Miss Lisa Brown's Guide to Dressing for a Regency Ball – Ladies' Edition
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8364 Licensed Charities As of 3/10/2020 MICS 24404 MICS 52720 T
8364 Licensed Charities as of 3/10/2020 MICS 24404 MICS 52720 T. Rowe Price Program for Charitable Giving, Inc. The David Sheldrick Wildlife Trust USA, Inc. 100 E. Pratt St 25283 Cabot Road, Ste. 101 Baltimore MD 21202 Laguna Hills CA 92653 Phone: (410)345-3457 Phone: (949)305-3785 Expiration Date: 10/31/2020 Expiration Date: 10/31/2020 MICS 52752 MICS 60851 1 For 2 Education Foundation 1 Michigan for the Global Majority 4337 E. Grand River, Ste. 198 1920 Scotten St. Howell MI 48843 Detroit MI 48209 Phone: (425)299-4484 Phone: (313)338-9397 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 46501 MICS 60769 1 Voice Can Help 10 Thousand Windows, Inc. 3290 Palm Aire Drive 348 N Canyons Pkwy Rochester Hills MI 48309 Livermore CA 94551 Phone: (248)703-3088 Phone: (571)263-2035 Expiration Date: 07/31/2021 Expiration Date: 03/31/2020 MICS 56240 MICS 10978 10/40 Connections, Inc. 100 Black Men of Greater Detroit, Inc 2120 Northgate Park Lane Suite 400 Attn: Donald Ferguson Chattanooga TN 37415 1432 Oakmont Ct. Phone: (423)468-4871 Lake Orion MI 48362 Expiration Date: 07/31/2020 Phone: (313)874-4811 Expiration Date: 07/31/2020 MICS 25388 MICS 43928 100 Club of Saginaw County 100 Women Strong, Inc. 5195 Hampton Place 2807 S. State Street Saginaw MI 48604 Saint Joseph MI 49085 Phone: (989)790-3900 Phone: (888)982-1400 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 58897 MICS 60079 1888 Message Study Committee, Inc. -
Manchus: a Horse of a Different Color
History in the Making Volume 8 Article 7 January 2015 Manchus: A Horse of a Different Color Hannah Knight CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Knight, Hannah (2015) "Manchus: A Horse of a Different Color," History in the Making: Vol. 8 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol8/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Manchus: A Horse of a Different Color by Hannah Knight Abstract: The question of identity has been one of the biggest questions addressed to humanity. Whether in terms of a country, a group or an individual, the exact definition is almost as difficult to answer as to what constitutes a group. The Manchus, an ethnic group in China, also faced this dilemma. It was an issue that lasted throughout their entire time as rulers of the Qing Dynasty (1644- 1911) and thereafter. Though the guidelines and group characteristics changed throughout that period one aspect remained clear: they did not sinicize with the Chinese Culture. At the beginning of their rule, the Manchus implemented changes that would transform the appearance of China, bringing it closer to the identity that the world recognizes today. In the course of examining three time periods, 1644, 1911, and the 1930’s, this paper looks at the significant events of the period, the changing aspects, and the Manchus and the Qing Imperial Court’s relations with their greater Han Chinese subjects. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Crossdressing Cinema: an Analysis of Transgender
CROSSDRESSING CINEMA: AN ANALYSIS OF TRANSGENDER REPRESENTATION IN FILM A Dissertation by JEREMY RUSSELL MILLER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2012 Major Subject: Communication CROSSDRESSING CINEMA: AN ANALYSIS OF TRANSGENDER REPRESENTATION IN FILM A Dissertation by JEREMY RUSSELL MILLER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Josh Heuman Aisha Durham Committee Members, Kristan Poirot Terence Hoagwood Head of Department, James A. Aune August 2012 Major Subject: Communication iii ABSTRACT Crossdressing Cinema: An Analysis of Transgender Representation in Film. (August 2012) Jeremy Russell Miller, B.A., University of Arkansas; M.A., University of Arkansas Co-Chairs of Advisory Committee: Dr. Joshua Heuman Dr. Aisha Durham Transgender representations generally distance the transgender characters from the audience as objects of ridicule, fear, and sympathy. This distancing is accomplished through the use of specific narrative conventions