journal: index: nos 1 to 28 1

INDEX 2 printing historical society journal: index: nos 1 to 28 3

Journal of the Printing Historical Society

INDEX

Numbers 1 to 28: 1965–1999

Compiled by Paul W. Nash 4 printing historical society

Published in 2005 by ¡e Printing Historical Society St Bride Printing Library, Bride Lane, Fleet Street, London EC4Y 8EE

issn 0079–5321 isbn 0 900003 14 6

© ¡e Printing Historical Society 2005

Printed in Great Britain by Henry Ling Ltd, Dorchester

Compiled and typeset by Paul W. Nash journal: index: nos 1 to 28 5

FOREWORD

The following index aims to include all signi‰cant subject-terms, names and quoted publications to be found within the text and notes of Journal numbers 1–28, as well as the names of authors of articles and reviews. The terms have been alphabetised letter-by-letter, regardless of word breaks. The end of each primary term is usually marked with a comma, although there are some exceptions (such as ‘press, hand’ (a primary term) and some corporate names which include a comma within the term – thus ‘Smith, William’ (an individual) precedes ‘Smith & Co.’, ‘Smith & Ebbs’ and ‘Smith, Elder & Co.’). When personal names are the same as other terms (as for example ‘Woods’) the former are given ‰rst, followed by the latter and any more complex construc- tions. When an individual, such as a monarch, is known by a forename, such names are alphabetised before identical surnames and other terms. Some incomplete names and initials found in the Journal have been expanded or, where necessary, corrected, with cross-references where these might be helpful. A distinction has been made between one subject ‘and’ another, and ‘on’ another; the former covers the relation- ship between the two, while the latter refers to quoted opinions or oŸcial statements made by an individual or body on a particular subject. Initial articles have been omitted from the titles of books and periodicals (with the exception of a few titles, such as ¡e T imes, which might otherwise be ambiguous). Members of the printing and book trades are, unless otherwise noted, located in London. Despite its forestry and fairytale connotations, the sobriquet ‘woodcutter’ has been applied to an artisan who made woodcuts. Contemporary place-names are usually used, with cross-references from older forms where necessary. Unnumbered pages are generally treated here as if numbered. Journal numbers are given in bold type, followed by page and plate numbers. The unnumbered plates in Journal 9 have here been numbered 1–4 for convenience. Journal 23 includes two sequences of pagination, the second for the facsimile of Raynor’s Printing for amateurs; the latter sequence is distinguished from the former by being set here in italics.

ACKNOWLEDGEMENTS

Thanks are due to Judith Butcher and the other compilers of the 1979 index to Journal numbers 1–10, upon which the present index has been founded. I am especially grateful to those members of the Printing Historical Society Committee who spent many hours checking sections of the index before publication. Any remaining errors are entirely my own responsibility.

P.W.N. 6 printing historical society journal: index: nos 1 to 28 7

INDEX

Abad, Diego Martinez, printer at Adams, Henry, lithographic printer, Madrid (1699–1710), uses Pedro 10, 23 Disses’s types, 17, 88, 89 Adams, Joseph A., early American Abadie, lithographic printer at Phila- electrotyper, 10, 92–93 delphia, 27, 64 Adams, Thomas, Bellman at Cam- Abate, Felix: as inventor of metallo- bridge, 26, 28 graphy (1853), 6, 82–83; as inventor Adams, Thomas F., Typographia (1837, of thermography (1854), 6, 53, 58 1844 etc.), 4, 18 Abbey, John Roland, catalogues of Adams, W., author at Bristol (1868), illustrated books in library of, 1, 48; 24, 113 10, 8, 20 Adams Brothers, Printing made easy Abraham, John Humphreys, litho- (1895?), 23, 29 graphic printer, 10, 23 Adamszoon, Johannes, typefounder, Abree, James (Abree & W. Aylett), 18, 53n printer of Bellman’s verses at Adamszoon, Johannes, widow of, and Canterbury, 26, 26, 31 Abraham Ente, type-specimen of Absolon, John, artist, 17, 60 (c. 1700), 16, 23, 25; 18, 53n, 54n, 58, Académie des Sciences, study of 59, 60 trades by (1666), 1, 71–72 Adana press (Šatbed model), 23, 27 Academy of Natural Sciences of adhesives, used in ‘perfect’ binding Philadelphia, Journal of, publishes (America), 18, 44–45 lithographs (1821–1822), 27, 56, 57, Adler, Brasserie (Paris), haunt of 65, ‰gs 4, 7 wood-engravers, 17, 56 account-books of printers, 3, 100; 9, Admiralty charts: engraving of (1951– 72; 15, 54–80; 24, 36 1981), 25, 31–44; lithography Ackermann, Rudolph (Ackermann & rejected as medium for (1820s), 27, Co.), printer/publisher, 4, 58–59; in 73; printing of, 2, 5, 15; 25, 44–46 development of publishers’ Admiralty Landship Committee, and bindings, 28, 77, 78, 79, 91; litho- L. A. Legros, 28, 37–38 graphic presses of, 3, 18, 38, ‰gs 5, advertisements: of Caxton (1477?), 11, 12; lithographic press exported to 89; for Columbian press, 5, 2; in America by (1822), 27, 66–67; as compound-plate printing, 4, 65, pl. lithographic printer, 10, 4, 15, 23; 5; for Constable’s Various subjects of lithographic stones sold by, 8, 14, landscape (1830–1832), 25, 67, 68; of 25, 27, 28; as publisher, 4, 7 London lithographic printers, 10, 7; Ackers, Charles, printer of Caslon’s in research on provincial printing, type-specimen (1734–1743), 3, 75–76, 9, pl. 1–4; use of bold types in (19th 77; 16, 106; 21, 37, 41 century), 22, 112–116, 119 acrography of Schoenberg (c. 1838), Aelfric, Abbot of Eynsham, et al., 4, 33, 48; 50; 5, 42, 58–63, pl. 3–6, Testimonie of antiquitie (1566?), Anglo- 8–10; 6, 71 Saxon printing in, 28, 48, 49, 52 Adam, Robert, architect, refurbishes Aeschylus, Tragoediae (1898), 19/20, 20 Soho Square (1770s), 14, 66, 119 69, 70 Aesop, 25, 11–12; editions of the Fables, Adams, G. F., and William Gee, early 25, 10, 17, (1484, Caxton), 11, 43, 72, tin-printers, 8, 55–56 125–126, (1651, Cook/Ogilby), 25, 5, 8 printing historical society

Aesop (cont.) photographic enlargements of 8, 9, 11, (1665, Ogilby), 25, 9, 10–11, roman type of, 7, 52, pl. VI; 19/20, (1665–1666, Barlow), 25, 6, 7, 9, 11, pl. 3; as typographical inspiration to 12, 13, 16, (1668, Hoole), 25, 5, (1668, William Morris, 19/20, 9; use of Ogilby), 25, 11, (1672, Fell and Greek and roman capitals by, 22, Yate), 25, 4, 5, 6, 10, 12, 20, 25, (1687, 81–85, 92, 96–102, 106 Barlow), 25, 16–17, (1698, Alsop), Alembert, Jean le Ronde d’ see 25, 17, 18, 19, (1761, Dodsley), 25, 19, Diderot and d’Alembert (1822, Lesueur/Abadie, unpub- Alexander, E. A., on apprenticeship lished), 27, 64; see also L’Estrange; (1889), 13, 15–16 Phaedrus Alexander, Richard Dykes, publisher/ Aglio, Agostino, artist/lithographer, philanthropist at Ipswich, 24, 78; 10, 5, 23 correspondence with J. Hare (1847), Agnew, print publisher, 25, 69 24, 101 agricultural machinery, sold and Alexander, W., banker at Ipswich, illustrated by J. Hare (1840s), 24, correspondence with J. Hare (1847), 53–55, 61–106 passim 24, 78 Agster family, saddlers at Augsburg, Alexandra Magazine: on freelance and Bämler family, 22, 30, 31, 41– earnings of wood-engravers (1865), 44, 52 17, 36; on wood-engraving as a Airy, George Biddell, Astronomer career for women (1865), 17, 40 Royal, correspondence with J. Hare Alexandra press of Lockett & Co., 2, (1847), 24, 99–100 72–73 Aitken, W. C., nature printing by ‘Alexandrian’ Greek type, 19/20, 123 (1852), 6, 62, 63, 85 Alford, B. W. E., articles on the book ‘a la poupée’ inking of intaglio plates, trade by, 4, 87 25, 84–85 Algemeine Zeitung (1823), publishes Alberts, Rutger Christo el, printer/ lithographic map of Cadiz, 27, 76 typefounder at The Hague, type- Ali, Faiz, lithographic printer at specimen of (c. 1729), 18, 60; see also Calcutta (from 1830), 27, 110–111 Uytwerf Alken, Henry, artist: Ideas, accidental Albion press, 1, 3; 2, 58–73, pl. 11–15, 17, and incidental to hunting (1826–1830), 18; 3, 42, 97–99; 7, 64, pl. XII; 23, 27, lithographic stones used to reprint 11, 15, 79; 24, 39, 40, 49, 52 (1840s?), 14, 82–88, pl. 1–3; Sporting alcohol, consumption by printers at notions (1831–1833), lithographic Bristol of (19th century), 24, 114–115, stones used to reprint (1840s?), 14, 117–118, 121 82–88, pl. 1 Alcuin, advisor to Charlemagne (8th Alken, Henry Gordon, son of Henry, century), reforms scriptorial 14, 83, 86, 88 conventions, 19/20, 126–127 Allan, George, attorney and Alden, Timothy, engineer in Massa- antiquary: Grange Press of (from chusetts, inventor of typesetting 1769), 7, 55–58; correspondence wheel, 1, 57n with Pennant, 7, 55–56 Aldenham Institute (London), 14, 33 Allan, George, lithographic printer, ‘Aldine poets’ series, 19/20, 70, 78, 10, 23 79n; publisher’s binding of, 28, 76 Allan, James, lithographic printer, Aldrich, Henry, classicist, architect, 10, 23 publisher etc. at Oxford, 25, 17–19, Allan, William, publisher, 19/20, 92 22, 25–26 Allan & Keene, lithographic printers, Aldus Manutius, printer at Venice, 1, 10, 23 14; 19/20, 93, 96, 103, 130; italic types Allan Grieve & Co. see Grieve, John of, 1, 14; 19/20, 130; 22, 81–85; Allanson, John, wood-engraver, 17, 44 journal: index: nos 1 to 28 9

Allde, Edward, printer, 21, 26, 41, 76 Ambergau, Adam de, printer at Allee, Fyz see Ali, Faiz Venice, 22, 93 Allen, Edward William, publisher, Amerbach, Johann (d. 1513), printer at and J. C. Grant, 28, 23 Basle, 22, 102n Allen, John William (& Co.), litho- America see United States of America graphic printer, 10, 23 American Antiquarian Society, and Allen, Matthew, lithographic printer, early lithography, 27, 52, 55, 62 10, 23 American Journal of Science, publishes Allen, V. L., Power in trade unions (1954), lithographs and articles on litho- 14, 53 graphy (1819–1822), 27, 55, 56, 58, 59 Allen, William, lithographic printer American Philosophical Society, and (Bartholomew Close), 10, 23 early lithography, 27, 51, 55 Allen, William, lithographic printer American Type Founders Company, (Bucklersbury), 10, 23 19/20, 100; merging of foundries in Allnut, inventor of curvilinear (1891–1892), 7, 47, 49, 50 printing (c. 1805), 6, 76 Ames, Joseph: type-specimens almanacs: for Oxford University, 25, collected by, 3, 75, 76, pl. 11; 16, 105; 22, 26, 28; printing of, in Britain, 21, Typographical antiquities (1749), 2, 74, 6, (17th century), 21, 14, 19, pl. 8, on Grover typefoundry, 15, 36 (19th century), 21, pl. 9, 10 Amhurst, Nicholas, author/ al-Nakuri see Nakuri newspaper proprietor, 12, 38 Aloja, Gennaro, artist/lithographer at Anacreon, Anacreontis opera Graece Naples, 27, 20, 21 (1725), printed by Bowyer using Alonso y Padilla, Pedro José, printer Caslon types, 16, 25 at Madrid (18th century), 17, 86 anaglyptography see medal-engraving Alpha Wheel Works (Beverley), and Analectic Magazine, publishes litho- J. Hare, 24, 90, 91 graphs and articles on lithography Alsop, Anthony, editor of Aesop, 25, (1818–1820), 27, 7, 50, 52, 53, 54 17, 18, 19 analglyptography (1836), 4, 83; 6, 71 alto relievo method of relief etching anastatic printing (c. 1844), 4, 43; 6, (1819), 5, 49–50; 6, 71 71–72; 24, 68n; for Sir Thomas aluminium, printing on (from c. 1892), Phillipps, 5, 24–40 8, 55 Anchor Society (Bristol), 24, 112–113 Alvey, Frederick, lithographic Anderson Nexö, typefounder at printer, 10, 23 Leipzig, 18, 59 Amalgamated Society of Lithographic André, F., French lithographic patent Printers, on apprenticeship and of (1802), 3, 12, 45n; 8, 1, 15 training, 13, 22, 23–24; 14, 43, 44–45, André, Jean (Johann), music pub- 47, 48 lisher/printer at O enbach-am- Amateur Lithographic Press, printer Mein, 27, 49 at Calcutta, 27, 106, 107 André, Philipp H., lithographic amateur printing, in Britain: (18th printer, 10, 23 century), 23, 5, 29; (19th century), 4, Andrew, wood-engraver at Paris 47; 23, 5–29, 1–84 (1828–1852), 17, 57 Amateur’s Complete Printing Andrew, J., wood-engraver, 17, 44; Apparatus of J. Theobald, 23, 13 24, 72n Amateur’s Printing OŸce of T. W. Andrews, Martin, ‘Hare & Co., Martin, 23, 11 commercial wood-engravers: Jabez Amateur’s repository of Indian sketches Hare, founder of the ‰rm, and his (1828), lithographs in, 27, 94, 95, 107 letters 1846 to 1847’, 24, 7–8, 53–106 Amati, Antonio, artist/lithographer at Andrews, Robert, printer/type- Naples, 27, 21n founder, 3, 70n; 15, 36; Caslon 10 printing historical society

Andrews, Robert (cont.) p. 48; 26, 54, 60–61, 62–65; patents acquires Moxon’s type from, 16, 9, of, 2, 57; 26, 49, 54–55, 62, 63, 66–69 22; debts to Thomas II Grover of, Applegath, Louis William, son of 15, 44, 47; and matrices of Nicholas Augustus, 26, 52, 69 Kis’s types, 18, 54, 56n, 60, 65, 72; Applegath, John, brother of Moxon’s stock passes to, 3, 79 Augustus, 26, 62, 64; becomes Anglicus, Bartholomaeus see Superintendent of Machinery to ¡e Bartholomaeus Anglicus Times (1851), 26, 65 Anglo-Saxon: printing of (Britain, Applegath, Joseph, brother of Augus- 16th–17th centuries), 28, 41–69 tus, 26, 47 passim; Richard Taylor as printer of, Applegath, Sophia, wife of Augustus, 2, 46 26, 64 Anisson, Jean (1642–1721), director Applegath & Cowper, press-makers of Imprimerie Royale, 1, 75, 79, 80, etc., 2, 50–51, 52n; 4, 59; 26, 47–69 81; at meetings of committee on passim; metal relief printing by, 5, 51 printing, 1, 87–91 apprentices to bookbinders (Britain, an-Nakuri see Nakuri 19th century), 14, 2–8 passim Annales des Arts et Manufactures, on apprentices to printers: in Bristol lithography (1814), 3, 17, 18, 20, 46, (19th century), 24, 110–121 passim; in ‰gs 9, 16; 27, 7 Britain (16th–17th centuries), 21, Annan, William, lithographic printer, 11–12, 17–19, 51–69 passim, pl. facing 10, 23–24 p. 12, 24, 110–111, geographical Annigoni, Pietro, artist, mezzotints distribution of, 21, 53, 59, 61, 63, 66, after, 25, 70, 71, 85 67, as radicals and malcontents, 21, Anschel (Asher) family, printers at 58–59; in Britain (18th century), 21, Amsterdam (1680s), 18, 62, 64 6, 31, (19th century), 13, 1–25, 14, 1– Anthony, A. V. S., of New School of 58 passim, 18, 2–7 passim, 11, 30–35 wood-engravers, 10, 61 passim; on continent (19th century), Antwerp: inquisition in (1560s), 1, 16; 14, 16–19 passim; premiums paid by, types from (16th–17th centuries), 1, 15 9, 19; records at Stationers’ Com- Apollo press (French), 3, 91n pany of, 9, 25; 21, 6 Appel, F. A., tin-printer by transfer apprentices to publishers/stationers process, 8, 58 (Britain, 16th–17th centuries), 21, 18, Appel, Rudolph: and anastatic 51–69 passim printing, 5, 27, 28, 29, 38, 39–40; 24, Arabic language, printed by litho- 68n; correspondence with Sir graphy, 27, 124, 125 Thomas Phillipps, 5, 24, 30–37 Arabic type: in Asia (19th century), 27, appelotype (1850), 6, 72 121, 123, 124; Caslon’s, for S.P.C.K. Appledore Press (New Haven, (1722), 3, 67, 70–72, pl. II; 16, 3, 7, 8, Connecticut), 17, 52 29, 62, 77; Granjon’s, 3, 71n; 16, 29; Applegath, Ann, sister of Augustus, 18, 52; in Legros and Grant (1916), wife of Cowper, 26, 51, 59 28, 10; used by Hodgson at New- Applegath, Augustus, engineer/press- castle (1792), 4, 89 maker etc., 2, 49–56; 3, 42n; 26, 47, Arber, Edward: Transcript of the registers 54–56, 59–69; addresses of, 2, 56–57; of the Company of Stationers of London and bank-notes, 2, 50–51, 56, 66, 69; 1554–1640 (1875–1894), 2, 74; 21, 75– 4, 60; 6, 87; 26, 48–53; bankruptcy 78; Walter W. Greg, Companion to of (1826), 26, 56; Hoe’s press for ¡e Arber (1967), reviewed, 3, 108–112 Times sabbotaged by supporters of, Arcata Graphics, printers/binders at 13, 52; invents/adapts presses for Bu alo, 18, 38 printing ¡e T imes, 2, 51–53, 55; 13, 28, Archaeopteryx lithographica, fossil in 29, 32, 34, 41, 48, 52, 55, pl. facing lithographic stone, 8, 4–5, pl. i journal: index: nos 1 to 28 11

Archer, H., lithographic printer at Arrowsmith family, cartographers, Kanpur etc. (India), 27, 104, 106 resident in Soho Square, 14, 70 Archer-Hind, R. D., ed., Phaedo (1894), Arte & crafte to knowe well to dye (1490), 19/20, 111, 112, 113 11, 37 Archil, King of Georgia, 18, 73 Arthur, Chester Alan, President of Aresti, Joseph, lithographic printer, U.S.A., witnesses demonstration of 10, 24 Linotype machine (1885), 26, 75 Aretino, Pietro, ‘Postures’ of, 25, 26 Artists’ Almanac (1850), list of litho- Aretinus, Leonardus Brunus: De bello graphers in, 10, 7, 12 italico adversus Gothos gesto (1470), Art of bookbinding (1618), 6, 4 19/20, 9, pl. 6, 9; Historiae Florentiae Ash, Robert, lithographic printer, populi (1476), 19/20, 9–10, 12, pl. 11, 10, 24 14, 16, 17, 39, 41, 47 Ashbee & Tuckett, lithographic Argentina, wooden press surviving printers, 10, 24 in, 6, 21 Asher see Anschel Argus (Melbourne), buys Applegath’s Ashley, Alfred, etcher and glypho- Victoria press (1850s), 26, 66 grapher, 5, 72–73 Argyll, John Campbell, 4th Duke of, Ashton, Robert, City and the Court leaseholder of 20 Soho Square 1603–1643 (1979), on the Stationers’ (1767–1770), 14, 65–66 Company, 21, 13 Aristarchus of Samos, grammarian, Asia, early lithography in, 27, 8, 89– and punctuation of Greek, 19/20, 131 passim 128 Asiatic Lithographic Company, Aristophanes, dramatist, and punctu- lithographic printer at Calcutta ation of Greek, 19/20, 128 (from 1823), 27, 100, 102–106, 110 Aristotle, philosopher, and punctu- Asiatic museum illustrated (1828), litho- ation of Greek, 19/20, 127 graphs in, 27, 94, 95 Ariztia, Juan de, printer at Madrid Asiatic Society of Bengal, 27, 107, 108; (18th century), uses Pedro Disses’s Asiatic Researches (1830s), 27, 109, 110, types, 17, 90 111; Proceedings of, report on litho- Arlott, A. A., printer at Bristol graphy (1829), 27, 91 (1860s), 24, 113 Askew, George & Co., lithographic Armenian type: Caslon’s (1734), 16, printers, 10, 24 28–29, 62, 77; Nicholas Kis’s, 18, Asser, Bishop of Sherborne, Ælfredi 48, 57, 63, 72–73 Regis res gestæ (1574), Anglo-Saxon Armstrong, Cosmo & Son, wood- printing in, 28, 41, 49, 51, 53 engravers, 17, 44, 50 Athenaeum: on mezzotints after Armstrong, J., wood-engraver, 17, 44 Constable (1830, 1833), 25, 52, Armstrong, T., wood-engraver, 17, 54, 59; on reproductive wood- 44 engraving (1843), 17, 33, 35; on sale Armstrong, William, wood-engraver, of D’Almaine’s stock (1867), 14, 17, 44 65n Armstrong & Walker, wood-engra- Athias, Emanuel, printer/typefounder vers, 17, 44 at Amsterdam, 18, 63, 64 Arnett, J. A., Bibliopegia (1835), 6, 42, 44 Athias, Joseph, printer/typefounder Arnold-Foster, Hugh Oakley, on at Amsterdam, 18, 63, 64, 65 training of printers (1897), 14, 22, atlases see maps and plans 55–56 Atlas press, 2, 73 Arrighi, Ludovico degli, lettering- Attaignant, Pierre, printer of music to designer etc. at Vicenza, 28, 57–58; King of France, 1, 26 as inspiration to William Morris, Atticciati, Luigi, artist/lithographer at 19/20, 17 Naples, 27, 21 12 printing historical society

Atwater, Caleb, of American Avicenna, Libri quinque cononis medicinae Antiquarian Society, and early (1593), set using Granjon’s Arabic lithography, 27, 55–56 type, 16, 29 Aubert, rolling press-maker at Paris, Avis, F. C., Edward Philip Prince: type 17, 12, 27 punchcutter (1967), reviewed, 3, 114–115 Auckland, bibliographical press at Aylett, W. see Abree, James University of, 1, 9 Ayre, John, of Hampstead, correspon- Audin, Maurice, founder of Musée de dence with J. Hare (1847), 24, 101 l’Imprimerie (Lyons), 1, 96 Azhari, Muhammad, lithographic Audouin de Géronval, Maurice printer at Palambang (Sumatra), Ernest, Manuel de l’imprimeur (1826), 27, 127–130 4, 23 Auer, Alois, head of Imperial Printing Babbage, Charles, On the economy of OŸce at Vienna, develops nature machinery and manufactures (1832), 2, printing (1852), 6, 53, 56–59, 83, 84– 76; 4, 75, 78, 80; 6, 79; publisher’s 85, 88 binding of, 28, 81 Augereau, Antoine, punch-cutter/ Baber, Henry: as manager of colour- printer at Paris, 28, 46n printing works of Grant & Co., visits Augsburg: early printing in (from Paris to study tin-printing, 8, 60; 9, 1468), 22, 29–39 passim; taxation in 3, 4; as manager of Hudson Scott, (1449–1509), 22, 39–52 9, 5 Augustine, Saint, De civitate dei (1467), Bacon (Bacon & Kinnebrook), 19/20, 10, 12, pl. 13, 45, (1475), printers of Bellman’s verses at 22, 101n Norwich, 26, 32; see also Yarrington Augustinus, Aurelius, Opuscula plurina Bacon, Joshua Butters, of Perkins, (1491), use of capitals in, 22, 92, 93 Bacon & Fetch, 4, 72; 5, 28 Auria, artist/lithographer(?) at Bacon, Richard, associated with Naples, 27, 18, 19n Donkin in development of compo- Austin, George, typefounder, slab- sition inking rollers, 4, 113 serif types of, 15, 5–9 passim, 26–27, Baddeley, William, engineer etc., and 29–34; 22, 117, 118 J. Hare, 24, 70, 72, 75, 80, 81, 97 Austin, John, amateur printer at Badger, Richard, printer (17th Norwich, on Excelsior press (1875), century), 28, 66 23, 8 Baedecker, Karl, publisher of Austin, John, joiner working for guidebooks at Leipzig, use of bold Cambridge University Press (from types by, 22, 135, 136 1696), 6, 51–52 Bämler, Johannes (d. 1504), printer/ Austin, Robert, mezzotint engraver, illuminator at Augsburg, 22, 29–39, 25, 71 pl. 1, 2; Chronik von allen Kaisern, Austin, Stephen & Sons Ltd, printers Königen und Päpsten (1476), 22, 29, 36, at Hertford, and Grant, Legros & 37, 38n; tax records relating to, 22, Co., 28, 33 39–52 Austin Wood typefoundry, casts Bär family, printers at Amsterdam facsimile of Caxton’s type IV (1877), (17th century), 18, 62, 64 19/20, 85 Bagg, John, wood-engraver, 17, 44 Austria, lithography of maps in Bagg, Thomas, wood-engraver, 17, 44 (1820s), 27, 69–70, 75–76, 79–87 Bagg, William, makes drawings on autography, 4, 52–53; 5, 52, 58, 76; 6, 72 wood-blocks, 17, 44 autotype, 6, 52, 72; see also nature Baggs, Isham, electrical printing of, printing 4, 39 autotypography of George Wallis Bagster, Samuel, publisher, debts of (1860), 6, 53, 72–73 J. Fairfax to, 24, 37 journal: index: nos 1 to 28 13

Bailey, Susan, printer of Bellman’s bank-notes: Applegath & Cowper verses, 26, 26, 31 and, 2, 50–51, 56; 26, 48–53, 66, 69; Bailey (Bayly, Bayley), Thomas, Austrian methods of printing, 4, 45; printer of Bellman’s verses, 26, Congreve and, 4, 56–58, pl. 1, 2; 26, 31 forgery of (England), 26, 48–49, 51; Bain, Alexander, tool/die-cutter for inquiries on preventing forgery of bookbindings, 28, 79 (1818), 4, 56–57, 69–70; 5, 52; 26, 51; Bain, Iain, 3, 99; book reviews, 2, 80; J. Oldham and, 24, 105; Perkins and, 4, 118–119; ‘James Moyes and his 4, 68–69; 17, 3; Smee and, 5, 70 Temple Printing OŸce of 1825’, 4, Bank of Ireland, 24, 105 1–10, inset; ‘Thomas Ross & Son: bankruptcies, of printers and copper- and steel-plate printers publishers, 2, 11; 4, 6–7; 9, 28; of since 1833’, 2, 3–22, pl. 1–8 Applegath, 26, 56, 60, 62; of J. Baine, John, and grandson, early Fairfax, 24, 36–37; records of, in typefounders in Philadelphia, 3, 113 research on provincial printing, 9, Baker, Benjamin Richard, litho- 7, 14, 19 graphic printer, 10, 24 Banks, Sir Joseph, resident of Soho Baker, John, bookbinder to Arch- Square, 14, 70 bishop of Canterbury (probable Bannerman, R. P. & Co., engineers author), Bookbinders case unfolded (c. etc.: dispute with Haddon (1912), 1690), 6, 41–42, 43, 44 28, 33; type-casting machine of, Baker, Mary, trickster see Caraboo, 28, 32 Princess Bantam, publisher of ‘paperback’ Baker, William, printer see Galabin books, 18, 37, 38, 46 and Baker Barber, Giles, French letterpress printing Baldermus, supposed inventor of (1969), 7, 66n; see also Gaskell, anastatic printing, 5, 24, 27 Barber and Warrilow Balding & Mansell, printers, use Barber, John, printer/stationer, 21, 38 Davis’s type-casting machine (1912), Barclay, George, engraver, prepares 28, 36 plate for Fox Talbot, 13, 65 Baldry, A. L., on future of wood- Barclay, Robert, inventor of o set- engraving (1898), 10, 71 lithography as a tin-printing Bale, Edwin, on future of wood- process, 8, 60, 62; 9, 4 engraving (1893), 10, 65 Barclay & Fry, tin-printers at South- Bale, John, and Elizabeth I’s trans- wark, 8, 55, 60, 62; 9, 1, 2, 4, 5 lation of Marguerite de Navarre’s Bardet di Villanova, Federico, artist/ Miroir, 28, 46 lithographer at Naples, 27, 19–20, Ballard family, music printers to King 31; Istruzioni su i tre principali metodi of France, 1, 31n dell’arte litogra‰ca (1830), 27, 12n Balls, Garrett & Co., suppliers of Barker, Nicolas: ‘Caxton’s typo- presses, 2, 71 graphy’, 11, 114–143; ‘Richard Balsamo, Luigi, ‘The origins of Taylor: a preliminary note’, 2, printing in Italy and England’, 11, 45–48, pl. 9, 10; on Aldus’s types, 48–63 22, 82n, 83n, 84 Bandoni (Bandini?), Signor, artist, Barker, Robert, King’s Printer, 21, 33, and G. A. Hoskins, 17, 63 37, 41; in Newcastle (1639), 4, 88 Banes, Edward M., lithographic Barker, Thomas, artist/lithographer: printer, 10, 24 Landscape scenery (1814), 12, 1, 2, 7–9, Bankes, Henry, lithographer, 10, 24; 17–20, 29–32, pl. IV, V, XII–XVI; litho- lithographs attributed to, 8, pl. graphic stones used by, 12, 1–32, pl. XXIIIa; Lithography or the art of making I–XVI; Rustic scenery (1813), 12, 1, 2, 4– drawings on stone (1813), 3, 5; 10, 24 7, 17–20, 21–28, pl. I–III, V, VIII–XI 14 printing historical society

Barley, William, printer, draper etc., Bartholomaeus Anglicus, De proprie- 21, 15 tatibus rerum (1471–1472?): Caxton’s Barlow, Edward D., lithographic involvement with, 11, 2, 16, 17, 116; printer, 10, 24 structure and printing of, 11, 2–10, Barlow, Francis, artist, engraver and 16, 17 publisher, 25, 12, 13, 15, 16; and Bartholomaeus Cremonensis, printer Aesop’s Fables, 25, 6, 7, 9–20 passim; at Venice, 22, 93 Seuerall wayes of hunting, hawking and Bartolommeo da Bologna, Antonio ‰shing (1671), 25, 11 de, printer at Venice, 22, 93 Barnard, James Faraday, gold and Barton, D. W., geologist, article by silver-smith engraver, 5, 81 (1822), erroneously believed to be Barnard, John, on the Stationers’ illustrated with a lithograph, 27, 59 Company (1994), 25, 5, 11 Barwick, Edward, lithographic Barnes, F., and history of book trade printer, 10, 24–25 in North of England, 4, 91 Basel see Basle Barnes, John, publisher, 21, 78 Basire, James III, lithographic Barnes, O., stationer, 23, 54 printer, 10, 25 Barnet, Isaac Cox, father of William Baskerville, John, 1, 108; 19/20, 104; Armand Genet, 27, 60 on Caslon’s types (1758), 16, 14; Barnet, William Armand Genet, & Greek types of, 25, 21; photographic Doolitle, lithographic printers at enlargement of English roman type New York, 27, 7, 56–57, 59–60, 64, of, 7, 53, pl. IX 65, 66 Baskett, John, King’s Printer/ Barnitt, Thomas, press-maker at stationer, 21, 37–38, 41 Philadelphia, partner of Clymer in Baskett, Mark, leaseholder from making Columbian presses, 13, 78 Oxford University Press for Barrett, Charles, of Thetford, printing Bibles, 3, 53 correspondence with J. Hare (1847), Baskett, Thomas, King’s Printer at 24, 87–88 London and Oxford, 21, 36, 41 Barrett, Jonathan and Jeremiah, trus- Basle, early printing in (1468–1478), tees for Cope’s business, 2, 70, 71 13, 69, 75 Barrett, Exall & Andrewes see Kates- ‘Basle roman’ type (1852?), 19/20, grove Iron Works 6–7, 85, 90–93, 94, 95, 98, 101 Barringer & Brown, grocers at Mans- Bass, Shabthai, printer at Amsterdam, ‰eld, mustard-tin printed for, 8, pl. 18, 62n XXXIXb Bastin, J., wood-engraver, 17, 44 Barringer, Wallis & Manners, tin- Batavia (Indonesia) see Jakarta printers etc. at Mans‰eld, 8, 54, 55, Batavian Society of Arts and 62, 63, pl. XLII; 9, 1; begin to use Sciences, and lithography, 27, 130 photolithography, 8, 64 Bate, John, maker of medal-engraving Barrio, Gabriel de, printer at Madrid machine, 4, 76–78, 79, pl. 21; 6, 71; (18th century), uses Pedro Disses’s his dispute with Nolte, 4, 79–83, 84 types, 17, 90 Bateman, Alfred, printer’s apprentice Barritt, James L., die-cutter/ at Bristol (1850s), 24, 113, 118 bookbinder, in development of Bateman, Donald, ‘A Bristol printers’ publishers’ bindings, 28, 81, 89 chapel in the nineteenth century’, Barrow in Furness, history of book 24, 7, 107–121 trade in, 4, 87, 90, 91, 97 Bateman, J. W., of Southey & Co., on Barry, Hayward & Co., stationers, apprenticeship (1896), 13, 16 debts of J. Fairfax to, 24, 37 Batenham, George, Visit to the cathedral Bartelsmann, German publisher, 18, church of Chester, printed by J. Parry, 38 15, 58 journal: index: nos 1 to 28 15

Batey, Charles, 25, 23n; ‘The Oxford Beardsley, Aubrey, artist, in develop- partners: some notes on the ment of publishers’ bindings, 28, 91 administration of the University bearers (in printing), 23, 73 Press 1780–1881’, 3, 51–65 Beaucher’s press, compared with Batsford, Bradley Thomas, publisher, Pierres’, 3, 83, 85, 89–90 and L. A. Legros, 28, 15–16 Beccaria, Cesare, Dei delitti e delle pene Battely, C., printer of Bellman’s (1764), 16, 10n verses at Ipswich, 26, 31 Becher, Anne G., ‘Barlow’s Aesop at Bauer, Andreas F. see Koenig, Fried- Oxford’, 25, 3–20 rich Bechi, Guglielmo, Real Museo Borbonico Bauer, Johann Christoph, printer etc. (1824), lithographs in, 27, 26 at Frankfurt: copies ‘Clarendon’ Bechtermüntze family, printers at type, 22, 126; Handbuch der Buch- Eltvil (1467–1477), 13, 68 druckerkunst (1827), 4, 29 Beck, C. H. (Beck’sche Buchhand- Baugniet, C., lithographer, 10, 25 lung), publisher at Nordlingen, Baum, Jacques & Co., makers of lithographic stones sold by, 8, 28–29 portable presses at Birmingham, 23, Beck, Jörig, illuminator at Augsburg, 24–25, 11 22, 49, 52–53 Bauzá, Felipe, Director of Depósito Beck, John, printer/publisher at Hidrográ‰co (Madrid), and litho- Leamington Spa, 24, 37, 43 graphy, 27, 36 Becker, F. P., omnigraphy of, 4, 86 Bauzá, José Maria Cardano see Becker brothers, lithographers/ Cardano, José Maria lithographic printers at Coblenz, Bavaria: lithographic stones from, 8, maps printed by, 8, 40, pl. XVI 2–10, 22–23, 38–39, pl. I–VII, 12, 14, Beckett, J. W., lithographic printer, 15–16, in America, 27, 51; lithographs 10, 25 from pictures owned by King of Bedford, Francis, lithographer, 10, 25 (from 1811), 1, 39–40, 41 Bedmar y Valdivia, Lucas Antonio de, Bawtree (Bawtry), William, chief printer at Madrid (17th century), 17, engraver at Bank of England, 2, 51; 72, 81–82; ‘Memorial sobre el arte 4, 76 de imprimir’ (1685), 17, 72–76, in Baxter, George, colour printer, 4, 33, English translation, 17, 76–81; (& 49, 82, 116; 5, 51, 73; 10, 25; 17, 44, 48; Son) uses Pedro Disses’s types, 17, process used by, 6, 73 83, 86, 88, 89 Baxter, J., wood-engraver, 17, 44 Beechey, Sir William, artist, 25, 82, 83 Baxtertype, 6, 73 Behar Amateur Lithographic Press, Bay‰eld, M. A., editor of Homer, 27, 107 19/20, 111, 115–117, 119, 120n Behn, Aphra, poet, and Aesop’s Bayly (Bayley) see Bailey Fables, 25, 16–17 Bazaar, the Exchange and Mart (from Bel, J., woodcutter(?), 26, 29 1871), 23, 84; and amateur printing, Belasyse, Thomas and Mary, lease- 23, 6–8, 27, 7; and Baum’s press, 23, holders of 20 Soho Square (1683– 24–25; didone types used in (1870s), 1713), 14, 65 23, 20; and Fairbairn’s press, 23, Belgium, wooden presses surviving 18–19; and J. Francis’s press, 23, in, 6, 3–6; see also Low Countries 19–24; and C. Malins’s Excelsior Bell, Sir Charles, resident of Soho press, 23, 7–18, 10; and P. E. Raynor, Square, 14, 70 23, 7–18, 28; ‘oŸce’ of, as publisher, Bell, George (& Sons), publisher, 28, 23, 28, 29, 1, 82–83; see also Exchange 84; see also Bell & Daldy and Mart Bell, James, View of universal history Beale, John (d. 1643), printer, 21, 27, (1842), use of bold types in, 22, 32, 41; 28, 66 122–124, 126, 132, 135, 138 16 printing historical society

Bell, John, printer etc., in develop- Bentall, E. H. & Co., agricultural ment of publishers’ bindings, 28, engineers at Maldon, 24, 68n, 72; 74, 92 correspondence with J. Hare (1847), Bell & Daldy, publishers, and Chis- 24, 84, 87 wick Press, 19/20, 78, 96 Bentham, Jeremy, 4, 7 Bellamy, Charles, lithographic Bentham, Joseph, manager at Cam- printer, 10, 25 bridge University Press, 3, 53 Belley (France), lithographic stone Bentley, Richard, classicist at Cam- quarried at, 8, 21 bridge etc., 25, 19; dispute with Bellmen: rôle and duties of, 26, 14–16, Aldrich (1690s), 25, 17–19; on 18, 22; published ‘verses’ of, 26, 14, Planudes’s description of Aesop, 16–30, collections of, 26, 30–31, 25, 12 printers of, 26, 31–32 Bentley, Richard (& Son), publisher, bellows press, 3, 83 in development of publishers’ Belnos, Jean Jacques, lithographer in bindings, 28, 86 India, 27, 8, 92, 93, 94 Benton, Linn Boyd: in development Bembo, Pietro, De Aetna (1495), type of Linotype and Monotype, 1, 58; used to print, 22, 83 Benton-Waldo punch-cutting Bemrose, Henry H., of Derby: on machines of, 1, 70; 3, 115; 27, 77; 28, training of printers on the continent 19, 28–29 (1889–1890), 14, 16–17; on mechani- Berckmüller, J., lithographic press- zation and technical training (1890), maker at Karlsruhe, 3, 29 14, 5–6, 37, 40 Bergamo, Jacobus Philippus de, De Bemrose, William, of Derby, on claris mulieribus (1497), 19/20, 11 training of printers (1893), 14, 40 Berger, Peter, printer at Augsburg Bénard, J. F., printer at Paris, litho- (1480s), 22, 37, 48, 52 graphic press of Traschsel and, 3, Bergeron, L. E. (L. G. I. Salivet), 31n Manuel du tourneur (1816), medal- Bénard et Cie, lithographic stone- engraving in, 4, 75 merchants at Paris, 8, 9, 27 Berghaus, Heinrich Karl Wilhelm, Benedictus, Salomon, typefounder at and Karl F. V. Ho mann, Hertha Amsterdam, 18, 59, 61 (1825–1829), on German litho- Beneworth, wood-engraver, 17, 44–45 graphic maps, 27, 71, 77, 87 Bengal (India): early lithography in, Bernabo, John, lithographic printer, 27, 89–111 passim; Tables of the resources 10, 25 of the districts under the presidency of Berner, Conrad, typefounder at Fort William (1827), 27, 104 Frankfurt, type-specimen of (1592), Ben Israel, Menasseh, punch-cutter, 1, 15 18, 65 Berri, David Garden, maker of Bennet, Thomas, publisher, 25, 18 portable presses, 23, 5, 8, 9, 19, 23, Bennett, James Gordon, proprietor of 27, 7–8, 11, 77; Art of lithography (1864), Herald (New York), 13, 30, 31, 35 23, 29, 77; Art of printing (1864), 23, 5, Bennett, Phillip, Secretary to Horace 6, 29, 77 Hart, 25, 23 Berry, James, Bellman at Norwich, Benning, William, publisher, 19/20, 26, 18 91 Berry, W. Turner, ‘Augustus Apple- Benoit, engineer see François and gath: some notes and references’, 2, Benoit 49–57; 26, 47, 52 Bensley, Thomas, printer, 2, 45, 51; 4, Berry, W. Turner, and A. F. Johnson, 65; 17, 32; 26, 54; partner with Catalogue of specimens of printing types Oxford University Press, 3, 55, 57, (1935), 4, 13; on Caslon, 3, 77–78, 16, 60, 60 22, 111, 112 journal: index: nos 1 to 28 17

