11th, 2016, 10:30 a.m. Franklin Lei, vihuela, early Viennese guitar, archtop guitar I. Ricercar 84 – Fantasia 40 – Fantasia 30 – Ricercar 16 - Francesco Canova da Milano (1497-1543) Tochata – Ricercar 34, ‘La compagna’ II. Diferencias sobre ‘Guárdame las vcas’ (both sets) Luys de Narváez (c.1505-1549) Fantasia V Luis Milán (c.1500-1561) Fantasia que contrahaze la harpa en la manera de Luduvico Alonso Mudarra (c.1510-1580) III. Grande Ouverture, Opus 61 : Mauro Giuliani, 1781-1829 Andante Sostenuto – Allegro Maestoso Source: Facsimile of the First Edition by Giovanni Ricordi, Milan, late 1814 IV. Blues in the Night Harold Arlen (1905-1986) Autumn in New York Vernon Duke (1903-1969) Night and Day Cole Porter (1891-1964) Here’s That Rainy Day Jimmy Van Heusen (1913-1990) Letter to Evan* - Laurie* Bill Evans (1929-1980) Arrangements by Franklin Lei (except * by Sid Jacobs) 6-course Vihuela: Daniel Larson, Duluth MN, 1997 (after iconographic sources especially Juan Bermudo’s woodcut) Viennese guitar: Johann Michael Rudert, Vienna, dated 1811 Acoustic archtop: Tom Bills, St. Louis, 2013 An obscure history of the guitar or, A history of obscure guitars I am playing three guitars from very different periods in the instrument’s history: The vihuela de mano dates from most of the 16th century. Strung in courses (pairs of strings) and tuned as the Renaissance lute, the vihuela is the true ancestor of the modern guitar. -
F9 Production Information 1
1 F9 PRODUCTION INFORMATION UNIVERSAL PICTURES PRESENTS AN ORIGINAL FILM/ONE RACE FILMS/PERFECT STORM PRODUCTION IN ASSOCIATION WITH ROTH/KIRSCHENBAUM FILMS A JUSTIN LIN FILM VIN DIESEL MICHELLE RODRIGUEZ TYRESE GIBSON CHRIS ‘LUDACRIS’ BRIDGES JOHN CENA NATHALIE EMMANUEL JORDANA BREWSTER SUNG KANG WITH HELEN MIRREN WITH KURT RUSSELL AND CHARLIZE THERON BASED ON CHARACTERS CREATED BY GARY SCOTT THOMPSON PRODUCED BY NEAL H. MORITZ, p.g.a. VIN DIESEL, p.g.a. JUSTIN LIN, p.g.a. JEFFREY KIRSCHENBAUM, p.g.a. JOE ROTH CLAYTON TOWNSEND, p.g.a. SAMANTHA VINCENT STORY BY JUSTIN LIN & ALFREDO BOTELLO AND DANIEL CASEY SCREENPLAY BY DANIEL CASEY & JUSTIN LIN DIRECTED BY JUSTIN LIN 2 F9 PRODUCTION INFORMATION PRODUCTION INFORMATION TABLE OF CONTENTS THE SYNOPSIS ................................................................................................... 3 THE BACKSTORY .............................................................................................. 4 THE CHARACTERS ............................................................................................ 7 Dom Toretto – Vin Diesel ............................................................................................................. 8 Letty – Michelle Rodriguez ........................................................................................................... 8 Roman – Tyrese Gibson ............................................................................................................. 10 Tej – Chris “Ludacris” Bridges ................................................................................................... -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
Franz Schubert's Chamber Music with Guitar: a Study of the Guitar's Role in Biedermeier Vienna Stephen Mattingly
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Franz Schubert's Chamber Music with Guitar: A Study of the Guitar's Role in Biedermeier Vienna Stephen Mattingly Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC FRANZ SCHUBERT’S CHAMBER MUSIC WITH GUITAR: A Study of the Guitar’s Role in Biedermeier Vienna By STEPHEN MATTINGLY A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Stephen Mattingly All Rights Reserved The members of the Committee approve the treatise of Stephen Mattingly defended on March 26, 2007. ______________________________ Michael Buchler Professor Directing Treatise ______________________________ Nancy Rogers Outside Committee Member ______________________________ Bruce Holzman Committee Member ______________________________ Melanie Punter Committee Member ______________________________ Larry Gerber Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS The following organizations deserve special thanks for their material support of this project: the Presser Foundation for their generous grant to fund the recording and research of “Schubert’s Complete Chamber Music with Guitar”, the Vienna Schubertbund and the Schubert Institute of the United Kingdom for their -