and visual codes. In this dissertation, I analyze representations of transgender individuals in popular film comedies, thrillers, and independent dramas. Through a textual analysis of 24 films, I argue that the narrative conventions and visual codes of the films work to prevent identification or connection between the transgender characters and the audience. The purpose of this distancing is to privilege the heteronormative identities of the characters over their transgender identities. This dissertation is grounded in a cultural studies approach to representation as constitutive and constraining and a positional approach to gender that views gender identity as a position taken in a specific social context. -
Catalogo-2021-EN.Pdf
We are Beardburys, sexy, cool, nonconformist, we like to innovate and go beyond. We are the grooming leading brand for bad guy s, trusted by you, your barber & hairdresser. essence Alternative Conventionalism bores us! We like to be transcendent, Sexy to break the rules, to seek Show our most sensual side adventures, to discover new is very common on us. routes... We enjoy life and the great We love to surprise with the pleasures that come with unexpected, we are original it... we leave the door open and to the imagination . We like to open paths but above all, leave a mark. Daring The answer to any craziness is and will be always: YES! Rogue We are playful and we like to We cannot live without adrenaline joke. we enjoy every second to the Naughtiness runs in our veins fullest. as gas pass through the injectors. We like to take risks and there is nothing that makes us more uncomfor- table than feeling like being Genuine just one of the bunch. Natural and authentic as life itself. Every time we start to create we think out of the box, design and innovation come always with us. The essence of our formulas, the scents, the textures, the packa- ging, the colours, the small details... ¡ We challenge the traditional male grooming market ! PRODUCTS CATEGORIES WAXES AND POMADES FIXATION TREATMENT 4 5-7 8-9 BEARD AND SHAVE COLORATION TOOLS & FURNITURE 10-11 12 13-16 DESINFECTION & ACCESORIES EXHIBITORS & DISPOSABLES 18-20 MERCHANDISING 17 21-27 30ml/100ml 30ml/100ml 30ml/100ml Natural Pomade Matte Pomade Matt-Clay Pomade The ideal pomade for styling your hair and giving it Authentic barber shop wax with a matte finish. -
A Brief History of the Evolution of Operating Room Attire
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1 From formalwear and frocks to scrubs and gowns: A brief history of the evolution of operating room attire AUTHORS Jessica L. Buicko, MD1 Michael A. Lopez, DO1 Miguel A. Lopez-Viego, MD, FACS1 1Department of Surgery, University of Miami-JFK Medical Center, Atlantis, FL CORRESPONDING AUTHOR Jessica L. Buicko 225 NE 1st St #209 Delray Beach, FL 33444 518-229-7711 [email protected] ©2016 by the American College of Surgeons. All rights reserved. CC2016 Poster Competition • From formal wear and frocks to scrubs and gowns • 6 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Most of the knowledge of the history of surgical Introduction attire is derived from drawings, paintings and Stroll into any operating room and you will find surgeons anecdotal reports. Although conventional adorned in various shades of blues and greens along with their today, “scrubs” were not routinely worn until masks, scrub hats, and surgical gowns. The surgical attire that has become commonplace throughout operating rooms around the mid-20th century. In the 19th century, it the world, has only been around for less than a century. would be commonplace for a surgeon to shrug off his suit jacket, roll up his sleeves, throw on A brief surgical timeline a frock or apron, and begin operating. Over the Prior to 19th century - Surgeons performed operations in their years, surgical garb continues to evolve to make street clothes with the only concessions being the removal of procedures safer for both the patient and the coats and rolling-up of shirt-sleeves during bloody procedures. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
Carnival Is Great Success; June Fourth Marks Prom; Profits Go To