Berry, W. Turner, and H. Edmund Bible: Anglo-Saxon gospels (1571), 28, Poole, Annals of printing: a chronological 49; Basque New Testament (1571), 28, encyclopaedia (1966), reviewed, 3, 115 46; ‘Complutensian’ Polyglot (1514), Bertaut, François, Journal du voyage Greek types in, 19/20, 121, 124; d’Espagne (1682), on the inability of Doves Press (1905), 19/20, 120; Spanish printers to produce large Greek New Testament (1763), 19/20, books, 17, 77n 104; Greek New Testament (1895), Berthiaud, intaglio printer at Paris, 2, 3 19/20, 111, 115, 119; ‘Gutenberg’ Berthiaud, and Pierre Boitard, Nouveau (1454–1455), 19/20, 129–130; Latin manuel complet de l’imprimer en taille- (1514), use of capitals in, 22, 102–103; douce (1836), 17, 3n, 6–10 passim, 19 manuscripts and commentaries, Bertrand-Quinquet, Traité de l’imprim- layout of, 21, 9, 12, 15, 16, 18–22, 26, erie (1799), 4, 21 27; numerals in (English/Welsh, Bertochus, Dionysius, printer at 16th century), 26, 5–7, 10–13; Venice, 22, 92, 93 Oxford (1675), intaglio plates for, Besley, Robert (& Co.), typefounder, 25, 25; Polyglot (1653–1657), 3, 70, 26, 34; debts of J. Fairfax to, 24, 37; 80; 16, 29; Polyglot of Plantin, 1, 16; as partner in Fann Street type- 9, 68; Syriac (1778–1803), 16, 75; ‘36- foundry, and ‘Clarendon’ type, 22, line’ (1461), 19/20, 130; Welsh 125–127; as supplier of Columbian (1807), 15, 57; Andrew Wilson’s presses, 5, 11, 23 Index to the Bible, 9, 65; see also con- Bessarion, John, Cardinal, In calumnia- cordances to the Bible; Polyglot torum Platonis (1503), use of capitals Bibles in, 22, 102 Bibles and Prayer Books: Andrew Bessemer, Anthony, typefounder/ Wilson and stereotype printing of, punch-cutter, 5, supplement; 19/20, by Cambridge University Press, 9, 72; as punch-cutter for Caslon, 1, 39, 40, 41, by Oxford University 69; slab-serif types of, 15, 7, 24, 25, Press, 9, 42; Oxford University 31–32; 22, 118; Specimen of printing types Press lease privilege of printing, 3, (1830), in facsimile, 5, supplement 52–54; Oxford University Press Best, Adolphe, wood-engraver at takes partners for printing of, 3, Paris, 17, 57 54–58, 60; publishers’ bindings for Bettenham, James, printer, 16, 7 (19th century), 28, 89–90, 93; see also Bevan, Edward, maker of Columbian Common Prayer, Book of presses, 5, 10, 21, pl. 9; 13, 80 bibliographical presses, 1, 1–7; list of Beveridge, Archibald, lithographic (1963–1964), 1, 7–13 printer at Kirkcaldy, 8, 9, pl. XIa Bibliographical Society of London, 2, Bevilaqua, Simon, printer at Venice 74; 3, 112 (15th century), 22, 91 Biblioteca Apostolica Vaticana, early Bewick, John, wood-engraver, pupils missals in, 22, 54–55, 59n, pl. 4 of, 17, 57 Bicknell, James Wilson, lithographic Bewick, Thomas, wood-engraver, 4, printer, 10, 25 90, 98, 119; 10, 60, 61, 64; 17, 32; and Bidault, A., French manufacturer of Dürer, 5, 44, 45; Memoir (1862), 4, machinery for making biscuit tins, 116; occasional metal-engravings by, 9, 4 5, 52, 57; pupils of, 17, 44, 50, 51, 53, Bigelow, Jacob, American medical botany 56, 59; ‘reverse etchings’ by, 5, 53 (1817–1821), nature of plates in, Bewley, Dorothy Mary Sessions see 27, 52 Sessions, Dorothy Mary Biggs, wood-engraver, 17, 45 Bianchi, Lorenzo, lithographer/ Bigmore, E. C., and C. W. H. Wyman, lithographic printer at Naples, 27, Bibliography of printing (1884–1886), 3, 21; see also Cuciniello and Bianchi 98–99; 4, 11, 13; 5, 6; 23, 6 18 printing historical society

Bignon, Abbé, in study of trades for ‘Blackfriars’ type, 28, 9 Académie des Sciences (from 1693), Blackfriars Type Foundry, 28, 9, 19, 21; 1, 72, 74, 87–91; member of com- typesetting machine of, 28, 18; see mittee on printing, 1, 81–91; and also Wicks Rotary Type-Casting Co. roman du roi type, 1, 76, 77, 82 Black Hawk Press, publisher, and Bill, wood-engraver, 17, 45 J. C. Grant, 28, 23 Bill, John, King’s Printer and pub- Blackie & Son, publishers at Glasgow: lisher, 21, 37, 41 in development of publishers’ bill-heads: of London lithographic bindings, 28, 91; correspondence printers, 10, 7; medal-engraving on, with J. Hare (1847), 24, 88 4, 85, pl. 23; see also forms and black letter type: available to memoranda amateurs (Britain, 1870s), 23, 23; Billon, Emile Louis Ligard, litho- Caslon’s, 16, 30–31, 64–65; 19/20, grapher/lithographic printer in 71; at Chiswick Press, 19/20, 71, 73, India, 27, 94, 107 74; early use of (15th century), 22, binding see bookbinding 88, 89, 90, 92; in missals (15th Binns, George Jonathan, lithographic century), 22, 60–61, 75, pl. 3, 4; printer, 10, 25 use of for emphasis, 22, 110, 111, 112; Biographical Database of Members William Morris’s, 3, 115; 19/20, 5, 6, of the London Book Trade, 21, 11, 12, 14–18, pl. 25–28, 34–38, 44, 46 51–55 passim Blacklock, Henry, printer at Man- Birch, J. G., researches Caxton’s chester, apprentices to (1884), 13, 24 work at Cologne, 11, 1, 2 Blackstone, William, 3, 51; on Oxford Bird, Daniel, on apprenticeship and University Press (1757), 3, 52–53 training of printers (1880s), 14, 44, Blackwell, Beale I, printing ink- 46–47 maker, 16, 73 Bird, John Davis, lithographic Blackwell, Beale II, printing ink- printer, 10, 25 maker, 16, 103 Birkbeck, J. A., list of newspapers of Blades, William: on apprenticeship Northumberland and Durham by, for printers (1889), 14, 8–9; com- 4, 97–98 missions and uses facsimiles of Birkner, J., American importer of Caxton’s types, 19/20, 85, 90; Life lithographic materials, 8, pl. IXb (biography) and typography of William Birmingham College of Commerce, Caxton (1861–1863, 1877, 1882), 1, iii; bibliographical press at, 1, 10–11 11, 1n, 64, 70, 134–143; 19/20, 85 Birmingham Machinists’ Co., type- Blades & East, lithographic printers, founders/press-makers, 23, 6 10, 25 biscuit tins, 8, pl. XXXVII, XXXIXc, XL, Blaeu family, printers/typefounders XLIV; exhibitions of, 8, 54; French at Amsterdam, 16, 23; 18, 53n, 57, 59, machinery for making, 9, 4 60, 61, 62, 66, 73, 74 Bishop, wood-engraver, 17, 45 Blagden, Cyprian: on the Stationers’ Bishop, George (d. 1611), printer/ Company, 21, 5, 7, 14n, 15n, 19n, 21, publisher, 28, 64, 65, 66 32, 36–37, 39n, 40, 51, 53n; Stationers’ Bishop, Henry Rowley, musical Company: a history 1403–1959 (1960), composer/arranger, 14, 62, 73, 74 21, 29–32, 52, 56n, 61n Bishop, Richard, printer (17th Blair, James, machinist for R. Hoe & century), 28, 63, 68n Co., 13, 30, 33, 35, 36, 37 Bizarrón, Antonio, printer at Madrid Blake, Norman Francis: on Caxton, (18th century), uses Pedro Disses’s 11, 11; ‘William Caxton the man and types, 17, 88, 90 his work’, 11, 64–80 Black, Thomas, lithographic printer Blake, William, artist/poet, method of at Calcutta, 27, 104 printing used by, 5, 46–48, 49, 52 journal: index: nos 1 to 28 19

Blake & Stephenson, typefounders at bindings, 28, 84 SheŸeld: slab-serif types of, 15, 10, bold printing types: in Britain (19th 16, 20–22, 23; 22, 118; type-specimen century), 22, 107–143; in France of (c. 1838), 7, 53, pl. XI; see also (19th century), 2, 135 Stephenson, Blake & Co. Boleyn, Anne, wife of Henry VIII, Blake, Garnett & Co., typefounders at and Marguerite de Navarre’s Miroir SheŸeld, slab-serif types of, 15, 6, 8, (1533), 28, 46 10, 18–19, 21–22, 23, 27, 29–35; 22, 118 Bollifant, Edmund (d. 1602), printer, Blanchard, W. C., wood-engraver, and Anglo-Saxon printing, 28, 65 17, 45 Bologna, early printing at, 13, 76; 22, Blanco, A., engraver, 25, 29, 30 94–96 Blas de los Olivos, printer at Bolt Court School of Photo- Havanna (18th century), uses Pedro Engraving see London County Disses’s types, 17, 84, 86, 88, 90 Council: School of Photo- Blas y Quesada, Florencio Joseph Engraving and Lithography de, printer at Seville (18th century), Bolton, Thomas, inventor of method 17, 86 of phototransfer for wood- Blaubeuren (Germany), early engravings, 17, 45 printing in (1475–1477), 13, 68 Bolus, William, wire-worker at Blayney, Peter, on Anglo-Saxon sorts Ipswich, 24, 58 in Foxe’s Actes (1596), 28, 63 Bonamici, Antonio, artist/litho- Bleads, P., printer at Chester, 15, 58 grapher at Naples, 27, 21 blind-blocking see embossing Bond, Charlotte, wood-engraver, 17, Bliss, Joseph, printer at Exeter, debts 45, 58; 24, 72n to Thomas II Grover of, 15, 45, 47 Bonn, Thomas L., ‘Two, two-up, 32s: Bliss, Philip, Registrar of Oxford a paperback in the making’, 18, University (from 1824), 3, 56, 62 36–46 Blythe, James, chemist at Lexington, Bonner, George Wilmot, engraver/ Kentucky, and lithographic stone, wood-engraver, 17, 36, 42, 45, 52, 54, 27, 55 58 Bobart, Jacob, botanist at Oxford, 25, Bonnewell, W. H. & Co., 15 typefounders and suppliers of Bock, H., lithographer at Berlin, 27, Columbian presses, 5, 23; 23, 24 78 Bonny (Bonney), William, printer at Bodleian Library (Oxford): Bristol, 24, 109; debts to Thomas II bibliographical press at, 1, 8; see also Grover of, 15, 45, 47 Johnson, John bookbinders’ tickets, 28, 81 Bodoni, Giambattista, typefounder/ bookbinding: of books printed by printer at Parma, printing types of, Caxton and de Worde, 11, 92–113, 19/20, 129 pl. I–XII; 28, 71; in Britain (15th–19th Bodoni celebrate a Parma (1963), centuries), 28, 71–75; by Coghlan, 6, reviewed, 1, 103–105 35, 41–45, pl. 1, prices of equipment Boileau, John Theophilus, sends for, 6, 39–41; at Cologne and lithographic stone to Calcutta Louvain (1470s), 11, 9–10; in (1829), 27, 108 England (1470s–1500s), 11, 39, 92– Boilly, Louis Léopold, artist, 113, pl. I–XII; mechanization of mezzotints after, 25, 84, 85 (Britain, 19th century), 14, 2–8 Boitard, Pierre see Berthiaud and passim; 28, 75–93 passim; see also Boitard bookcloth; book covers; case Bogue, David, publisher, 17, 58 binding; ‘perfect’ binding; Bohn, Henry George, publisher, in publishers’ bindings; sewing development of publishers’ bookbinding, Art of (1618), 6, 4 20 printing historical society bookcloth: development of (from Boucher, François, artist, mezzotints 1820), 28, 75–78, 81, 82; printing on, after, 25, 82, 84, 85 28, 86–87 Boulard, Martin Silvestre, Manuel de book covers: in compound-plate l’imprimeur (1791), 4, 21 printing, 4, 62, pl. 12; ‘paperback’ Boulnois, W., correspondence with J. (America, 20th century), 18, 45; Hare (1847), 24, 79 ‘yellowback’, 4, 117; 28, 88, 89 Bourne, John Cooke, lithographer, Bookhart, Edward, American 1, 51, pl. 6 engraver, 10, 98 Bourne, Nicolas, publisher, acquires bookplates, designed and engraved C. Burby’s copyrights (1609), by George Friend, 5, 81, 85 21, 74 books of hours: medieval manuscripts Bouyonnet, Andre, lithographic press of, 22, 17, 18; see also Sarum hours of (1842), 3, 33, ‰g. 39 book trade: between England and Bowcher see Haggard & Bowcher continent (15th century), 11, 38–39, Bowden, William Henry, compositor/ involving Caxton, 11, 30–32, 36, 39– pressman at Kelmscott Press, 40, 43, 79–80, 83, 86–87; in Britain 19/20, 14 (15th–16th centuries), 21, 29–31, 28, Bower, John, map-engraver, uses 71, (17th century), 21, 51–69 passim, glyphography, 5, 77 (19th century), 28, 84, 88–89; in Bower & Bacon, typefounders at British provinces, (18th century), SheŸeld, 22, 115; slab-serif types of, 24, 14–35, sources for study of, 9, 15, 4–10 passim, 14, 19, 21, 22–24, 27, 5–21 passim, 24, 5–13; in North of 29–34; 22, 118, 121 England, project for history of, Bowerman, Charles W., chairs 4, 87–98 Treasury Committee on govern- Boosey, John & Co., lithographic ment printing (1920–1922), 28, 38 printers, 10, 25 Bowers, Fredson, Principles of Boot, Alfred, lithographic printer, bibliographical description (1949), 15, 54 10, 25 Bowman, John H., ‘Macmillan Booth, Charles, on intaglio printers Greek’, 19/20, 103–124 in Life and labour of the people in London, Bowyer, William I, printer: and 2, 8–9, 10 Caslon, 3, 68–69, 72; 16, 7, 8, 9; uses Booth, Joseph, ‘polygraphic’ art of Caslon’s types, 3, 80; 16, 9, 24–25, (1787), 4, 65 28; debts to Thomas II Grover of, Borders (F. Borders?), wood- 15, 44, 45, 47; ledger-books of, 15, engraver, 17, 45 54–55 borders, ornamental: in Britain Bowyer, William II, printer, 3, 66, 69; (1870s), 23, 32–33, 43–44; at Chis- 21, 41; Anecdotes of, by Nichols, 3, 66, wick Press, 19/20, 65, 66, 82, 83, 95, 67, 68, 69, 72, 74n; 16, 7, 9, 10n, 24– 101; in missals (15th century), 22, 58, 25, 28; ledger-books of, 15, 54–55 60, pl. 4; of type-ornaments, 26, Boyd & Cannavan, lithographic 34–46 passim printers, 10, 26 Borough Polytechnic Institute Boydell, John and Josiah, print pub- (London), 14, 32, 33, 52, 55–56 lishers, 25, 71n; Catalogue of plates Bosse, Abraham, Traicté des manières de (1803), 2, 3n graver en taille douce (1645), 1, 40n; 2, Boyle, Richard, scholar at Oxford: in 3; 17, 4–5, 6, 7n, 8, 14, 15 Aldrich/Bentley dispute, 25, 17–18, Bossi, Silvio, artist at Naples, 27, 22n 19; Dr. Bentley’s dissertations on the Boston Stereotype Foundry (1850), Epistles of Phalaris and Aesop examined 10, 97, 99 (1698), 25, 18 Bottomley Brothers, printers at Brad- Boys, Thomas Shotter, artist/print- ford, 18, 33–34 maker, 1, 48, 49, 53; 12, 52n; journal: index: nos 1 to 28 21

Picturesque architecture in Paris, Ghent, Bradley, Alfred, printer, 23, 28, 29 Antwerp Rouen (1839), 17, 70 Bradshaw & Blacklock, lithographic boys, operate typesetting machinery printers, 10, 26 (Britain, 19th century), 14, 5; 18, 1–5 Bradshaw’s railway companion, use of passim, 7 bold types in, 22, 127 Bradbury, C., lithographic printer, Bradwood, Melchisidec (d. 1618), 10, 26 printer, 28, 65 Bradbury, Henry, printer, 4, 45–46, Brady, C. C., artist, biscuit-tin 49; introduces nature printing, 6, 53, designed by, 8, pl. XLIV 57–60, 83, 85; Specimens of bank-note Braem, Conrad, printer at Louvain engraving (1858), 4, 85 (1470s), 13, 73 Bradbury, W., and F. M. Evans, Bramah, Joseph, engineer/inventor, printers, 6, 58, 59, 60–61 26, 59; patents paper-making Bradbury, Agney & Co., printers, machine, 4, 112 use Wicks’s type-casting machine Brandard, John, artist/lithographer, (1900s), 28, 17 designs music covers; 14, 72, 78n, 79 Bradford, William, ‰rst printer in Brandis family, printers in Germany New York: press used by, 8, 42–43, (from 1473), 13, 68, 69 pl. XXVI; press reconstructed, 8, 52, Branson, Ferguson: experiments with pl. XXVII ‘electropainting’, 6, 70, 78; and Bradford: as crucible of Independent nature printing, 4, 55; 6, 58, 61, Labour Party (1880s–1890s), 18, 62–63, 84 17n, 27–31 passim; mechanization of Branston, Allen Robert (Robert typesetting at (1860s–1910s), 18, 1–3, Allen), wood-engraver, 5, 53; 17, 5–7, 13–21, 23–35 45–46, 48, 49, 57; and Congreve, 4, Bradford Argus, 18, 12, 22 61–62, 64, 70, pl. 1, 2; 5, 53 Bradford Daily Telegraph, 18, 12, 15, 18, 19, Branston, C., wood-engraver, 17, 46 23, 24–25, 31 Branston, Frederick William, wood- Bradford Employers’ Association, engraver, 17, 46 18, 14 Branston, Robert Edward, wood- Bradford Evening Mail, 18, 5 engraver, 17, 45, 46, 61; 24, 72n; Bradford Master Printers’ Associ- metal relief process of (c. 1838), 5, ation, 18, 14 53–54, 58, pl. 2; 6, 73 Bradford Observer, 18, 5, 13–14, 31–32; Branston & Vizetelly, 4, 62, 63; 5, 51 introduces Linotype machines Branston & Whiting, 4, 62; 5, 51; 22, (1900), 18, 10, e ects on work-force 121 of, 18, 12, 21n, 23, 30; Thorne type- Branston family, engravers/wood- setting machines at (1890s), 18, 18, engravers, 4, 49; 5, 51, 57 22, 23; working-practices at (1890s– Branteghem, Guillaume de, Vie de 1900s), 18, 16–18, 30 Nostre Seigneur Iesus Christ (1540), Bradford Review, threatens to replace typographicl conventions in, 28, 58 adult with child labour (1869), 18, 5 Bredow, Gabriel Gottfried, 22, 122 Bradford T imes, 18, 5; uses Hattersley Brégeaut, R. L., Manuel théorique et typesetting machine (from 1867?), pratique du dessinateur et de l’imprimeur 18, 2 lithographe (1827), 1, 45n; 3, 16n, 18n, Bradford Typographical Society: on 25, 35, ‰g. 25; 8, 27 child labour (1868, 1901), 18, 3, 5, 6; Breitkopf, Bernhard Christoph, and mechanization of typesetting typefounder/printer at Leipzig, 18, (1860s–1900s), 18, 1, 2, 3, 5–7, 16, 19, 68; type-specimen of (1739), 18, 70 23, 26–31; and terms of employment Breitkopf, Johann Gottlob Immanuel, for printers and compositors (1890s– typefounder/printer at Leipzig, 18, 1914), 18, 13–15, 16–21, 23–27, 31, 33–35 68, 71n; correspondence with 22 printing historical society

Breitkopf, Johann G. I. (cont.) Britannia press, 3, 99 Fournier le jeune, 1, 29n, 31; 2, 38, British and Foreign Bible Society, 43; invents new method of printing printing of Bibles for, 3, 59–60 music (1755), 1, 21, 27, 29, 32, 33n; 2, British and Colonial Printer (and 23, 40–42; music characters designed Stationer): on apprenticeship (1885– by, 1, 24–25, 36–38; 2, 24, 29, 37; 1894)), 13, 12–13; 14, 19; on Grant, music printed from type of, 2, 38, Legros & Co. (1910s), 28, 23, 32, 34, 43; type-specimen of (1766), 18, 70 36, 37; reviews Legros and Grant Breton, Peter, medical doctor at (1916, 1917), 28, 5, 11–12 Calcutta, and lithography (1820s), British Book Trade Index, 24, 6 27, 100, 101 British Federation of Master Printers, Brèves, Savary de, French diplomat 14, 33 and publisher at Rome, 18, 73n British Library: and ESTC, 24, 10; Brevière, Louis Henri, wood-engraver holds Chiswick Press archives, at Paris, 17, 57 19/20, 63, 86 Brewis, Hannah & Son, lithographic British Lithographer, 14, 21; on compet- printers, 10, 26 ition between British and foreign Brewtnall, partner of Alexander printers (1893), 14, 11–13, 22; on Mackie, 1, 64, 65, 66 direct tin-printing, 9, 2; on training Briard, Étienne, cuts new music type of printers (1892–1894), 14, 22, 40, for E. Genet, 1, 23 41–42, 47, 48, 52 Brickwood, John Strettell, litho- British minstrelsy (1830), 14, 72 graphic printer, 10, 26 British Museum: Eyre & Spottis- Brindley, John, bookbinder etc., 6, 35; woode as bookbinders to, 28, 93; in development of publishers’ D. Leach as printer to, 16, 12 bindings, 28, 74, 92 British National Bibliography, 24, 9 Briot, Nicholas, punch-cutter/type- British Printer: on apprenticeship founder (early 17th century), 18, 50, (1892–1900), 13, 7, 9, 10, 15, 22; 14, 8, 65n 25; on competition between British Brisset, Eugene, son of Pierre Denis, and foreign printers (1889–1901), 14, 3, 29, 30, ‰g. 56 10–11, 12, 13, 15, 18–19; on copyright Brisset, Pierre Denis, lithographic in printing types (1909–1917), 28, 33– press-maker at Paris: portable 34; on Davis’s type-casting machine presses of, 3, 41; press of, 3, 26, 27– (1910s), 28, 31, 35; on founding of 30, 33, ‰gs 28–32; 8, 28; sells Master Printers’ and Allied Trades lithographic stones (1839), 8, 27 Association (1890), 14, 31; on Grant, Bristol: printers’ chapels in (19th Legros & Co. (1910s), 28, 31, 32, 34, century), 24, 109–110; printing in 37; on Hare & Co. (1892–1895), 24, (17th–20th centuries), 24, 109, 120 54, 60–61; on Printers’ and Type- Bristol Daily Post (from 1860), 24, 120 founders’ Technical School Bristol Gazette, printers’ chapel at (from (Vienna), 14, 19–20; on training of 1838), 24, 111–121 printers (1888–1901), 14, 7, 8, 19, 21, Bristol Typographical Society, 24, 22, 25–29 passim, 33–47 passim, 54–56; 107n, 108n, 109–110, 111, 113, 115–121 on Wicks’s type-casting machine passim etc. (1901–1906), 28, 17, 19; reviews Britain: advent of printing in, 11, 57– Legros and Grant (1916), 28, 11 63; early printing in, 13, 76; exports British Stereotype Co., plan for of Bavarian lithographic stone to, 8, establishment of, 9, 45–46 38, 39; search for lithographic stone British Traction Co. Ltd, employs in, 8, 10–15; wood-engravers working L. A. Legros, 28, 15 in (c. 1820–c. 1860), 17, 31–61; British Typographia, 14, 21, 33, 34–35, wooden presses surviving in, 6, 11–16 37, 43, 47 journal: index: nos 1 to 28 23

Brito, Jean, printer at Bruges (15th Bruce Type Foundry (New York), century), 11, 128 22, 126 Britton, John, antiquary, on James Brudenell, Thomas, printer, 21, 27 Moyes, 4, 1, 7, 8 Bruges, work of Caxton at (1474– Brocchetti, Giuseppe di, administra- 1476), 11, 36, 41; 13, 73 tor at Naples, 27, 9, 19, 31–32 Brugis, Henry, printer of Bellman’s Brongniart, Alexandre, geologist, verses (1681), 26, 31 American article by illustrated with Brumbley, James, lithographic printer a lithograph (1822), 27, 59 employed by Sir Thomas Phillipps, Brooker, Thomas, intaglio printer, 2, 5, 39 4n, 16 Brun, Marcellin Aimé, Manuel pratique Brookes, George, artist, 17, 22 et abrégé de la typographie française (1825, Broster, John, printer at Chester, 1826), 4, 22; German translation 15, 58 (1828), 4, 22, 29–30 Brothers of the Common Life, printers Brusi, Antonio, lithographic printer etc. in Germany and Low Countries at Barcelona, 27, 46–47 (15th–16th centuries), 13, 69, 73; 22, Bryant, Henry, printer at Bristol 61 (1864), 24, 113 Brown, Mr, printer, debts to Thomas Bryant & May: buy patent for II Grover of, 15, 45, 47 o set lithography on tin-plate, 8, Brown, Benjamin, creditor and 60, 61, 64; 9, 5; matchbox covers advisor to R. Hoe & Co., 13, 29, 37 printed for, 8, 61, pl. XXXIXa; Brown, Henry, amateur printer, on 9, 2 Excelsior press, 23, 15 Buchanan-Brown, John, ‘British Brown, Henry, lithographic printer, wood-engravers c. 1820–c. 1860: a 10, 26 checklist’, 17, 31–61, on women as Brown, John, maker of portable wood-engravers, 24, 60, 95 presses (1790s/1800s?), Description of Buckland, William, naturalist, on lack the working, portable printing press (c. of lithographic stone in Britain, 8, 1800?), 23, 5, 29 13–14 Brown, M. Lamont, on half-tone Buckle, George, lithographic printer, process (1898), 10, 72–73 10, 26 Brown, Michelle, Guide to western Buckley, Samuel, printer/publisher, historical scripts from antiquity to 1600 21, 38, 39, 41 (1990), 21, 6–14 passim Bühler, Curt: on early printing at Brown, Richard, successor to Bologna, 13, 76; on early printing at Coghlan’s business (1800), 6, 36 Rome, 22, 89n, 90 Brown, Dr Samuel, naturalist etc. at Bulkley, Stephen, printer at New- Philadelphia, and lithographic castle (17th century), 4, 88 stone, 27, 50, 51, 55, 56 Bull & Whitmore, lithographic Brown, Thomas (d. 1869), printer/ printers, 10, 26 compositor at Bristol, 24, 113, 115, Bullen, George, typefounder and 116, 117 maker of Albion presses, 23, 27, Browne, Hablot Knight (‘Phiz’), 15, 24 artist, wood-engravings after, 17, 54 Bullinger, Heinrich, English trans- Browne, John I (d. 1622), publisher/ lations of works of by Coverdale, bookbinder, 28, 66 26, 12 Browne (Brown), Samuel, printer/ Bullock, David, Town Crier at publisher at London and The Norwich, 26, 30 Hague, 25, 13 Bulmer, William, printer, 3, 55; 9, Bruce, David, inventor of type-casting 32; 17, 32 machines (1838, 1843), 28, 7, 283 Burbige, wood-engraver, 17, 46 24 printing historical society

Burby, Cuthbert, publisher/stationer Buyer, Barthélemy, printer at Lyons (1592–1608), 21, 71–78; inventories (15th century), 11, 35, 40, 43, 44, 46 of (1608, 1613), 21, 72; will of, 21, Byam, William, lithographic printer, 71–72 10, 26 Burby, Edward, son of Cuthbert, 21, 72 By‰eld, Ebenezer, wood-engraver, 17, Burby, Elizabeth, widow of Cuthbert, 46 21, 71, 72, 73, 74 By‰eld, John, wood-engraver, 17, 36, Burch, Robert M., Colour printing and 46 colour printers (1910), 17, 63 By‰eld, Mary, wood-engraver, 17, 36, Burgess, William, lithographer, 10, 26 46; works for Chiswick Press, 19/ Burghers, Michael, artist/engraver at 20, 62, 65, 66, 68–69, 99, 102 Oxford, 25, 10, 14, 15, 16, 18, 19, 22, Byles, William P., printer at Bradford: 25–27 refuses to alter working-practices at Burgkmair, Hans, woodcutter, 22, 37 Bradford Observer (1893), 18, 17–18; on Burgkmair, Thoman, pupil of J. terms of employment for printers Bämler, 22, 30, 37 (1867), 18, 13–14; on training of Burke, Edmund, Philosophical inquiry into printers (1888), 14, 21, 27–28 the origin of our ideas of the sublime and Bynneman, Henry (d. 1583), pub- beautiful (1824), 22, 111 lisher, 28, 56n, 64 Burke, Martin J., electrotyper in San Byron, George Gordon, Lord, Works Francisco, 10, 99 (1832–1833), publisher’s binding of, Burn, James (& Co.), bookbinder: in 28, 76, 77, 81 development of publishers’ Bywater, Ingram, on Selwyn Image’s bindings, 28, 86, 90, 92; dispute Greek lettering (1892), 19/20, 108 with Society of London Book- binders (1872), 13, 23 ‘Cabinet cyclopaedia’ series, pub- Burne-Jones, Edward, artist, and lisher’s binding of, 28, 76, 81n William Morris, 19/20, 6, 7 ‘Cabinet du roi’ series of publications Burre, Walter, publisher, 21, 74 (1660s–1690s), 1, 75, 79, 80–81, Burstall & Monkhouse, civil engin- insert; see also Médailles eers, employ L. A. Legros, 28, 15 Cabrera, Melchor de, Discurso legal, Burt, Augustus Austin & Co., litho- historico, y politico del arte de la graphic printers, 10, 26 imprenta (1675, 1748), 17, 79n, 86 Burton, Charles, lithographic printer, Cadbury, confectioners at Bournville, 10, 26 commemorative tins printed for, 8, Burton, Philip, publisher at Preston, 64, pl. XLIVa 21, 54 Cadell, Thomas, publisher, in Burton, Richard, publisher at development of publishers’ Preston, 21, 54 bindings, 28, 76 Burton, Clay & Briggs, printers of calcography (chalcography, chalco- Bellman’s verses, 26, 31 xylography), 5, 52; 6, 74 Burton, Clay & Smith (Burton & Calcutta, introduction of lithography Co.), printers of Bellman’s verses, at, 27, 8, 89–111 passim 26, 29, 31 Calcutta Courier, publishes article on Busby, John II, publisher (17th lithography (1832), 27, 92, 108 century), 28, 66 Calcutta Gazette, publishes articles Bussi, Andrea dei, printer at Rome related to lithography (1811, 1825, (15th century), 11, 49–51 1830), 27, 91, 99–100, 106 Butler, Joseph, Bishop of Durham, Calcutta Journal, publishes article on Analogy of religion (1858), 19/20, 96 lithography (1822), 27, 92 Butterworth, William, on Excelsior Calcutta Lithographic Press, printer press (1875), 23, 8 at Calcutta, 27, 106, 107 journal: index: nos 1 to 28 25 calico printing see cotton printing Cannon, I. C.: on child labour in California, University of, biblio- composing rooms, 18, 4; on graphical press: at Berkeley, 1, 9; numbers of compositors in London at Los Angeles, 1, 10 (1850s–1911), 18, 11; on status of calligraphy: 16th-century dialogue on compositors (early 20th century), (published 1964), 28, 43n, reviewed, 18, 25; ‘The roots of organization 1, 99–100; Chinese, printed from among journeyman printers’, 4, woodcuts and lithographically, 27, 99–107 114–118, 119, 120, 127; as a source of Canon missae (Schoe er, 1458), 22, 54, inspiration for letter-cutters, 1, 79n, 55, 63 80–81 Canterbury, bibliography of books Callot, Jacques, artist, early American printed in (to 1800), 9, 20 lithograph after, 27, 60 Canton, Robert, lithographic printer, calorotype (c. 1845), 6, 74 10, 26 Calvert, William, Wife’s manual (1854), Canton (Ohio), wooden press at, 8, 19/20, 92, 95, 98n, 101 47, 50, 52 Cambridge, John Siberch in, 1, 101, Capell, Edward: ed., Mr William 102 Shakespeare his comedies, histories and Cambridge Review, on Selwyn Image’s tragedies (1767–1768), 16, 12; ed., Greek type (1894–1895), 19/20, Prolusions (1760), 16, 12 114, 115 Capelle, Pierre Adolphe, Manuel de la Cambridge University, controversy typographie française (1826), 4, 23 between Stationers’ Company and capital: of Bible Side of Oxford (1620s), 3, 111; 25, 5 University Press (1802), 3, 57; Cambridge University Press, 3, 51–52, required for setting up small plate- 53; 21, 22–24; 25, 5, 6; begins to printing works (1842), 2, 7 compete with London printers (16th capitals (typography), early history of century), 21, 20; history of, reviewed, (15th–16th centuries), 22, 79–106, 3, 100–103; and Loggan, 25, 16; and 108; see also initials; small capitals William Morris’s types, 19/20, 18; Capranica, Domenico, Cardinal, prices of articles purchased for Dell’arte de ben morire (1478), use of (1696–1712), 6, 51–52; productivity at type-ornaments in, 26, 42–43 (1620s), 21, 24–25; uses Dutch types, Caraboo, Princess, fake exotic, 26, 21, 16, 8; uses Porson Greek type 22n, 23 (1809), 19/20, 104; Andrew Wilson Caracciolus, Robertus, Sermones inspects printing materials at, 9, quadragesimales (1500), 22, 90 37–38, and introduces stereotype caractères de l’université, 1, 15 process to, 9, 39–42, 52 card, printing on (Britain, 1870s), 23, Camden, William, Britannia (1586– 60 1610), Anglo-Saxon printing in, Cardano, Felipe, brother of José 28, 64–66 María, 27, 46 Campbell, Lewis, ed., Aeschyli tragoediae Cardano, José María, lithographer/ (1898), 19/20, 119 lithographic printer at Madrid, 27, Campi, Luigi, and Pietro Girongi, 7, 35n, 37, 39–42, 44, 46; Quaderno Portolano delle coste della penisola di litográ‰co (1818), 27, 37, 38, 39; Spagna (1823–1827), 27, 21–22, 24 training at Paris and Munich Canada, wooden press surviving in, (1817–1818), 27, 36–39 6, 6 Cardwell, Edward, of Oxford Univer- Canaletto (G. A. Canal), artist, sity Press Bible Committee, 3, 59, mezzotints after, 25, 84 62–63 Canella, José, artist, lithograph after, Carey, Matthew, publisher at 27, 46 Philadelphia, 8, 45; 27, 62–63 26 printing historical society