Deutsche Nationalbibliografie 2014 T 06
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 06 Stand: 18. Juni 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT06_2014-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Deutsche Nationalbibliografie 2011 T 10
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2011 T 10 Stand: 19. Oktober 2011 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2011 ISSN 1613-8945 urn:nbn:de:101-ReiheT10_2011-8 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ -
Sonata for the Arpeggione Transcribed for Viola in G Minor Franz Schubert by Alan Bonds D
Transcribed for Viola & Piano in G minor by Alan Bonds based on the Urtext PREFACE For generations, viola players (and cellists) have studied and performed the Arpeggione Sonata by Schubert in a variety of transcriptions which all have one thing in common–they are in the original key of A minor. This edition makes the bold and logical step of transposing the entire work down a whole tone to G minor for reasons outlined below. At last the natural resonances of the instrument can be heard and some of the passage work (especially in the last movement) now suits the tuning of the viola. We know that the Arpeggione was a short-lived hybrid of the cello and the guitar, invented in 1823 by Georg Staufer. It was also known as the guitar-cello, the bowed-guitar, and the Guitarre d’amour. Like the guitar, it had six strings and frets on the fingerboard, but it had an elevated fingerboard and was bowed like the cello in the ‘gamba’ position. In fact it sounds like it shared more in common with the viola da gamba than any other instrument. Vincenz Schuster, a guitar-player from Schubert’s circle of friends, seems to have been the principal (or only?) exponent of the instrument, and who published a method for the Arpeggione in 1825. In this method Schuster published an engraving of the Arpeggione which looks suspiciously like a Viola da Gamba–it has a quite distinctive ‘waist’–but with f holes and frets to the very top of the fingerboard. This illustration is at odds with photographs of the two surviving instruments attributed to Staufer and Mitteis. -
American Viola Society Newsletter No. 26, April 1984
THE AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research No. 26 NEWSLETTER THE AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY OFFICERS Association for the Promotion of Viola Performance and Research MAURICE W. RILEY, PRESIDENT DWIGHT POUNDS, VICE PRESIDENT ANN WOODWARD, TREASURER HAROLD KLATZ, SECRETARY 5 ~:2 Roosevelt Blvd 1713 Daren Court 209W. University Drive 1024 Mapie Avenue Ypsilanti, MI48197 Bowling Green, Ky 42101 Chapel Hill, NC 27514 Evanston, IL 60202 313 • 482-6288 Western Kentucky University North Carolina University Vioiis! in Chicago Symphony. Emeritus Professor of Violin-Viola Advertising tor AVS Newsietter Eastern Michigan University MYRON ROSENBLUM, PAST PRESIDENT 39-23 47th Street Sunnyside, NY 11104 No. 26 Queensborough Community College NEWSLETTER April 1984 EXECUTIVE BOARD MEMBERS DAVIO DALTON Archivist. International Primrose Viola Archives, Editor. A.V.S. Newsletter Brigham Young University Provo, Utah 84602 OAUL DOKTOR The AMERICAN VIOLA SOCIETY invites you to 215 Wesl88th Street New Vork, NY 10024 participate in an exciting organization that is Juillard School, dedicated solely to the Viola, its history, its Mannes College of Music music, its performance. MILTON KATlM5 Artistic Advisor School 01 Music University of Houston We are part of an international society of Houston, TX 77004 professional and amateur Violists, teachers, LOUIS KIEVMAN luthiers, publishers, and musicologists who have 1343 Arnalljj Drive Pacific Palisades, CA 90272 the Viola as a common interest. The parent Private Teacher in the Los Angeles Area organization--the INTERNATIONAL VIOLA SOCIETY, DONALD MciNNES ASSOCIATION FOR THE PROMOTION OF VIOLA PERFORMANCE Professor of Viola AND RESEARCH is currently located with Prof. -
Viewed As Baroque Instruments, That Were Also Going out of Style During This Time Period.15