Vol, XXK—No. 20 Paul D. Schreiber High School, Port Washington, N. Y., May 27, 1955 PRICE: TEN CENTS Carnival Is Great Success; June Fourth Marks Prom; Profits Go To Scholarships 'Sand And The Sea^ Is Title "I am more than pleased with the response I got from the June 4 night, the junior class will present "The Sand and the faculty, students and community," said Mr. Scott about the very Sea," the annual Junior From, to be held in the cafeteria of PDSHS. Roy Darnell and his band will play from 9 to 1. Admission to this successful Spring Carnival held last Saturday on the athletic field. — formal dance is $3.00. Highlight• Well over $3,000 was made at ing the evening will be dancing the carnival but the bills have Prospects For 1955-56 on the terrace and the crowning yet to be subtracted from this of a king and queen who will figure. All proceeds will go by Seamus McGrady be chosen from students in the toward student scholarships. junior class. After elections, victorious politicans usually try to forget their Officers of the junior class, Carnival Queen Sherry Wal- campaign promises. thers picked the winning chance, Ray Saulter, president; Eddie The Pilots don't. Lloyd, vice-president; Sue Dorn, worth $200.00, which belonged to These are what we promised, and this is what has happened: secretary; and Frank Cifarelli, Ralph Innella. Chance book CLAY TENNIS COURTS: Dr. Hall says construction will start treasurer are in charge of the sales reached 1400 books with this summer; dance. -
Shelter Point ~ March 2018
October 2012 Debbie Halusek: Activity Director MPR-Multi Purpose Room C-Chapel Please Call: 162 for assistance Shelter Point ~ March 2018 IA-Independent Activity SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Evening Activities 1) 2) 3) March Birthday’s 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Rise & Shine-400 Jerlean H. 3-6 Sarah S. 3-24 10:30 Joke Time 10:30 Rise & Shine 10:30 Stretch Tuesdays: Mary A. 3-10 James H. 3-26 11:00 Making Bread/Snack Time 11:00 Snack Time Calendars are & Strength-400 6:30 Bingo Frank H. 3-15 Betty B. 3-29 11:30 Toss & Talk 11:30 Sing A Long 11:00 Snack Time Iola W. 3-15 Doris B. 3-29 7:00 Relaxing Rhythms Subject 2:00 Bingo 2:00 Reminisce 11:30 Sing A Long Edith P. 3-17 Scott G. 3-30 3:00 Bread/Ice Cream Social 2:30 Noodle Ball Pryse F. 3-21 Dorothy S. 3-30 To change. 1:30 Hoy-400 3:30 Pong Toss 3:00 Ice Cream Social Shari Houze 3-21 Dean M. 3-30 4:30 Beauty Spot 3:30 Table Top Bowling Addie F. 3-22 4:30 Color Me Fun 4) 5 ) 6) 7) 8) 9 ) 10) 10:00 Rise & Shine-400 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Star Glazers 10:00 Rise & Shine-400 10:30 Reminisce-400 10:30 Rise & Shine 10:30 Joke Time 10:30 Rise & Shine 10:30 Joke Time Ceramics 10:30 Stretch 11:30 Catholic 11:00 Snack Time 11:00 Snack Time 11:00 Snack Time 11:00 Snack Time 11:00 Snack Time & Strength-400 Communion 11:15 Beauty Spot 11:30 Reminisce 11:15 Beauty Spot 11:30 Toss & Talk 11:30 Sing A Long 11:00 Snack Time 1:30 Bingo-400 11:45 Sing A Long 2:00 Catholic Communion-C 2:00 Making A Quilt-MPR 2:00 Bingo 2:00 Reminisce 11:30 Sing A Long 2:00 Bingo 2:00 Music: Mr. -
Policy 312 PROFESSIONAL APPEARANCE STANDARDS Page 2 of 4
Policy 312 Subject PROFESSIONAL APPEARANCE STANDARDS Date Published Page 26 August 2017 1 of 4 By Order of the Police Commissioner POLICY 1. Personal Discipline, Public Confidence and Respect. These Professional Appearance Standards are established to encourage public confidence and respect, to instill a degree of personal discipline among members, to facilitate easy recognition of officers in the field, and to promote officer safety and performance. 2. Applicable to All Sworn Members. The following guidelines establish the Baltimore Police Department’s (BPD) Professional Appearance Standards and shall apply to both male and female members, unless otherwise specified. These regulations apply to all sworn personnel working in a uniformed capacity (to include uniformed overtime and uniformed secondary employment) and to all sworn personnel in court attire. GENERAL 1. Unless otherwise authorized, all on-duty sworn personnel shall appear neat, clean and well−groomed and shall project an image of authority, safety and professionalism to the public at all times. 