Caristo, Giuseppe, artist/lithographer 36–37, 38, 42n, 47n; on Nicholas Kis, at Naples, 27, 21, 22 18, 65 Carlisle, George William Frederick Carter, Harry, and H. D. L. Vervliet, Howard, Earl of see Morpeth Civilité types (1966), reviewed, 2, 78–79 Carlos II, King of Spain see Charles II Carter, John: bookbindings collected Carnan, Thomas, publisher etc., by, 28, 72n; on publishers’ bindings in development of publishers’ for three-volume novels (1947), 28, bindings, 28, 74 86 Caroline script, punctuation con- Carter, John, and Percy H. Muir, ed., ventions of, 19/20, 125–126, Printing and the mind of man (1967), 128–129 reviewed, 3, 116 Carpenter, Edmund see Bollifant, Carter, Matthew, book review, 1, Edmund 99–101 Carpenter, William, maker of Colum- Carter, Sebastian, printer at Cam- bian presses, 5, 10, 21; 13, 79–80 bridge, 19/20, 18 Carpi, Ugo da, artist, uses chiaro- Carter, Thomas F., sinologist, 27, 91 scuro technique, 4, 116 Carter, Will, printer at Cambridge, Carrington, Charles, publisher, and 19/20, 18; see also Rampant Lions J. C. Grant, 28, 23 Press Carroll, George, ‰nancier, and cartography see maps and plans Applegath, 26, 61 Cartwright, Richard, lithographic Carroll, Lewis (C. L. Dodgson), printer, 10, 2, 17, 18, 26 publishers’ bindings and dust- Cartwright, Thomas, translator, French jackets on works of, 28, 90, 92 by the direct method (1904), use of bold Carr-Saunders, A. M., and P. A. types in, 22, 138, 141 Wilson, Professions (1933), on Casanova, José de, Primera parte del arte apprenticeship, 13, 18 de escrevir (1650), as model of italic Carter, wood-engraver, 17, 46 lettering, 18, 50 Carter, George, auctioneer etc. at Casas, Juan Martínez de, printer at Leamington Spa, and J. Fairfax, Madrid (18th century), uses Pedro 24, 37 Disses’s types, 17, 90 Carter, Harry, 5, 84; book review, 3, Casaubon, Meric, De quatuor linguis 103–108; ‘Caslon punches: an commentationis (1650), Anglo-Saxon interim note’, 1, 68–70, 16, 104, on printing in, 28, 66 Dommer, 16, 29; on Fournier, 18, case binding: introduction of (Britain, 54n; History of the Oxford University 1830s), 28, 82; mechanization of Press, to the year 1780 (1975), 16, 29, 75; (1890s), 28, 92; see also publishers’ 25, 6, 12, 14–15, 29; ed., Sixteenth- bindings century French typefounders: the Le Bé Casey, James Robert, lithographic memorandum (1967), 28, 43n, on italic printer, 10, 27 types and small capitals, 22, 80–81; Caslon, Elizabeth I, widow of William translation from Dutch by, 4, 108, II, typefounder, 16, 14, 16 110; View of early typography (1969), 28, Caslon, Elizabeth II, widow of Henry 43n, 52n, on italic types, 22, 80n, I, typefounder, 16, 16 81n, 84, 96 Caslon, Henry II, typefounder, 22, Carter, Harry, and Herbert Davis, 118; debts owed to (1826), 9, 18; see ‘Appendix’ to Moxon’s Mechanick also Caslon & Catherwood; Caslon exercises (1958, 1962), on printers’ & Livermore chapel, 24, 108 Caslon, Henry William (H. W. Carter, Harry, and Christopher Ricks, Caslon & Co.), typefounder, 2, notes to E. R. Mores’s Dissertation 81–88; 15, 18n; 16, 3, 4; 23, 24; and (1961): on Grover typefoundry, 15, Chiswick Press, 19/20, 63, 72; journal: index: nos 1 to 28 27

decorated wooden types probably Caslon & Livermore, typefounders: belonging to, 2, 81–88; punches debts owed to (1826), 9, 18; decor- belonging to, 1, 68–70 ated wooden types probably Caslon, Roy, holds punches of belonging to, 2, 81–88; slab-serif Caslon’s Arabic type, 16, 3, 29 types of, 15, 5–11 passim, 18, 19, 21, Caslon, William I (William & Son), 29–35; 22, 118 typefounder, 16, 7, 11; acquires ‘Caslon Old Face’ type, 19/20, 7, 12, Mitchell typefoundry (1739), 16, 11; 63, 70–73, 78, 79, 84, 85, 96, pl. 26 arbitrates in Grover/Meere dispute Cassell, John & Co. (Cassell & Co.), (1725), 15, 48; and Board of on training of printers, 14, 38–39 Ordnance, 3, 67, 68, 81, pl. 8; 16, 4, Cassini family, French cartographers, 6, 7; Chiswell Street premises of, 16, 27, 72, 74 14, 15; early career of, 3, 66–76; 6, Cassiodorus, Flavius Magnus 34; 16, 7–11; ‰rst use of types of, 3, Aurelius, layout of manuscripts 79–80; Greek type of, 1, 69; 16, 27, of, 22, 8 56–57; 19/20, 103–104; inventory of Castellan, Antoine Laurent, mentions Grover/Meere/Nutt typefoundry lithography in report to Académie made by (1725?), 15, 48–53; 16, 9; des Beaux-Arts (1816), 27, 50 italic types of, 18, 49, 51; music type cast-engraving (c. 1825), 6, 74 of (1763), 2, 43; 16, 31, 66–67; photo- Castile, Council of, report on Pedro graphic enlargements of Long Disses’s type presented to (1685), Primer roman type of, 7, 52, pl. VII, 17, 72–81 VIIIa; punches for pica roman of, 3, Castillon, Antoine, Art de l’imprimerie pl. 9; revival of types of (19th (1783), 4, 19, 21, ‰g. 3 century), 19/20, 63, 70–73, 78, 79, catalogues, use of bold types in, 22, 84, 85, 96; type-specimens of, 3, 130–132 66n, 76–79, pl. 10, 11, facing p. 66, 7, Catalonia (Spain), early lithography 53, 16, 3, 7, 9–13, 14, 17–31, 33, 35–73, 75, in, 27, 35 76, 104, bibliography of, 16, 105–110 Catbush, James, American artist’s manual Caslon, William II (William & Son), (1814), 27, 49–50 typefounder, 3, 75n; 16, 10–11, 13, 22– ‘cathedral’ style of publishers’ 24, 26, 27, 28, 30; Specimen of printing bindings, 28, 79, 80 types (1766), 16, 3, 11, 12, 14, 17–31, 33, Catherine of Sienna, Saint, Epistole in facsimile, 16, 35–73; Specimen of (1500), use of capitals in, 22, 101, printing types (1785), 16, 75–76, in 102n partial facsimile, 16, 77–103; type- Catholicon (Hamman, 1497), 22, 101n specimens of, 16, 13, 14, 75, 106, 107, Cato, Marcus Porcius, Cato (1477, 1481, 108, bibliography of, 16, 107–111 1485?), 11, 43, 46, 71, 124 Caslon, William III, typefounder, 16, Caxton, William, 3, 116; 11, 64–91, 114– 13, 14, 111; decorated wooden types 118, 120–133; 21, 30; 24, 108; ‘Advert- of, 16, 14; type-specimens of, 16, 14, isement’ of (1477?), 11, 89; Aesop, 110–113 Fables of Esope (1484), 11, 43, 72, 125– Caslon, William IV, typefounder, 2, 126; Arte & crafte to knowe well to dye 81; sanserif and slab-serif types of, (1490), 11, 37; as author and trans- 15, 4, 18n; 22, 116 lator, 11, 67–78; bindings on books Caslon & Catherwood, typefounders: printed by, 11, 92–113, pl. I–XII; 28, cast slab-serif types, 15, 1, 5–10 71; Book of good manners (1487), 11, 44; passim, 12, 15, 16, 18, 19, 21, 23, 29–35; Book of fayttes of armes (1489), 11, 44; 22, 118; decorated wooden types Canterbury tales (1478, 1483?), 11, 37, probably belonging to, 2, 81–88; 71, 72, 73–75, 121, 125; Cato (1477, 1481, typefounders for Andrew Wilson, 1485?), 11, 43, 46, 71, 124; Charles the 9, 33, 35n Grete (1485), 11, 43; Chronicles of 28 printing historical society

Caxton, William (cont.) 125, 129, 130; work in England England (1480, 1482), 11, 37, 123; of (1476–1491), 11, 58–63, 81–91, 19/20, 90; Confessio amantis (1483), 120–133; 13, 74; work in the Low 11, 125; connections with France of, Countries of (1472–1476), 11, 19–32, 11, 36–47; Curial (1484?), 11, 42; 36, 41, 119; 13, 73 Dictes or sayings of the philosophers (1477), Caxton Celebration Exhibition (1877), 11, 41, 121; Doctrinal of sapyence (1489), 19/20, 85; catalogue of, on Caslon’s 11, 44; Doctrine to learn French and types, 16, 111; Mackie’s typesetting English (1480), 11, 124; Eneydos machine at, 1, 62 (1490), 11, 44; Four sons of Aymon Caxton International Congress (1976), (1489?), 11, 44; Game and playe of the 11, 1–133 chesse (1474, 1482?), 11, 29, 36, 41, 68, Caxton Magazine: on Davis’s type- 72, 73, 79, 117, 118, 119, 125, 127, 26, 11n, casting machine (1912), 28, 35–36; facsimile of (1855), 19/20, 85; on Grant, Legros & Co. (1917), 28, Godefrey of Boloyne (1481), 11, 42, 46; 37; on scarcity of type-metal (1914), Golden legend (1483), 11, 1, 43, 46, 68, 28, 37; reviews Legros and Grant 72, 126; 19/20, 93; involvement with (1916), 28, 10, 11 De proprietatibus rerum (1471–1472?) of, Caxton Quincentenary Exhibition 11, 2, 16, 17; Jason (1477), 11, 36, 37, 41, (1976), 11, preface 79, 121; Knyght of the toure (1484), 11, Cecchi, Giovanni, printer/type- 42, 75–77, 125; Metamorphoses (1480?), founder at Florence, and Nicholas 11, 122–123; Mirrour of the world (1481, Kis, 18, 54–61 passim, 68, 73 1491), 11, 41–42, 71, 78–79, 84, 124; Cecil, Robert, Lord see Salisbury Moral proverbs (1478), 11, 42; Morte Celtic languages see Irish; Scottish d’Arthur (1485), 11, 126; Nova rhetorica Gaelic (1479), 11, 122; Order of chivalry (1484?), census returns, in research on 11, 42; papers used by, 11, 36–38, 87; provincial printing, 9, 19–20 Paris et Vienne (1485), 11, 44, 126; Central School of Arts and Crafts, ‘perfecting’ of copies of his books 5, 81 with facsimile leaves (19th century), Century Guild Hobby Horse, 19/20, 104, 19/20, 86–87, 90, 93; Pilgrimage of the 106, 111, 112 soul (1483), 11, 42, 124; Polychronicon Cépède, Pierre de la see Pierre de la (1482), 11, 84, 124; 19/20, 87, 90; Cépède Recueil des histoires de Troie (1475?), 11, Cermin Mata (magazine), printed by 31, 36, 41; Recuyell of the histories of Troy chromolithography, 27, 126, 127 (1474?), 11, 1, 11, 17, 20, 22–30, 36, 115, cerography, 10, 65–66; see also glypho- 117–118; ‘Red Pale’ sign of, 11, 82– graphy 83, 88–91; Reynard the fox (1481), 11, 31, Cervantes, Miguel de, Don Quixote 124; Royal book (1484), 11, 37, 42, 44; (1844), engraved plates for, 25, 29, Sarum hours (1478, 1480?), 11, 122, 123; 30 Sarum missal (1487), 11, 130; as seller Cessolis, Jacobus de, Game and playe of and importer of books and manu- the chesse (1474, 1483?), 11, 29, 36, 41, scripts, 11, 30–32, 36, 39–40, 43, 79– 68, 72, 73, 79, 117, 118, 119, 125, 127; 26, 80, 83, 86–87; training and early 11n; facsimile of (1855), 19/20, 85 work at Cologne of (1471–1472), 11, Chabot, Alfred, lithographic printer, 1–18; Tulle of old age (1481), 11, 42, 10, 27 124; types used by, 11, 87, 114, 117, Chabot, Caroline, lithographic 119–143, facsimile of type II of printer, 10, 27 (1855?), 19/20, 85, 98n, facsimile of Chabot, Charles, lithographic printer, type IV of (c. 1850), 19/20, 7, 85–90, 10, 27 98, 101; use of numerals by, 26, 11; Chagall, Marc, intaglio prints of, 17, 12 use of woodcuts by, 11, 71–73, 124, Chaix, Albert, printer at Paris, 14, 19 journal: index: nos 1 to 28 29 chalcography, chalcoxylography see glyphography, 5, 69–70; for intaglio calcography printing, 2, 8, 21n; for lithography Chalk, Arthur Robert, printer at (India, 1820s), 27, 97–98, 102, 110; Chelmsford, 9, 13; see also Meggy for medal-engraving, 4, 82; for & Chalk patent registration (Britain, 1840s), Chalk, Thomas, printer at Chelms- 24, 80–81; for printing etc. (Britain, ford, 9, 13; see also Meggy & Chalk 17th century), 21, 23–25, (Britain, chalk drawing, in lithography, 8, 8, 1847), 24, 89–91; for printing in pl. XIV, XV, XVII–XXI, XXIIIa Chinese (1838), 27, 115–117; for Chalopin, Théodore, lithographic punch-cutting etc. for Chiswick printer at Caen, 8, pl. XX, XXI Press, 19/20, 91–92, 96, 98; for Chamberlain, John, on book trade punch-cutting for William Morris, (1622), 21, 13 19/20, 13, 15; for punches and Chamberlain, Joseph, mezzotint matrices (16th century), 28, 44–45, engraver, 25, 71, 85 (1680s–1690s), 18, 53–54, 56; for Chambers, David: ‘An improved teaching art and wood-engraving, printing press by Philippe-Denis by J. Hare (1847), 24, 94–97; for Pierres’, 3, 82–92, pl. 12–19; ‘P. E. wood- and photo-engraving, 10, 75; Raynor: Printing for amateurs’, 23, for wood-engraving, by J. Hare 5–29 (1847), 24, 81, 84, 85–89, 101; see also Chambers, Ephraim, Cyclopaedia, prices specimens of Caslon’s types in, 3, Charlemagne, King of the Franks 76, 77–79; 16, 9, 10, 106, 113 (8th century), decrees reforms of Champollion, Jean François, scriptorial conventions, 19/20, 126 Grammaire égyptienne (1836–1841), Charles I, King of Britain, 25, 13 lithographic printing of, 27, 120–121 Charles II, King of Spain, purchases Channey, Jean de, music printer at matrices, 17, 73, 78 Avignon, 1, 23n Charles, Thomas, editor of the Bible Chantrey, Francis, sculptor, in Bate- in Welsh, 15, 57 Nolte enquiry, 4, 80, 81 Charles, William, engraver at New Chapé, Achille, lithographic printer, York, 27, 63 10, 27 Charles the Grete (1485), 11, 43 Chapé & Lefêvre, lithographic Charleville see Raucourt de Charle- printers, 10, 27 ville chapels, of journeyman printers, 4, Charlewood, John, printer, 21, 75 99–102; 24, 107–109, 110–111; at Bristol Chartier, Alain, Curial (1484?), 11, 42 Gazette (19th century), 24, 109–118, charts, Admiralty, 2, 5, 15; 25, 31–46; overcome by Bristol Typographical see also maps and plans Society, 24, 118–121; at Plantin’s Chase, W. (Chase & Co.), printers of press, 9, 72; 24, 108; rules of, 4, 102– Bellman’s verses at Norwich, 26, 32 103; 24, 116–118; see also trade unions Chateauroux (France), lithographic Chapman, Francis, lithographic stone quarried at, 8, 18, 19–21 printer, 10, 27 Chater, Nathaniel & Co., lithographic Chapman & Co., lithographic printers, printer, 10, 27 10, 27 ‘Chatsworth’ type, copying of by charges and costs: for anastatic Grant, Legros & Co., 28, 33–34 printing, 5, 31–32, 35, 39–40; for Chatto, William Andrew, and John bookbinding (Britain/Ireland, Jackson, Treatise on wood engraving 17th–19th centuries), 28, 72; for (1839), 5, 51, 52–53, 59, 60; 17, 55; composition, in Caxton facsimile (1861), 17, 42, 45, 47, 55, 61; 24, 93 type at Chiswick Press, 19/20, 90; Chatto & Windus, publishers, 28, for electrotint, 6, 68–69; for 87 30 printing historical society

Chaucer, Geo rey, Canterbury tales: Chiswick Press, printer, 17, 46, 57; and (1478, 1483?, Caxton), 11, 37, 71, 72, William Morris, 19/20, 6, 7, 18, 73–75, 121, 125; (1896, Kelmscott 92–93; types used by (1850s), 19/20, Press), 19/20, 15, 16, pl. 34–36 62–102 ‘Chaucer’ type of William Morris, chromolithography, 1, 49, 53; 4, 117; 10, 19/20, 5, 6, 11, 14, 16, 123, pl. 38 24; 14, 78n; early English (1835–1839), CheŸns, Charles Frederick, litho- 17, 62–71; in Indonesia, 27, 126, 127; of graphic printer, 10, 27 maps, 27, 7–8, 76, 78–79, 81–82, 86– Cheltnam, C. S., wood-engraver, 87; of publishers’ bindings, 28, 89; 17, 46 by Senefelder, 27, 78; stone for, 8, 8; chemitype of Piil (1846), 5, 58; superiority of Germany in (1890s), 14, 6, 74 11–12, 14–15; on tins, 8, 64, pl. XLIV Cheney, John & Sons, printers at Chronicles of England (1480, 1482), 11, 37, Banbury, 15, 55n; as printers of 123; 19/20, 90 Bellman’s verses, 26, 31 Chrosaigh, Pilip Mac Cuinn, Irish cheques, in glyphography, 5, 77, 78 poem by, known as the ‘Irish Chester, printing at (19th century), Broadside’ (1571), 28, 47–48 15, 57, 58 Church, Henry Tyrrell, lithographic Chevallier, Jean Baptiste Alphonse, printer, 10, 27 and Langlumé, Traité complet de la Church, William, inventor of type- lithographie (1838), 1, 45, 49–50 setting machine, 1, 57n, 66 Cheverton, Benjamin, method for Churchill, William, publisher at Dor- enlarging or reducing prints chester, binds sons as apprentices suggested by, 6, 79 through Stationers’ Company, 21, 52 chiaroscuro prints, 1, 41; 4, 116 Church of England Magazine, and J. Hare Chicago, bibliographical press at (1847), 24, 101–104 University of, 1, 9 Churton, Edward, Author’s handbook Child, John, Industrial relations in the (1844), 4, 48 British printing industry (1967), on Ciceri, Eugène, tinted lithograph by, 8, e ects of introduction of machine pl. XXII composition, 18, 2, 7, 8, 9, 10, 12, 23, Cicero, Marcus Tullius, Tulle of old age 34; see also Howe, Ellic, and John (1481), 11, 42, 124 Child Cincinnati typefoundry, 22, 126 Childerhouse, William, Bellman at City and Guilds of London Institute: Norwich, 26, 29, 30 examinations for printers (19th children: operate typesetting century), 14, 7, 9, 26–29, 31, 34, 44, 55, machinery (Britain, 19th century), 58; and L. A. Legros (1889–1890), 28, 14, 5; 18, 1–7 passim; publishers’ 14–15 bindings on books for, 28, 74 civilité types of Granjon, 1, 14, 16, 100; 2, ‘Children’s friend’ series (American 78–79; 18, 52 children’s books, 1820s), 27, 62–63 Civil War (England, 1640s), e ects on Childs, George, lithographer, 10, 27 book trade of, 21, 60–61, 64 Chilton, J. R., American experimenter Clair, Colin, History of printing in Britain in electrotyping, 10, 87, 89, 90 (1965), reviewed, 2, 74–77 China, early lithography in, 27, 8 Clamp, Charles, brother of Robert Chinese language, printing of, 27, Burcham, 24, 102, 104 114–121, 127 Clamp, Robert Burcham, artist at Chinese printing types: early Ipswich, 24, 57, 58; correspondence European attempts to cut, 27, 113, with J. Hare (1847), 24, 102, 104 115, 116, 118; at Oxford University Clapham, Sir John Harold, Economic Press, 25, 21; patent of Grant and history of modern Britain (1932), on Legros for matrices for, 28, 31 apprenticeship, 14, 1 journal: index: nos 1 to 28 31

Clapperton, Robert Henderson, Bellman’s verses (1830), 26, 31; use Paper-making machine: its invention, Wicks’s type-casting machine evolution and development (1967), (1900s), 28, 17 reviewed, 4, 111–113 Clay, Sons & Taylor, printers, install Clare, Robert, journeyman printer, Mackie’s typesetting machine, 1, 62 on London printers (1705), 15, 46, Clayton & Shuttleworth, agricultural 47 engineers, 24, 106 Clare, Thomas, lithographic printer, Cleef, Jz. P. M. Van see Van Cleef, 10, 27 Jz. P. M. Clarendon, Edward Hyde, 1st Earl of, Clegg, H. A., et al., History of British History of the rebelion and civil wars in trade unions since 1889 (1964), 18, 13 England (1702–1704), intaglio plates Cleghorn, John, engraver/wood- for, 25, 26 engraver, 17, 47 Clarendon Press, imprint of Oxford Clein, Francis see Cleyn University Press, 19/20, 119 Clement, Richard W., on Anglo- ‘Clarendon’ type, 22, 124–127, 129, 132, Saxon printing (1997), 28, 41, 63 133, 135, 138, 142 Clennel, Luke, wood-engraver, 17, 53 Clark, Andrew, printer, debts to Clephane, James Ogilvie, inventor Grover family of, 15, 39, 42, 43 etc.: and Linotype, 26, 70, 73, 75, 76, Clark, H. L., wood-engraver, 17, 46 78; and printing telegraph, 26, 70–72 Clark, Henry, lithographic printer, Clephane, Lewis, brother of James 10, 28 Ogilvie, 26, 71 Clark, R. & R., printers at Edinburgh, Clerk, John & Co., lithographic print Greek for Macmillan, 19/20, printers, 10, 28 105n, 107–108, 109, 110, 111, 112, 115, Clerk, William, lithographic printer, 118, 119, 120n 10, 28 Clark & Co., lithographic printers, Cleyn (Clein), Francis, engraver, 25, 10, 28 5n, 8, 9, 11 Clark & Mosbery, lithographic ‘clichage’ (French stereotyping printers, 10, 28 process), 6, 75 Clark Constable, successors to R. & ‘cliché pierre’ process (c. 1843), 6, 75 R. Clark, 19/20, 120n Cli ord, Thomas, and American Clarke, Eliza, Benjamin and George, lithographic stone, 27, 55 lithographic printers, 10, 28 Clifton, Francis, printer, 12, 42 Clarke, Fanny, wood-engraver, 17, Clint, Elizabeth, wood-engraver, 17, 39n, 46 36, 38, 47 Clarke, G. R., History & description of Clint, Mary, wood-engraver, 17, 36, Ipswich (1830), 24, 58 38, 47 Clarke, Harriet, wood-engraver, 17, cloth see bookcloth and the names of 39, 46 individual fabrics Classical Review, on Selwyn Image’s Cloué, J. C., lithographic press of, 3, Greek type (1893–1896), 19/20, 112, 25–26, ‰gs 25, 26 114, 118, 120 Clowes, Maurice, of William Clowes classics: William Pickering’s ‘Diamond & Sons, 28, 8 classics’ series of, 28, 76; Richard Clowes, William (& Sons), printer Taylor’s editions of, 2, 47 etc., 2, 76; 26, 57; 28, 92, 93; buys Classon, E., lithographic printer, 10, Applegath’s workshops, 2, 53; 26, 28 56, 69; gives evidence to Committee Clay, Richard & Co., printers at on Government printers, 7, 22; Bungay, 19/20, 84n; Columbian prints Legros and Grant (1916), 28, presses owned by, 5, 12; 13, 79; 5, 7; prints music typographically, history of, 3, 98; as printer of 14, 72; C. M. Smith works for, 7, 24 32 printing historical society

Clutton, Sarah, on type-ornaments Collard, maker of medal-engraving (1960), 26, 46 machines, 4, 75 Clymer, George, inventor of Colum- Collas, Achille, maker of medal- bian press at Philadelphia, 2, 58, 64, engraving machines, 4, 75, 78, 80, 65; 3, 98; 5, 1, 2–3, 4–9, 14–15, 20, pl. 81, 82, 83, 84, pl. 19, 20; engravings 1, 2, 17; 13, 78–80; see also Columbian by, 4, 84 press ‘Collection des guides-Joanne’ series Clymer, Dixon & Co., press-makers at (1866–1882), use of bold types in, Philadelphia, 5, 9, 20–21, pl. 3, 5, 6, 22, 135, 136 17; 13, 79; 24, 40, 52 Collens, William, lithographic Cobb, T., maker of miniature Colum- printer, 10, 28 bian press, 5, 9, 11, 12 Collingwood, Samuel, partner with Cobbett, William, politician etc., 9, Oxford University Press, 3, 55, 61, 62 pl. 2 Collins, wood-engraver, 17, 47 Cobden-Sanderson, Thomas James, Collins, Edward John T., on growth 19/20, 9, 120; 28, 90–91 of agricultural engineering, 24, 66 Cochrane, J. A., Dr Johnson’s printer: Collins, F. Howard, Author & printer the life of William Strahan (1964), (1905), introduces wavy line to reviewed, 1, 107 indicate bold type, 22, 140, 141 Cockerell, Sydney, and William Collins, Freeman, printer, 21, 41; Morris, 19/20, 12–14, 16, 17–18 debts to Thomas II Grover of, 15, Coddrington & Kingsley, press- 45, 47 makers, 23, 16 Collins, Henry George: manager of Cogger press, 2, 58, 59 Palmer’s glyphographic oŸce, 5, 74, Coghlan, James, Catholic printer and 75–76; method of enlarging or publisher (18th century), 6, 33–36; reducing prints developed by memorandum book of, 6, 36–52 (c. 1860), 6, 75 Colby, Thomas Frederick, Instructions Collins, John, amateur printer, on for the Ordnance Survey of Ireland (1825), Excelsior press, 23, 16 27, 73 collotype process, 4, 38 Cole, Benjamin II, engraver, 21, pl. 1 Colnaghi, Paul (Colnaghi & Co., Cole, Sir Henry, 17, 45, 58, 59; etc.), print publisher, holds exhib- Handbook for Hampton Court (1841), ition of mezzotints (1975), 25, 72 17, 39, 41, 45, 46, 47, 57–58, 59, 60; on Cologne: bookbinding in (1470s), 11, leading families of wood-engravers 9–10; early printing in (1470s), 11, (1839), 17, 60; ed., Passion of Our Lord 5–10, 14–17, 116; 13, 72, 75; political Jesus Christ portrayed by Albert Durer situation at (1470s), 11, 11–14; (1844), 19/20, 77; ed., Pleasant history training and early work of Caxton of Reynard the fox (1843), 17, 33; on at (1471–1472), 11, 1–18 reproductive engraving and wood- Colonial Printing OŸce of W. Wight- engraving, 17, 34, 35, 36, 38–39; and man, 23, 9, 14 revival of ‘Old Style’ types at Chis- Colonna, Francesco (probable wick Press, 19/20, 63, 72; on John author), Hypnerotomachia Poliphili Thompson, 17, 57; on women as (1499), 19/20, 9, pl. 3; use of capitals wood-engravers, 17, 36, 38–41 in, 22, 83–84, 96–97 passim; 24, 95 colouring of prints by hand, 1, 53, 54; Cole, James see Cole, Benjamin II 2, 19–20, 21n; 17, 64, 66, 67, 68–69, Cole, Timothy, leader of New School 70; for maps, 27, 86 of American wood-engraving, 10, 58, colour in maps, 27, 78, 79, 80, 81, 84, 86 59, 61–62, 63; engraving by, 10, ‰g. 2 colour in medieval manuscripts, 22, Colines, Simon de, printer at Paris, 12–13, 15–27 passim; in missals, 22, 58, use of capitals by, 22, 80–81, 82n, 96 59 journal: index: nos 1 to 28 33 colour printing, 2, 10, 13, 16; 17, 58; 22, 11, 23–29; learn to use type-casting 107, 110; for amateurs (Britain, machines (1890s), 18, 12; at Plantin’s, 1870s), 23, 56; Applegath and, 26, paid by piece-work, 9, 71; see also 67–69; by Caxton and Mansion, 11, typesetting 119; by F. Didot, 27, 86n; of litho- compositors, machine: in Britain graphs see chromolithography; of (1890s–1900s), 18, 1–35; see also mezzotints, 25, 84–86; in missals photocomposition; type-casting (15th century), 22, 58, 59, 63–64, pl. machines; typesetting machines 3, 4; revival of interest in (1830s), 4, compound-plate printing, 4, 33, 49, 50, 64; on tin, 8, 63, 64 56–66; 6, 75–76 Colt’s Armory press, 3, 92 Concanen, Alfred, artist/litho- Columbian press, 1, 3; 2, 58–59, 63, 64, grapher, 14, 79 65, 70, 71; 3, 42; 5, 1–15; 8, 46; 13, 78– concentric (or eccentric) engraving, 80; patent speci‰cation for, 5, 16– 6, 77 19; surviving examples of, 5, 20–23, concordances to the Bible, use of pl. 1–13, 15–19; 13, 78–80 numerals in (16th century), 26, 8–10 Colyer, Edward, lithographic printer, ‘congers’ of publishers, 21, 38 10, 17, 28 Congreve, Sir William: compound- Combe, Thomas II, partner with plate printing of, 4, 49, 50, 56–66, Oxford University Press, 3, 56, 58, 116, pl. 1, 2, 5, 7, 9, 10, 11, 30, 31, 32; 5, 60; and Wolvercote paper mill, 3, 51, 52; 6, 75–76; his dispute with 62, 63, 64 Perkins, 4, 60–61, 70–71 Commercial Lithographic Press, Conner, James, typefounder at New printer at Calcutta, 27, 106, 108 York, electrotyping of matrices by, Common Prayer, Book of: in English, 10, 100–101, 102 (1675), 25, 24, 25, (1844, 1853), 19/20, Conquest, William, machinist for 67, 82, 83, 92, 99, 101; in Irish (1608), R. Hoe & Co., 13, 30, 35, 37, 42–62 28, 48; in Scottish Gaelic (1567), 28, passim; correspondence with Hoes, 47; numerals in (England, 16th 13, 42–43, 44–45, 46, 48–49, 56, century), 26, 5–6, 7–8 58–62 common press see press, hand: wooden conservation (preservation), of Common-Sense (magazine), 12, 37 intaglio plates, 25, 23, 29 Comparato, Frank E., ed., ‘“Old Constable, Archibald, publisher at Thunderer’s” American Lightning: Edinburgh: ‘Constable’s miscel- machinework and machinations in lany’ series, publisher’s binding of, furnishing the ‰rst Hoe rotaries to 28, 73, 76, 81n; and J. C. Grant, 28, ¡e T imes, 1856–60’, 13, 27–63, pl. 23; letter of Andrew Wilson to facing pp. 48, 49 (1808), 9, 44–45 competence of printers (Britain, 19th Constable, John, artist, 25, 47; mezzo- century), 13, 6–10 tints after, 25, 69, 71; Various subjects of competition between British and landscape, characteristic of English scenery foreign printers (19th century), 14, (1830–1832), 25, 47–68 9–23 Constable, T. & A., printers at Edin- composing sticks: in Britain (1830s), burgh: use bold types, 22, 138; 24, 39, (1870s), 23, 31–32, 34–35, 46– use Wicks’s type-casting machine 47; provided by compositors, 6, 52; (1900s), 28, 17 9, 70; supplied to amateurs by C. Cook, Andrew, publisher, 25, 5n Malins, 23, 12, 10 Cook, Joshua, partner with Oxford compositors, hand: in Britain (17th University Press, 3, 55, 57, 58 century), 21, 23–25, (1890s–1900s), Cook, Mary Ann, wood-engraver, 17, 18, 2, 9–13, 31–35; for Caxton’s 47 Recuyell of the histories of Troy (1474?), Cook, Nathaniel see Cooke, Nathaniel 34 printing historical society

Cook, W., printer, correspondence copyrights: in Britain (16th century), with J. Hare (1846), 24, 91 28, 71; of C. Burby, 21, 71, 73–78; Cooke, Nathaniel, co-founder of controlled by the Stationers’ Illustrated London News, employs Company (17th century), 21, 21, 26, J. Hare (1840s), 24, 96, 98–99 27; in printing types (1900s), 28, 33; Cookes, Edward Lorimer, Caslon in Spain (17th century), 17, 77n; apprenticed to, 3, 67 unprotected, mentioned by Andrew Coon, Martin, lithographic printer, Wilson, 9, 44 10, 28 Córdoba, Patricia, translator, ‘Litho- Cooney, Roy J. L., ‘Chart engraving graphy and Spain: the diŸcult at the Admiralty’s Hydrographic beginnings of a new art’, 27, 33–47 Department 1951–1981’, 25, 31–46 Cor‰eld, Joseph, stationer, 23, 53 Cooper (James Cooper?), wood- Corley, T. A. B., ‘Towards a history engraver, 17, 47 of tin-printing: some further sign- Cooper, Edward, press-maker, posts’, 9, 1–5 supplies J. Fairfax (1852), 24, 37 Cormack, Minnie, mezzotint engra- Cooper, Joseph, partner with Andrew ver/artist, 25, 69 Wilson, 9, 26–27; bankruptcy of, Cormenin, Louis Marie, Entretien de 9, 28 village (1846), illustrations to, 17, 41 Cooper, Richard, artist/lithographer, Cormick, Joseph, lithographic surviving lithographic stones of, 12, printer, 10, 28 9–10, pl. VI, VII Cornish, William (d. 1813), printer, Cooper, Thomas, chemist etc. at 26, 47 Philadelphia, and early American Cornish, William, lithographic lithography, 27, 54–55 printer (1850s), 10, 28 Coote, W., Bellman, 26, 20 coronation of George IV, tickets for, Cope, J. (i.e. James?), 2, 67; see also in compound-plate printing, 4, 62, Cope & Sherwin 63, pl. 3, 4, 30, 31 Cope, James, son of Richard Coronelli, Vincenzo, Memoires (1686), Whittaker, 3, 99 18, 53n Cope, Richard Whittaker, maker of Corrado, Michele, artist/lithographer Albion press, 2, 58, 59, 63, 64; 3, 98– at Naples, 27, 21n 99; 5, 6; see also Hopkinson & Cope Corsten, Severin, ‘Caxton in Cologne’, Cope, Samuel, bookbinder/book- 11, 1–18 seller, Coghlan apprenticed to Cosmopolitan press of C. Morton, (1746), 6, 34 23, 12 Cope & Sherwin, press-makers, 2, 67, costs see charges and costs 68; 3, 97–98, 99; 24, 39, 49; Imperial Cotterell, James, printer, 21, 35n, 41; arming press of, used for gold debts to Thomas I Grover of, 15, blocking, 28, 81 39, 42 Copenhagen, early printing in, 13, 76 Cottingham, Nockalls Johnson, artist, copies (rights to publish) see copy- 24, 68 rights cotton (calico) printing: Applegath copper-engravers, British, numbers and, 26, 57, 61–62, 64, 65, 69; of: (1818), 5, 52; (1836), 12, 54 compound colour printing for, 4, copper-plates, conservation of, 25, 23; 65; Cowper and, 26, 55, 57; Sene- see also intaglio plates felder and, 3, 46, ‰g. 7; sidero- Coptic type: Caslon’s (1734), 16, 28, graphy in, 4, 72; use of medal- 61; Nicholas Kis’s (1680s), 18, 70– engraving for, 4, 85; see also silk 71, 74 printing Copyright (‘Hogarth’) Act (1735), Cottrell, Thomas, typefounder, 16, 2, 4 14, 75 journal: index: nos 1 to 28 35

Coty, perfumier at Paris, uses rolling Crace, Frederick, art and print collec- press to print trade labels, 17, 13 tor, 14, 66–68 Couchman, Edward, lithographic Crace, John Gregory, son of Freder- printer, 10, 28 ick, 14, 66, 67 ¡e Country (magazine), 23, 81; didone Craftsman, 12, 34, 35, 37, 38–39, 42, 44, types used in (1870s), 23, 20 48, 49 Cousins, Samuel, mezzotint engraver, Craig, William M., on Dürer, 5, 46 2, 17; 12, 62–64, 65; 25, 69 cramps, of English and American Coverdale, Miles, translator of the presses, 8, 51 Bible, 26, 6, 10, 11–12; Concordance of ‘Cranach’ type, 5, 82, 83–84 the New Testament (1535), 26, 8; Faithful Crane, wood-engraver, 17, 47 and true prognostication upon the year Crane, Walter, on William Morris’s 1548 (1548), 26, 12; Faithful treatise types, 19/20, 14, 17 concerning the sacrament (1549), 26, 12 Cran‰eld, G. A., Development of the Cowell, Samuel Harrison, printer etc. provincial newspaper 1700–1760 (1962), at Ipswich, 24, 57; and anastatic 9, 10–11 printing, 5, 27, 29, 40; 24, 68; corres- Crayford, Applegath’s house at, 2, 54 pondence with J. Hare (1847), 24, Creasey, C. H., Technical education in 105; correspondence with Sir evening schools (1905), 14, 26, 36 Thomas Phillipps, 5, 24, 37–38 Creede, Thomas, printer, 21, 75n Cowie, G., Cowie’s printer’s pocket-book and Cremetti, Eugène, printseller, 14, 87 manual (1830s etc.), 4, 18 Cremonensis, Bartholomaeus see Cowper, Annie, wood-engraver, 17, Bartholomaeus Cremonensis 47 Cremonensis, Petrus de Plasiis see Cowper, Ebenezer, brother and Plasiis Cremonensis, Petrus de partner of Edward, 26, 55, 57–58 Cressy, David, Literacy and the social Cowper, Edward, engineer/press- order (1980), on literacy of trades- maker etc., 2, 50–51, 52n, 53n; 4, 59; men, 21, 57–58 13, 32, 34; 26, 47, 48, 53–59, 60, 69; Crewe, Alfred, wood-engraver, 17, 47 see also Applegath & Cowper Crewe (Cheshire), Mackie’s typeset- Cowper, Edward Alfred, son of ting works at (1877–1884), 1, 64–65 Edward, 26, 47n Crichton, Samuel W., lithographic Cowper’s parlour printing press of printer, 10, 28 Holtzap el, 23, 9–10; 24, 87; 26, 57, Crisp, printer of Bellman’s verses at 59 Yarmouth, 26, 32 Cowslade & Co., printers at Reading, Croft-Murray, Edward, of the British 9, pl. 2 Museum, on Crace collection, 14, 67 Cox, George James, lithographic Croke, John, compositor at Oxford, printer, 10, 28 25, 17n Cox, James, lithographic printer, 10, Crompton, Rookes Evelyn Bell, on L. 28 A. Legros, 28, 37–38 Cox, James, supplier of Columbian Crompton, Thomas, in development presses, 5, 11, 23 of paper-making machines, 4, 112 Cox, John Lewis (& Co.), printers to Crooke, Andrew, bookseller, 15, 38– East India Company, 7, 22, 23 39, 42 Cozzens, Issachar, artist etc. at New Cropper, Henry Smith & Co., press- York, early lithographs owned by, makers at Nottingham and London, 27, 60 23, 16 Crabbe, George, Works (1834), pub- Crosland, John & Co., lithographic lisher’s binding of, 28, 81–82 printers, 10, 29 Crabtree, R. W. & Sons, makers of Crosse & Blackwell, tenants of 20–21 tin-printing presses, 8, 64 Soho Square, 14, 66 36 printing historical society

Crossman, J. H., backer of Hahl’s lithographic, 3, 15, 16–18, 26, 27, 44– printing telegraph, 26, 71 49, ‰gs 1, 2, 51, 53–55; see also names of Crotch, W. J. B., Prologues and epilogues speci‰c presses and press-makers of William Caxton (1928), 11, 65 Czechoslovakia, wooden press Crowe, Donald W. see Washburn and surviving in, 6, 7 Crowe Crown‰eld, Cornelius, at Cambridge Daguerre, Louis Jacques Mandé, University Press (early 18th photographic experiments of century), 3, 70n, 101; 6, 51, 52 (1839), 4, 52 Crown Printing Works (Bristol), Daily Chronicle, uses Davis’s type- 24, 119 casting machine (1912), 28, 36 Crozier & Mullin, lithographic Daily Courant, 12, 40, 44 printers, 10, 29 Daily Gazetteer, 12, 34, 36, 38, 39, 40 Cruickshank, Don W., ‘The types Daily Journal, 12, 34, 37, 43 of Pedro Disses, punchcutter’, 17, Daily News (and Leader), 26, 62; uses 72–91 Davis’s type-casting machine (1912), Cruickshank, George, 17, 47, 59, 60; 28, 36; uses didone types (1870s), designs music covers, 14, 73; pos- 23, 20; uses Hattersley typesetting sible acrograph by, 5, 58–59, pl. 3; machine (from 1891), 18, 11 tries new processes of engraving for Daily Post, buys Hoe’s ‘Lightning’ his drawings, 4, 48; 5, 77 rotary press (1859), 13, 57 Cruickshank, Isaac Robert, artist, 17, 47 Daily Telegraph, 28, 7; buys and uses Cruickshank, Percy, wood-engraver, Hoe’s ‘Lightning’ rotary press 17, 47 (1859), 13, 45n, 53, 57, 59, 61; uses Crutwell (Cruttwell), R. W., litho- Davis’s type-casting machine (1912), graphic printer, 10, 29 28, 35 Cuciniello, Domenico, and Lorenzo Daily Universal Register, uses Caslon Bianchi, lithographic printers/ ornament (1785), 16, 75 publishers at Naples, 27, 9, 10n, D’Alembert, Jean le Ronde see Diderot 25–27; Viaggio pittorico nel Regno delle and d’Alembert due Sicilie (1829–1832), 27, 27 D’Almaine, Thomas & Co., 14, 59–81; Culliford, Charles John, lithographic Day at a music publishers (1848?), in printer, 10, 29 facsimile, 14, pl. between pp. 68/69 Culliford, Edward, lithographic Dalrymple, Alexander, Hydro- printer, 10, 29 grapher to the Admiralty, 25, 31, Cumberland, George: and Blake, 5, 32 47–48; ideas for printing methods Dalziel, George and Edward, artists/ put forward by, 5, 48–49, 57; 6, 76 wood-engravers etc., 17, 49; use of Cumberland, history of book trade in, phototransfer by, 5, 90, 91, 92; 4, 87, 91, 97 wood-engraving business of, 5, 87, Cundall, Joseph, publisher, and Chis- 88; 10, 58; 17, 36, 40, 47; 24, 53 wick Press, 19/20, 70, 72 Dalziel, John, wood-engraver, 17, 47 Cupy, Willem, typefounder at Dalziel, Margaret, wood-engraver, 17, Amsterdam, type-specimens of 40, 47 (18th century), 18, 63 Dalziel, Thomas, wood-engraver, Curry, Michael, printer employed by 17, 47 Wilkes, 16, 13 D’Amora, Francesco, artist/litho- Curtis, Mr, complains of monopoly grapher at Naples, 27, 21n for printing Bibles (1833), 3, 59 Danfrie, Philippe, punch-cutter, 1, curvilinear printing, 6, 76 100; 2, 79 cylinder press: intaglio see rolling Danger‰eld, Frederick, lithographic press; letterpress, 26, 53–69 passim; printer, 10, 29 journal: index: nos 1 to 28 37