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 A Study of Franz Schubert's Arpeggione Sonata and Claude Debussy's Premiére Rhapsodie: A Performer's Perspective Jeffrey Michael Brooks Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A STUDY OF FRANZ SCHUBERT’S ARPEGGIONE SONATA AND CLAUDE DEBUSSY’S PREMIÉRE RHAPSODIE: A PERFORMER’S PERSPECTIVE By JEFFREY MICHAEL BROOKS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Jeffrey Michael Brooks defended this treatise on April 10, 2017. The members of the supervisory committee were: Deborah Bish Professor Directing Treatise Richard Clary University Representative Eric Ohlsson Committee Member Jeffrey Keesecker Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii For Mom and Dad iii ACKNOWLEDGMENTS There are many people to whom I owe thanks and gratitude over the past several years. First of all, thank you to my advisor and mentor Dr. Deborah Bish. Your patience, confidence, and persistence have helped me through many challenging times. Thank you for gently encouraging me to keep going and for leading me through this academic process. Thank you to my committee members, Dr. Eric Ohlsson, Jeffrey Keesecker, and Richard Clary, all of whom have guided me both professionally and scholastically. Thank you to emeritus professor, Dr. Frank Kowalsky, who taught me so much about music and the pursuit of intentional living. -
The Viennese Violone: the Development, Blossoming, and Decline of a Musical Instrument in 18Th Century Vienna
The Viennese Violone: The Development, Blossoming, and Decline of a Musical Instrument in 18th Century Vienna A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2016 by William Christopher Leverenz B.M., Southern Illinois University Carbondale, 2006 M.M., University of Cincinnati College-Conservatory of Music, 2008 2 Abstract This work is an examination of the Viennese violone school of double bass performance that developed during the latter half of the 18th century. The focus of this study is the tuning system that allowed the instrument to flourish during the Viennese Classic era and how these same idiomatic traits would render the instrument obsolete by the early 19th century. The Viennese violone utilized a unique tuning system of thirds and fourths intervals. It was used as a solo, chamber, and orchestral instrument that coexisted with other European bass styles that utilized different tuning systems. The examination will track the development and demise of this unique school of bass playing. Through analysis of representative solo works the development of the school’s technique is examined in correlation with the constantly evolving musical content. Analysis of selected symphonic works demonstrates the use of the bass violone in an orchestral setting. After establishing the unique characteristics that allowed the violone to flourish during the 18th century this document will prove how the violone was unable to meet the evolving musical demands of the 19th century. -
Still Fumin' News
FREE Still Fumin’ News Winter 2005 DECEMBERCHILD BENEFIT 2004!! We want to thank all those who came out for the Decemberchild Benefit Concert on Dec 16th. This year was the most successful so far. We managed to raise $750 for the Valley Christmas Project, which helps hundreds of needy families every year. It is a project of Valley Churches United Missions, a year-round charity in Santa Cruz County. The Valley Double Chocolate Birthday Christmas Project provides needy families with cake was a big favorite holiday meals and gifts for their children. Lisa Leuschner was the darling of the show, bringing shouts of “We want more Lisa!” from the audience. The Tom Savell Band also impressed with a wide variety of styles, including a set of music from The Beatles featuring Tom’s brother Joel on lead vocals with Tom on violin and some of the best musicians in Santa Cruz backing them up. The evening’s highlights included a raffle for an electric guitar, and a Raffle prizes included a couple of wonderful birthday cakes baked by Hoffman’s Bakery in leather jacket and a Greg downtown Santa Cruz. Before the final raffle of the electric guitar, Tom Bennett Designs electric played it on stage to “Birthday” by the Beatles. There were birthday gifts guitar by Samick scattered throughout the concert hall, including stuffed animals and toy cars. The many Decemberchildren attending shared common childhood experiences of birthdays overwhelmed by the holidays. And the comments after the show ranged from “Great music” to “The most fun I’ve had in years.” Still Fumin’ Records looks forward to making this annual event even better and more fun in the years to come.