2. All members are required to familiarize themselves with these standards and to remain in strict compliance at all times. Supervisor/Shift Commander 1. Inspect subordinates daily to ensure compliance with the Professional Appearance Standards established in this policy. 2. Take corrective action, when needed. Universal Hairstyle Requirements 1. Hair must be neatly groomed and conform to the shape of the head. 2. Only natural hair colors are permitted. Hair colors that are considered extreme, faddish or artificial, such as purple, pink or green are prohibited. 3. The bulk of the hair will not be excessive or present a ragged or unkempt appearance, and shall not: 3.1. -
Miss Lisa Brown's Guide to Dressing for a Regency Ball – Gentlemen's
MMiissss LLiissaa BBrroowwnn’’ss GGuuiiddee ttoo DDrreessssiinngg ffoorr aa RReeggeennccyy BBaallll –– GGeennttlleemmeenn’’ss EEddiittiioonn (and remove string!) Shave Jane Austen & the Regency face every Wednesday and The term “Regency” refers to years between 1811 Sunday as per regulations. and 1820 when George III of the United Kingdom was deemed unfit to rule and his son, later George Other types of facial hair IV, was installed as his proxy with the title of were not popular and were “Prince Regent”. However, “Regency Era” is often not allowed in the military. applied to the years between 1795 and 1830. This No beards, mustaches, period is often called the “Extended Regency” goatees, soul patches or because the time shared the same distinctive culture, Van Dykes. fashion, architecture, politics and the continuing Napoleonic War. If you have short hair, brush it forward into a Caesar cut style The author most closely associated with the with no discernable part. If your Regency is Jane Austen (1775-1817). Her witty and hair is long, put it into a pony tail engaging novels are a window into the manners, at the neck with a bow. lifestyle and society of the English gentry. She is the ideal connexion to English Country Dancing as Curly hair for both men and each of her six books: Pride and Prejudice , Sense women was favored over straight and Sensibility , Emma , Persuasion , Mansfield Par k hair. Individual curls were made and Northanger Abbey, feature balls and dances. with pomade (hair gel) and curling papers. Hair If you are unable to assemble much of a Regency wardrobe, you can still look the part by growing your sideburns The Minimum and getting a Caesar cut If you wish to dress the part of a country gentleman hairstyle. -
Beauty Trends 2015
Beauty Trends 2015 HAIR CARE EDITION (U.S.) The image The image cannot be cannot be displayed. displayed. Your Your computer computer may not have may not have enough enough memory to memory to Intro open the open the With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the United States’ population and gain insight into this specific population’s behavior. In our Google Beauty Trends report, we are excited to bring forth the power of big data into the hands of the marketers, product developers, stylists, trendsetters and tastemakers. The goal of this report is to share useful data for planning purposes accompanied by curated styles of what we believe can make for impactful trends. We are proud to share this iteration and look forward to hearing back from you. Flynn Matthews | Principal Industry Analyst, Beauty Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Photo Credit: Blind Barber (Men’s Hair), Meladee Shea Gammelseter (Women’s Hair), Andrea Grabher/Christian Anwander (Colored Hair), Catface Hair (Box & Twist Braids), Maria Valentino/MCV photo (Goddess Braid) Proprietary + Confidential Methodology QUERY To compile a list of accurate trends within the Jan-13 Aug-13 Jan-14 Aug-14 Jan-15 Aug-15 beauty industry, we pulled top volume queries related to the beauty category and looked at their monthly volume from January 2013 to August 2015. We first removed any seasonal effect, and DE-SEASONALIZED QUERY then measured the year-over-year growth, velocity, and acceleration for each search query.