Daniel, Roger, printer at London and Dawe, lithographic printer, 10, 29 Cambridge (17th century), 28, 66 Dawks, Thomas II, printer, debts to Daniel, William, translates Book of Thomas I Grover of, 15, 39, 42 Common Prayer into Irish (1608), 28, Dawson, Alfred and Henry, Typo- 48 graphic Etching Co. of, 10, 66 Daniell, Thomas and William, artists Dawson, John II (d. 1648?), printer, etc., intaglio printing for, 2, 13, 21 28, 69 D’Anna, Mario, artist/lithographer at Dawson, Thomas, lithographic printer Naples, 27, 21 and stone-merchant, 8, 26–27; 10, 29 Dante Alighieri, New life (1899), pub- Dawson, William, partner with lisher’s binding of, 28, 91 Oxford University Press, 3, 55, 57, Darby, John I, printer, 21, 38, 41; debts 58 to Thomas I Grover of, 15, 39, 42 Day, Angel, English secretorie (1586), C. Darby, John II, printer, debts to Burby publishes editions of, 21, 77 Thomas II Grover of, 15, 44, 47 Day, John, printer (16th century): Darmet, lithographer at Paris, 27, 70 Anglo-Saxon printing by, 28, 48, 49, Darton & Clark, publishers, debts of 52, 55, 56, 62, 63, 64, 68; ornaments J. Fairfax to, 24, 37 copied from, 19/20, 65; see also Seres Davies, Benjamin Rees, engraver, 2, 21 and Day Davies, J. H., supplier of Ward’s Day, Richard, printer (16th century), Excelsior press, 23, 13 28, 63 Davies, Thomas, Lord Mayor of Day, William, lithographic printer London, 21, 56 (Goswell Street), 10, 29 Davis, Mr, printer at Bristol (1866– Day, William, lithographic printer 1867), 24, 113, 116 (Lincolns Inn Fields), 10, 4, 6, 16, 17, Davis, Alec: Package and print: the devel- 18, 19, 29; 14, 78n; lithographic press opment of container and label design of, 3, 35, ‰g. 43 (1968), reviewed, 4, 118–119; Day & Haghe (Day & Son), ‘Towards a history of tin-printing’, lithographic printers, 1, 51, 53–54; 3, 8, 53–64, pl. xxxvii–xliv; 9, 1 35; 10, 2, 16, 17, 18, 30; 17, 69, 71; Davis, Charles, lithographic printer, description of visit to works of, 8, 10, 29 33–34; number of stones stored by, Davis, Daniel II, Manual of magnetism 8, 34–35; Prince of Wales and Prince (1842), 10, 93–98 passim Alfred at works of (1856), 1, 55; 8, Davis, George, of Grant, Legros & 33; sell lithographic stones, 8, 26, Co., 28, 34, 35 27, 28, 29; views of works of, 3, 10 Davis, Harry, engineer, 28, 28, 29; Daza, Benito, printer at Seville and type-casting machine of, 28, 26, 28, Écija (18th century), uses Pedro 31–32, 34, 35–36 Disses’s types, 17, 84, 86, 88 Davis, Herbert see Carter, Harry, and Dean, Thomas see Dean & Munday Davis Dean, William Thomas, lithographic Davis, Isaac, lithographic printer, 10, printer, 10, 30 29 Dean & Law, lithographic printers, Davis, John James, lithographic 10, 30 printer, 10, 29 Dean & Munday (Thomas Dean & Davis, John P., of New School of Co.), lithographic printers, 10, 17, 30 wood-engravers, 10, 63 De Angelis, Costanzo, lithographer at Davis, Jonas, printer, Richard Taylor Naples, 27, 25, 27; Elementi di paes- apprenticed to (1798), 2, 45, 46 saggio ricavati dalle opere di Christoforo Davison, William, pharmacist, printer Kniep (1823), 27, 25 and typefounder at Alnwick, 4, 90, Dearing, Octavius A., salesman for E. 97, 119; 9, 9; 24, 39 Read, 7, 42, 44, 45–46, 46–47, 49–50 38 printing historical society

‘decalcomanie’ transfers, used for tin- Description des métiers (projected work printing, 9, 4 compiled by Jaugeon and others), Decorated Tin Box Manufacturers 1, 72, 74, 75, 82–86, 91–92, insert Association (1899), 9, 1 Desjobert, lithographic printer at DeFreitas, Leo John, on training of Paris, 3, 4 wood-engravers, 24, 60 Desmadryl, Narcisse Edmond Joseph, De Heine, Augustus Frederick, press- lithographer at Paris, 27, 70, 76 maker, 5, 8 Desmarais, Guyot, lithographic Deguileville, Guillaume de see Guil- printer at Paris, 3, 43 laume de Deguileville Deulen (Deulin), Michael, litho- Dekker, Thomas, Lanthorne and candle- graphic printer, 10, 31 light (1608), 26, 15 Devey, Thomas, lithographic printer, De la Cépède, Pierre see Pierre de la 10, 31 Cépède devices see press devices Delamotte, Freeman Gage, wood- De Vinne, Theodore Low: Correct engraver, 17, 48 composition (1902), on Aldus’s types, Delamotte, Philip Henry, photo- 22, 84n, 97; on William Morris’s grapher, 17, 48 types, 19/20, 5; Plain printing types Delamotte, William, artist/engraver, (1900), on ‘Clarendon’ type, 22, 126n 17, 48 Dewall, H. von, on the lithography of Delarue, lithographic stone-merchant Qurans (1857), 27, 129, 130 at Paris, 8, 19, 27 De Worde, Wynkyn see Worde, De la Rue, Thomas & Co., stationers Wynkyn de etc.: in development of publishers’ Dexter, Robert, printer, 21, 76 bindings, 28, 75, 79, 81; purchases of Diable à Paris (1846), illustrations to, lithographic stones by (1888), 8, 35– 17, 41 36; on training of printers (1894), ‘Diamond classics’ series, publisher’s 14, 38 binding of, 28, 76 De la Rue, Warren, experiments in Dibdin, Thomas Frognall, Bibliograph- electrotyping by (1836), 10, 84 ical decameron (1817): on Caxton, 11, Delavigne, Casimir, Messéniennes 33; on James Moyes, 4, 1; on (1824), wood-engraved illustrations Richard Taylor, 2, 45–46 to, 17, 34 Dickens, Charles, serial publication Dell, American publisher, 18, 38 of novels of (from 1836), 28, 88 Denmark, early printing in, 13, 76 Dickes, William, artist, colour printer, Denon, Dominique Vivant, litho- wood-engraver etc., 6, 61; 17, 48; on graphic printer at Paris, 27, 34 Edward Palmer, 6, 67 Dent, Joseph Malaby, bookbinder, Dickinson, Edward John, lithographic opens printing oŸce, 28, 93 printer, 10, 31 Deposito della Guerra (Naples), and Dickinson, J., W. R. & L. (Dickinson lithography, 27, 12 & Co.), lithographic printers, 10, 31 Depósito Hidrográ‰co (Madrid), and Dickinson, John and George (John & lithography, 27, 7, 36, 40, 44, 46 Co.), paper-makers, 19/20, 111; in Derwent, Mr, manager at Bradford development of paper-making Daily Telegraph, 18, 19, 25, 30 machine, 4, 111, 112 Desaint, Jean-Charles, on Pierres’s Dickinson, Samuel Nelson, Help to press, 3, 83–85, 87, 89, 90 printers and publishers (1835), 4, 18 Des Billettes, Gilles Filleau: minutes Dickinson Typefoundry (Boston), of committee on printing kept by, 1, 19/20, 17 87–91; and romain du roi type, 1, 76, Dickson, wood-engraver, 17, 48 77, 79, 82, 86; in study of trades for Dictes or sayings of the philosophers (1477), Académie des Sciences, 1, 71, 72, 74 11, 41, 121 journal: index: nos 1 to 28 39 dictionaries and glossaries: Estienne’s printers using, 17, 87–90, specimen Dictionnaire François-Latin (1539), 22, of, 17, 91 109; layout of medieval manuscripts distribution of type: by children of, 22, 10, 24; Medhurst’s Chinese/ (Britain, 19th century), 14, 5; 18, 3, English (1842), 27, 118–121; of 4, 11; instructions for amateurs in printing terms, 23, 63–68; use of (Britain, 1870s), 23, 61–62; in Anglo-Saxon sorts in (17th century), Kniaghininsky’s typesetting 28, 64, 65, 68, 69; use of bold types machine, 3, 95; by women and in, 22, 127, 130, 131 girls, using Hattersley typesetting Diderot, Denis, and Jean le Ronde machine, 18, 3, 11 d’Alembert, Encyclopédie, 1, 74, 75; division: of labour, within printing (1769–1779, Livorno) printed with industry (Britain, 19th century), 18, Caslon types, 16, 10n 31–35; of printing and bookbinding didone types: used in Britain (19th industries (Britain, 19th century), 14, century), 19/20, 79, 84; 23, 19–21, 1–9 23–24; used at Chiswick Press Dix, J. & Son, lithographic printers, (1850s), 19/20, 84 10, 31 Didot, Firmin, printer/publisher at Dixon, E., wood-engraver, 17, 48 Paris, 17, 57; typographical map of, Dixon, John, intaglio printer, 2, 6, 21; 27, 86n; see also Firmin Didot frères 4, 9n Didot family, and paper-making Dixon, Samuel, associated with machines, 3, 116; 4, 112 Clymer, 5, 9; 13, 79 Dieterichs, Karl, on Columbian press, Dixon & Roe, stationers, 23, 54 5, 2 Dixon & Ross, intaglio printers, 2, 4n, Dighton, Thomas, lithographer, 27, 70 6, 8, 9, 10; 12, 56–62 passim; 17, 8, 11 Digueieville, Guillaume de see Dobson, Thomas, publisher at Guillaume de Deguileville Philadelphia, and lithographic Dihlavi, Mir Amman, Tale of the four stone, 27, 51, 55 Durwesh (1813?), 27, 91 Doctrinal of sapience (1489), 11, 44 Dijck, Christo el van, punch-cutter at Doctrine to learn French and English Amsterdam, 1, 15, 69; 16, 8, 29 (1480), 11, 124 Dionysius of Halicarnassus, De documents, as evidence of Caxton’s structura orationis (1728), set in Caslon life and work, 11, 65–80 types, 16, 26 Dod (Dodd), Benjamin, publisher, in Dionysius of Thrace (1st century partnership with Cambridge B.C.), and theory of pointing in University Press (1761), 3, 51 Greek, 19/20, 127 Dodge, Philip Tell, patentee of two- Diplock, John, printer at Trowbridge, letter Linotype matrix etc., 22, 140n; ledger-book of, 9, 14n 26, 77, 88, 90 Dircks, Henry, inventor of Durertype, Dodsley, Robert, publisher etc., ed., 5, 45–46, 56, 74; 6, 74, 76–77 Select fables of Esop and other fabulists directories: London lithographic (1761), 25, 19–20 printers in (1800–1850), 10, 2–6, 10– Dolby, Edwin T., lithographer, 10, 31 13; London intaglio and letterpress Dolman, Mr, printer at Bristol printers in (1830–1850), 2, 4; (1840s), 24, 116, 118 publishers’ bindings for (19th Dommer, Gijsbert, typefounder, 1, 69; century), 28, 89; in research on 16, 19, 29, 104 provincial printing, 9, 6–7; use of Donatus, Aelius, grammarian (4th bold types in, 22, 130–132 century), and punctuation of Latin, Disses, Pedro, punch-cutter at Madrid 19/20, 127 (17th century), 17, 72, 74–75, 76, 79– ‘Donatus-Kalender’ type of 83; types of, 17, 83–86, list of Gutenberg (before 1454?), 22, 68, 71 40 printing historical society

Donkin, Bryan, and paper-making Dublar, L. J., Coup-d’oeil sur la machines, 4, 111, 112–113 lithographie (1818), 3, 39; 8, 10n Doolittle, Amos, engraver, cousin of Duchen, Salvador, artist, lithograph Isaac, 27, 60 after, 27, 46 Doolittle, Isaac, lithographic printer Ducie, Henry George F. Reynolds- at New York, 27, 59, 60, 66; see also Moreton, 2nd Earl of, iron-works Barnet & Doolittle of, 24, 55, 61n, 86 Dossie, Robert, Handmaid to the arts Ducôté, Alfred (Ducôté & Stephen), (1758, 1764, 1796), 2, 3; 5, 44 lithographic printers, 10, 31; 14, 87 Douglas, Monk of Glastonbury, Dudley, J. L., wood-engraver, 17, 48 Chronicles of England (1480, 1482), 11, Dudley, Juliet E., wood-engraver, 17, 37, 123 48 Douglas, Alex, of Grant, Legros & Düm, Niclaus, bookbinder at Augs- Co., 28, 36 burg (1480s), 22, 37, 47–48 Dove, John Fowler, publisher, 28, 80 Dürer, Albrecht, artist etc., 1, 76, 86; Dover, James, printer, debts to discussions on method of print- Thomas II Grover of, 15, 45, 47 making used by, 5, 42, 43, 44, 45, 46; Doves Press, uses Selwyn Image’s woodcuts of, 17, 33, 34; 19/20, 77; 22, Greek type, 19/20, 120 72; see also Durertype ‘Doves’ type, 3, 114–115; 19/20, 9n Du , E. Gordon, Century of the English Downing, Joseph, printer/publisher, book trade (1905), 2, 74 debts to Thomas II Grover of, 15, Dugdale, Sir William, Anglo-Saxon 45, 47 printing in works of (17th century), Downing, William, printer, 15, 47n 28, 66, 67 Dowsing, F., J. J. G. Paul & Co., Duggan, Mary Kay, ‘The design of lithographic printers, 10, 31 the early printed missal’, 22, 54–78, Doyen, C., Trattato di litogra‰a (1877), 8, pl. 3, 4 20, 21, 22 Duhamel du Monceau, Henri Louis, d’Oyly, Charles, lithographic printer in study of trades by Académie des at Calcutta etc., 27, 107 Sciences, 1, 71, 74 Drakard, printer of Bellman’s verses Dulau, Arnaud & Co., publishers, 14, at Stamford, 26, 32 65n, 70 Drapers’ Company, members defect Dummer see Dommer to Stationers’ Company (1600s), Duncombe, Anthony, tenant of 20 21, 15 Soho Square (1715–1741), 14, 65 Drayton, Michael, Poly-olbion (1612), Dunkin, John, printer at Bromley, Anglo-Saxon printing in, 28, 66 9, 12 Dresser, Christopher, nature printing Dunthorne, John, artist, and Cons- process of (1855), 6, 63, 85 table, 25, 65, 66 Dreyfus, John, ‘George Friend 1881– Dupont, Auguste, 8, 18, 19 1969: a memoir’, 5, 81–86 Dupont, Paul, 8, 20 Drugulin, W. (Haag-Drugulin), Dupont et Cie, lithographic printers printer/typefounder at Leipzig, 18, and quarry-owners at Périgueux, 8, 53, 59 18–20 Drummond, C. J., on training of Dura, Gaetano, artist/lithographer at printers (1880s), 14, 43, 44, 54 Naples, 27, 25n Drury, John Isaac, punch-cutter for Durertype, 5, 45–46, 56, 74; 6, 76–77; E. II Caslon, 16, 16 see also Dürer Drysdale, W., printer at Reading, 9, Durham, history of book trade in, 4, pl. 2, 3 87, 97 Drysorfa (Welsh-language periodical) dust-jackets, development of (from see Goleuad Gwynedd 1833), 28, 91–92 journal: index: nos 1 to 28 41

Du Temple de Beaujeu, cylinder Ebersberg, Willeram of see Willeram lithographic press of, 3, 46 of Ebersberg Dutton, Harold Irvin, Patent system and eccentric (or concentric) engraving, inventive activity during the industrial revo- 6, 77 lution (1984), on patent agents, 24, 80 Eccles, Ann, lithographic printer, 10, Dutton, Elizabeth, wife of Thomas D., 31 9, 20 Eccles, George, lithographic printer, Dutton, Henry, son of Thomas D., 10, 31 9, 20 Echo (newspaper), changes from old Dutton, John, son of Thomas D., 9, 20 style to didone types (1870s), 23, 20 Dutton, Thomas D., printer at Chelms- École des Ponts et Chaussées (Paris), ford, 9, 20 and lithography, 27, 72 Dutton, William, son of Thomas D., École Estienne (Paris), 14, 19 9, 20 ectypa, form of nature printing, 6, 53, Dwight, Theodore, American lawyer 54, 55, 56, 77 and editor, 7, 29, 35 Edgeworth, Maria, Works (1832–1833), Dyer, James, Judge, legal texts by, publisher’s binding of, 28, 81 19/20, 91 Edinburgh, printers’ chapel at, 24, 114 Dyer, Joseph Chessborough, agent in Editions Alecto, rolling press used England for American inventors, 4, by, 17, 11, 23 69, 70, 73; patents rolling press edition sizes: of chromolithographs (1810), 17, 3; Specimens and description (1835), 17, 66, 68; of lithographic of Perkins and Fairman’s patent maps (France, 1826), 27, 76; of siderographic plan (1819), 17, 3n lithographs (India, 1820s), 27, 97; in Dyer, Louis, and Selwyn Image’s London (17th century), 21, 19–20, Greek type, 19/20, 108, 109, 111–112, 24; of ‘paperback’ books (America, 120–121 20th century), 18, 42, 45, 46; at Dyer, Samuel, missionary, and Plantin’s press, 9, 70 Chinese printing types, 27, 115, 118 Edmond, T. E., on apprenticeship Dyson, Anthony, 25, 23; ‘Repro- (1896), 13, 16 ductive mezzotint engraving: the Edmonds & Remnant, bookbinders, epilogue’, 25, 69–86; ‘The rolling- apprentices to, 13, 23; see also press: some aspects of its develop- Remnant ment from the seventeenth century Edmunds, Sheila, ‘New light on to the nineteenth century’, 17, 1–30; Johannes Bämler’, 22, 29–53, pl. 1, 2 ‘The Ross records: 1833 to 1900: education see training notes on the forthcoming catalogue Edward VI, King of England and of a plate-printer’s nineteenth- Ireland, knowledge of Arabic century archive’, 12, 52–67 numerals of, 26, 13 Edward VII, King of Britain, on Earlom, Thomas, mezzotint engraver, competition between British and 25, 71n foreign printers (1893), 14, 14–15 East, Thomas see Snodham, Thomas Edwards, George, engraver at Eastern Europe, early printing in, 13, Oxford, 25, 10 74, 76 Egyptian heiroglyphics, 22, 107; 27, 120 East India Company, printing for ‘Egyptian’ type see slab-serif type (1830s), 7, 21–23 Ehrhardt, Johann Christian, Eastman, Christopher & Co., litho- typefounder at Leipzig, 18, 54n; graphic printers, 10, 31 type-specimen of (c. 1720?), 18, 57, Eaton, Amos, Index to the geology of the 58, 59n, 60 northern states (1820), on lithographic Eighteenth-century short title catalogue see stone, 27, 56 ESTC 42 printing historical society

Eikon Basilike (1648), 21, 20 Ellis, Frederick Startridge, on elections, printing in connection with, William Morris’s types, 19/20, 7 9, 9, 14, pl. 2–3 Ellis, Sarah Stickney, Juvenile Scrap- electrical printing, of Isham Baggs book (1845), issued in a dust-jacket, (1841), 4, 39 28, 91 electric battery, etching relief plate Ellis & Elvey, publishers, 28, 91 by use of, 6, 77 Elmes, Robert, timber-merchant at electro-block printing, of Collins Gloucester, binds sons as appren- (1859), 4, 48; 6, 75 tices in Stationers’ Company, 21, 52 electro-etching (1839), 6, 77 Elsevier, Daniel, widow of, type- electrography, 6, 77 founder, type-specimen of (1681), electromagnetic coils, operating 18, 51, 61, 63 Kniaghininsky’s typesetting Elsevier types, considered superior in machine, 3, 94–95, 96 England (18th century), 16, 8 electromagnetic engraving, 5, 58; 6, 78 Elwall, wood-engraver, 17, 48 electronic resources for printing embossing: Congreve’s process for historians, 24, 9, 10, 31–35; see also embossed printing, 4, 63–64, pl. 7, ESTC 8, 9; of publishers’ bindings, 28, 78– electropainting (c. 1850), 6, 70, 78 84 passim electroplating, of intaglio plates, 25, Emery, Joseph, music publisher and 42–43 pianoforte-maker, 14, 61 electrotint (early form of glypho- Emrich, Kosman see Kosman Emrich graphy), 4, 33; 5, 41, 64, 66; 6, 65– Encyclopaedia Britannica (1824), article 66, 67–70, 77–78, pl. 6–10 on lithography in, 3, 21; 8, 14 electrotype: commercial use of, 5, 54, encyclopaedias (France, 18th 55–56; for copying printing types, century), articles on printing in, 28, 19, 33; discovery and early use of 4, 11; see also Diderot (from 1839), 4, 33, 47; 5, 57, 58; 6, Encyclopädie der Buchdruckerkunst (1844), 66–67; 17, 54; for glyphography, 5, 7, 66 64, 66; by J. Hare & Co., 24, 93n; Endter, Johann Andrea, printer at for intaglio plates, 25, 42–43; intro- Nuremberg, type-ornaments of, duction into America of, 10, 84–103 26, 45 elephant plough of Ransome (1847), Engelmann, Godefroy, lithographic 24, 98–99 printer at Paris etc., 1, 43, 44, 45, 50, ‘Eliot’s Court Press’, printers (1584– 51, 52, 56; 10, 2, 6, 31–32; 14, 72, 78n; 1674), and Anglo-Saxon printing, 27, 50–51; Cours complet d’études du 28, 64, 65–67 dessin (1816), 27, 36; and French Elizabeth I, Queen of England and lithographic stones, 8, 20, 21; litho- Ireland; knowledge of arabic graph by, showing cracking in the numerals, 26, 13; and Marguerite de stone, 8, pl. XVIII, XIX; Manuel du Navarre’s Miroir (1533), 28, 46–47 dessinateur lithographe (1822, 1824, Elizabeth, Princess, daughter of 1831), 3, 18n, 23–46 passim; 8, 30, Charles I, 25, 13 31–32; 27, 50, 70; maps printed by, Ellacombe, H. T., model of wooden 27, 70, 76; at Mulhouse, 3, 5, 22; at press made by (1812), 15, 87 Munich, 1, 42; Rapport sur la litho- Elliot, Stephen, American botanist, graphie (1815), 27, 35n, 70; Recueil buys lithographic press from d’essais lithographiques (1816), 27, 36, Ackermann (1822), 27, 66–67 70; and Solnhofen quarry stone, 8, Elliott, Thomas W., on future of 3–4, 6, 8, 23; and Spain, 27, 7, 36, 46; photo-engraving (1889), 10, 69, 70 Traité théorique et pratique de lithographie Ellis, Evan, printer of Bellman’s (1839), 3, 3n, 5, 14n, ‰gs 24, 26, 27, verses (1720), 26, 31 30, 34–37, 48 journal: index: nos 1 to 28 43

Engelmann, Graf, Coindet & Co., Erasmus, Desiderius: Enchiridion militis lithographic printers, 14, 78n Christiani (1519), use of capitals in, Engineer (magazine), reports death of 22, 105; Moriae encomium (1515, 1516, L. A. Legros (1933), 28, 39 1519), use of capitals and italic type Engineering (magazine), 28, 7 in, 22, 103–105; and Siberch, 1, 101, England see Britain 102 English Bijou Almanac (1836–1842), 2, Ermitage Saint-Jacques (Paris), 21–22 rolling press at, 17, 12, 28 English short title catalogue see ESTC Ernesti, Johann Heinrich Gottfried, English Woman’s Journal, on wood- Wol-eingerichtete Buchdruckerey (1721, engraving as a career for women 1733), 4, 25 (1858), 17, 39; see also Alexandra Erxleben, James, lithographer, 10, 32 Magazine Escher, Maurits Cornelis, artist, and engraving: compared with litho- symmetrical patterns, 26, 34 graphy (1820s), 27, 62–63, 99–100; Escudero y Perosso, Francisco, correction of errors in, 25, 35–37, T ipogra‰a hispalense (1894), 17, 74n 42–45; of maps (19th century), 27, 73, Essay on the original, use, and excellency, 74, 75, 77, (20th century), 25, 31, 32, of the noble art and mystery of printing 37–46; of music, 14, 71, 72, 74, 77–78; (1752), on Caslon type-specimens, printing as a branch of, 1, 79; in 16, 108 stereotype (1832), 6, 78; tools used Essex, registrations of printers in, 9, 13 for, 25, 31, 33–37; see also cast-engrav- Esson, John, supplier of presses, 23, 16 ing; copper-engravers; electro- ESTC, 24, 9–13; in research on magnetic engraving; geometric provincial book trade, 24, 6, 13–34 engraving; machine engraving; Estienne, Robert, printer at Paris, medal engraving; mezzotint; photo- 19/20, 96; use of capitals by, 22, engraving; steel-engraving; stone- 80–81, 82n, 96; use of italic types engraving and etching; wire-plate by, 22, 108–109, 126; uses Gara- engraving; wood-engraving mont’s matrices and types, 1, 14 engraving machines, 10, 77, ‰g. 12; 25, 42 Estienne family, printers at Paris, enlarging and reducing of prints, ornaments copied from, 19/20, methods for, 6, 75, 79, 80 65, 72 Enschedé, Charles, Fonderies de caractères Estrada, Gerónimo de, printer at (1908): English translation (1978), Madrid (18th century), uses Pedro 28, 43n; on music types, 1, 28, 29; 2, Disses’s types, 17, 88, 90 23–24 Estrange, Sir Roger l’ see L’Estrange, Enschedé, Izaak, 2, 38 Sir Roger Enschedé, Johannes I, prints music etching: on Admiralty charts, 25, with moveable types, 1, 27, 28, 29; 2, 41–42; by electric battery (electro- 23, 38 etching), 6, 77; of mezzotints, 25, 76; Enschedé typefoundry (Joh. Enschedé ‘reverse’, 5, 53; soft-ground, imitated en Zonen), Haarlem, 1, 32; 2, 24; 16, in lithography, 14, 83–86, pl. 2–3; 24; 18, 61, 62, 67, 68, 69, 70; type- use of white ink in, 1, 40n; see also specimens of (1743), 16, 11, 18, 66n, stone-engraving and etching (1744), 18, 66, (1748), 16, 76, (1768), Etherington, Alfred, wood-engraver, 18, 67 17, 48 Ente, Abraham see Adamszoon and Etherington, E., wood-engraver, 17, 48 Ente Ethiopic type: Caslon’s (c. 1740), 16, ephemera: agricultural (1830s–1840s), 28, 61; Witsen’s gift to Oxford of 24, 65–66; library holdings of, in (1686), 18, 71n research on provincial printing, 9, Etruscan type, Caslon’s (1746), 16, 7–9 28–29, 61 44 printing historical society

Etzel, Franz August von see Ritter and Exhibition of 1862: Albion and other Etzel presses at, 2, 71–72; direct tin-printing Evans, D. D., on Grover typefoundry at, 8, 55, 56, 58 (1963), 15, 37 Exposition of 1900 (Paris), Oxford Evans, David, buys Applegath’s silk- University Press wins prize for printing business (1844), 2, 54; 26, 62 leather bindings at, 28, 93 Evans, Edmund, wood-engraver/ Expositions des Produits de l’Industrie colour-printer etc., 17, 48; 24, 53; française (Paris, 1823, 1827, 1839), Reminiscences of 1826–1905 (1967), lithographic presses at, 3, 23–24, 25, reviewed, 4, 116–118 26, 28, 31, 38 Evans, Edward, wood-engraver, 17, Exposition Universelle of 1855: awards 36, 48 medal to Neale for improvements to Evans, George, lithographic printer, rolling press, 17, 4; awards medal to 10, 32 John Thompson for wood- Evans, George J., wood-engraver, 17, engraving, 17, 57; model rolling-press 49; employed by J. Hare (1847), 24, workshop exhibited at, 17, 9, 20 76, 98 Eyre, Charles, printer, sells one-third Evans, John, printer at Swansea, 7, 63 share of patent for oŸce of King’s Evans, Oliver, engineer at Phila- Printer to Strahan, 1, 107 delphia, 5, 7–8 Eyre & Spottiswoode, printers etc. to Evans, R., printer at Chester, 15, 58 monarch and House of Lords, 7, 22, Evans, Sampson, publisher at 23; 19/20, 65n; open bookbindery, Worcester, 21, 52 28, 93; use Davis’s type-casting Evelyn, John, Sculptura (1662), 17, 5n; machine (1912), 28, 35 25, 9, 69 Evening Traveller (Boston), buys Hoe’s Faber & Schleicher, makers of tin- ‘Lightning’ rotary press, 13, 30n, 50 printing presses, 8, 6a Everybody’s press of J. Francis, 23, 27 fabric printing see cotton printing Excelsior, pseudonym, Every one his Fagnion, Jules, wood-engraver, 17, 56 own printer (1902), 23, 29 Fairbairn, R. & Co., makers of port- Excelsior press of Hasler and Fair- able presses etc., 23, 9, 18–19, 22, 27, bank, 23, 16 7, 8, 80 Excelsior press of C. Malins, 23, 7–18, Fairbank, Henry, press-maker, 5, 9, 11; 27, 10–11 see also Hasler Excelsior press of Ward, 23, 13 Fairfax, John, printer etc. at Leaming- Excelsior Printers’ Supply Co., 23, 29 ton Spa, 24, 36–37, 40; sale of stock Exchange and Mart (from 1868): and and equipment of (1838), 24, 36, 37– amateur printing, 23, 6; and P. E. 40, Catalogue of, in facsimile, 24, 41–52 Raynor, 23, 7; see also Bazaar Fairfax’s new guide & directory to Leaming- Exhibition of 1851: agricultural ton-Spa, 24, 37 machinery at, 24, 73; anastatic Fairlamb, Samuel, press-maker at printing at, 5, 28, 29; Applegath’s Marietta (Ohio), inclined-plane printing machine at, 2, 55; 13, pl. mechanism of, 5, 8–9 facing p. 48; 26, 64–65; James Bell’s Fairland, Charles Henry, lithographic chronological tables at, 22, 122; printer, 10, 32 Columbian press at, 5, 9; and Fairland, T. W. & C., lithographic Cowper, 26, 59; in development of printers, 10, 32 publishers’ bindings, 28, 84; Fairland, Thomas, lithographer, 10, 32 glyphography at, 5, 75; nature Fairman, Gideon, American engraver printing at, 6, 57, 61; photography at, associated with Perkins, 4, 69, 70, 71, 17, 57; Whittingham reports revival 72; 17, 3n; see also Murray, Draper & of early types at, 19/20, 70–71 Fairman journal: index: nos 1 to 28 45

Fais ben Aron ha-Levi, Uri, printer at and Æsopi Phrygis fabulae (1672), 25, 4, Amsterdam and Zolkiew, 18, 61–62 5, 10, 12, 20 Faithorne, Henry, publisher, 25, 16n ‘Fell’ types at Oxford University Faithorne, William, engraver, 25, 9; Press, 18, 49n, 50, 52; 25, 21, 22 Art of graveing and etching (1662), 17, 5n Female College of Art (London), 17, ‘Family library’ series, publisher’s 40, 60; fund-raising for by Sir binding of, 28, 76, 81n Henry Cole, 17, 39 Fann Street typefoundry, 22, 118, 125– Fenner, William, Printer to 127, 132; see also Besley, Robert; Cambridge University, makes ‰rst Reed, Sir Charles; Thorowgood, use of stereotypes (1733), 1, 97–98 William Fenner, Sears & Co., intaglio Fanti, Sigismondo, 1, 76, 86 printers/engravers, 17, 55 Faraday, Michael, lectures on ana- Ferdinand, Christine Y., ‘Towards a static printing, 5, 24 demography of the Stationers’ Farlow (i.e. Samuel Farley, printer Company 1600–1700’, 21, 51–69 at Exeter?), debts to Thomas II Ferdinando I, King of the Two Grover of, 15, 45, 47 Sicilies, and lithography, 27, 13, 14, Farmer’s Almanac and Calendar (from 28–31 1840), 24, 64; and J. Hare, 24, 55, Fergola, Salvatore, lithographic 61n, 63, 64, 88 printer at Naples, 27, 27 Farmer’s Magazine (1846), 24, 69, 88 Ferguson, W. Craig, Pica roman type in Farren, William, lithographic printer, Elizabethan England (1989), 28, 44n, 10, 32 52n, 55n Farrow, John, lithographic printer, Fernando VII, King of Spain, 27, 33, 10, 32 35, 42, 46, 47 ‘fat-face’ types (19th century), 22, 116, Ferrer, Joaquin Maria, friend of 119, 121, 130, 131, 134, 138, 142 Goya, 27, 42 Fauconberg, Thomas Belasyse, Earl, Fertel, Martin Dominique, Science leaseholder of 20 Soho Square pratique de l’imprimerie (1723, 1741, (1683–1700), 14, 65 1822), 4, 19 Faulkner, George, printer/publisher Festa, Felice, publisher at Turin, 27, 25 at Dublin, 15, 55 Field, wood-engraver, 17, 49 Faulkner, Robert, buys Fougt’s music Field, Martin see Shaftoe-Field type and plant, 2, 40, 42 controversy Faulmann, K., Illustrirte Geschichte der Field, Richard, printer, works for Buchdruckerkunst (1882), 1, 25n, 37 Shakespeare, 21, 55 Faust, George Henry, lithographic ¡e Field (magazine): didone types printer, 10, 32 used in (1870s), 23, 20; ‘oŸce’ of as Fawcett, wood-engraver, 24, 72n publisher, 23, 85 Fawne, Luke, printer, 21, 35–36 Fielding, Thomas H., Art of engraving Fay, T. P., lithographic printer, 10, 32 (1841), 1, 50; 4, 43, 85; 5, 64 Feather, J. & Son, printers at Fievet family, typefounders at Bradford, 18, 29 Frankfurt, 18, 72 Feather, John, English provincial book Figgins, Vincent (J. & V.), type- trade before 1850 (1981), 24, 5 founder/press-maker, 19/20, 85, Federation of Master Printers, 14, 30; 98n; 23, 16; 26, 34; ‘fat-face’ types of, 18, 14, 15, 21 22, 116; sells Columbian presses, 5, Feiertagsschule (Munich), litho- 11, 23; slab-serif types of, 15, 1, 4–15 graphic press used at, 3, ‰gs 13, 14 passim, 18, 21, 29–35; 22, 117, 118, 121; Feldwick, wood-engraver, 17, 49 Specimen (1815), type-ornaments in, Fell, Dr John, Bishop, publisher etc. 26, 38, 40–41; typefounder for at Oxford, 25, 14, 16, 21–22, 24–26; Andrew Wilson, 9, 29–30, 32, 35n 46 printing historical society

Figueroa, José Vázquez de, politician Fletcher, John, printer at Chester, at Madrid, and lithography, 27, 36 15, 57 Fildes, Paul, ‘Phototransfer of draw- Šeurons see type-ornaments ings in wood-block engraving’, 5, Fleury, rolling press-maker at Paris, 87–97 17, 12, 13, 28 Fildes, Samuel Luke: as illustrator, 5, Šexograph (rubber-plate) printing 88–99, 92–93; photogravure of ‘The (America, 1950s), 18, 37, 40, 42–44 doctor’ (1893), 25, 69; phototransfer Flick, J. F.: Handbuch der Buchdrucker- of drawings by, 5, 94–95 kunst (1820), 4, 29; Kleines Hand- und Filmer, William, American electro- Hülfsbuch für Buchhandler, Schriftsteller typer, 10, 97–98, 99 und Correktoren (1821, 1829), 4, 29 Financial Times, introduces Linotype Florence, Grand Ducal/metropolitan machines, 18, 11 press at, 18, 56 Finetti, Carlo, printer/typefounder at Flower, P. W. and W., partners in Tin Florence, and Nicholas Kis, 18, 56, Plate Decoration Co., 8, 57; 9, 2, 3 57, 67, 68, 70, 73, 75 Šowers (type-ornaments) see type- ‰rearms, Caslon engaged in engrav- ornaments ing of, 3, 67, 68, pl. 8; 16, 4, 6, 7 Foden, F. E.: Philip Magnus (1970), on Fire of London (1666): e ects on industrial competition between book trade of, 21, 55, 60; loss of Britain and Germany (19th printing equipment and type in, 15, century), 14, 11; on training of 42; 25, 16 printers (19th century), 14, 16, 17, 20 Firmin Didot frères, printers at Paris, Foden, Peter, ‘Fell’s forgotten 22, 130 legacy: the intaglio collection of Firth, Charles Mouseley, lithographic the Oxford University Press printer, 10, 17, 18, 32 Museum’, 25, 21–30 Fisher, John, Archdeacon at Salis- Foligno, Gentile da, commentary on bury, and Constable, 25, 62, 65, 66 Avicenna by, printed in Padua Fisher, W., maker of Model Printing (1477), 3, 112–113 Machine at Bristol, 23, 8 Folkard, W. A., wood-engraver, 17, Flanders, John, bookseller etc. at 46, 49, 61; see also Wright & Folkard Atherstone, sale of stock of (1822), Forbes, Dr, on nocturnal distur- 24, 38 bances in Switzerland (1851), 26, 15 Flanders, Ned, lawn-mower borrowed Ford, F. A., printer/publisher, on from, 29, 16n competition between British and Flanders, Thomas, press-maker, 17, 23 foreign printers (1889), 14, 10 Fleeman, J. D., on the Bowyer ledgers, Ford & George (Ford & West), litho- 15, 54 graphic printers, 10, 32 Fleischman, lithographer at Württem- fore-edge painting (bookbinding), berg, 27, 74 6, 35 Fleischman, Johann Michael, punch- Foreign Review, publishes article on cutter at Haarlem etc., 18, 66, 67, lithography (1829), 8, 10n 69n; musical works printed in type Fores Gallery Ltd (London), 14, 82, of, 2, 38, 39, 40; new music charac- 83; as print publisher, 25, 69, 80 ters designed by, 2, 23–28, 30, 37, Forget-me-not (1822), publisher’s and cut by (1760), 1, 27, 32 binding of, 28, 77, 78, 79 Fleming-Williams, Ian, on mezzotints Forino, Gioacchino, artist/litho- in Constable’s Various subjects of grapher at Naples, 27, 21, 22n; landscape (1830–1832), 25, 48n, 65 Ritratti di illustri Napoletani (1824– Flesher, James (d. 1670), printer, 28, 1825), 27, 25–26 66, 67, 68; widow of, debts to ‘format-books’ (printers’ manuals), Thomas I Grover of, 15, 39, 42 4, 24–25, 27, ‰g. 4; 7, 65 journal: index: nos 1 to 28 47 formats of books, 23, 52; see also impo- Foxe, John: Actes and monuments (1570– sition 1631), Anglo-Saxon printing in, 28, forms and memoranda, typography of 42, 52, 53, 60, 63, 65, 66; Bene‰t and (Britain, 1870s), 23, 44–46; see also invention of printing (1704), 28, 42n bill-heads Fox Talbot see Talbot Forrester, Alexander, lithographic Fragonard, Jean Honoré, artist, printer at Edinburgh, 27, 93 mezzotints after, 25, 71, 75–76, 82, 85 ‘42-line’ Bible see ‘Gutenberg’ Bible France: Caxton’s connections with fossils, from Solnhofen limestone, 8, (1470s), 11, 36–47; early printing in, 4–5, pl. I 11, 33–47; 13, 71–72, 75; exports of Fougeroux de Bondaroy, Auguste Bavarian lithographic stone to, 8, Denis, nephew of Duhamel du 38; lithography of maps in, 27, 70, Monceau, 1, 74, 75n 71–72, 74, 76; search for lithographic Fougt, Henric, printer of music in stone in, 8, 15–22; supposed inŠu- Sweden and England, 1, 27, 32–33; ences on tin-printing from, 8, 64; musical works printed by, 2, 40, 42; training of printers in (19th century), music characters designed by, 2, 14, 17, 19; wooden presses surviving 34–38 in, 6, 10 Foulis, Andrew, printer at Glasgow, Francis, Jabez, maker of Everybody’s 5, 42; 9, 31; instructs Lord Stan- printing press at Rochford, 23, 5, 9, hope in stereotype printing, 9, 19–24, 27, 7, 8–9, 24, 78; correspon- 24, 29 dence with P. E. Raynor, 23, 20–23; founders, foundry see typefounders, Printing at home (1871?, 1873, c. 1880), typefoundry 23, 5, 29 fount schemes, in Britain (1870s), 23, Franck, Alfred von, lithographer and 22–23 student at the Ingenieur-Akademie Fourdrinier, Henry, 4, 112 (Vienna), 27, 85 Fourdrinier paper-making machine, Francklyn, Richard, newspaper pub- 4, 111; 26, 57 lisher, 12, 35, 38 ‘four-feeder’ cylinder press of Apple- François I, King of France, orders gath, 26, 60–61, 62 Greek type from Garamont, 1, 14 Fournier, Henri, 3, 116; Traité de la François and Benoit, French typographie (1825, 1826 etc.), 4, 22, engineers, cylinder lithographic English translation (1866), 4, 22 press of (1828), 3, 26, 44–45, ‰g. 54 Fournier, Pierre Simon (le jeune): Frankau, Julia, 25, 72; Eighteenth century correspondence with Breitkopf, 1, colour prints (1906), 25, 85 29n, 31; Manuel typographique (1764– Frankel, Marcus (Meijer), type- 1766), 1, 76, 77, 2, 31n, 18, 71n, 28, 5, founder at Amsterdam, 18, 59, 60, 10, 39, English translation (1930), 18, 61, 62 54n; Modéles des caracters (1742), 16, 11, Frankfurt book fair, Plantin produces 75, 76; 18, 54; movable music charac- type for sale at, 1, 15 ters designed by, 1, 27, 31–32; 2, 28, Franklin, Benjamin, on printers’ 31–33, 37; musical works printed in chapel, 4, 101, 103 type of, 2, 40, 41; Traité historique sur ‘Franklin’ press at Smithsonian Insti- les caractères de musique (1765), 1, 21n, tution, 6, 26; 8, 42, 44n, pl. XXVIII; 26n, 37; type-ornaments of, 26, 45; 15, 82 types of, 1, 15, 71; 18, 71 Frayling, Christopher, Royal College of Fourquemin, A., lithographic printer, Art (1987), on A. Legros, 28, 13 10, 32 Freebairn, Alfred Robert, engraver, 4, Four sons of Aymon (1489?), 11, 44 82, 83–84 Fox, Benjamin, punch-cutter, 22, 125 Freeman, lithographer (1838), 1, 49 Fox, Thomas, publisher, 25, 16n Freeman, Janet Ing see Ing Freeman 48 printing historical society

Freeman’s Journal (Dublin), buys Hoe’s Nicholas Kis’s Greek type at James ‘Lightning’ rotary press, 13, 57 sale (1782), 18, 70; 19/20, 123; copies Frélaut see Lacourière-Frélaut Caslon, 16, 14; photographic French, Frank, wood-engraver, 10, 65, enlargement of Long Primer type ‰g. 6 of (copied from Caslon), 7, 52–53, French-language publishing in pl. VIIIb Britain (18th century), 24, 16 Fry, Thomas Humphrey, lithographic Fretageot, Marie Duclos, learns printer, 10, 33 papirography from Senefelder and Fryer & Co., confectioners at Nelson brings press to Philadelphia (1821), (Lanchashire), tin pails printed for, 27, 56, 63–64, 65, 66 8, pl. XLIII Frey, A., Manuel nouveau de typographie, Fry’s Metal Foundry, on type-metal imprimerie (1835, 1857), 4, 23 (1914), 28, 37, (1966), 26, 90 Freylinghausen, John Anastasius, Fry, Steele & Co., typefounders for Abstract of the whole doctrine of Christian Andrew Wilson, 9, 33, 35n religion (1804), ‰rst book stereo- furniture (printing equipment), in typed by Wilson, 9, 35, 36 Britain (1870s), 23, 30 Friburgensis, Johannes see Johannes Furnival & Co., press-makers at Friburgensis Manchester, 23, 16; make rolling Friedel, Adam, lithographic printer, presses, 17, 11 10, 33 Fust and Schoe er Psalter (1457), Friend, George, engraver and punch- colour printing in, 4, 64–65 cutter, 5, 81–87 Fyner, Conrad, printer at Esslingen friendly societies of intaglio printers, and Urach, 13, 69 2, 10 Friendship’s o ering and winter’s wreath Gaelic languages see Irish, Scottish (1837), publisher’s binding of, 28, Gaelic 78, 79 Gage, Mr, printer at Bristol (1864), Frith, Richard, developer of Soho 24, 112 Square (1680s), 14, 69 Gainsborough, Thomas, plates Froben, Johann, printer at Basle, etched by, 2, 21 19/20, 90, 91, 94; photographic Galabin, George John, lithographic enlargement of type of, 19/20, pl. 4; printer, 10, 33 as typographical inspiration, to Galabin, John William, and William William Morris, 19/20, 9; use of Baker, printers, print Caslon type- capitals by, 22, 81, 92, 96, 102–106 specimen (1785), 16, 112 Frost, T., compositor at Bristol, 24, 113 Gale, John, and Applegath, 26, 60 Frost & Reed, print publishers at Galiani, A., artist/lithographer(?) at Bristol, 25, 69, 71, 72, 80, 82 Naples, 27, 18, 19n Frowde, Henry, at Oxford University Gallardo, Gregorio Ortiz, widow of, Press, 3, 64–65; 25, 29; 28, 93 printer at Salamanca (18th century), Fry, Edmund, typefounder, 19/20, 72; 17, 86 acquires matrices of Nicholas Kis’s galleys (printing equipment), 23, 32, Greek type at James sale (1782), 18, 47 70; slab-serif types of, 15, 9, 24, 25, Gallop, Annabel Teh, on lithography 29–32; 22, 118; Specimen of modern in Malaysia (1990), 27, 113n, 122, 127 printing types (1828), type-ornaments Gally, Merritt, Universal press of, 3, in, 26, 38, 40 92 Fry, John Doyle, partner in Barclay & galvanic etching (electro-etching), 6, Fry, tin-printers, 8, 60; 9, 4 77 Fry, Joseph, typefounder at Bristol galvanoglyphy, 5, 66; 6, 70, 77, 78 and London: acquires matrices of galvanography, 6, 70, 78, 79, pl. 11 journal: index: nos 1 to 28 49 galvanoplasty, galvanotype see 11–32; ‘Addenda and corrigenda’, 7, electrotype 65–66 Gamble, John, and paper-making Gassicourt’s process, for printing machines, 4, 112, 113 from fusible metal (1821), 6, 79–80 ‘Garamond’ types, 1, 14–20; 4, 111 Gas Traction Co. Ltd, employs L. A. Garamont, Claude, punch-cutter at Legros, 28, 15 Paris, 1, 14, 15, 16, 17; 4, 109; 9, 70; 16, Gatti (Giovanni Battista Gatti?), 8; 28, 52, 55n, 58, 63; photographic artist/lithographer at Naples, 27, 25n enlargement of gros romain types of, Gauci, Maxime & Sons, litho- 7, 52, pl. IV; revival of types of (19th graphers, 10, 17, 33; design music century), 19/20, 70, 71; tradition of, covers, 14, 72, 79 1, 71, 79, 84, 87 Gauci, Paul, lithographer, 10, 33 Garbrand, Ambrose, publisher, 21, 77n gaufrage, printing and embossing Gardiner, James, agricultural process, 4, 64 engineer at Banbury, correspon- Gavey, Robert Edward, lithographic dence with J. Hare (1847), 24, 93 printer, 10, 33 Gardiner, V. W., wire-plate engraving Gay & Ward, American electrotypers, suggested by (1836), 4, 47; 5, 42; 6, 10, 98 89 Gaylard, Doctor, printer, 12, 41, 45, 48, Gardner, Biscombe, on future of 49 wood-engraving (1896), 10, 71 Gaywood, Richard, engraver, 25, 9 Gardner, Edward, in partnership with Gazlay, Theodore, Practical printers Oxford University Press, 3, 55, 56, assistant (1836), 4, 31 64 Gear, John W., lithographer, 10, 33 Gardner, J., lithographic printer, 10, 33 Geck, Elisabeth: on ‘format-books’ Gardner, James, printer, debts to (1969), 7, 65; Wort der Meister: Thomas II Grover of, 15, 45, 47 Bekenntnisse zu Schrift und Druck aus Gardner, John & Thomas (John fünf Jahrhunderten (1966), reviewed, Gardner & Co.), lithographic 3, 116 printers, 10, 33 Ged, James, son of William, and Gardner, Robert & Co., lithographic Newcastle book trade, 4, 88 printers at Glasgow, stone store of, Ged, William, goldsmith/engineer at 8, 33 Edinburgh etc.: Biographical memoirs Garlett, W., printer at Ipswich, 26, 24 (1781), on Caslon, 16, 10; and Garnett, typefounder see Blake, Gar- Newcastle book trade, 4, 88; nett & Co. stereotyping by, 1, 97 Garrett, Richard & Sons, agricultural Gee, Thomas & Co., printers at engineers at Leiston etc., 24, 62; Denbigh, 15, 56n correspondence with J. Hare (1847), Gee, William, and C. F. Adams, early 24, 81, 83 tin-printers, 8, 55–56 Gascoigne, Bamber, ‘The earliest Geldner, Ferdinand, Inkunabelkunde English chromolithographs’, 17, (1978), on the printing of missals, 62–71 22, 55, 63 Gaskell, Philip: ‘The bibliographical General Lithographic Establishment/ press movement’, 1, 1–13; ‘A census OŸce see McLean of wooden presses’, 6, 1–32; book General Market Intelligencer (1840s), 24, 65 reviews, 3, 100–103; 4, 108–111; 9, Generalquartiermeisterstabes 66–72; ‘Photographic enlargements (Austria), lithographic press at, of type’, 7, 51–53, pl. IV–XI 27, 75 Gaskell, Philip, Giles Barber and Genet, Elzéar (Carpentras), com- Georgina Warrilow, ‘An annotated poser, has new music type cut list of printers’ manuals to 1850’, 4, (1532), 1, 23 50 printing historical society

Geneva, early printing in (1478), 13, 69 Gigante, Giacinto, artist/lithographer Genovesi (Gaetano Genovese?), at Naples, 27, 26n artist/lithographer at Naples, 27, Gilbert & Rivington, printers, 28, 5, 7 26n Gilbert-Stringer, H. J. S., inventor, Gent, Thomas, printer, 12, 42; auto- and F. Wicks, 28, 18–19, 22 biography of (written c. 1746), 4, Gilks, Edward, artist/lithographic 100; 12, 42n printer, 10, 33–34; 17, 49 Gentleman’s Magazine, set in Caslon Gilks, Thomas, artist, wood-engraver, type (from May 1732), 16, 26 lithographic printer etc., 10, 33–34; geography, development of modern 17, 49 (1820s), 27, 69; see also maps and Gill, Eric, artist, wood-engraver etc.: plans Albion press used by, 7, 63, pl. XII; geometric engraving, 6, 79 and George Friend, 5, 81, 84 Georg, Johann, typefounder at Gill, George, Oxford and Cambridge Leipzig, 18, 60 geography (c. 1902), use of bold types George, Benjamin George, tin-printer in, 22, 138, 141 by transfer process, 8, 58–59, pl. Gill, L. Upcott, printer/publisher XXXVII; 9, 3 (1880–1909), 23, 28, 29 George, Henry, printer at Wester- Gill, William see Wright, Thomas, ham, 9, 19–20 and Gill Georgian type, 18, 73; Nicholas Kis’s, Gillé, Joseph Gaspard, Manuel de 18, 48, 55, 73 l’imprimerie (1817), 4, 22 Gerard, J. G., doctor at Sabuthu, on Gill Engraving Co. (New York), 10, 70 early Indian lithography, 27, 91 Gillespie, Sarah C., Hundred years of Gering, Ulrich, printer at Paris (15th progress: the record of the Scottish Typo- century), 11, 130, 132 graphical Association (1953): on Edin- ‘German’ type of Nicholas Kis, 18, 70 burgh printers’ chapel, 24, 114; on Germany: early printing in (1478), 13, introduction of machine compo- 67–69, 74–75; lithography of maps sition, 18, 4, 7 in, 27, 70, 76–79; superiority of Gillet, Thomas, printer, loses chromolithography in (1890s), 14, premises by ‰re (1805), 9, 43–44 11–12, 14–15; training of printers in Gilley, William B., publisher at New (19th century), 14, 16, 17–18, 22; York, has Children’s friend (1821) wooden presses surviving in, 6, 8–9 printed lithographically, 27, 62 Gessner, Christian Friedrich, In der Gillot, Charles, inventor of Buchdruckerei wohl unterrichtete Lehr- photographic line-block (1872), Junge (1743), 4, 28; 18, 49 10, 67 Gessner, Christian Friedrich, and J. Gillot, Firmin, inventor of paneicono- G. Hager, So nöthig als nützliche graphy, 5, 47, 65n, 78 Buchdruckerkunst und Schriftgiesserey Gillow, Joseph, Literary and biographical (1740–1745), 4, 27–28, ‰g. 5 history of the English Catholics, on Geuenich, Josef, Geschichte der Papier- Coghlan, 6, 33 industrie im Düren-Julicher Wirtschafts- Gilpin, William, artist, use of overall raum (1959), 4, 112 tint in aquatints after drawings of, Giannone, Pietro, lithographic 1, 41 portrait of (1824), 27, 25n, 26 Gimbernat, Carlos de, diplomat and ‘Giant Bible of Mainz’ (manuscript, lithographic printer in Spain, 27, 7, 1450s?), 19/20, 129 33–34; Manual del soldado español en Gibbs, Joseph, inventor, and Apple- Alamania (1807), 27, 34; taught by K. gath, 26, 62 F. M. Senefelder (1806), 27, 33 giftbooks, publishers’ bindings for, Girard, Albert, Commerce français à 28, 74, 89–90 Séville et Cadiz (1932), on 17th-century journal: index: nos 1 to 28 51

problems of Spanish printers, 17, ‘Golden’ type of William Morris, 77n, 78n 19/20, 5, 10–14, 15, 16, 18, 123, pl. 20– girls: operate Mackie’s typesetting 24, 29–33, 38, 40, 42, 48; American machines, 1, 62, 64; operate imitations of, 19/20, 17–18 typesetting machines (Britain, gold printing, instructions for amat- 19th century), 18, 1–5, 7, 11; print eurs in (Britain, 1870s), 23, 56–57 Christmas cards etc. at Bradford, Goldsmith, Oliver, Vicar of Wake‰eld 18, 6 (1843), illustrations to, 17, 33, 36 Girongi, Pietro, artist/lithographer at Goleuad Gwynedd (later Goleuad Cymru, Naples, 27, 21; see also Campi and later Drysorfa), 15, 57, 58 Girongi Gonord’s process for enlarging or Glasgow News, and F. Wicks, 28, 16 reducing prints, 6, 80 Glasgow University Library, biblio- Gooding, Thomas Robert, litho- graphical press at, 1, 12 graphic printer, 10, 34 Gleanings in Science, publishes litho- Goodinge, James & Son, lithographic graphs and articles on lithography printers, 10, 34 (1830s), 27, 108, 109, ‰g. 8 Goodman, J., printer, on competition Globe (newspaper), introduces Lino- between British and foreign printers type machines, 18, 11 (1901), 14, 10 Glover, Robert, Nobilitas politica vel Goodman, John, press-maker in Balti- civilis (1608), Anglo-Saxon printing more (from 1786), 8, 44, 45, 47, 48, in, 28, 67 49, 50, pl. XXIX, XXXIV Glover, Steven, composer, 14, 64n Gorachand, Indian artist, lithographs Glyde, John, Moral, social and religious after (1824), 27, 99 condition of Ipswich (1850), on Ipswich Gordon, Alexander, lithographic Institute, 24, 56n printer, 10, 34 Glynn, Francis, lithographic printer, Gordon, George, Alligator press of, 10, 34 3, 91 Glynn, Henry, partner with Appel in Gorway, Charles, wood-engraver, 17, anastatic printing, 5, 28, 31 49 glyphography of Palmer (wax-engrav- Gorway, Walter, wood-engraver, 17, 49 ing), 4, 33, 48, 50, 51, 52, 53; 5, 41, Gosse, Philip Henry, Popular British 56, 63–78, pl. 11–19, 21; 6, 80; 10, ornithology (1849), publisher’s 65–66; 17, 54; books illustrated by, binding of, 28, 82–83 5, 77–78; patent speci‰cation for, 5, gothic type see black letter, sanserif 64–66 Goulden, Richard J., and provincial Gobrecht, Christian, American maker English book trade, 24, 7 of medal-engraving machines, 4, 75– Goulding, Frederick, intaglio printer, 76 2, 5, 19; 17, 7n; 28, 13 Godard, Pierre François, wood- Goulding, George, music publisher, engraver at Paris, 17, 57 14, 60, 63 Godbid, William, printer, 25, 6n, 11; Government Lithographic Press debts to Thomas I Grover of, 15, (Calcutta), 27, 94–104 passim, 110 39, 42 Government School of Design, litho- Goddard, Nicholas, on agricultural graphic press at, 10, 34 publishing in the 19th century, 24, Gower, John, Confessio amantis (1483), 64n 11, 125 Godfrey, wood-engraver, 17, 49 Gowland, J., wood-engraver, 17, 49, 55 gold blocking, of publishers’ bindings, Goya, Francesco de, artist, and 28, 81–87, 89 lithography, 27, 33, 34, 40–42, 44, 46 Golden legend (1483), 11, 1, 43, 46, 68, 72, Grace, David R., on agricultural 126; 19/20, 93 ephemera, 24, 62n 52 printing historical society

Grace Hoper Press, prints Mirrour of graphic processes: experimental pryntyng (1960), 28, 10 (England 1800–1859), 4, 33–86; 5, Graf, Charles, lithographic printer, 41–80; 6, 53–89; see also the names of 10, 34; 14, 72 speci‰c graphic processes Graf, Jeremiah, lithographic printer, graphotype, American process, 5, 10, 34 60n; 10, 66 Graf & Soret, lithographic printers, Grassby, Richard, on 17th-century 10, 34; see also Engelmann wealth of freemen of London, 21, 72 Grafton, Richard, printer (16th Grattan, Edward, Printer’s companion century), 21, 58n (1846), 4, 19 Grandjean, Philippe, punch-cutter at Gravelot, Hubert François, engraver, Paris: at meetings of committee on 25, 28, 29 printing, 1, 88–91; romain du roi type Gray, Charles, wood-engraver, 17, 47, of, cut for Imprimerie Royale, 1, 71, 49 80–87 passim; 18, 51, 52 Gray, Nicolete: book review, 4, grangerizing, by Pennant and Allan, 113–116; ‘Slab-serif type design in 7, 57 England 1815–1845’, 15, 1–35; 22, 116, Granjon, Robert, punch-cutter at 118–119 Paris etc., 1, 14, 15, 16, 79, 87; 4, 109; Great Exhibition see Exhibition of 1851 16, 8, 76; Arabic types of, 3, 71n; 16, Greathead, Thomas William, litho- 29; 18, 52; civilité types of, 1, 14, 16, graphic printer, 10, 34 100; 2, 78–79; 18, 52; 28, 55; cuts and Great Western Railway, Code of signals prints music, 1, 23n; Greek types of, and instructions (1852), use of bold 18, 66; italic types of, 18, 50, 52, types in, 22, 132, 133, 140 used to print Welsh (1567), 28, 47; Greaves, William, lithographic press- ‘Mediaen’ capitals of, 18, 53n, 66; maker at Leeds, 9, 5 Syriac types of, 18, 72; works for grecs du roi, type ordered by François Plantin, 9, 69 I of France and cut by Garamont, Grant, Mr, maker of printing tele- 1, 14 graph at Baltimore (1870s), 26, 71 Greek type, 19/20, 103–104, 123; Grant, Charles John, lithographic Aldus’s, 22, 81–85, 92, 96, 97, 99, 101; printer, 10, 34 ‘Alexandrian’, 19/20, 123; Basker- Grant, Florence A., relative of J. C. ville’s, 25, 21; Caslon’s, 16, 27, 56–57, Grant(?), 28, 22 19/20, 103–104, punches for, 1, 69; Grant, John, leaseholder of 20 Soho at Chiswick Press (1850s), 19/20, 73, Square (1770?–1773), 14, 66 74–74; Julian Hibbert’s (1827), 19/ Grant, John Cameron, 28, 8, 19, 23–24, 20, 123; Selwyn Image’s for Mac- 37; see also Grant, Legros & Co.; millan (1890s), 19/20, 104–124; Grantype; Legros and Grant Nicholas Kis’s, 18, 56, 60, 65–70, 74 Grant & Co., colour printers, 9, 3 Green, Henry, lithographic printer, Grant, Legros & Co. Ltd, engineers/ 10, 34 typefounders, 28, 23, 24–37; dispute Green, W. T., wood-engraver, 17, 45, with Stephenson, Blake & Co. 49 (1916), 28, 33–34; Grant-Legros Greenaway, wood-engraver, 17, 50 punch-cutting machine of, 28, 30, 32 Greenaway, Kate, artist, 17, 50 Grantype type-casting machine, 28, Greenaway & Wright, wood- 24–25, 28, 36 engravers, 17, 50, 61 ¡e Graphic: old style types used in Greene, Robert, C. Burby publishes (1870s), 23, 20; wood-engravings works of, 21, 74 for, 5, 88, 92 Greenham, Richard, sermoniser, C. Graphical, Paper and Media Union, Burby publishes works of, 21, 76 24, 109 Greg, Walter W., 2, 79, 80; Collected journal: index: nos 1 to 28 53

papers (1966) and Companion to Arber Grover, Cassandra, widow of Thomas (1967), reviewed, 3, 108–112 I, 15, 37, 38, 39, 40, 43 Gregoriis, Joannes and Gregorius de, Grover, Elizabeth, widow of Thomas printers at Venice, 22, 94 II, 15, 37, 43, 47–48, 49 Gregory, John, editor of T. Ridley’s Grover, James (d. 1681), printer, 15, View of the civile and ecclesiasticall law 36–41 passim (1634), 28, 68 Grover, James, of Bedfont, father of Greig, David J., press-maker at Edin- Thomas I and James, 15, 38 burgh, 2, 18 Grover, Mary, daughter of Thomas I, Greig, John & Sons, press-makers at 15, 39 Edinburgh, 5, 11; 17, 11 Grover, Phillippa, daughter of Grevedon, H., lithographer, 8, 40, Thomas II, 15, 48, 49 pl. XIV Grover, Thomas (d. 1683), stationer, Grevenich, Joseph see Geuenich, Josef 15, 37n Grierson, J., artist in India, Twelve select Grover, Thomas I (d. 1675), type- views of the seat of war (1825), 27, 104 founder, 15, 37–44 passim, 46; will of, Grieve, John, lithographic printer/ 15, 39–44 press-maker, 10, 34 Grover, Thomas II (1658–1710), type- Grieg see Greig founder, 15, 36–47 passim, 52; inven- GriŸn, Bennet, printer, 21, 36n, 41; tory of, 15, 44–46 debts to Thomas I Grover of, 15, Grover family, typefounders, 15, 39, 42 36–49; inventory of typefoundry GriŸn, Edward II, printer, 28, 65, 67 (1725?), 15, 49–53 GriŸn, Sarah, widow of Edward II, Groves, wood-engraver, 17, 50 15, 42 Grüninger, Johann, printer at Stras- GriŸth, Thomas, printer at Chester, bourg, prints missals, 22, 72, 73 15, 58 Gru yd, Robert, Dosparth byrr ar y GriŸth, William, writer on natural rhann gyntaf (1567), ‰rst book printed history in India, 27, 110 in Welsh to use italic type, 28, 47 Gri o, Francesco, punch-cutter at guidebooks, use of bold types in (19th Bologna, 3, 113; 7, 52; 22, 84 century), 22, 134–137 Grignion, Charles, engraver, 21, pl. 8 guilds (trade associations), in London, Grimpé, Emile, lithographic press of 11, 81–82, 85–86; see also trade Engelmann and, 3, 31–32, 35, ‰g. 36 unions grinding and polishing of litho- Guilebert, Jan, bookbinder at Bruges, graphic stones, 8, 30–31 11, 93 Grolier Club (New York), exhibits Guillaume de Deguileville, Pilgrimage etchings by A. Legros (1889), 28, 14 of the soul (1483), 11, 42, 124 ‘gros canon’ type of Garamont, 1, 17, 18, 19 Guillaume de Tignonville, translator, ‘gros romain’ type of Garamont, 7, 52, Dictes or sayings of the philosophers (1477), pl. IV 11, 41, 121 Grove, Sir George, Grove’s dictionary of Guillet, Peter, T imber merchant’s guide music and musicians, on D’Almaine & (1823), third American book with Co., 14, 60, 61, 62, 64, 65, 80 lithographs, 27, 66 Grover, Alice, printer, widow of Gulielmus, Archbishop of Tyre, James, 15, 41 Godefrey of Boloyne (1481), 11, 42, 46 Grover, Ann, ‰rst wife of Thomas II, Gumbert, J. P., ‘“Typography” in the 15, 43 manuscript book’, 22, 5–28 Grover, Anne, ‰rst wife of Thomas I, Gusman, Pierre, Gravure sur bois en 15, 38 France au XIXe siècle (1929), on Grover, Cassandra, daughter of British-born wood-engravers, 17, Thomas II, 15, 48 44, 48, 49, 51, 54, 55, 56, 60 54 printing historical society

Gutenberg, Johann, proto-typo- Haines, Henry, printer, 12, 38–39 grapher at Mainz, 11, 83–84; Hale, wood-engraver, 17, 50 printing types of, 19/20, 129 half-tone photographic blocks, 10, 66, ‘Gutenberg’ Bible (1454–1455), 19/20, 68–69; hand-‰nishing of, 10, 70–71, 129–130; 22, 107 77, ‰g. 9; in Harper’s Magazine Gutenberg School of Typography (1880–1900), 10, 75–78; prepared (Paris), 14, 19 by method developed by Fox Guy, Thomas, printer, 21, 33 Talbot (1852–1858), 13, 64–65, pl. Guyot, François, punch-cutter, 1, 15, facing p. 64 16; 4, 109 Hall, David, printer at Philadelphia, Gybson, Thomas, printer/publisher, corresponds with Strahan, 1, 107 and Coverdale’s Concordance of the Hall, Edmund, printer/engraver, 2, 64 New Testament (1535), 26, 8, 10 Hall, Edward Pickard, in partnership Gye, Henry, printer at Bath, 22, 112, with Oxford University Press, 3, 56, 113 60, 65 gypsography of Woone (1837), 4, 50; Hall, J. W., printer of Bellman’s verses 5, 54–57; 6, 80–81 at Maidstone, 26, 31 Hall, W. F., printer/binder at Haag-Drugulin see Drugulin Chicago, specialise in ‘paperback’ Hachette & Cie, publishers at Paris books, 18, 36–38, 42, 45, 46 (19th century), use of bold types by, Hamilton, Archibald, in partnership 2, 135 with Oxford University press, 3, Hackett, John, on training of printers 54–55, 57 (1888), 14, 45–46 Hamilton Manufacturing Co., takes Haddon, John & Co., rolling press- over S. Simons & Co., 7, 47 makers, engineers etc., 17, 12, 26; Hamman, Johannes, printer at dispute with Bannerman (1912), 28, Venice, 22, 101n 33 Hammann, J. H., Des arts graphiques Hadland, John Thomas, lithographic (1857), 4, 42, 65 printer, 10, 34 Han, Ulrich, printer at Rome (1467– Haebler, Konrad, Typenrepertorium der 1478): prints music in missals, 22, 72, Wiegendrucke (1905–1924), 22, 88, 89 75, 76, 78; types used by, 22, 89–90 Hämerlin, Jacob, wealthy citizen of Hancock, John, copper-engraver etc., Augsburg (15th century), 22, 31, metal relief printing by, 5, 51, 52, 57 34, 44 Hancock, George, lithographic Hafod (Cardiganshire), press and printer, 10, 35 library of Johnes at, 7, 54 Hand-Atlas von Afrika (1831), litho- Haggard & Bowcher, suppliers of graphs in, 27, 78 printing equipment, 23, 16 hand compositors (of type) see com- Haghe, Louis, lithographer, 1, 51, 53, positors, hand pl. 4; 10, 30; 14, 78n Handel, George Frederick, com- Hague, René, Albion press used by, 7, poser, publication of music of by 64, pl. XII D’Almaine & Co., 14, 72, 73 Hahl, August, engineer, in develop- Handover, P. M., History of the London ment of Linotype, 26, 71, 73 Gazette 1665–1965 (1965), reviewed, Hailing, Thomas: on mechanization 2, 77–78 of printing (1883), 14, 3; on training hand press see press, hand of printers (1877–1884), 14, 24, 25, Hanfstaengl, F., lithographer, 8, 40, 26, 39–40 pl. XV Haiman, György, Nicholas Kis 1655–1702 Hanhart, Michael & Nicholas, litho- (1983), reviewed, with a new appen- graphic printers, 1, 51; 10, 17, 35; 14, dix, 18, 47–75 78n journal: index: nos 1 to 28 55

Hanmer, Sir Thomas, editor of Shake- 61–73, 97–106; List of English agri- speare, 25, 28, 29 cultural implement manufacturers (1846), Hannett, John, Bibliopegia (1835), 2, 68 24, 68–69; as printer, 24, 72, 89–91; Hansard, Luke (& Sons), printer to as stereotyper, 24, 92–94; as teacher the House of Commons, 7, 22, 24; of art, 24, 94–97; see also Johnson, Parliamentary debates, 1, 63 Cuthbert W., and Hare Hansard, Luke Graves, printer, 7, 22, Hare, Jabez III, 24, 56n, 57n, 58, 59 24; correspondence with Penton, 7, Hare, Louisa, daughter of Jabez II, 58, 59–62 artist, 24, 71 Hansard, Thomas Curson, printer, 3, Hare, Martha, daughter of Jabez II, 66; 4, 67; 5, 52; 7, 22; 22, 122, 123; artist/wood-engraver, 24, 62n, 71 Typographia (1825), 2, 43n, 3, 55, 69n, Hare, Rebecca, daughter of Jabez II, 4, 15, 18, ‰g. 1, 9, 29n, 27, 115–116, on artist, 24, 71 bold types, 22, 119, on ‰re-risks in Hare, Sarah, daughter of Jabez II, printing oŸces, 4, 1–2, 5, on presses, wood-engraver, 24, 62n, 71 2, 58–59, 3, 33, 42, 91n, 5, 1, 13, 13, 79, Hare, Thomas, grandson of Jabez II, on types of both E. Caslons, 16, 14, 24, 54, 55n 16 Hare, Thomas Matthews, son of Hansen, William, of Gotha, inventor Jabez II, 24, 55n, 62n, 71, 73, 75, 77, of electromagnetic engraving, 5, 58; 80, 87, 89, 92, 100; correspondence 6, 78 of (1847), 24, 90 Haradauer, G. C., on Hauslab (1886), Hare, William, grandson of Jabez II, 27, 79n, 82, 84 24, 54, 55n Hardcastle, George, intaglio printer, Hare, William, son of Jabez II, 24, 71 25, 85 Harmonists (German religious Hardcastle family, intaglio printers, community in America), press said 2, 15–16 to have been built by, 8, 47, 49n, 52 Hardie, Martin, bibliographer etc., Harper’s (New Monthly) Magazine, 25, 71 methods used in illustrations to Harding, George, on California job (1880–1900), 10, 75–78 type case, 7, 48–49 Harrap, Charles, on competition Harding, James DuŸeld, artist/litho- between British and foreign litho- grapher, 1, 46, 47–48, 52, pl. 7; graphic printers (1890s), 14, 11–13 glyphographs by, 5, 72 Harrild, Thomas, lithographic printer, Harding & Lepard, publishers, and E. 10, 35 Cowper, 26, 57 Harrild & Son, press-makers, 2, 73; 5, Hare, Amelia, daughter of Jabez II, 11, 12, 22, pl. 16; 13, 43; 23, 16 24, 71 Harris, Elizabeth M.: ‘The American Hare, Elizabeth, wife of Jabez, 24, 56 common press: the restoration of a Hare, George, son of Jabez II, 24, 71 wooden press in the Smithsonian Hare, Harold, partner in Hare & Co., Institution’, 8, 42–52, pl. XXV–XXXVI; 24, 54, 55n Common press (1978), on ‘Franklin’ Hare, Jabez I, 24, 55, 56 press at the Smithsonian, 15, 82; Hare, Jabez II (& Co.), artist/wood- ‘Experimental graphic processes in engraver, 24, 53–55, 76, 86; corres- England 1800–1859’, 4, 33–86, pl. 1– pondence of (1846–1847), 24, 77–106 33; 5, 41–80, pl. 1–21; 6, 53–89, pl. I–II passim; death of (1851), 24, 73; early Harris, H. W. & Son, stationers, 23, 54 life and training at Ipswich (1797?– Harris, John, facsimilist, 19/20, 90 1842), 24, 55–61; Illustrated engineers Harris, Michael, ‘London printers sheet almanac (1846), 24, 69–70; and newspaper production during letterbook of, 24, 73–77; life and the ‰rst half of the eighteenth work at London (1842–1851), 24, century’, 12, 33–51 56 printing historical society

Harris, Tomás, Goya: enravings and Hauckwitz, Essay on engraving and lithographs (1964), 27, 42 copper-plate printing (1732), 2, 3 Harrison, H., wood-engraver, 17, 50 Haultin, Jérôme, punch-cutter, 28, 48 Harrison, J. (John?), wood-engraver, Haultin, Pierre, punch-cutter at Paris 17, 50 etc., 1, 15, 16, 17, 79, 100; 18, 49, 66; Harrison, John, lithographic printer, cuts music characters, 1, 24n; types 10, 35 of combined with Anglo-Saxon Harrison & Sons, printers, use Wicks’s sorts (16th century), 28, 46, 48, 52, type-casting machine (1900s), 28, 17 62, 63, 68 Hart, Horace, printer at Oxford Hauslab, Franz von, cartographer, University Press, 3, 65 lithographic printer etc. at Vienna, Hart, John, spelling reformer, on cost 27, 8, 76, 69–81 passim; Versuche über of special sorts (16th century), 28, die Anwendung der Lithographie (1825), 44–45 27, 69, 81–87 passim Hart, Marx Manly, wood-engraver, Haviland, John, printer (17th century), 17, 50 28, 65, 67 Hart, R., wood-engraver, 17, 43, 50 Hawkins, Abdiel, associated with Hart, William H., of Clements Palmer in glyphography, 5, 67, Printing Co., on training of printers 74–75, 76, 77 (1897), 14, 37, 40–41 Hawkins, Edward, Keeper of Medals, Hartl, Von, partner with Senefelder British Museum, 4, 79; in Bate- in music-printing works, 8, 4 Nolte enquiry, 4, 80; Silver coins of Hartley, Warwick & Co., lithographic England (1841), 4, 83 printers, 10, 35 Hayes, C. H., wood-engraver, 17, 50 Hartlieb, Johann, Alexanderbuch (1473), Hayes, John (d. 1705), printer at 22, 36 Cambridge, 28, 66 Harttwieg (Hartwig), Christian, Hayman, Francis, artist, 25, 29 lithographic printer, 10, 35 Hayter, S. W., New ways of gravure Harvard College Library, biblio- (1966), reviewed, 2, 80 graphical press at, 1, 7 Haywood, Sir John, C. Burby pub- Harvey, William, artist/wood- lishes works of, 21, 76 engraver, 17, 50, 53, 56, 60 Hazell, Walter, of Hazell, Watson & Hasler, H., and Henry Fairbank, Viney, on training of printers press-makers, 23, 16 (1888), 14, 35 Hasluck, P. N., on training (1887), 14, Hazell’s Magazine, on training of printers 29–30 (1888), 14, 35, 54 Hasper, Wilhelm: Handbuch der Hazell, Watson & Viney, printers etc. Buchdruckerkunst (1835), 4, 30; Kurzes at Aylesbury, 14, 35, 40; employ practisches Handbuch der Buchdrucker- women as compositors on same kunst in Frankreich (1828), 4, 29–30 salary as men (1894), 18, 3; open Hassall, Joan, wood-engraver, 17, 41 bookbindery, 28, 93 Hassall, John, sugar-etching process Head, Godfrey, typefounder (to 1715), of, 6, 74 1, 69; 16, 19, 30 Hassard, John R. G., on the use of Head-pieces (ornaments): at Chiswick Hoe’s ‘Lightning’ rotary press in Press (1850s), 19/20, 62, 65, 66, 69, Britain (1878), 13, 62–63 72, 76, 80, 81, 98, 99; at Oxford Uni- Hatchard, Thomas (& Co.), pub- versity Press (17th century), 25, 26 lisher, 28, 85 Heath, Charles, steel-engraver associ- Hattersley typesetting machine, 18, ated with Perkins, 4, 69, 70, 71, 72 21; 28, 17; used by Bradford T imes Heath, Francis George, nature (from 1867?), 18, 2, 3; used by Daily printing in Fern world (1875) and Fern News (from 1891), 18, 11 paradise (1877) by, 6, 54 journal: index: nos 1 to 28 57

Heath, Frederick, steel-engraver, son Herbert, A., Art of printing (1879), 23, 29 of Charles, 4, 72–73 Herbert, George: Remains (1848), Heath, James, artist, 17, 57 19/20, 80; Temple (1844, 1850), Heath, Thomas, lithographic printer, 19/20, 71, 81 10, 35 Herbert, Robert, lithographic printer, Heather, Eleazer, lithographic printer, 10, 35 10, 35 Herberts, Kurt, Complete book of artists’ Hebrew type: Caslon’s, 3, 69, pl. 11; techniques (1858), 4, 37 16, 28, 58–60, 104; at Chiswick Hernlund, Patricia, on Strahan’s Press, 19/20, 73, 75; Nicholas Kis’s, ledgers, 15, 55n 18, 56–57, 61–65, 72, 74; size nomen- Herring, Brown & Co., stationers, 23, clature of, 18, 61–62 54 Hectoris, Benedictus, printer at Bol- Herring, Dewick & Hardy, stationers, ogna, 22, 94–96 23, 54 Heineken, N. S., invents engraving and Herringman, Henry, publisher, 21, 54 printing processes (1839), 6, 55, 81 Hertha (1825–1829), on German Hellinga, Wytze, Copy and print in the lithographic maps, 27, 71, 77, 87 Netherlands (1962), on early two- Herwig, E. W., lithographer at colour printing, 22, 64 Berlin, 27, 76 Hellinga, Wytze and Lotte: ‘Caxton Hewitt, Thomas H., supplier of in the Low Countries’, 11, 19–32; Columbian presses, 5, 11 Fifteenth-century printing types of the Hibbert, Julian, Greek type of (1827), Low Countries (1966), reviewed, 3, 19/20, 123 103–108 Hick, Hargreaves & Co., engineers at Helme, John I, publisher (17th Bolton, employ L. A. Legros, 28, 14 century), 28, 66, 68 Higden, Ranulph, Polychronicon (1482), Hely-Hutchinson, Henry, as print 11, 84, 124; 19/20, 87, 90 publisher, 25, 84 Higgins, George, supplier of printing Henderson, David, patentee of equipment, 23, 16 lithography in New York (1824), Higgins, Jonathan, lithographic 27, 67 printer, 10, 35 Henderson, James, printer for Johnes Higgins, William, lithographic at Hafod, 7, 54 printer, 10, 35 Henderson, John, actor, stereotyped Hildebrand, Johann Christoph, Hand- prayer book in library of, 1, 97–98 buch für Buchdrucker-Lehrlinge (1835), Henfrey, J., engineer, and Applegath, 4, 30 26, 55, 56 Hildeshein & Co., German colour Henning, John, sculptor, in Bate- printers, 14, 14 Nolte enquiry, 4, 80, 81–82, 84 Hildeyard, Charles, granted patent Henning, Samuel, son of John, 4, 84 for making blue sugar paper (1665), Henry & Co., maker of Zuccato’s 28, 73 Papyrograph, 23, 78 Hill, James, lithographic printer, 10, 35 Hensman, William, agricultural Hills, Henry I, King’s Printer, 21, 33, engineer at Woburn, correspon- 41; debts to Thomas I Grover of, 15, dence with J. Hare (1847), 24, 80–81 39, 42 Heptinstall, John, printer, debts to Hills, Henry II, King’s Printer, 25, 16; Thomas II Grover of, 15, 44, 47 debts to Thomas II Grover of, 15, Herald (New York): buys and uses 45, 47 Hoe’s ‘Lightning’ rotary press, 13, Hilton, Robert, director of Raithby 30, 31, 35, 38, 45n, 50, 57, 59; reports Lawrence & Co., on apprenticeship Hoe’s deal with Whitworth to make and training (1887–1900), 13, 16; 14, presses for ¡e T imes (1856), 13, 41 34, 37, 39 58 printing historical society

Hind, Arthur M.: on Alken’s prints, ‘Lightning’ rotary presses to ¡e 14, 83, 84; on F. Barlow and A. Times (1856–1860), 13, 27–63, pl. Behn, 25, 17; on reproductive facing pp. 48, 49; 26, 64, 67 woodcuts and wood-engravings, Hoe, Richard March, partner in R. 17, 34 Hoe & Co., 2, 55; 7, 29; 13, 27, 41–42; Hine, Lemon G., sponsor of Clephane, correspondence with his brothers Mergenthaler etc., 26, 73, 74, 75, 78, and employees (1856–1860), 13, 79 30–61 passim; develops ‘Lightning’ Hinman, Charlton, ed., Henry IV, part rotary press for newspaper printing, 1 and Richard II, Shakespeare quarto 13, 27–29, pl. facing p. 49 facsimiles (1966), reviewed, 2, Hoe, Robert II, partner in R. Hoe 79–80 & Co., 13, 27, 41; correspondence Historical Society of Pennsylvania, with R. M. Hoe, 13, 31–39 passim, holds William Maclure papers, 27, 43–62 passim 63n Hoe, Robert III, partner in R. Hoe Hitchcock, De Witt Clinton, inventor & Co., 13, 62; on development of of graphotype, 10, 66 ‘Lightning’ rotary press, 13, 29 Hobbs, J. C., on competition between Hoernen, Arnold ter, printer at British and foreign printers, 14, 11 Cologne (1470s), 11, 5, 9, 14, 15, 16, Hobby Horse see Century Guild Hobby Horse 17, 116 Hobsbawm, E. J., Primitive rebels: studies Hofbauer, Johann, Austrian carto- in archaic forms of social movement grapher, 27, 81, 87 (1959), on tradesmen’s chapels, Ho man, David, Chronicles of 24, 117 Cartaphilus (1853), 19/20, 92 Hodges & Wright, agricultural Ho man, Karl Friedrich Vollrath, on engineers at Brecon, estimates by German lithographic maps (1826), Hare for printing/wood-engraving 27, 76, 77; see also Berghaus and for (1847), 24, 88–89, 91 Ho man Hodgkin, Thomas, printer/publisher, Hogg, Arthur, mezzotint engraver, 21, 41; debts to Thomas II Grover 25, 71, 72–73, 75–78, 80, 82, 85 of, 15, 45, 47 Hohenwang, Ludwig, printer at Hodgkinson, Richard, printer (17th Augsburg (15th century), century), 28, 66, 67 ornaments copied from, 19/20, 65 Hodgson, Thomas, Essay on the origin Holbein, Hans, artist etc., woodcuts and progress of stereotype printing (1820), of, 17, 33, 34 9, 22, 24–25 Holden see Meiklejohn & Holden Hodnett, Edward: Aesop in England Holden, Hubert Ashton, ed., (1979), 25, 10; Francis Barlow: ‰rst Oeconomicus (1895), 19/20, 118 master of English book illustration (1978), Holdgate, Alfred & Son, intaglio 25, 6, 11, 12, 13, 14n, 15, 16 printers, 2, 4n, 15, 16 Hodson, Harry, printer, commends Hole, William, engraver, engraves Columbian press, 5, 14 music (1612–1613), 1, 27 Hoe, Helen, daughter of R. M. Hoe, Holiday, Henry, artist, 19/20, 111 13, 55; dies in infancy, 13, 57–58 Holland see Netherlands Hoe, Peter, partner in R. Hoe & Co., Hollar, Wenceslaus, engraver, 25, 9, 13, 27, 60; correspondence with 10, 11, 14 Robert II Hoe, 13, 32–35, 38–39, Hollerith, Herman, punched-card 45–46 system of, 1, 59–60 Hoe, R. (Robert) & Co., press-makers Hollis, H. W., amateur printer, on J. at New York etc., 13, 27; 26, 47; 28, Francis’s press (1875), 23, 19, 23–24 26; debts of, 13, 29; make presses Holt, Ralph, printer, 21, 41; debts to for electrotypers, 10, 98, 99; supply Thomas I Grover of, 15, 40, 42 journal: index: nos 1 to 28 59

Holtzap el, Charles & Co., engin- hose: of American presses, 8, 45, eers/makers of portable presses, 47–48, pl. XXXIII, XXXIV, XXXVa; of 23, 5, 9, 27, 9–10; 24, 87; 26, 57, 59; English presses, 8, 43, 45, 50, pl. Printing apparatus for the use of amateurs XXXVb, XXXVI (1830s, 1839, 1846, facsimile 1971), 23, Hoskins, George A.: Travels in Ethiopia 5n, 29; 24, 87; Turning and mechanical (1835), early chromolithography in, manipulation (1843), 24, 87 17, 62–69, 70, 71; Visit to the great oasis Homer: Iliad (1895–1897), 19/20, 111, of the Libyan desert (1837), 17, 69 115–118, 119; Odysses (1665), 25, 14 Hotz, H. P., maker of Columbian Hooker, John, inventor of electric presses at The Hague, 5, 4, pl. 15 typesetting machine, 1, 57n Houbloup, L., ¡éorie lithographique Hoole, Charles, editor of Aesop etc. (1825), 3, 18–19, 20–21, ‰gs 18, 19; (1660s), 25, 5–6 8, 10n Hopkins, Alfred Nind, patentee of Houghton, Thomas Shaw, Printers’ o set tin-printing (1881), 8, 61 practical every-day-book (1841, 1842 etc.), Hopkins & Co., stationer, 23, 53 4, 18–19 Hopkinson, John, press-maker, 3, 99; hours, books of see books of hours on Cope & Sherwin’s press (1829), hours of work: for Plantin’s workers, 3, 97–98; improved Albion press of, 9, 72; for printers (18th century), 2, 70, 72; 24, 39, 49 4, 103 Hopkinson & Cope, press-makers, 2, Hove, Frederick van see Van Hove, 63, 68, 70, 72; 3, 98–99; 5, 11, 23; 8, Frederick Hendrick 61, 62, pl. XXXVIII; 23, 16; 24, 40, 52; How, John, printer/publisher, debts see also Cope, Richard Whittaker to Thomas II Grover of, 15, 44, Hoppe, D. H., ectypa illustrations in 45, 47 botanical works by (1787–1796), 6, How, Larkin, printer of Bellman’s 54–55, 56 verses, 26, 29, 31 Horace (Quintus Horatius Flaccus), Howard, Frank, Colour as a means of art [Works]: (1561, Lambinus), 22, 28; (1838), early ‘chromolithographs’ (1820, Pickering), binding of, 28, 75; in, 17, 69–70, 71, 72 manuscripts of, 21, 15, 17 Howard, George, lithographic Hord, Jost, and J. Bämler, 22, 37 printer, 10, 35 Horgan, S. H., on death of wood- Howard, George William Frederick engraving (1902), 10, 71–72 see Morpeth Hornsby, J. (Richard) & Sons, agri- Howard, William, typefounder/ cultural engineers at Grantham, 24, punch-cutter, 19/20, 6, 7, 72, 86, 87, 72, 83; correspondence with J. Hare 90–92, 93, 94, 96, 98, 101 (1847), 24, 102 Howe, Ellic: London compositor (1947), Hornschuch, Hieronymus, Ορθοτυπο− on e ects of introduction of γραφια, hoc est instructio typo-graphicas machine composition, 18, 11, 12, 13, (1608), 4, 11, 24; 9, 71; German on Stationers’ Company rules, 24, translation (1634, 1739), 4, 24 110–111; ed., Working man’s way in the Horsey, J., printer of Bellman’s verses, world by Charles Manby Smith 26, 31 (1967), 7, 1 Hort, John Anthony see Westcott and Howe, Ellic, and John Child, Society of Hort London Bookbinders (1952): on Horton, Edward, printer, debts to employment of foreign book- Thomas I Grover of, 15, 39, 42 binders, 14, 13, 14; on mechanization Hortrop, John, on Excelsior press of bookbinding, 14, 4 (1875), 23, 8 Hubbard, Thomas, Valuable secrets Hosack, David, botanist at New York, concerning arts and trades (1795), 17, 27, 63 5n 60 printing historical society

Huber, Jakob Wilhelm, Collezione di Co., 13, 51, 52; involvement with R. vedute pittoresche di Pompei (1819), 27, Hoe & Co. of, 13, 43–51 passim, 58, 16–17 60 Hubschmann, F. S., printer at Munich, Humanistic scripts, punctuation 27, 34 conventions of, 19/20, 125–126, Hudson, D., and history of book trade 128–129 in North of England, 4, 91 Hume, David, and Tobias Smollett, Hudson, Scott & Sons, tin-printers at History of England (1809 etc.), Carlisle, 8, 55, 58, 59, 62, pl. XLIII, stereotyping of, 9, 48, 49 XLIV; 9, 1; begin to use photolitho- Hume, Frank, stock-holder in National graphy, 8, 64; revert to direct Printing Machine Company, 26, 73 printing, 9, 4–5; transfer depart- Humphries, Charles, and William C. ment of, 9, 3 Smith, Music publishing in the British Hughes, H., publisher, stocks J. Isles (1954, 1970), 14, 61, 69, 80 Parry’s Welsh-language books, Hunniset, Basil, Steel-engraved book 15, 59 illustration in England (1980), 17, 3n Hughes, Hugh: as punch-cutter for Hunt, Edward, printer of Bellman’s Caslon, 1, 69; as typefounder of verses at Ipswich, 26, 31 slab-serif types, 15, 7, 8, 26, 31–32; Hunt, G. J., and history of book trade 22, 118 in North of England, 4, 91, 97 Hughes, Hugh, wood-engraver, 17, Hunt, William Holman, artist, on 50 graphotype, 10, 66 Hughes, Jane, wood-engraver, 17, 36, Hunt, Leigh, poet, as author of 50 Bellman’s verses, 26, 23 Hughes, Thomas, Tom Brown’s school- Hunt, Robert, on experimental days (1869), issued in a dust-jacket, graphic processes, 4, 50 28, 92 Hunt, Thomas, stationer at Oxford, Hughes, William, wood-engraver, 17, 13, 73 36, 50 Hunter & English, engineers, employ Hughes & Kimber, press-makers L. A. Legros, 28, 14 etc.: make rolling presses, 2, 18– Huntley & Palmer, biscuit-makers: 19; supply lithographic stones, biscuit tin for, 8, pl. XXXIXc; history 8, 27 of, 8, 54, 55; 9, 1 Hughes & Son, printers at Wrexham, Huntley, Boorne & Stevens, tin- 15, 56n printers at Reading, 8, 55, 60–61, Huggins, James, printer at Bristol 61–62, 64, pl. XXXVIII, XXXIXa, (1838), 24, 117 XLIVb; 9, 1, 2, 3, 4 Hullmandel, Charles, lithographer, 1, Hupp, Otto, Gutenbergs erste Drucke 43–53 passim, 56; 3, 22n; 4, 50; 10, 36; (1902), 22, 68n, 69 17, 62–71 passim; Art of drawing on stone Hurwood, George, civil engineer at (1824), 1, 43, 46, 8, 30, 27, 70, on Ipswich, 24, 57; correspondence lithographic stones, 8, 10n, 13–14; with J. Hare (1847), 24, 98, 104–105 lithotint process of, 1, 39, 52, pl. 2, 5; Husbands, Edward, supplies paper to press used by, 3, 21, 22, ‰gs 20–22; House of Commons (1642), 21, 23 translates Raucourt de Charleville’s Hussain, Ibrahim bin, lithographer/ Manuel (1820), 27, 72; visits Munich, lithographic printer at Palambang 1, 42; visits Solnhofen, 8, 23 (Sumatra), 27, 127, 129 Hullmandel & Walton, lithographic Hutchings, James Alwood, intaglio printers, 10, 2, 4, 6, 15, 17, 18, 19, 36; printer, 17, 8–9 supply lithographic stones, 8, 26 Hutchins, Stilson, owner of Washing- Hulse, W., manager of Whitworth & ton Post, and Linotype, 26, 75, 76, Co.: correspondence with R. Hoe & 78n journal: index: nos 1 to 28 61

Hutchinson, William, printer, History Imperial press of Cope & Sherwin, 2, and antiquities of Durham (1785–1794), 66–67, 68, 70, 71, pl. 16; 3, 98; 24, 7, 57 39, 49 Hutt, G. Allen, book review, 2, 77–78 import duties: on books (Spain, 17th century), 17, 73, 78; on lithographic Ibarra, Joaquín de, printer at Madrid stone (Britain, c. 1820), 8, 10; on (18th century), 17, 86; uses Caslon presses (United States, 19th type, 16, 10n century), 7, 33–36 Ibbetson, John Holt, Practical view of an imposition: for amateur printers invention for better protecting bank-notes (Britain, 1870s), 23, 47–52; of (1819), 4, 59, 60, 61, pl. 33; 6, 75 ‘paperback’ books (America), 18, Ibotson family, and paper-making 39, 42, 43–44 machines, 4, 112, 113 Imprimerie Royale (Paris), 1, 108; 18, Ilive, Jacob, printer/typefounder, 51; cutting of romain du roi types for, 12, 47 1, 71, 75–87; presses installed at by Ilive, Thomas, printer, debts to Cowper, 26, 58; table of propor- Thomas II Grover of, 15, 45, 47 tions of types used by, 1, 94; type- illumination of manuscripts and specimen of (1819), 2, 31 incunabula: by J. Bämler, 22, 30, 31, imprints, of London lithographic 32; in missals, 22, 58, 60; see also printers, 10, 7–8 rubrication Ince, Edward, printer at Chester, 15, Illustrated London News: almost bought 56 by John II Tallis, 13, 45n; Apple- incunabula: illumination and rubrica- gath printing machine for, 2, 55; 26, tion of see illumination, rubrication; 64; buys and uses Hoe’s ‘Lightning’ layout and typography of, 22, 54–78 rotary press (1856), 13, 31–32, 33, 34, passim, 85–106 passim, 108; see also the 36, 37, 42, 44, 47; detail from portrait names of speci‰c books and printers of Queen Victoria in, 10, ‰g. 5; Independent Labour Party, originates didone types used in (1870s), 23, 20; at Bradford (1880s–1890s), 18, 17n, frontispiece to ‰rst volume of, 10, 27, 31 58; glyphographed head-pieces for, Index characterum of Plantin (1567), 1, 16, 5, 77; and J. Hare, 24, 70, 96, 98– 18, 20 100; photo-engraving in, 10, ‰g. 8; indexing, paid for by Plantin on piece- and S. Read, 24, 60; signing of work basis, 9, 71 illustrations in, 5, 87–88; typo- India, early lithography in, 27, 8, 71n, graphic etching in, 10, 66, ‰g. 7; 89–111 wood-engravings for, 5, 87–88, 97; India Gazette, ‘OŸce’ of as lithographic 17, 56; 24, 59n, 60, 98–100 printer, 27, 106 Illustrations of the rivers Hoogly & Ganges India paper, introduced for litho- (1825), 27, 104 graphy (1820), 1, 44 Image, John, brother of Selwyn, Indonesia, early lithography in, 27, 19/20, 108, 111 113–131 passim Image, Selwyn, artist, 19/20, 104–106; industrial action by printers, in designs Greek type for Macmillan, Britain: (18th century), 21, 6; 19/20, 105–124 (1890s–1910s), 18, 8–9, 22, 25, 29 Imbert, Anthony, lithographic printer industrial relations: in Britain (1914– at New York, 27, 67 1918), 28, 38; in British printing Imperial arming press of Cope & industry (late 19th century), 18, 1–35 Sherwin, used for gold blocking, passim; see also trade unions 28, 81 Infanzón, Juan Garcia, widow and Imperial Press, publisher, and J. C. heirs of, printers at Madrid (1698– Grant, 28, 23 1731), use Pedro Disses’s types, 17, 89 62 printing historical society

Ingersol, Edward, publisher of Institution of Electrical Engineers, Analectic Magazine (from 1819), 27, and L. A. Legros, 28, 22 52 Institution of Mechanical Engineers: Ing Freeman, Janet, ‘Founders’ type and J. C. Grant, 28, 8, 24; and L. A. and private founts at the Chiswick Legros, 28, 5, 7, 13, 22; and T. F. Press in the 1850s’, 19/20, 62–102 Maw, 28, 26 Ingram, Herbert, co-founder of intaglio printers, 2, 3–22; 12, 52–67; Illustrated London News (1842), 5, 87; friendly societies of, 2, 10; presses of 13, 45n; buys and uses Hoe’s see also rolling press ‘Lightning’ rotary press (1856– intaglio plates: for Admiralty charts 1858), 13, 31–32, 33, 34, 44, 47; (20th century), 25, 31–44; at Oxford employs J. Hare (1847), 24, 96 University Press, 25, 4, 5, 21–30; Ingrey, Charles, lithographic printer, printing of, 2, 5, 15; 25, 44; see also 10, 2, 6, 18, 36; lets out and sells copper plates; pewter plates lithographic stones, 8, 25, 26 intaglio prints, 2, 80; 4, 34, 35–37; 8, Ingrey & Madeley, lithographic 36; see also etching; engraving printers, 10, 36 International Exhibition (1871), initials, decorated: in medieval manu- Mackie’s typesetting machine at, scripts, 22, 13–27; in missals (15th 1, 62 century), 22, 58, 60, 61, 62, 69–71, 77, International Exhibition of the pl. 3, 4; used at Chiswick Press, Printing, Stationery and Allied 19/20, 65, 67–69, 98, 101; used at Trades (1904), 3, 19 Kelmscott Press, 19/20, 17; used at International Fine Printing Exhib- Oxford University Press (17th ition (1889), 14, 16–17 century), 25, 25–26; see also wood International Printing Machinery and type Allied Trades Exhibition (1963), 1, inking: automatic, for lithographic iii; 3, 116 press, 3, 48, 49; ball and roller Intertype typesetting machine, 1, 58 processes of, 2, 76; tables for, 23, Ipswich Institute, 24, 56–57 29; see also rollers Ipswich Journal, on J. Hare (& Co.), 24, inks, printing, 4, 38–39; for amateurs 55n, 56 (Britain, 1870s), 23, 29, 55–56; for Ipswich Society for Professional and anastatic printing, 5, 29; for intaglio Amateur Artists, 24, 58 printing, 2, 20–21; 12, 59–61; 27, 75; Irish language, special sorts for for lithography, 27, 75, 96; for printing, 28, 41, 44, 45, 47–48 stereotyping, 9, 33 ‘Iris’ motor-car of Legros and inks, writing, Coghlan’s recipes for, 6, Knowles, 28, 21–22 45, 50 Isaac, Peter C. G.: and British Book Innocent XI, Pope, possible patron of Trade Index, 24, 6; William Davison Nicholas Kis, 18, 74 of Alnwick: pharmacist and printer, 1781– inscriptional lettering: in England, 15, 1858 (1968), 9, 9; reviewed, 4, 119 2–3; in India, rubbings taken from, Isaac, Peter C. G., and Michael 27, 91 Perkin, on British provincial book Institoris, Henricus, De eucharistae trade, 24, 5, 6n sacramento (1493), 22, 337 Isaac, Peter C. G., and W. M. Institut de France, Dictionnaire de Watson, ‘The history of the book l’Académie française (1835), use of bold trade in the North; a review of a type in, 22, 130 research project’, 4, 87–98 Institution of Automobile Engineers, Isham, John, apprentice to James and L. A. Legros, 28, 21, 22 Roberts (1602), 21, 58 Institution of Civil Engineers, and L. Isidore of Seville, Saint (7th century), A. Legros, 28, 21, 22, 39 and punctuation of Latin, 19/20, 127 journal: index: nos 1 to 28 63

Isingrin, Palma, printer at Basle: Jacobi, Professor, of St Petersburg, photographic enlargement of type experiments in electrotyping by of, 19/20, pl. 4; as typographical (1839), 10, 84, 85, 87 inspiration to William Morris, 19/ Jacobi, Charles Thomas: and Chis- 20, 9 wick Press, 19/20, 86; Printers’ Islamic (Moorish) origins of symmet- vocabulary (1888), on bold types, 22, rical patterns, 26, 33–34 142 Islip, Adam (d. 1639), printer, 21, 41, Jacobi, Henry, bookbinder (15th–16th 77; 28, 66, 67, 68 centuries), 11, 103, 105 italic types, 22, 79–80, 108, 109; Jacquard, Joseph, invents perforated Aldus’s (from 1501), 1, 14; 19/20, card system for looms, 1, 59; 3, 93 130; 22, 81–85, 92, 96–102, 108; early Ja ray, John, manuscript notes on use of for quotations (1561), 22, 28; bookbinding trade by, 28, 75n Froben’s (1510s), 22, 105; Nicholas Jaggard, William (d. 1623), printer, Kis’s (late 17th century), 18, 58–59, 28, 67 60, 61, 74, compared with other Jaggard family, printers, 21, 26, 27 designs, 18, 49–52 Jakarta, early lithography in, 27, Italy: advent of printing in, 11, 48–54, 113–122 passim 61–63; 13, 70; early printing in, 13, Jallason, Samuel, printer/type- 70–71, 75; wooden press surviving founder, 15, 48 in, 6, 17 James I, King of England and Scot- Ives, Frederick E., patentee of photo- land, Basilicon doron (1603), 21, 77–78 graphic half-tone blocks, 10, 68 James, D. F., and history of book ivory engraving, ivorytype see Durer- trade in North of England, 4, 91 type James, Colonel Henry, cartographer, Ivy, Judy Crosby, ‘Reading mezzo- 27, 77 tints: Mr. Constable’s English landscape’, James, John, printer/typefounder, son 25, 47–68 of Thomas: acquires Grover/Meere/ Nutt typefoundry (1758), 15, 49; Jackson, Mrs, wood-engraver, 17, 51 acquires Mitchell typefoundry Jackson, John, wood-engraver, 17, 33, (1739), 16, 11; posthumous sale of 36, 50–51, 54, 55, 56; see also Chatto stock of (1782), 18, 65, 68, 69, 70, 72 and Jackson James, Thomas, typefounder, 1, 97; 3, Jackson, John Baptist, chiaroscuro 68, 70, 72, 73; 16, 7, 8, 29, 30; arbit- woodcutter, 1, 51n; Enquiry into the rates in Grover/Meere dispute origin of printing in Europe (1752), 5, 43; (1725), 15, 47, 48; inventory of Essay on the invention of engraving and Grover/Meere/Nutt typefoundry printing in chiaro-oscuro (1754), 4, 116 made by (1725?), 15, 47–53; 16, 9; Jackson, Joseph, art critic at Phila- and types of Nicholas Kis, 18, 54, delphia, on early American litho- 68, 69, 70 graphy, 27, 52 Jammes, Andre: ‘Académisme et typo- Jackson, Joseph, typefounder, 16, 14, graphie: the making of the romain 75 du roi’, 1, 71–95; ‘The Musée de Jackson, Mason, wood-engraver, 17, l’Imprimerie, Lyons’, 1, 96–97 51; ¡e pictorial press (1885), 17, 51, on Janeway, Richard II, printer, debts to wood-engraving, 17, 32–33 Thomas II Grover of, 15, 44, 47 Jackson, Ralph, publisher, 21, 76 Jannaris, A. N., Historical Greek grammar Jackson, William, in partnership with (1897), 19/20, 119–120 Oxford University Press, 3, 54–55, 57 Jannon, Jean, typefounder at Sedan Jackson, William A., Records of the Court (17th century): italic types of, 18, 50, of the Stationers’ Company 1602 to 1640 52; produces caractères de l’université, 1, (1957), 21, 33n, 72n, 73, 74n, 76n, 77n 15; type-specimen of (1621), 18, 52 64 printing historical society

Janson, Anton, typefounder at Leipzig, Johannes de Westfalia, printer (1475– 18, 71 1496), 13, 73; and Caxton, 11, 21, 26, ‘Janson’ types of Nicholas Kis, 18, 31 47–75 Johannes Friburgensis, Summa confes- Jardine, James, lithographic printer, sorum (1472), 22, 35 10, 36 Johannot, Tony, artist, 17, 35, 44–45 Jarrold, John (Jarrold & Sons), Johnes, Thomas, of Hafod, press and printer/publisher at Norwich etc., library of, 7, 54 28, 84 Johnson, Alfred Forbes: on Froben, Jarry, Nicolas, calligrapher, 1, 80, 81 22, 81n; revisions and notes to Jaugeon, Jacques: at meetings of Reed’s History of the old English letter committee on printing, 1, 88–91; foundries (1952), on Caslon, 3, 66, 67, and romain du roi type, 1, 76, 77–79, 73, 79, 16, 25, 28, 112, on Greek types, 81, 82, 84, 86; in study of trades for 18, 66, on Grover typefoundry, 15, Académie des Sciences, 1, 72, 73–74 36, 37, 38, 47n, 48n; Type designs Jeanne, Queen of Navarre, daughter (1966), on 19th-century revivals, of Marguerite, 28, 45–46, 47; pro- 19/20, 63n, 70n, 84, 90, 98, on italic motes vernacular editions of the types, 22, 80n, 84n; Type specimens of Psalms (1560s), 28, 45 Claude Lamesle (1965), introduction Je reys, C. J. & Sons, suppliers of to, 3, 114; see also Berry and Johnson printing equipment at Bristol, 23, 16 Johnson, Cuthbert William, 24, 64, Jellicoe, John, artist/engraver, 25, 29 82, 88, 92; correspondence with Jennings, Charles, wood-engraver, 17, J. Hare (1847), 24, 82–83; Farmer’s 51 enyclopaedia (1842), 24, 64 Jenour family, printers, 21, 39, 41 Johnson, Cuthbert William, and Jenson, Nicolas, printer etc. at Venice, Jabez Hare, Annual Register of 1, 14; 11, 51–3; 19/20, 103; 22, 83, Agricultural Implements (from 1843), 24, 101n; photographic enlargements 54, 62, 63, 64–65, 69 of roman type of, 7, 52, pl. V; 19/20, Johnson, Gerald D., ‘Succeeding as an pl. 2, 16, 18, 19, 20, 22, 22; revival of Elizabethan publisher: the example types of (mid-19th century), 19/20, of Cuthbert Burby’, 21, 71–78 70, 71, 100; 22, 82; as typographical Johnson, J. M., lithographic printer, inspiration to William Morris, 10, 37 19/20, 9–12, 14 Johnson, John, printer (19th century), ‘Jenson Old Style’ type, 19/20, 17, 100 Typographia or ¡e printers’ instructor Jephson, Charles see Phillips, E., and (1824), 4, 15; abridgment of (1828), Jephson 4, 15; on the Albion press, 2, 59–63, Jerrard, Paul, lithographic printer, 64; 3, 91n; on the Columbian press, 10, 37 5, 12–13; 13, 79; on printers’ type Jervis, Thomas Best: as glyphographic stock, 19/20, 73; on type-ornaments, agent, 5, 74, 75; as lithographic 26, 41n printer, 10, 37 Johnson, John, printer at Oxford Jervis, William Paget, ¡omas Best University Press (20th century), 25, Jervis (1898), on J. B. Tassin, 27, 107 22; bookbindings collected by, 28, Jewitt, Orlando, artist/wood-engraver, 72n; ephemera collection of, 4, 119, 17, 51; 24, 53 holds letterbook of J. Hare, 24, 55, Jobard, lithographic printer at Brus- 73–75; see also Meade, Constance sels, 1, 56 Johnson, John M., lithographic Jobbins, John R., lithographic printer, printer, 10, 37 10, 37 Johnson, L. & Co., typefounders and Jobbins & CheŸns, lithographic printers’ suppliers at Philadelphia printers, 10, 37 (1853), 7, 39n journal: index: nos 1 to 28 65

Johnson, Samuel, lexicographer etc.: Jongh, Henry de, collector at The obituary notice of E. Cave by, 4, Hague, owned Hauslab material, 106; values Luke Hansard as 27, 82 compositor, 7, 59; Works (1825), Jonson, Ben, dramatist, Every man in issued by William Pickering in his humour (1601) published by C. publisher’s cloth, 28, 76 Burby and W. Burre, 21, 74 Johnson, Paul, Biblio-typographica (1930), Jordan, C. J., inventor of ‘Jordan type’ on Chiswick Press types, 19/20, 100 (electrotype), 5, 74; 6, 81; 10, 84 Johnson, Thomas J., lithographic Josset, Lawrence, mezzotint engraver, printer, 10, 37 25, 70, 71, 74, 78–84, 85 Johnston(e), A., lithographic printer, Journal of Education, on Selwyn Image’s 10, 37 Greek type (1894), 19/20, 114 Johnston, Edward, calligrapher, and Journal of Science and the Arts, publishes George Friend, 5, 82–84 ‰rst lithographs in New York Johnston, J. & Co., lithographic (1818), 27, 51 printers, 10, 37 journeyman printers: in Britain (16th– Jomard, Edme François, on the 17th century), 21, 11–27; information edition size of a French litho- about, from census returns, 9, 19, graphic map (1826), 27, 76 20; organization among, 4, 99–107; Jones, wood-engraver, 17, 51 Stationers’ Company records of, 21, Jones, Alexander, inventor of stereo- 5, 11–27, pl. facing p. 12 type metallographic printing (1835), Joyce, B., printers’ joiner and wood 6, 88 type cutter (1851), type cases Jones, Edward, printer, 15, 46 stocked by, 7, 39n Jones, G. F., Secretary of Bristol Juengling, Frederick, of New School Typographical Society (1900s), 24, of wood-engravers, 10, 62 119 Jugg, Richard, printer (16th century), Jones, George W., printer, 28, 38; 14, and Anglo-Saxon printing, 28, 64n 7–8; on competition between British Jullien, Louis, music impressario/ and foreign printers, 14, 10–11, 12, 13, publisher, 14, 61, 74, 79 20; on Printers’ and Typefounders’ Junius, Franciscus, donor of printing Technical School (Vienna), 14, 20; types to Oxford University Press, on training of printers, 13, 17 25, 21; 28, 42, 44, 57; on Anglo- Jones, Hugh, employee and bio- Saxon printing (1654), 28, 43 grapher of J. Parry, 15, 57n justi‰cation of type: mechanical Jones, I. H., printer at Bristol (1866), method invented by Legros, Grant 24, 113 and Maw, 28, 26–27; with Grantype Jones, John, printer at Llanrwst, 15, type-casting machine, 28, 25; with 56n Mackie’s typesetting machine, 1, 61, Jones, Josiah Thomas, printer at 62; with Wicks’s typesetting Aberdare, 15, 56n machine, 28, 18–19 Jones, Nathan, lithographic printer, Juvenal, Satirae (1845), 19/20, 71 10, 37 juveniles see children Jones, Owen, artist etc., 17, 58; biscuit Juvenile Scrap-book (1845), issued in a tin designed by, 8, pl. XXXVII; as dust-jacket, 28, 91 lithographic printer, 10, 37; Plans, elevations, sections and details of the Kadir, Abdullah bin Abdul, printer at Alhambra (1836–1845), 17, 63, 70 Jakarta, 27, 123, 126, 127, 129 Jones, Richard, printer/publisher Kaemp ert, Waldemar, Popular history (16th century), 21, 77 of American invention (1924), 5, 4, 7n Jones, W., inventor of magnetic Kaepplin et Cie, lithographic stone- printing, 4, 38, 39, 51; 6, 82 merchants at Paris, 8, 27 66 printing historical society

Kahan, Basil, ‘A brief account of the Kelly’s Post OŸce Directory (1855), use of development of the Linotype and its bold type in, 22, 130, 131 early use in the United Kingdom’, Kelmscott Press, 3, 114–114; 19/20, 26, 70–93 6–18, 93, 112, pl. 20–48 passim Kain, John H., of Knoxville, on pos- ‘Kelmscott Old Style’ type, 19/20, sible sources of lithographic stone 17–18 in Pennsylvania (1818), 27, 50 Kendrick, Marvin, ‘A note on the Kainen, Jacob, George Clymer and the antecedents of modern punctu- Columbian press (1950), 2, 58, 64; 5, 1, 3 ation’, 19/20, 125–130 Kaliwoda, Leopold Johann, printer/ Kennedy, Alexander, engineer, and typefounder at Vienna, 18, 75 L. A. Legros, 28, 14, 15 Kansas, bibliographical press at Kenney, E. J., Classical text (1974), 22, University of, 1, 13 28 Karch, R. R., Graphic arts procedures Kenrick & Je erson, printers, use (1957), 4, 37–38 Davis’s type-casting machine (1912), Kastenbein typesetting machine, 1, 67; 28, 35 28, 17 Kent, list of printers in (1785), 9, 10; Katesgrove Iron Works (Reading), sources for, 9, 12–13, 14, 15, 17 24, 73, 74, 89 Kentish Observer, on the poverty of Kau man, Angelica, artist, 14, 70 provincial printing (1837), 24, 8 Kaufman, Peter, ‰rst printer at Kessler, Count Harry, George Friend Canton (Ohio), press said to have cuts punches for Cranach Presse of, been used by, 8, 47 5, 82, 83–84 Kavanagh, Thomas, assistant to Kesterton, Richard, lithographic George Friend, 5, 81 printer, 10, 18, 37 Kearney, John, Irish translation of the Keymer, C. E., 4, 22 Catechism by (1571), 28, 41, 45, 48 Keymer, James (& Co.), and Apple- Kearney, William, printer at Dublin, gath’s cotton/silk printing, 26, 64– 21, 75; 28, 41, 48 65, 69 Keasberry, Benjamin Peach, printer Keymer, William II, printer at Col- at Singapore, Jakarta etc., 27, 122– chester, 9, 13 127 Keynes, Geo rey, handlist of editions Keating, Patrick and George, succes- of William Pickering by, 3, 60 sors to Coghlan’s business (1800), Keyser, Martin de, printer at Antwerp, 6, 36 26, 10, 11 Keefe, H. J., Century in printing: the story Kidson, Frank, on history of music of Hazells 1839–1939 (1939), on publishing, 14, 60n, 64n, 80 mechanization of bookbinding, 14, 2 Kimber family, press-makers, 2, 18–19 Keene, Charles Samuel, artist, 24, 59– Kindersley, David, and George 60, 96; phototransfer of drawings Friend, 5, 84–85 by, 5, 93 King, Berkeley, lithographer/litho- Keepsake 1833 (1832), issued in a dust- graphic printer, 10, 37–38; see also jacket, 28, 91 Wyld and King Kellow, Charles, lithographic printer, King, Charles, American editor and 10, 18, 37 newspaper proprietor, 7, 30, 35 Kelly, Richard, ‘Symmetry and the King, Gregory, surveyor, 14, 69 combinable natures of printers’ King, H. R., of London Consolidated Šowers’, 26, 33–46 Bookbinders, on training of Kelly, Rob Roy: ‘American wood bookbinders, 14, 8, 47 type’, Design Quarterly (vol. 56, King, J. H. & Co., typefounder, and 1963), reviewed, 1, 106–107; American Chiswick Press, 19/20, 72, 93, 96, 101 wood type 1828–1900, 7, 38, 47n King, John, lithographic printer, 10, 38 journal: index: nos 1 to 28 67

King’s College (Cambridge), biblio- Knight, Silas P., electrotype patent of graphical press at, 1, 8 (1858), 10, 98 King’s College (London), Cowper Kniphof, J. H., ectypa illustrations teaches at, 26, 59 in Herbarium visum by (1757–1761), 6, Kingsley, Charles, Water babies (1863), 54, 56 publisher’s binding of, 28, 90 Knott, David: ‘Aspects of research Kingston, Felix, printer (17th century), into English provincial printing’, 28, 66 9, 6–21; 24, 6n; ‘Introduction: the ‘Kings’ type of Ricketts (1903), 19/20, study of provincial printing’, 24, 123 5–8 Kircher, E. Wilhelm Gottlob, Anweis- Knowles, G. F. J., engineer, and L. A. ung in der Buchdruckerkunst, so viel Legros, 28, 21, 22 davon das Drucken betri t (1793), 4, 28 Kobell, Franz von, inventor of Kirchner, wood-engraver, 17, 51 galvanography (1840), 6, 70, 78, 79 Kirk, Albert, lectures on metal box Kocher, patentee of cylinder litho- decoration by (1935), 8, 54, 56, 62, 63 graphic press (1841), 3, 43, 47, 48 Kirkwood, James, of R. & R. Clark, Koelho , Johann, printer at Cologne 19/20, 109, 115 (from 1472), 11, 15, 21, 116 Kirkwood, Robert, map-engraver, Koenig, Friedrich (and Andreas patentee of rolling press (1803), 2, F. Bauer), inventor of machine 18; 17, 2–3 presses, 2, 45, 51–52; 3, 3, 42, 49, 55; Kis, Nicholas, printer/punch-cutter 4, 29; 26, 47, 53, 54 at Amsterdam, 18, 47–75; Apologia Königliches Lithographisches bibliorum (1697), 18, 47; Mentség Institut, lithographic printer at (1698), 18, 47, 53–54, 55, 56, 57, 60, Berlin, 27, 78 65, 74; type-specimens of, 18, 51, Körös, Csomo de, Hungarian oriental- 52–54, 56–57, 67, 73, 74 ist, 27, 91 Kitchin, G. W., secretary to Delegates Kohler, William & Co., lithographic of Oxford University Press, 3, 63 printer, 10, 38 Kitiro, Tanaku, Japanese carto- Koppel, Charles W., wood-engraver, grapher, 4, 86 24, 72n Knecht, and portable lithographic Koran see Quran press of Senefelder, 3, 38 Kosman Emrich, printer at Amster- Kneeland, Abner, sermoniser, dam (1688–1697), 18, 62, 64 intaglio portrait of mistaken for Kramer, Heinrich see Institoris, a lithograph, 27, 52 Henricus Kneller, Godfrey, artist, 25, 69 Kraus, Hans Peter, bookseller at Kniaghininsky, Petr Pavlovich, tape- New York, buys Hauslab material, operated typesetting machine of 27, 82 (1867), 3, 93–96 Krebs, B., 4, 29 Kniep, Christoforo, Elementi di paessag- Kreidel, C. W., publisher at Wies- gio ricavati dalle opere di (1823), 27, 25 baden, 22, 130, 131 Knight, Charles, printer/publisher: Kriegsarchiv (Vienna), holds Hauslab colour-printing process of (1838), 4, material, 27, 82, 83n, 84 49, 116; 5, 51, 52; 6, 81–82; corres- Krummel, Donald, on early litho- pondence with J. Hare (1847), 24, graphy of music (1973), 27, 49 84–85; in development of pub- Krynicki, lithographer and student at lishers’ bindings, 28, 76, 81; early the Ingenieur-Akademie (Vienna), champion of reproductive wood- 27, 85 engraving, 17, 32, 50, 56 Kühn O set, printer at Rotterdam, Knight, Clement, publisher/draper, lithographic stones in wall of 21, 15 printing works of, 8, 40, pl. XXIV 68 printing historical society

Kusterer, F. X., German lithographer, Lambert, of St Omer, Liber Šoridus 27, 76 (manuscript, 13th century), 22, 21, Kyhl, Peter, nature prints by (1831), 6, 23 53, 59 Lambert, Joseph F., engraver, 24, 57 Lambert, Sheila, ‘Journeymen and labels: in compound-plate printing, 4, master printers in the early 62, 63, pl. 6, 10, 11, 13, 14, 32; develop- seventeenth century’, 21, 13–27 ment of design of, 4, 118–119; in Lambinus, Dionysius, editor of glyphography, 5, 78, pl. 21; spine- Horace (1561), 22, 28 labels for bookbindings, 28, 73, 76, Lamesle, Claude, type-specimen of 81, 82 (1742), 16, 11; facsimile of (1965), Laborde, Alexandre Louis Joseph, reviewed, 3, 114 Comte de, artist, lithographs after lamplighters, ‘verses’ of, 26, 29–30 drawings by, 1, 49, 51, 53 Lancaster, John see Maslen and Laby, Alexander, artist/lithographer, Lancaster designs music covers, 14, 73 Lancaster, Joseph, system of teaching lace, prints from, 6, 56, 57, 61, 67, pl. I of, 9, 32 Lachevardière, printer etc. at Paris: Lanchester, Frederick William, as manager of medal-engraving engineer and motor-car maker, company, 4, 78, 81, 83; as patentee 28, 21 of cylinder lithographic press Landells, Alex, wood-engraver, 17, (1832), 3, 46, 47n 51–52 Lacourière, Roger, intaglio printer, Landells, Ebenezer, wood-engraver, 17, 12n, 13 17, 32, 33, 36, 47, 51; Edmund Evans Lacourière-Frélaut, intaglio printers, apprenticed to (1840), 4, 117 17, 12–13, 30; wooden rolling press Landseer, Sir Edwin, artist, 26, 69 in atelier of, 17, 5, 13, 17 Landseer, John, Lectures on engraving Ladies calling (1673), intaglio plates for, (1807), 5, 43–45, 46 25, 25 Lane, John A., ‘The types of Nicholas Lagerman Typotheter, mechanical Kis’, 18, 47–75 composing device (1888), 1, 63n Lane, Richard, lithographer, 1, 44, Lahee, James, intaglio printer, 2, 16–17 pl. 3 Laing, C. D., wood-engraver, 17, 51 Lane, Robert F., book review, 1, 103– Laisné, Adèle, wood-engraver, 17, 41 105 Laisné, Aglaé, wood-engraver, 17, 41 Lane & Penny, lithographic printers, Laity’s Directory, published annually by 10, 38 Coghlan (from 1775), 6, 33, 34–35, 36 Langlumé see Chevallier and Lang- Lake, Edward, lithographic printer, lumé 10, 38 Langton, P., wood-engraver, 17, 52; Lake, J., lithographic printer, 10, 38 24, 72n Lake, William, lithographic printer, Lanston, Tolbert, patentee of Mono- 10, 38 type machine, 1, 58, 60, 67 Lamb, Charles, Essays of Elia (1903), Lanzedelli, Josef, lithographic printer publisher’s binding of, 28, 91 at Vienna, 27, 87n Lamb, G. F., printer at Reading, sale Lardner, Dionysius, ‘Cabinet cyclo- of stock of (1822), 24, 38n paedia’ series, publisher’s binding Lambarde, William: and Anglo-Saxon of, 28, 76, 81n printing, 28, 55–69 passim; Archaio- La Riviere, Anthony, lithographic nomia (1568, 1644), 28, 49, 50, 56, 66; printer, 10, 38 Eirenarcha (1581–1619), 28, 55n, 56, 64, Larruga y Boneta, Eugenio, Memorias 65, 67, 68; Perambulation of Kent (1576, politicas y económicas (1792), on Pedro 1596, 1640?), 28, 52, 54, 55, 61, 65, 67 Disses, 17, 81, 82, 83 journal: index: nos 1 to 28 69

Lasteyrie du Saillant, Charles Phili- Leamington Chronicle, 24, 39, 40 bert, Comte de, lithographic printer leather, as a material for publishers’ at Paris, 1, 42; 27, 12, 70; and litho- bindings, 28, 78–81, 82, 89 graphic stone, 8, 17, 23; 27, 35; and Leavenworth, William, and American lithography in America, 27, 7, 49, 50, wood type, 1, 106 51, 55; and lithography in Spain, 27, Lebanon, wooden press possibly sur- 37; Typographie économique (1837), 4, 23 viving in, 6, 22 Latham, Henry, partner with Cam- Le Bé, Guillaume II, punch-cutter, 1, bridge University Press, 3, 56 15, 16, 17, 79; 22, 80–81; 28, 43n La Tour Landry, Geo roy de, Knyght Le Blond & Co., lithographic printers, of the toure (1484), 11, 42, 75–77, 125 10, 38 Latter, William, lithographic printer/ Ledeuil (Roger Ledeuil), rolling press-maker, 10, 38 press-makers and engineers at Paris, Laud, William, Archbishop of Canter- 17, 12, 13, 29 bury, and Oxford University Press, Lee, George L., lithographic printer, 25, 5, 12 10, 38 Lauingen (Germany), early printing Lee, James, the elder (i.e. John), wood- in (1472), 13, 68 engraver, 17, 59 Laumont, Gilles, on French litho- Lee, James, wood-engraver, 17, 51, 52; graphic stone, 8, 15 24, 72n; 26, 29 Laurent de l’Ardèche, Histoire de Lee, Laurence, lithographic printer, l’Empereur Napoleon (1839), illustra- 10, 38 tions to, 17, 38, 60 Leech, John, artist: high regard for law books, layout of medieval manu- Joseph Swain of, 17, 56; taught by scripts of, 22, 24–26 J. Orrin Smith, 17, 56 Lawley see Millikin & Lawley Leeds: bibliographical press at Uni- Lawrence, John, printer at Leicester, versity of, 1, 11; early book trade in, on training of printers (1893), 14, 42 9, 20–21 Laybourn, Keith see Reynolds and Leeu, Gheraert, printer at Antwerp Laybourn (15th century): connections with Leach, Dryden I, printer (1707–1724), Caxton of, 11, 30–31; photographic debts to Thomas II Grover of, 15, enlargements of type of, 19/20, pl. 45, 47 8; as typographical inspiration to Leach, Dryden II, printer (1759–1765), William Morris, 19/20, 9 16, 12; involved with Wilkes and Lefèvre, Pierre Théotiste: Guide North Briton, 16, 12; prints for British pratique du compositeur d’imprimerie Museum, 16, 12; prints type-speci- (1855), 4, 23, 24; Instruction pour la com- mens for Caslon (1763–1764), 16, 11, position du grec (1847), 4, 24; Nouvelle 12, 13, 108–109 classi‰cation de la casse française (1832), Lead, W. H., of Leicester: on com- 4, 23; Recueil complet d’impositions (1838, petition between British and foreign 1848 etc.), 4, 23 printers (1891), 14, 21–22; on training Le Fevre, Raoul: Jason (1477), 11, 36, of printers (1891), 14, 41 37, 41, 79, 121; Recueil des histoires de Leadbeater, Charles Worral, printer Troie (1475?), 11, 36, 41; Recuyell of the at Chester, 15, 58 histories of Troy, (1474?, Caxton), 11, 1, Leaf, Walter: ed., Iliad (1895–1897), 11, 17, 20, 22–30, 36, 115, 117–118, 19/20, 111, 115–118, 119; and Selwyn (1892, Kelmscott Press), 19/20, 16 Image’s Greek type (1893), 19/20, Lefèvre d’Etaples, Jacques, translator 110 of the Bible, 26, 10 Leake, John, printer/publisher, debts Legat, John II, printer, 28, 66 to Thomas II Grover of, 15, 45, 47 Leggett, Queen press of, 5, 9; 24, 61, Leake, William I, publisher, 21, 76, 78 72 70 printing historical society legibility of printing types, 28, 8–9 room of, 3, 28, 30, pl. 1b, 4; 8, 33, Legrand, Jacques, Book of good manners pl. Xb (1487), 11, 44 Lemercier family, and Thierry, Legros, Alphonse, father of Lucien patentees of cylinder lithographic Alphonse, 28, 13–14 press (1840), 3, 47 Legros, Lucien Alphonse, 28, 13–23, Le Mercier, Maguire & Co., litho- 37–39; Note on the legibility of printed graphic printers, 10, 39 matter (1922), 28, 38; Typecasting and L’Enfant Brothers, lithographic composing machinery (1908), 28, 7–8, 15; printers, 10, 39 see also Grant, Legros & Co. Lenormand, lithographic printer, 3, Legros, Lucien Alphonse, and J. C. 45n Grant: Mirrour or pryntyng, ‰ctional Leo I, Pope, Sermones (1471?), use of work created by, 28, 9–10; Typo- capitals in, 22, 85–87 graphical printing surfaces (1916), 1, 15, Leonicenus, Omnibonus, De octo 26, 74, 81, 88, 28, 5–39 passim, partibus orationis and De arte metrica facsimile of (1980), 28, 13 (1475), use of capitals in, 22, 86 Lehman, Johann Georg, carto- Leopoldo, Prince of Salerno, litho- grapher, 27, 73, 74, 79, 80 graphic portrait of, 27, 21, 22 Leibundguth, John, lithographic Lepard see Harding & Lepard printer, 10, 38 Leslie, C. R., artist, and Constable, Leicester Post, on poor quality of local 25, 67 printing (1892), 14, 41 L’Estrange, Sir Roger, Fables after Leighton, Archibald II, bookbinder, Aesop etc. (1692–1699), 25, 17n; in development of publishers’ French translation (1714), 25, 17 bindings, 28, 75, 76, 77 Lesueur, Charles Alexandre, artist Leighton, Claire, wood-engraver, 17, etc., and lithography in America, 41 27, 50, 55, 56, 57, 59, 63–66; corres- Leighton, Frederic, Baron, engrav- pondence with W. Maclure (1821– ings after drawings by, 5, 94; 25, 69 1822), 27, 65, 66 Leighton, J. & J., bookbinders etc., Letronne, lithographic printer, 1, 49, in development of publishers’ 51, 53 bindings, 28, 85 Letsch, Charles W., and Mergenthaler, Leighton, John (& Sons), artist, book- 26, 80n, 87n binder etc., in development of pub- Letter, Johann Jacob, music publisher, lishers’ bindings, 28, 84, 85 2, 38, 39 Leighton, John, colour printer, 4, 49; letterforms, in Humanistic manu- 6, 61 scripts, 19/20, 129; see also printing Leighton & Taylor, lithographic types printers, 10, 39 lettering: on buildings (England, 19th Le Keux, John, engraver: intaglio century), 15, 1–3; on intaglio plates, printing for, 2, 15; slowness of, 12, 25, 40–41 64; work for Ruskin, 12, 53n, 64, 66 Leusden, Jan, teacher and patron of Leloir, Maurice, wood-engraver at Nicholas Kis, 18, 66, 67, 75n Paris, 17, 57 Le Vigan (Gard), lithographic stone Lely, Sir Peter, painter, 25, 13 quarried at, 8, 21 Lemercier, Alfred, lithographic printer Levy screen, in production of photo- at Paris, Lithographie française (1896?), graphic half-tone blocks, 10, 69, 75, 76 8, 20, 21; on Brisset’s presses, 3, 27 Lewis, M. A. & Co., lithographic Lemercier, R. J., lithographic printer printers, 10, 39 at Paris, 3, 30 Lewis, W. J., patentee of mechanism Lemercier family, lithographic printers for feeding type-metal to Linotype etc. at Paris, 1, 46; 3, 10; 14, 15; press (1898), 26, 90n journal: index: nos 1 to 28 71

Lewis & Lowe, lithographic printers, line blocks, photographic, 10, 66, 10, 39 67–68, ‰g. 8; in Harper’s Magazine Lewsey, H. A., stationer at Brentford, (1880–1900), 10, 75–78 23, 54 Lines & Hale, lithographic printers, lias, white and blue, for lithography, 10, 39 8, 12–14; 12, 15–17 Ling, Nicholas, publisher, 21, 74 Liberatore, Ra aelle, Viaggio pittorico Lingham, Stephen, lithographic nel Regno delle due Sicilie (1829–1832), printer, 10, 39 27, 27 Linnean Society, Proceedings of, Library of Congress (Washington), obituary of Richard Taylor in holds Hauslab material, 27, 82, 83 (1858–1859), 2, 46–48 ‘Library of entertaining knowledge’ Linotype & Machinery Ltd, 26, 88, series, publisher’s binding of, 28, 90; 28, 8 76, 81n Linotype Company, 26, 83, 85, 86, ‘Library of old authors’ series, 19/20, 89, 90 78 Linotype type-casting machine, 28, 7, ‘Library series’ (Bohn/Bell), pub- 35; casting of bold types on, 22, 140; lisher’s binding of, 28, 84 introduction to Britain of (1890s– Liebpert, Ulrich, printer at Berlin, 1900s), 14, 2, 26, 85–87, 28, 18, 31, 18, 68, 69n, 70 e ects on work-force of, 18, 4, 7, 10, Liechtenstein, House of, owns and 11, 12, 15, 16, 19–23, 30, 34; invention sells Hauslab material, 27, 79, 82, and development of, 26, 70–90; 83, 84 maintenance of, 26, 90–93; see also Liepmann, Kate, Apprenticeship (1960), Mergenthaler 13, 2, 6, 20, 25 Linotype Users’ Association, 18, 15, Lightfoot, Joseph Barber, Apostolic 20, 23 fathers (1891), 19/20, 115 Linton, Henry, wood-engraver, 17, 52 ‘Lightning’ rotary press, invented by Linton, William James, leader of Old Hoe and supplied to print ¡e T imes School of wood-engraving, 10, 58, (1856–1860), 13, 27–63, pl. facing 59–61, 62, 63, 64; 17, 34, 42, 45, 52, pp. 48, 49 56; History of wood engraving (1882), Lignamine, Joannes Philippus de, 10, ‰gs 1, 3, 4; Masters of wood- printer at Rome: photographic engraving (1889), 17, 42, 50, 52, 54 enlargement of roman type of, Lisle, William, Anglo-Saxon printing 19/20, pl. 15; as typographical in works of (17th century), 28, 65, 67 inspiration to William Morris, Literary Gazette (1825), use of bold types 19/20, 10; use of capitals by, 22, in, 22, 121 85–87, 96 Literary Blue Book (1830), lithographic Lilley, John & Co., press-makers, 23, 16 printers listed in, 10, 6–7, 18 Lillienstern, Rühle von, Allgemeine Lithographe (trade journal), 8, 20, 27; Schulatlas (1826), lithographs in, list of lithographic printers in (1838, 27, 77 1839), 10, 7, 13n Lilly, Joseph, bookseller, sells Caxton lithographic hand press see press, edition with facsimile leaves (1860), hand: lithographic 19/20, 87 Lithographic Institution see London limestone (Jurassic), for lithography, Lithographic Institute 8, 1, 5; alternatives to, 8, 37; distrib- Lithographic Press, lithographic ution of, in Western Europe, 8, 16, printers, 10, 39 22 lithographic printers: in Britain (19th Lindley, John, Vegetable kingdom (1851), century), unable to compete with glyphograph and woodcut illus- Contenintal printers, 14, 11–12, 14; in trations in, 5, 77, 78, pl. 19, 20 London (1800–1850), changes of 72 printing historical society lithographic printers (cont.) Lizars, William Home, engraver at address of, 10, 18–19, directory of, Edinburgh, alto relievo etching 10, 20–55, geographical distribution method of, 5, 47, 49–50, 53, 57, 58, of, 10, 13–17, maps A–F, growth in pl. 1; 6, 71 number of, 10, 9–13, sources of L. J. D. B. see Dublar, L. J. information on, 10, 1–9 Llewellyn-Smith, H., on training of lithographic transfer, 27, 96; of printers (1892), 14, 51–52 Alken’s prints, 14, 86; of Chinese Lloyd, Edward, newspaper proprie- calligraphy, 27, 114, 118, 119, 120, 127; tor: correspondence with R. Hoe & of engraved music, 14, 74, 78–79; by Co., 13, 43; involved with R. Hoe & Hauslab, 27, 84, 85, 86 Co., 13, 29–35 passim, 39, 42, 43, 44, lithographs: after Henry Alken, 14, 46 82–88, pl. 1–3; by Thomas Barker, Lloyd, Henry, printer, debts to 12, 1–32; hand-coloured, 17, 64, 66, Thomas I Grover of, 15, 40, 42 67, 68–69, 70; imitation plate-marks Lloyd’s Paper Mills, 23, 53 on, 14, 84–86, pl. 2–3; tinted, 1, 39– Llwyd, Humphrey, Britannicae descrip- 56; 4, 41; for working-class market, tionis commentariolum (1731), printed by 4, 50; variant states of, 12, 17–19 Bowyer using Calson types, 16, 25 lithography, 3, 3; 4, 34, 35, 37–38; 8, 1; Lobinger, Johann, punch-cutter at 27, 6; for amateurs (19th century), Nuremberg etc., 18, 74 23, 29, 7; in America (1801–1825), 27, Lobinger, Pangratz, punch-cutter/ 49–67; in Asia, 27, 8, 89–131 passim; typefounder at Vienna etc., 18, 74 at Bath (1810s), 12, 1–20; compared Lock, H., printer’s apprentice at with engraving (1820s), 27, 62–63, Bristol (1867), 24, 113 99–100; compared with woodcuts Lock, William Henry, patentee of and typography for printing mechanism for feeding type-metal Chinese, 27, 114–118; compared with to Linotype (1898), 26, 90n; 28, 8 wood-engraving (1847), 24, 87; in Lockett, W. H. & Co., press-makers/ India (1820s), 27, 89–111; invention suppliers, 2, 72–73; 3, 99; 5, 11, 12 and development of, 27, 5–6; for Loggan, David, artist/engraver at maps and plans, 8, 40, pl. XVI; 27, 7, Oxford etc., 25, 9, 10, 14, 15, 16, 22; 10, 11, 17, 21–23, 34, 58, 59, 69–87, 94; Oxonia illustrata (1675), 25, 15–16, 26 for music, 2, 43; 3, 5–6; 4, 41; 8, 4; Lombardus, Petrus, Biblical commen- 14, 71, 72–74, 78–79; at Naples (1816– tator, conventions used in manu- 1825), 27, 6–7, 9–32; in Spain (1800s– scripts of, 22, 12, 13n, 21, 22 1825), 27, 6, 7, 33–47; stone for see London: Caxton’s relations with the stone, lithographic; in Vienna City of (1476–1491), 11, 81–91; (1820s), 27, 69–87 passim; see also compositors in (1850s–1911), 18, 11; chromolithography; o set-litho- distribution of printers in (1724), 4, graphy; photolithography; stone- 104–106; lithographic printers in engraving and etching (1800–1850), 10, 1–55, maps A–F; lithotint, 1, 39n migration of printers to and from Litogra‰a (Reale Litogra‰a) Militare (16th–17th centuries), 21, 53–55; (della Guerra), lithographic printer newspaper printers in (1700–1750), at Naples, 27, 8, 11, 20–24, 27, 71 12, 33–51; printers in (1800–1840), 9, Little Stranger press of W. Wight- 12, 26, 44n; 10, 1–2 man, 23, 9, 14 London and South Western Railway, Liverpool Post, uses Davis’s type-casting employs L. A. Legros, 28, 14 machine (1912), 28, 35 London Colour Printing Works Co., Livorno, as centre for publication of printers, 28, 7 controversial books (18th century), London Consolidated Bookbinders, 16, 10n 14, 47, 48 journal: index: nos 1 to 28 73

London County Council: School of Loredano, Giovanni Francesco, Burlas Photo-Engraving and Lithography, de la fortuna (1688), 17, 81–82, 84, 85 8, 30n; 14, 48, 52; Technical Educa- Lorilleux, Charles, Traité de lithographie tion Board, 14, 22, 31, 38, 48, 51–52, (1889), 8, 20, 21–22 on apprenticeship (1894), 13, 13–14; Lott, George, of Bristol, 24, 114 see also Central School of Arts and Lott, Robert P., printer at Bristol Crafts (1870), 24, 115 London Gazette, history of, 1665–1965 Loudon, John Claudius, Arboretum et (1965), reviewed, 2, 77–78 fruticetum Britannicum (1838), plates London Journal, 12, 34, 36–37, 40 by Branston in, 5, 53–54, pl. 2; 6, 73 London Lithographic Institute (Litho- Louis, Joseph, lithographic printer, graphic Institution), lithographic 10, 39 printers, 10, 39 Louvain: bookbinding in (1470s), 11, London Missionary Society, 27, 113, 9–10; early printing in (1470s), 13, 123, 125 72–73, 75 London Portland Cement Co., Love, George, lithographic printer, employs L. A. Legros, 28, 14 10, 39 London Review, on 19th-century ‘old Lovell, Charles, lithographic printer, style’ typography, 19/20, 100 10, 39 London Society of Bookbinders see Low, Sampson II, publisher, and Society of London Bookbinders Chiswick Press, 19/20, 72 London Society of Compositors, 14, Low Countries: Caxton’s life and 42, 43; 18, 11; 24, 108; on apprentice- work in (1472–1476), 11, 19–32, 36, 41, ship (19th century), 13, 3–4, 6–7, 11, 118; 13, 73; early printing in (1470s), 21, 22, 54–55; 14, 7, 42–43; on 13, 72–73, 75; types used in (15th mechanization (19th century), 14, century), 3, 103–108, 11, 128–129, 5, 7 (16th century), 4, 108–111 London Society of Lithographic Stone Lownes, Humphrey, printer and Preparers, 8, 36 Master of Stationers’ Company, 21, London Society of Master Letter- 26, 37, 41; 28, 65, 66 founders see Society of Master Lownes, Matthew, publisher, 28, 65, Letterfounders 66 London Tin Plate Printing Co., 8, 60 Lucas, David, mezzotint engraver, 25, Long, Thomas & Co., makers of 69; and Constable’s Various subjects Columbian presses at Edinburgh, of landscape (1830–1832), 25, 47–68 5, 11, 13–14, 20–22, pl. 10, 11 passim Longman & Co., publishers: and Lucas, Peter J., ‘Parker, Lambarde Chiswick Press, 19/20, 70, 71, 72, and the provision of special sorts 92; debts of J. Fairfax to, 24, 37; in for printing Anglo-Saxon in the development of publishers’ bind- sixteenth century’, 28, 41–69 ings, 28, 75, 93; o er to publish Lucas, Richard C., amateur nature William Morris’s works set in printer, 4, 47; Facsimiles of nature ‘Golden’ type, 19/20, 18; publish (1858), 6, 55 early chromolithographs, 17, 63, Luce, Louis, punch-cutter etc. at 66–69; publish Legros and Grant Paris, 16, 75; 26, 44 (1916), 28, 5, 7, 23 Lucian, rhetorician: Opera (1503), 22, ‘long s’, revival of in 19th century, 97, 102; Vera historia (1494), 22, 91, 92 19/20, 84, 94, 100 Luckombe, Philip, Concise history of the López, Vicente, painter, and origin and progress of printing (1770, lithography, 27, 40, 42–44, 46 1771), 4, 14; 16, 110 Lord’s Prayer in ‰ve hundred languages Ludolphus de Saxonia, Vita Christi (1905), 28, 7 (1487), 19/20, 9 74 printing historical society

Lüderitz, Karl Friedrich Georg, litho- MacFarland & Simmons, lithographic graphic printer at Berlin, 27, 78 printers, 10, 39 Lulle, Raymond, Order of chivalry McGill University (Montreal), biblio- (1484?), 11, 42 graphical press at, 1, 9 Lummis, A. G., printer at Bradford, machine engraving: eccentric (or 18, 29–30 concentric), 6, 77; geometric, 6, Lumsden, Ernest S., Art of etching 79; of lettering, 25, 41; of tints on (1924), 17, 7n Admiralty charts, 25, 42 Lund, A. E., of Grant, Legros & Co., Machine Minders and Amalgamated 28, 35, 37 Pressmen, 14, 3 Luther family, typefounders at Frank- Mackarill, Diana R., ‘A history of furt, type-specimens of, 18, 66 Bellman’s verses’, 26, 14–32 Luzuriaga, Ignacio Ruiz de, doctor of Mackay family, printers/publishers at medicine, depicted in a lithograph, Morpeth, 4, 89–90, 98 27, 46 McKenzie, Donald F.: Cambridge Lydgate, John, translation by used by University Press 1696–1712 (1966), 15, Caxton, 11, 42 54, on Grover typefoundry, 15, 47n, Lynam, Edward, Mapmaker’s art (1953), on prices of printing supplies, 6, 27, 73 51–52, on purchase of Dutch types, Lyons: early printing in, 11, 35, 45–46; 16, 8, reviewed, 3, 100–103; Stationers’ 13, 72; Musée de l’Imprimerie at, 1, Company apprentices 1604–1800 (1961– 96–97; 17, 6n 1978), 21, 6, 16n, 35n, 62, on Grover family, 15, 38, 41n, 43n, 47n Lyons, Israel, Hebrew grammar (1735), Mackenzie, Duncan, suggests set in Caslon’s Hebrew type, 16, application of Jacquard method to 104 typesetting, 3, 92 McKerrow, Ronald B., 3, 112; et al., Maberly, Joseph, Print collector (1844), Dictionary of printers and booksellers 5, 44 1557–1640 (1910), 21, 73n, 75, 77; McAllan, Robert, 14, 36; on training Introduction to bibliography (1927), 2, 75; of printers (1888), 14, 35 15, 54; proposes bibliographical MacArdell, James, mezzotint presses at universities (1913), 1, 4 engraver, 26, 69 Mackie, Alexander, inventor etc. at MacCabe, James Eugene, litho- Warrington: political and business graphic printer, 10, 39 activities of, 1, 62–66; tape-operated McCann, W. P., on training of steam typesetting machines of, 1, printers, 14, 6, 20–21, 23, 42, 51 57–62; 3, 93 McCarthy, W. E. J., Closed shop in Mackinlay, Thomas, music publisher, Britain (1964), on apprenticeship, 14, 61, 64–65n, 68 13, 24 McKitterick, David, on relationship McCorquodale & Co., printers between handwriting and type, 22, (1870s), 7, 42–44 82n McCulloch & Co., lithographic press- Mackmurdo, Arthur Heygate, 19/20, makers at Glasgow, 3, 35, ‰g. 44 104, 106 McCullough, Colleen, ¡orn birds McLean, Ruari: ed., Reminiscences of (1978), largest edition size of a Edmund Evans, wood engraver and ‘paperback’ book, 18, 46 colour printer, 1826–1909 (1967), MacDonald, John C., engineer to ¡e reviewed, 4, 116–118; translation of Times, 13, 32–35 passim, 39–43 passim, Tschichold’s Typographische Gestaltung 47, 49, 52–62 passim; correspondence by (1967), reviewed, 4, 113–116; with R. Hoe, 13, 57, 61 Victorian book design and colour printing MacDowall, Robert, lithographic (1972), on ‘Basle roman’ type, printer at Calcutta, 27, 94, 96 19/20, 100n, on Baxter, 17, 47 journal: index: nos 1 to 28 75

McLean (M’Lean), Thomas & Co. magnetic printing of W. Jones (1839), (General Lithographic Estab- 4, 38, 39, 51; 6, 82 lishment/OŸce), lithographic Magrath, William, Printers’ assistant printer, 10, 39; 14, 83, 87–88 (1804, 1805), 4, 14 Maclure, William, geologist: and Magnus, Philip, on competition lithography in America, 27, 50, 56, between Britain and Germany 63, 64, 65, 66; papers of, 27, 63n, 65, (19th century), 14, 11, 17 66n Maguire, Henry Calton, lithographer, Maclure, Macdonald & Macgregor, 10, 40 lithographic printers, 10, 17, 40; Maguire, Le Mercier & Co., litho- ‰rst to use powered lithographic graphic printers, 10, 40 machines, 3, 49 Maiquez, Isidro, Spanish actor, MacNamara, Stephen, on Hoe’s depicted in a lithograph, 27, 44 ‘Lightning’ rotary press, 13, 52 Mairet, F., Notice sur la lithographie Macmillan, Alexander, of Macmillan (1818), 3, 18, 20, ‰g. 17; 27, 7, 12 & Co., 28, 86, 92; and Oxford Maittaire, Michael: ed., Anacreontis University Press, 3, 64, 65 opera Graece (1725), printed by Macmillan, George A., of Macmillan Bowyer using Calson types, 16, & Co., 19/20, 105, 108, 109, 110, 115, 25; Historia typographorum aliquot 118, 122 Parisiensium (1717), printed by Macmillan, Frederick, of Macmillan Bowyer using Calson types, 16, 25 & Co., 19/20, 109, 112 Malay language: printed by Keas- Macmillan & Co., publishers at berry, 27, 123; printed by Medhurst, London, New York etc.: commission 27, 121–122 Greek type from Selwyn Image Malby, Thomas Henry, lithographic (1890s), 19/20, 105–124; in develop- printer, 10, 40 ment of publishers’ bindings, 28, 86, Malcolm, wood-engraver, 17, 52 90, 92; Notes for the guidance of authors Malins, Clement, maker of Excelsior (1918), on bold types, 22, 140, 141 press at Birmingham, 23, 7–9, 12–17, Macock, John, printer, 21, 35n, 41; 22, 27, 7, 10–11; correspondence with debts to Thomas I Grover of, 15, P. E. Raynor (1875), 3, 9–12, 17–18, 23 39, 42 Malory, Sir Thomas, Morte d’Arthur MacPherson, D., correspondence (1485), 11, 126 with J. Hare (1847), 24, 86 Man, Thomas, printer, 21, 75, 76, 77, 78 McQueen, William Benjamin & Co., management, in British printing printers: as intaglio printers, 2, 4n, industry (late 19th century), 18, 11–15, 19–21, frontispiece, pl. 3; 12, 13–21; see also industrial relations 54, 58; 17, 11, 22; as lithographic Manchester and Salford Master printers, 10, 40 Printers’ Association, 14, 30–31, 47 Macrobius, Ambrosius Theodosius, Manchester Guardian: on training of Interpretatio in somnium Scipionis (1521), printers at Manchester (1883), 14, 22, 108 30; uses Davis’s type-casting Madden, Sir Frederic, How the goode wif machine (1912), 28, 36; uses Hoe’s thaught hir doughter (1838), 19/20, 71 ‘Lightning’ rotary press, 13, 45–49 Madeley, George Edward, passim, 57, 60 lithographic printer, 10, 6, 18, 40; Manchester Technical School and 14, 72; and Ingrey, 8, 26 Mechanics’ Institution, 14, 30–31, Madrazo, José de, painter/litho- 44, 46 grapher at Paris etc., 27, 33, 37, 42, Manchester T imes and Examiner, 13, 47, 49 46, 46 Manchester Typographical Society, Madrid: early lithography at, 27, 33– 14, 5, 11; on child and female labour, 47 passim; printing at, 17, 72–90 passim 18, 3 76 printing historical society

Mann, George, lithographic printer, 58, 59, 69–87 passim, 94, 99, 104, 10, 40 107–108; stereotyped, 9, 33; Stuart’s Mann, George & Co., makers of tin- process for, 6, 88; typographical, 27, printing presses: Climax Šatbed of 86n; see also charts (1892), 8, 54, 63, pl. XLI; Standard Marahrens, August, Vollständiges rotary o set of (1903), 8, 63, pl. XLII; theoretisch-praktisches Handbuch der two-colour o set of (1910), 8, 64 Typographie (1870), 5, 3 Mannhardt, Johann, maker of litho- Marbecke, John, Concordance [to the graphic presses at Munich, 3, 36, Bible] (1550), 26, 8–10, 12 pl. 7 March, J., wood-engraver, 17, 52 Manning, W., of Gloucester, corres- March, José, lithographic printer in pondence with J. Hare (1847), 24, Catalonia, 27, 33, 35 96–97 Marchant, William, printer, commends Mannlich, Johann Christian von, Columbian press, 5, 14 director of Royal Bavarian collec- Marchetti, Pasquale, artist/litho- tions, 1, 41 grapher at Naples, 27, 21 Mansell, Frederick, lithographic Marcuard, Charles, lithographic printer, 10, 40 printer, 10, 40 Mansion, Colard, scribe/printer (15th Marder, Luse & Co., typefounders at century), 13, 73; connections with Chicago, 7, 40, 47–48 Caxton of, 11, 19, 20, 29–30, 117, 118, Mardersteig, Giovanni, Remarkable story 119–120 of a book made in Padua in 1477 (1967), Mantoux, lithographic printers at reviewed, 3, 112–113 Paris, 3, 45; sell lithographic stones Marguerite, Queen of Navarre, 28, 45, (1830s), 8, 27 46; Miroir de l’âme pécheresse (1533), 28, Manuel pratique pour les commençants dans 46, translated by Elizabeth I (1544), l’art typographique (1791), 4, 21 26, 13, 28, 46–47 manuscripts: illumination of see Maria Anna Walpurgis see Walpurgis, illumination; layout and punctu- Maria Anna ation of (classical and medieval), Mark-Lane Express (Telegraph) (1840s), 22, 5–28, 80, 107, (medieval and 24, 64n, 65, 69, 70, 86 Renaissance), 19/20, 125–129; Marsden, J., printer at Colchester, 17, missals (medieval), 22, 54–78 passim, 60 pl. 3, 4 Marsh, Peter, intaglio printer, 25, 84, 85 Manutius (Manuzio), Aldus see Aldus Marshall, Mr, creditor of R. Hoe & Manutius Co., 13, 29, 35 Mapes, James J., editor of American Marshall, Richard, printer at Romford, Repertory of Arts, Sciences and Manu- 9, 13 factures (1840–1842), 10, 84, 85, 89, Marshall, Thomas, agent to John Fell, 90 18, 54n, 71 Mappa, A. G., typefounder at Amster- Martialis, Marcus Valerius, Epigrammata dam, type-specimens of (1781, 1785), (1495, 1498), use of capitals in, 22, 94 18, 72 Martin, C. H., lithographic printer, 10, maps and plans, 27, 69, 73, 75, 80–81; 40 Applegath’s machine for printing, 2, Martin, David, artist, mezzotints after, 54; atlases, 27, 76–78, 104; colour in, 25, 82, 85 27, 78, 79, 80, 81; engraved, 27, 73, Martin, Henri-Jean, and Musée de 74, 75, 77, for the Admiralty, 2, 5, 15, l’Imprimerie at Lyons, 1, 96–97 25, 31–46, 27, 73, at Oxford Univer- Martin, John, artist, engraver and sity Press, 25, 26–27; glyphography wood-engraver, 17, 52; intaglio prints for, 5, 75, 76, 77, 78; lithographed, 8, after paintings of, 2, 14 40, pl. XVI; 27, 7, 10, 11, 17, 21–23, 34, Martin, Leopold, wood-engraver, 17, 52 journal: index: nos 1 to 28 77

Martin, Robert & Co., lithographic matrices, 28, 43; for Chiswick Press printers, 10, 2, 6, 17, 18, 40–41; ink types (1850s), 19/20, 64, 65, 72, 73, lithography by, 8, 40, pl. XII; sell 85, 86, 87, 90, 91–93, 96, 98; for lithographic stones, 8, 26 Davis’s type-casting machine, 28, Martin, T. W., supplier of Amateur’s 28, 31; electrotyping of, 10, 100–102; Printing OŸce etc., 23, 11, 15, 16, 79 18, 53n; made by Grant, Legros & Martin, William, suggests application Co., 28, 32–33; for Grantype type- of Jacquard system to typesetting casting machine, 28, 24–25; in machines, 3, 93 Grover/Meere/Nutt typefoundry Martin & Hood, lithographic printers, (1725?), 15, 49–53; from Nicholas 10, 41 Kis’s punches, 18, 47–75 passim; for Martínez de Mata, Francisco, on the Linotype machine, 26, 80, 81, 84, 85, 17th-century inability of Spanish 87, 88, 89; at Oxford University printers to produce large books Press (17th century), 28, 43; in (1971), 17, 77n Plantin-Moretus Museum, 9, 69; in Marzio, Peter C., on early American Royal Printing House (Stockholm), lithography, 8, 23n 18, 49n; at Saint Bride (Printing) Marzolla, Benedetto, artist/litho- Library, 19/20, 65n, 85; scarcity in grapher at Naples, 27, 21 Spain of (17th century), 17, 73–75, Maslen, Keith I. D., and Lancaster, 78–79, 80–81; in Tetterode type- John, Bowyer ledgers (1991), 15, 54–55 foundry, 18, 63–65; tin-foil, experi- Mason, junior, wood-engraver, 17, 53 ments with, 26, 72 Mason, Abraham John, wood- Matthews, C. H., glyphographer, 5, engraver, 17, 53 72, 74 Mason, John Henry, typographer, 5, Matthews, Elizabeth Leman see Hare, 82 Elizabeth Mason, W. G., wood-engraver, 17, 53 Matthews, John I, printer, debts to Mason, W. J., wood-engraver, 17, 53 Thomas II Grover of, 15, 45, 47 Mason, William, Printers’ assistant Matthews, Thomas & Son, makers of (1810, 1812 etc.), 4, 15 Columbian presses, 5, 11, 21 Massey, wood-engraver, 17, 53 Maubert, H., makes model rolling Masson, Vincent, French student of press workshop (1855), 17, 9, 20 nature printing in Vienna, 6, 58 Maudslay, H., lithographic portrait master printers: in Britain (16th–17th of, 8, pl. XIV century), 21, 11–27; in London Maufer, Petrus, printer at Padua (1666–1720), 21, 63; Stationers’ (1470s), 3, 112–113 Company records of, 21, 5, 9–27, Mauroo, Richard Leonard (Richard pl. facing p. 12 T.), intaglio printer, 17, 11–12, 26, 27 Master Printers’ and Allied Trades Maverick, Peter, engraver at New Association, 14, 15, 30, 31–32; 18, York, experiments with lithography 14, 15; on training of printers, 14, (1824), 27, 67 32–33 Maw, Robert L., engineer, 28, 26 Masters, Joseph, printer/publisher, Maw, Thomas Frederick, engineer, 19/20, 84n 28, 26 Matchett & Stevenson (Matchett & Maw, William Henry, engineer, 28, Co., etc.), printers of Bellman’s 7, 26 verses at Norwich, 26, 32; see also Max, John & Co., lithographic Stevenson printers, 10, 41 Mathieson, Henry, tin-printer by Maximus, Valerius see Valerius Maxi- transfer method, 8, 59, 60 mus Mathiot, George, electrotyper for U. Maxwell, Anne, widow of David, debts S. Coast Survey (1848), 10, 97 to Thomas I Grover of, 15, 39, 42 78 printing historical society

Maxwell, James Coutts, ed., Collected Meere, Hugh, printer/typefounder, papers of W. W. Greg (1966), reviewed, 15, 48; posthumous inventory of 3, 108–112 typefoundry of (1725?), 15, 49–53 May, Charles, and J. Hare, 24, 82 Meere, Thomas, son of Hugh, 15, 48 Maynial, Guillaume, printer (15th Meese, Johannes, bookbinder at century), and Caxton, 11, 39, 40, 130, Bruges, 11, 93 131–132 Meg, Meggs see Meggy Mead, Theodore, cousin of Hoe Megenberg, Konrad von, Buch der brothers, correspondence with Natur (1475), 22, 36 Hoes, 13, 35–36 Meggy, George, printer at Chelms- Meade, Constance, ephemera ford, 9, 13, 20; see also Meggy & collection of (now John Johnson Chalk Collection), 3, 23; see also Johnson, Meggy, Robert Smith, lithographic John printer, 10, 41 Meadows, Joseph Kenny, artist/ Meggy, William, printer at Chelms- wood-engraver, 24, 72n, 96 ford, 9, 13; see also Meggy & Chalk Meare, John, Vice-Chancellor of Meggy, William, printer of Bellman’s Oxford University (1697), 25, 19 verses at Great Yarmouth, 26, 32 Measom, G., wood-engraver, 17, 53; Meggy & Chalk, printers at Chelms- 24, 72n ford, 9, 13, 20 Measom, W., wood-engraver, 17, 53; Meier, Henry, on rolling presses, 17, 1 24, 72n Meifred, Lemercier & Co., litho- mechanization of printing and book- graphic printers, 10, 41 binding industries: in Britain, (19th Meighan, Thomas, publisher, business century), 14, 1–9, 57; 18, 10; in acquired by Coghlan (c. 1771), 6, 34, France (19th century), 14, 19 35 mechanization of typesetting (Britain, Meikle, Robert, lithographic printer, 19th century), 18, 1–35; 24, 107 10, 41 Médailles du règne de Louis le Grand Meiklejohn, J. M. D., New geography on (1702), new (romain du roi) types the comparative method (1892), use of used for, 1, 75, 79–80, 82, 86, insert bold types in, 22, 138, 139 medal-engraving (anaglyptography), Meiklejohn & Holden, publishers, 22, 4, 33, 56, 74–86, pl. 19–29; 5, 59, pl. 7; 138 6, 82; Parliamentary enquiry into Meisenbach, Georg, patentee of (1836), 4, 49 photographic half-tone blocks, Medhurst, George, press-maker, 5, 8 10, 68 Medhurst, Walter Henry, missionary Meister, lithographic printers at and printer at Jakarta, 27, 113–126 Nuremberg, 14, 15 passim; China: its state and prospects Mellan, Claude, engraver at Paris, (1838), 27, 113n, 114, 116, 117–118, 121; 25, 10 Chinese and English dictionary (1842), Meluelle (Melville?) & Co., debts of 27, 118–121 J. Fairfax to, 24, 37 Medical Repository (1808), on litho- ‘Memorialists’ (printers’ apprentices), graphy, 27, 7, 49 14, 9 Medici, Cosimo III de’, buys type- Memorial University of Saint John’s founding materials from Nicholas (Newfoundland) see Saint John’s Kis (1688?), 18, 56 (Newfoundland) medicines, patent: labels for, in Mendes, L., printer at Cossitollah compound-plate printing, 4, 62, 63, (India), 27, 91, 106 pl. 11; sold by printers, 9, 7, 10, pl. 4 Mentelin, Johann, printer at Stras- Meere, Elizabeth, daughter of Hugh, bourg (to 1478), as inspiration to 15, 48 William Morris, 19/20, 15 journal: index: nos 1 to 28 79

Mercers’ Company, 11, 81–82 Middleton, Louis M., on popular Meres, Francis, Palladis tamia (1598), music in England (19th century), 21, 74 14, 64 Meres, John, publisher/author, 12, 40 Middleton, Thomas & Co., press- Mergenthaler, Ottmar, in develop- makers, 26, 67; Middleton’s illustrated ment of Linotype machine, 1, 58; 26, catalogue of printing machines (1862), 70–89 passim 26, 63, 67, 68 Mergenthaler Linotype Company, 22, Milbert, Jacques Gérard, French artist 140n; 26, 88 in America (1815–1823), 27, 59, 65 Mergenthaler Printing Company, 26, Millais, Sir John Everett, artist, engrav- 77, 78, 82, 85 ings after drawings by, 5, 94; 17, 36 Merinero, Juan Martin, printer at Miller, John Douglas, mezzotint Madrid (18th century), uses Pedro engraver, 26, 69 Disses’s types, 17, 90 Miller, Simon, publisher, 25, 14 Merryweather, Moses, engineer, 24, Miller & Richard, typefounders at 70n Edinburgh, 3, 115; adopt Bruce Meruba type see Hebrew type type-casting machine (1849), 28, 7; Metal Box Company, tin-printers, 8, Californian agency for, 7, 40; cast 55, pl. XLIV ‰rst ‘Old Style’ revival types metallography (1853), 6, 82–83 (1860), 19/20, 63, 72; cast Greek metal plates, as substitute for litho- type for Macmillan (1880s–1890s), graphic stones, 8, 37, 39, 63; 27, 19/20, 109, 110, 118, 120n, 124; 65–66, 69 McCorquodale uses types of, 7, 43; metal relief printing, 4, 33; 5, 41–58, sell presses, 2, 71; 5, 11, 22 pl. 1, 2 Milles, Thomas, Anglo-Saxon Metcalfe Act (1835), 27, 89 printing in works of (17th century), Metchim, William Paul, lithographic 28, 67 printer, 10, 41 Millikin & Lawley, makers of portable Metlinger, Bartholomew, Regiment der presses, 23, 11 jungen Kinder (1474), 22, 37 Millington, William, artist and litho- Metropolitan School of Practical Art graphic printer at Trowbridge, (Somerset House, London), holds press belonging to, 3, 19–21, 42, wood-engraving classes for women, pl. 5, 6 17, 39, 59 Millis, Charles Thomas, 14, 56; Mexico: E. Read as publisher in, 7, 49; Education for trades and industries wooden presses surviving in, 6, 17 (1932), on training of printers, 14, 33 Meynell, Francis, on type-ornaments, Mills, H. F., printer’s apprentice at 26, 34n Bristol (1864), 24, 112 Mezquía, Pedro, artist, lithograph Mills, Thomas Henry (d. 1872), after, 27, 46 proprietor of Bristol Gazette, 24, 118 mezzotint, 2, 17, 20; 12, 65; literature Milner, Isaac, Syndic of Cambridge of, 25, 72; reproductive, 25, 69–72, University Press, 3, 57 78–86; technique of, 25, 50n, 73–78, Minard, Charles Joseph, cartographer, 81–82; used by Lucas for Cons- 27, 72 table’s Various subjects of landscape Mininski, Franz de, printer/type- (1830–1832), 25, 47–68 founder at Vienna, possible connec- Michener, James, Covenant (1982), tions with Nicholas Kis of, 18, 74 ‘paperback’ production of, 18, 46 Ministero Agricoltura Industria e Middle Hill Press, 5, 24n Commercio (Naples), and litho- Middleton, Henry, printer (16th graphy, 27, 29 century), and Anglo-Saxon printing, Ministero dell’Interno (Naples), and 28, 52, 55n, 56, 62 lithography, 27, 13, 14, 16n, 28–31 80 printing historical society

Minsheu, John: Ductor in linguas (1617), Molloy, Charles, author/newspaper Anglo-Saxon printing in, 28, 64, 65, priorietor, 12, 37 68; Minshæi emendatio (1625), Anglo- Momoro, Antoine Francois; Manuel Saxon printing in, 28, 65 des impositions typographiques (1789, Miranda, Eugenio de, patron of Pedro 1792, 1819), 4, 21; Traité élementaire de Disses, 17, 81, 82 l’imprimerie (1793, 1796, c. 1810), 4, 21 Mirrour of the world (1481, 1491), 11, 41–42, Monaghan, J. L., on industrial 71, 78–9, 84, 124 training (19th century), 14, 16, 24, 32 Miscomini, Antonio see Bartolommeo Monfort, Antonio, lithographic da Bologna, Antonio de printer at Barcelona, 27, 35, 46 Missale abbreviatum (1470s?), 22, 68 monotype (printmaking process), 4, 37 Missale itinerantium (15th century), 22, Monotype Corporation, 19/20, 101, 72 104; buys Caslon punches, 1, 68; Missale Romanum: (c. 1472), 22, 54–55, 57, presents typographical material to 59–61, 63–65, 67, 72, 74, 75, pl. 3, 4; Oxford University Press, 1, 68; 2, manuscripts of (15th century), 22, 55, 81; type-ornaments produced by, 65–66, 74, 76 26, 35–45 passim Missale speciale: (c. 1473), 22, 55, 65, 68, Monotype Recorder, publishes article on 69, 71, 72; manuscript of (1470s), 22, Legros and Grant (1932), 28, 12, 15– 55, 68–70 16, 39 Missale Suerinense (from c. 1480), 22, 61, Monotype type-casting machine, 1, 58, 62, 63 67; 28, 7, 17, 18, 31, 35; keyboard Missale Wratislaviense (1483), 22, 65 operated by women, 18, 2 missals: early printed and manuscript Montagu, James Augustus, designs (15th century), 22, 54–78, pl. 3, 4; see ornaments for Chiswick Press, also Sarum missal; Canon missae etc. 19/20, 66 Missionary Herald, publishes article on Montefeltro, Federico da see Urbino, lithography (1829), 27, 114, 121, 124 Federico da Montefeltro, Duca di Mist, Nathaniel, printer/publisher, 12, Montenegro, Isidoro, artist, litho- 40, 41 graph after, 27, 46 Mitchell, J., lithographic printer, 10, Monthly Musical Miscellany (from 1825), 41 publishes ‰rst Indian lithographed Mitchell, Robert, typefounder (18th music, 27, 104 century), 1, 69; 15, 43, 44; 16, 17, 31; Moody, Charles, lithographic printer, typefoundry acquired by Caslon 10, 41 and James (1739), 16, 11, 21, 30 Mooney, F., maker of Columbian Mitchill, Dr Samuel Latham, litho- presses, 5, 11, 22, pl. 8, 17c graphic printer at Washington, 27, Moore, Charles T., inventor of 7, 49, 60 printing telegraph, 26, 70–71 Mitterer, Hermann Joseph, litho- Moore, Clement Clarke, probable graphic press-maker at Munich, author of ‘Visit from St Nicholas’, star-wheel press invented by, 3, 15, 27, 62 16–18, 27, ‰g. 11 Moore, Henry, intaglio prints of, 17, 12 Model press of Model Printing Co., Moore, Joseph, lithographic printer, 23, 5, 28, 29 10, 41 Model Printing Machine of W. Fisher, Moran, James, 3, 98; ‘An assessment 23, 8 of Alexander Mackie’s steam type- ‘modern’ types see didone types composing machine’, 1, 57–67; Mörnsheim (Bavaria), lithographic ‘Caxton and the City of London’, 11, stone from quarries in, 8, 2, pl. IV, V 81–91; ‘The Columbian press’, 5, 1– Molitor, Heinrich, scribe at Augsburg, 23; ‘How many Columbian presses 22, 31–32 did George Clymer and his journal: index: nos 1 to 28 81

successors make?’, 13, 78–80; (1967), 25, 22; on type-ornaments, ‘Kniaghininsky’s tape-operated 26, 34n; on William Morris’s types, composing machine’, 3, 93–96; 19/20, 5 Natsopa seventy-‰ve years (1964), Morland, George, artist, 25, 69n reviewed, 1, 105–106 Morning Herald, uses Appelgath/ More, Thomas, printer of Bellman’s Middleton press (c. 1860), 26, 67 verses (1698), 26, 31 Morning Post, uses Wicks’s type-setting Moreau, lithographic printer, 10, 41 machine (1905–1910), 28, 18 Mores, Edward Rowe, Dissertation upon Morpeth, George William Frederick English typographical founders and Howard, Viscount, and J. Hare, 24, foundries: (1778), on Caslon, 3, 66, 81–82 67, 69–70, 72–73, 16, 8, 9, 21, 28, 30, Morris, John, ‘A note on the ‰rst 75, 104, 111, 112, on Grover type- stereotyping in England’, 1, 97–98 foundry, 15, 37, 49, 53; (1961), 15, 36n, Morris, May, daughter of William, 37; see also Carter, Harry, and Ricks 19/20, 18 Moreton, Charles, typefounder and Morris, Mowbray, manager of ¡e maker of portable presses, 23, 5, 12, Times, and R. Hoe & Co., 13, 32, 13, 86; Moreton’s ‘ABC’ guide to the art of 33, 35 printing for the use of amateurs (1875?), Morris, William, 1, iv; 19/20, 94, 98, 23, 29, 13 100; 28, 90; Cupid and Psyche (1974), Moretus, Balthasar, printer at Ant- 19/20, 18; Dream of John Ball (1892), werp, orders rolling press (c. 1710), 19/20, 17; Earthly paradise (project), 17, 5, 7 19/20, 5, 18, 92–93; and Greek type, Moretus, Jan, son-in-law and succes- 19/20, 112; Love is enough (project), sor of Plantin, 9, 68, 71 19/20, 6; Poems by the way (1891), Morgan, Paul: ‘John Fairfax and the 19/20, 17; Roots of the mountains sale of his printing stock and equip- (1890), 19/20, 6–7, 93; Story of ment in Leamington in 1838’, 24, 7, Gunnlaug the worm-tongue (1891), 36–52; Warwickshire apprentices in the 19/20, 7, 85; Story of Sigurd the Volsung Stationers’ Company 1563–1700 (1978), (1898), 19/20, 16; Story of the glittering 21, 52n, 55; work on English provin- plain (1891), 19/20, 14, 16, pl. 33; Tale cial printing by, 9, 6, 9–10, 11; 24, 5, of the house of the Wol‰ngs (1889), 6, 7 19/20, 6–7, 93; as type-designer, 3, Morgan, William, lithographic printer, 114–115; 19/20, 5–18, 100, 101, 123, 10, 41 pl. 1–48 Morgan Press wood type (1964), reviewed, Morris, Zecharia Bevan, printer at 1, 106–107 Swansea, 7, 63 Morinière, lithographic press of, 3, Morse, Sidney E., inventor of 26, ‰g. 27 cerography, 10, 65 Morison, David, patentee of orphine Morton, John Chalmers, agricultural printing process (1841), 6, 86 writer, 24, 64, 75; correspondence Morison, P. Mc. J. (Morison’s Litho- with J. Hare (1847), 24, 85–86 graphic Press), lithographic printer, Morton, W., wood-engraver, 24, 72n 10, 41 Moser, Francis, lithographic printer, Morison, Robert, Plantarum historiae 1, 42, 43; 10, 4, 14, 41–42 universalis Oxoniensis (1672–1684), 25, Moser & Harris, lithographic printers, 14–15, 16, 22, 26 10, 42; print ‰rst lithographs pub- Morison, Stanley: on Aldus’s types, lished in New York (1818), 27, 51 22, 83–84; Early Italian writing books Mosley, James: book reviews, 1, 105– (1990), on Arrighi, 28, 57, 58n; on 108; on ‘Clarendon’ type, 22, 124, italic types, 22, 79n, 109; John Fell, the 125–126; ‘The early career of University Press and the ‘Fell’ types William Caslon’, 3, 66–81, pl. 8–11; 82 printing historical society

Mosley, James (cont.) Müller, Johann Caspar, printer/ ‘Nineteenth-century decorated typefounder at Leipzig etc., and types at Oxford’, 2, 81–88; ed., ‘A Nicholas Kis, 18, 60, 68, 70, 71, 75 specimen of printing types by Müller-Burger, Maria, study of William Caslon, London 1766 ’, Solnhofen stone industry by, 8, 16, 3–113 37–38 Mosses, Thomas, wood-engraver, 2, Muir, Percy H. see Carter, John, and 60; 17, 46, 53 Muir Motte, Charles, lithographic printer, Muirhead, Findlay, publisher of 1, 46; 10, 42; and design of litho- guidebooks, use of bold types by, graphic presses, 3, 23–24, 25, 34 22, 135, 137 Motter, maker of American folding Mulready, William, artist, illustra- machines (20th century), 18, 37 tions to Vicar of Wake‰eld (1843), 17, Moücke, Francesco, printer at 33, 36 Florence, 18, 57n, 68 Mumford, Edward and Thomas, moulds see type-moulds electrotypers at Philadelphia (1852), Moule, Isaac, Bellman at Cambridge, 10, 98 26, 27 Mumford, Ian, ‘Lithography for Mourilyan & Casey, lithographic maps: from Senefelder to Hauslab’, printers, 10, 42 27, 69–87 Mourlot, lithographic printers at Munby, Alan Noel Latimer, Phillipps Paris, 3, 4; 8, 33 studies (1951–1960), 5, 24 Moxon, Joseph: French Cannon Munday & Hills, lithographic printers, roman type of, 3, 75, 79; 16, 9, 10, 17, 10, 42 22; Mechanick exercises on the whole art of Munich, tinted lithographs made in, 1, printing (1683–1684), 1, iii, 7, 4, 13–14, 39–40, 42 65n, 28, 5, 10, 39, on construction of Munitions Invention Committee, and presses, 8, 49, 50, 15, 88, on printers’ L. A. Legros, 28, 38 chapel, 4, 99–100, 24, 107, 108, 109, Munsell, Joel, Typographical miscellany on printers’ equipment, 6, 51, 52, on (1850), 13, 78 type cases, 7, 37; Mechanick exercises Murray, Mr, owner of Franklin press, (1958, 1962), 16, 22, 30, see also 15, 82 Carter, Harry, and Davis; Proves of Murray, John, publisher, 17, 70–71; in several sorts of letters (1669), 16, 22 development of publishers’ bind- Moyes, James, printer: commends ings, 28, 76, 77, 81–82; ‘Family Columbian press, 5, 14; printing library’ series, publisher’s binding oŸces of, 4, 1–10, inset; type- of, 28, 76, 81n specimen of (1826), 4, 6, inset Murray, Robert, experiments in Mozley, John, printer at Derby, debts electrotyping by, 10, 91 of J. Fairfax to, 24, 37 Murray, Draper & Fairman, engravers Mubashshir ibn Fåtik, Abu al-Wafå, at Philadelphia, associated with Dictes or sayings of the philosophers (1477), Perkins, 4, 69 11, 41, 121 Murrill, William Henry, lithographic Mülich family, merchants at Augs- printer, 10, 42 burg (15th century), 22, 33, 34n Musée Conservatoire des Arts et Müller, C. F., lithographic printer at Métiers (Paris), model rolling press Karlsruhe, 3, 29, 36 workshop at, 17, 9, 20 Müller, Carl Theodor, lithographic Musée de l’Imprimerie et de la printer at Naples, 27, 7, 9–27 passim, Banque (Lyons), 1, 96–97; model 29–31, 71 of the cam-operated press of Pierres Müller, Heinrich see Molitor, Hein- at, 3, 82–92, pl. 12–19; 5, 8; wooden rich rolling press at, 17, 6n journal: index: nos 1 to 28 83 music: Caslon’s type for (1763), 2, 43; attributed to Plantin (published 16, 31, 66–67; Chiswick Press type 1964), 28, 43n, reviewed, 1, 99–101 for, 19/20, 73, 75; Cowper invents Nash, Thomas, C. Burby publishes method of printing (1827), 26, 57; works of, 21, 74 D’Almaine & Co. as publisher of, Nashville, bibliographical press at 14, 59–81, pl. between pp. 68/69; Joint University Libraries of, 1, 13 engraving of (19th century), 14, 71, Nasmyth, James & Co., engineers, 7, 73–75; Nicholas Kis’s types for, 18, 29 73; in missals (15th century), 22, 54, National Printing Machine Company 56–59, 69, 72–75, 78; new types for of Clephane, 26, 73 (15th–16th centuries), 22, 72–75, 78, National Provincial Typographical (18th century), 1, 21–38; 2, 23–44; Association, 24, 119; see also Provin- popular (England, 19th century), 14, cial Typographical Association; 61–66; printed by gypsography, 5, Typographical Association 55; printed by intaglio processes, 14, National Society of Lithographic 71, 72, 74, 77–78; printed by litho- Artists, 14, 48, 52 graphy, 2, 43; 3, 5–6; 4, 41; 8, 4; 14, National Typographic Company 71, 72–74, 78–79; 27, 10, 13, 21, 49, (Baltimore), 26, 74, 75, 76, 77, 78 104; printed by stereotyping, 9, 32; NATSOPA (National Society of 14, 72 Operative Printers and Assistants), Musical Bijou (1829–1851), 14, 63n, 76n, history of, 1889–1964 (1964), 78n reviewed, 1, 105–106 Musical T imes, on sale of D’Almaine’s Nattali, Michael Angelo, publisher, stock (1867), 14, 65n brother-in-law and partner of music cover designs, 4, 41; 14, 72–73, 79 Combe, 3, 60 Musson, Albert Edward: on mechan- nature printing, 4, 33, 36; 6, 53–65, 83– ization of newspaper typesetting, 14, 86, pl. 2–5, 7, 8; in Austria, 4, 45, 46, 5; Typographical Association (1954), on 52–53; by F. Branson, 4, 55; by mechanization of typesetting and its Lucas, 4, 47 e ects, 18, 3, 7, 8, 12–13, 19, 20, 21– Naudé, Gabriel, librarian to Cardinal 22, 25, 26–27, on printers’ chapel, Mazarin (17th century), 11, 46–47 24, 107, on training of printers, 14, 7, Naumann, press-maker at Frankfurt, 9, 44, 53, 18, 32, 35 lithographic press of, 3, 36, ‰g. 45 Myers, A. N., press-maker, makes Navarre, Jeanne, Queen of see Jeanne presses for amateurs, 23, 11 Navarre, Marguerite, Queen of see Myers, Robin, ‘Introduction: search- Marguerite ing the Stationers’ Company records Navarrete, Martín Fernández de, for printing history’, 21, 1–12, pl. administrator at Madrid, and facing p. 12 lithography, 27, 36 Naylor, T. E., of London Society of Nakuri, Abul Fath Rukn bin Hussam- Compositors, on apprenticeship addin al Mufti al, Fatawa Hammadiyah and training (1890s), 13, 9; 14, 7, (1825), 27, 104, 105 54–55 Napier press: defeat of petition to Neale, Robert, patents automatic Congress for remission of import inking of intaglio plates (1853, 1855, duty on, 7, 33–36; introduced in 1877), 2, 5n; 17, 4 America, 7, 29–33 Neck, wood-engraver, 17, 51 Naples: history of (1820s), 27, 19; Needham, Cassandra see Grover, Cas- introduction of lithography at sandra (1816–1825), 27, 6–7, 9–32, 71 Needham, Lawrence, stationer, 15, 38 Nash, Ray, ed., Calligraphy & printing Neele, James, lithographic printer, in the sixteenth century, dialogue 10, 42 84 printing historical society

Neele, Josiah, lithographic printer, Newcomen steam engine, Clymer’s 10, 42 acquaintance with, 5, 7–8 Neele, Samuel James & Son, litho- New Constitutional Society for graphic printers, 10, 42 Women’s Su rage, and J. C. Grant, Negus, Samuel, printer, list of London 28, 23 master printers by (1724), 4, 104–106 New Farmer’s Journal (1843), 24, 65 Neill, John, printer at Manchester, Newfoundland, bibliographical press apprentices of (1897), 13, 24 at Memorial University of, 1, 11 Neobar, Conrad, printer at Paris, use ‘New Hellenic’ type of Scholderer, of special sorts by (from 1540), 28, 58 19/20, 124 Nesbit, Charlton, wood-engraver, 17, Newman, Alfred L., lithographic 53 printer, 10, 42 Netherclift, F. & R. (Netherclift & Newman, Charles, intaglio printer, Rutter), lithographic printers, 10, 42 17, 12 Netherclift, Joseph (Netherclift & Newman, Henry, on Caslon, 3, 75 Son, Netherclift & Durlacher), Newman, J. & Co., lithographic lithographic printer, 10, 2, 6, 18, 42 printers, 10, 43 Netherlands: types cast in considered Newman, William Henry, printer’s superior in England, 16, 8; wooden apprentice at Bristol (1864), 24, 112 presses surviving in, 6, 19–20; see Newsam’s process, for a stipple- also Low Countries engraving ground (1842), 6, 86 Neuburger, Hermann: Korrektor news-ballads, 26, 21 (1847), 4, 30; Leitfaden für Schriftsetzer- newspapers: Applegath’s machines Lehrlinge (1842), 4, 30; Praktisches for printing, 2, 52–53, 55; 13, 28, 29, Handbuch der Buchdruckerkünst (1841), 32, 34, 41, 48, 52, 55, pl. facing p. 48; 4, 30 26, 54, 60–61, 62–68; Columbian Neumeister, Johann, printer at press for printing, 5, 4–5; Hoe’s Foligno: photographic enlarge- ‘Lightning’ rotary machine for ments of roman type of, 19/20, pl. printing, 13, 27–63, pl. facing pp. 48, 6, 9; as typographical inspiration to 49; mechanization of typesetting for William Morris, 19/20, 9 (19th century), 14, 5; 18, 5, 10–12, 31, Newberry Library (Chicago): early 32, 35; owned by Mackie and set by missals at, 22, 54, pl. 3; exhibitions his machine, 1, 58, 60, 62, 64; print- on scholar printers at, 1, 108 ing at Bristol of (1801–1911), 24, 120; Newbery, Francis, publisher etc., in printing at London of (1700–1750), development of publishers’ bind- 12, 33–51; see also the names of individual ings, 28, 74 newspapers Newbery, John, publisher etc.: in Newton, John, Olney hymns (1831), pub- development of publishers’ lisher’s binding of, 28, 80 bindings, 28, 74; memorandum New York: electrotypers in, 10, 98, book of (1740), 9, 9–10 103; lithography introduced to Newbery, Ralph (d. 1604), publisher, (1820s), 27, 7, 56–57, 59–67 passim and Anglo-Saxon printing, 28, 52, New-York American and New-York Daily 55, 56, 62, 64, 65 Advertiser, Napier presses for (1825), Newcastle-upon-Tyne: bibliographical 7, 29–31 press at University of, 1, 11; early New York Historical Society, holds printing in, 4, 88, 89, 91 material relating to early American Newcombe, Samuel, lithographic lithography, 27, 59, 60, 61 printer, 10, 42 New York Public Library, and ESTC, Newcombe, Thomas I, King’s Printer, 24, 10 21, 33n, 41; debts to Thomas I New York Times, buys and uses Hoe’s Grover of, 15, 39, 42 ‘Lightning’ rotary press, 13, 30n, 56 journal: index: nos 1 to 28 85

New York Tribune: buys and uses Hoe’s Noizet, Captain, French cartographer, ‘Lightning’ rotary press, 13, 30n, 50, draws map on zinc (1824), 27, 69, 56; installs ‰rst Linotype machines 70n (1886), 26, 77; on Linotype type- Nolte, Vincent: forms company for metal (1889), 26, 90 medal-engraving, 4, 78–79; his Nicholls, Arthur, punch-cutter/type- dispute with Bate, 4, 78–83, 84; founder, 28, 69 Medallic illustration of the history of Nicholls, George Pike, wood-engraver, England (proposed work), 4, 17, 53 48–49, 79 Nicholls, Nicholas, punch-cutter/ North, John William, artist, engrav- typefounder, 15, 37, 38; 28, 69 ings after drawings by, 5, 94 Nicholls, Thomas (junior), litho- North Briton, 16, 12 graphic printer, 10, 43 Northcote, James, Fables (1828–1833), Nicholls, William (William Alfred?), illustrations to, 17, 45–61 passim wood-engraver, 17, 53–54 North of England, project on history Nichols, John, printer/author, 9, 26; of book trade in, 4, 87–98; 9, 6 15, 55; 21, 41; Biographical and literary Northumberland, Algernon Percy, anecdotes of William Bowyer, printer 4th Duke of, bribes Clowes to move (1782), on Caslon, 3, 66, 67, 68, 69, his printing oŸce, 26, 56 72, 74n, 16, 7, 9, 10n, 24–25, 28; Northumberland, history of book Literary anecdotes of the eighteenth century trade in, 4, 87, 91, 97 (1812–1816), 4, 104, 7, 55n, on D. Norton, Bonham (d. 1635), printer/ Leach, 16, 12, on W. Rayner, 12, 50 publisher, 28, 65 Nicholson, Clement O. F., acquires Norton, John I, printer/publisher Wicks Rotary Type-Casting Co. (16th–17th century), 21, 15, 37, 41, 73, (1906), 28, 19 78; 28, 66 Nicholson, Isaac, wood-engraver, 17, Norton, Roger II, printer, 21, 35n, 49, 51 36n, 41 Nicholson, Richard F., acquires Wicks Norway, wooden presses surviving in, Rotary Type-Casting Co. (1906), 6, 17–18 28, 19 Nosworthy, J. & W., lithographic Nicholson, William, patentee of printers, 10, 43 rotary press (1790), 3, 47n; 26, 54, 59 Nosworthy & Wells (Nosworthy & Nider, Hans, Vier und zwanzig goldenen Lewis), lithographic printers/press- Harfen (1472), 22, 35, 37 makers, 10, 43 Niepce, Nicéphore, originator of Nottingham, Jim, intaglio printer, 25, photo-engraving, 10, 66, 67 23 Nieto, Francisco, widow of, printer at Novello, Joseph Alfred (Novello & Madrid (17th century), uses Pedro Co.): on respective advantages of Disses’s types, 17, 87, 88 engraved plates and movable types Nineteenth-century type-specimen books, in for printing music (1847), 2, 43; uses facsimile, 5, supplement Davis’s type-casting machine (1912), Nischer, Ernst von, Österreichische Karto- 28, 36 graphen (1925), on Hauslab, 27, 79, 82 Novice press of W. Wightman, 23, 9, Nixon, Howard M.: ‘William Caxton 14 and bookbinding’, 11, 92–113, pl. Novimagio, Reynaldus de, printer/ I–XII; ‘The memorandum book of typefounder at Venice (15th James Coghlan: the stock of an century), 11, 31 18th-century printer and binder’, 6, Nowell-Smith, Simon, ‘Charles 33–52 Manby Smith: his family & friends, Noah, Major Mordecai, American his fantasies & fabrications’, 7, 1–28, importer of cylinder press, 7, 36 pl. I 86 printing historical society

Nugent, wood-engraver, 17, 54 Oldcastle, Hugh, writer on account- Nugent, General Lavall, Count, 27, ancy (16th century), 26, 10 10, 12 Old‰eld, Arthur, on training of numbering machines, invented by J. printers (1895), 14, 22 Oldham, 24, 105 Oldham, James Basil, on bindings numerals (typography), 25, 5; in found on Caxton’s books, 11, 93, English Bibles etc. (16th century), 102–103, 106 26, 5–13 Oldham, John, printing engineer, 24, Nunn, W., of Hertford, correspon- 105 dence with J. Hare (1847), 24, 94–95 Ollier, Charles, publisher, as author Nutt, John, printer, debts to Thomas of Bellman’s verses, 26, 23 II Grover of, 15, 45, 46 omnigraphy of Becker, 4, 86 Nutt, Richard, printer/typefounder, ‘One-nick Long Primer’ type (1856), 12, 39–40; 21, 36, 41; acquires 19/20, 85, 93, 96–98, 100, 101 interest in Grover/Meere type- Onslow, Arthur, tenant of 20 Soho foundry, 15, 48, 49; inventory of Square (1753–1761), 14, 65 typefoundry (1725?), 15, 49–53 Ontario, Western, bibliographical Nutt, William, printer, 12, 35 press at University of, 1, 12 Nuttall, R. Austin, experimental Ordnance, Board of, Caslon engraves engraving methods used by, 4, ‰rearms for, 3, 67, 68, 81, pl. 8; 16, 50–51; 5, 54, 55–57 4, 6, 7 Ordnance Survey, 27, 72–73, 84n; Observer, publishes advertisement for Appel works for, 5, 36; Irish survey William Pickering’s publisher’s by (1820s), 27, 73 bindings (1825), 28, 76 Ordnung der Gesundheit (1472), 22, 34–45 Oddy, Samuel Augustus, printer, 9, Ordnung zu Reden (from c. 1472), 22, 34, 48, 49 35n, 36n Ode, Hippolyte, geographer and Origen, Homiliae (1503), use of capitals lithographic printer in Belgium, in, 22, 102 27, 77 Oriental Lithographic and Typo- OŸcina Plantiniana see Plantin graphic Press, printer at Cossitollah OŸcio Topogra‰co (Naples), and (India), 27, 91 lithography, 27, 7, 9–12, 19, 21, 25n, Oriental Lithographic Press, printer 27, 31 at Calcutta, 27, 107–108, 110 o set-lithography: invented as a tin- Ormond, James Butler, 1st Duke of, printing process, 8, 60; presses for, and Oxford University Press, 25, 14 8, pl. XXXVIII, XL, XLII; used for ornaments see borders; head-pieces; packaging, 4, 118; used to print tail-pieces; type-ornaments ‘paperback’ books (20th century), Oropesa, Manuel Joaquín Alvarez de 18, 37–38, 41 Toldeo, Count of, 17, 75n, 81, 82n O set Paperback Manufacturers, orphine printing process (1841), 6, 86 printers/binders at Dallas, 18, 38 Orr, William Somerville, publisher, o set process, used by Applegath & 17, 58 Cowper for bank-notes, 2, 51 Orrinsmith, Harvey, artist, in develop- Ogilby, John, author/publisher, 25, ment of publishers’ bindings, 28, 5n, 8, 9, 10–11; Aesopics (1668), 25, 11; 86 Androcleus (1668), 25, 11; Ephesian Orrin Smith, John see Smith, John matron (1668), 25, 11; Itinerarium Orrin Angliae (1675), 25, 11; see also Aesop; Osborne, Malcolm, mezzotint Homer engraver, 25, 71 Okebourne family, and Caxton, 11, 83, Osborne, Thomas, lithographic 88–91 printer, 10, 43 journal: index: nos 1 to 28 87

Osley, Arthur S., on Arrighi (1965), Oxley, J., correspondence with J. 28, 57, 58n Hare (1846–1847), 24, 90, 91 Otago, bibliographical press at Uni- Oxley, Thomas: and gypsography, 5, versity of, 1, 10 54, 56; relief metal process invented Otis, Bass, painter/lithographer at by (c. 1805), 6, 86 Philadelphia, 27, 7, 51–56 passim, 60 Paas, Cornelius & Andrew, printers ‘Otter’ Greek type (1900–1903), etc., Specimen of brass card borders 19/20, 124; 25, 21 (1788), 1, iv Ouram, Henry, press-maker at Phila- Paci‰c Printer (1870s–1880s), 7, 45, 46, 49 delphia, 8, 44, 46; press made by, 8, Pacileo, Ra aelle, artist/lithographer 47, 48, 49, 50, pl. XXXI at Naples, 27, 25n Overton, John, printer, 25, 11 Pacioli, Luca, theorist of letterforms Ovid, Metamorphoses: (1480?, Caxton), (15th century), 1, 76, 86 11, 122–123; (1502, Aldus), 22, 81, 98 packaging, development of produc- Ovink, G. W., on revivals of historical tion and design of, 4, 118–119 types (19th century), 19/20, 79, 85n Packer, Thomas, lithographer, 10, 43; Owen, Frederick, compositor at as artist of music covers, 14, 79 Bristol (1864), 24, 112, 113, 116 Padrino, José, printer at Seville Owens, E., amateur printer, 23, 24 (1748–1775), uses Pedro Disses’s Oxford: background to the intro- types, 17, 84, 88, 90 duction of printing at (1478), 13, Page, Joseph & George & Co. 67–77; printing trade in contravenes (Joseph Henry Page & Co.), law on number of presses (c. 1688), lithographic printers, 10, 43 21, 11–12 Page, William, lithographic printer, Oxford Almanack (from 1673), 25, 22, 26, 10, 43 28 pails, tin-printed, 8, pl. XLIII Oxford Bibliographical Society, Paine, Mr, Secretary of the Bradford Bibliography in Britain (1964) pub- Typographical Society, 18, 30 lished by, 1, 108 Painter, George: Hypnerotomachia Oxford Magazine, on Selwyn Image’s Poliphili of 1499 (1963), on the types Greek type, 19/20, 123 used, 22, 83n; on Caxton’s books Oxford University Press: adminis- and bindings, 11, 93, 94, 119, 130, 133 tration of (1780–1881), 3, 51–61, Pakeman, Daniel (d. 1664), publisher, 63–65; Baskerville’s Greek type for, 28, 67 19/20, 104; Caslon printing material Palacios, Joaquin Maria, Manual de presented to, 1, 68; 2, 81–85; cajista (1845), 7, 65 Caslon’s Etruscan type acquired Pall Mall Gazette, old style types used by (1745–1746), 16, 28–29; Caslon’s in (1870s), 23, 20 Syriac type acquired by (c. 1775), 16, Palmer, Edward, inventor of glypho- 75; in development of publishers’ graphy (1843), 4, 33, 48, 51, 52, 54; 5, bindings, 28, 90, 92–93; device of 56, 59, 63–80, pl. 11; 6, 80; 10, 65; 17, (Sheldonian Theatre), 25, 22; early 54; electotypes of (1840), 6, 66–67; history and Fell (17th century), 25, 17, 54; Glyphography or engraved drawing 5–21 passim; intaglio plates surviving (1843), 5, 63, 67, 71, pl. 12–18; Illus- at, 25, 4, 5, 21–30; Museum of, 25, 21, trations of the art of electrotype (1841), 4, 29; new printing-house for (1827), 3, 48, 85; as inventor of electrotint 61–62; type-specimen of (1693), 16, (1840), 6, 65–66, 67–70, 77–78; 11; 25, 21n; 28, 43n; and Williams nature printing by (1840), 6, 61, Engineering Co., 28, 37; and Andrew 67, 83 Wilson, 9, 42–43, 52; see also Claren- Palmer, James, printer at Bristol, 24, don Press 116, 118 88 printing historical society

Palmer, John J., of Toronto, 4, 45, 49; century), 18, 42–43, 46; pressing of, takes over Read’s San Francisco to smooth printed sheets (Britain, agency, 7, 45, 46 1870s), 23, 60–61; used by earliest Palmer, Samuel, printer for S.P.C.K., printers, 1, 3n 3, 70; 16, 8–9; uses Caslon type, 3, ‘paperback’ book production: in 72, 74, 79; 16, 23, 29 America (20th century), 18, 36–46; Palmer, William John, wood-engraver, in Britain (19th century), 28, 88, 89 17, 54 paper-cutting machines: invented by Palmer, William Vaughan: electro- Applegath, 26, 68; invented by types by, 5, 70–71; medal-engraving Cowper, 26, 48, 57 by, 4, pl. 22 paper-making machines, history of Palmer & Rey, printers’ suppliers at (1967), reviewed, 4, 111–113 San Francisco, 7, 46, 47 paper mills: for Oxford University Palomar, Director of Depósito Hidro- Press, at Wolvercote (1855), 3, 62– grá‰co (Madrid), 27, 46 63; Russian Imperial (1879), 4, 112 panatype printing, 9, 31, 33 Papillon, Jean Baptiste Michel, wood- paneiconography of F. Gillot, 5, 47, engraver, Traité historique et pratique de 65n, 78 la gravure en bois (1766), 4, 116; on Pannartz, Arnold, and Konrad Dürer, 5, 44, 45 Sweynheym, printers at Subiaco Papineau, James, lithographic printer, and Rome (1460s–1476), 11, 48–49, 10, 43 61; 13, 70; 22, 89; photographic papirography of Senefelder, 27, 56, enlargements of semi-roman type 63–64, 65 of, 19/20, pl. 13, 25, 45, 46; as papyrography, form of anastatic typographical inspiration to William printing, 6, 87; 23, 78 Morris, 19/20, 10, 12, 15, 16, 16–17, Paragon Machine Co., press-makers 100 at Leeds, 23, 16 Panton, Paul II, private press of at Paredes, Julian de, printer at Madrid Plas Gwyn (Anglesey), 7, 58–62 (17th century), 17, 72–73, 76; uses Paolini, Stefano, printer at Rome, 18, Pedro Disses’s types, 17, 86, 87, 88 73n Paris: British wood-engravers work- Paolotti, Vincenzo, architect at ing in (19th century), 17, 34, 37, 38, Naples, 27, 17n 41, 43, 49–60 passim; early printing Pap, S. Szathmári, matrix-maker, 18, in, 11, 33–34, 45; 13, 72; lithographic 60 printers in, 3, 4, 5; 10, 7, 13n; litho- paper: for amateur printers (Britain, graphic stone-merchants in, 8, 19, 1870s), 23, 53–54; as bookbinding 26, 27, pl. VIIIc material, 28, 72–73, 88–89; Caxton’s Pàriz, Ferenc Pàpair, friend of use of, 11, 26–27, 36–38; cost of, at Nicholas Kis, 18, 74 Cologne (1470s), 11, 4–5, in England Parker, wood-engraver, 17, 54 (17th century), 21, 22–23, for Parker, Henry, nephew of Joseph, 3, Plantin’s publications, 9, 69; 56 damping of for printing, 23, 57; 25, Parker, John, son of Matthew, 28, 47n 44; ‰rst book printed on machine- Parker, Joseph, printer at Oxford, made, 9, 37; for intagio printing, 2, partner with Oxford University 15n, 17n, 20; labels for, in com- Press, 3, 55–56, 58, 59, 61, 62 pound-plate printing, 4, 62, in Parker, Matthew, Archbishop, and glyphography, 5, 78; lithographic Anglo-Saxon printing, 28, 41, 44–69 stones adapted to sizes of, 8, 27, 36; passim for lithography, in Spain, 27, 40; Parker, W. H. (& John), printer of objections to tax on (1803), 9, 33– Bellman’s verses at Hereford, 26, 31 34; for ‘paperback’ books (20th ‘parlour’ presses see portable presses journal: index: nos 1 to 28 89

Parma, Bodoni as public printer to 3, 56; of Pedro Disses, 17, 81, 82; Duchy of, 1, 103 of Nicholas Kis, 18, 66, 67, 74 Parmenter, Samuel & Co., litho- Paul, Charles Kegan, publisher, on graphic printer, 10, 43 Victorian book-production (1883), ‘Parnassus library of Greek and Latin 19/20, 5 texts’ (series), 19/20, 111, 115, 118, 119 Paul, J. C., maker of Columbian Parry, John, music editor, 14, 72 presses, 5, 13, 14, 22, pl. 13, 17e Parry, John (J. & J. Parry), printer/ Paull, John, lithographic printer, 10, publisher at Chester, 15, 56–59; 43 account-book of (1826–1836), in Pavia, Pietro da, printer at Venice facsimile, 15, 60–80; Rhodd mam (from 1500), type used by, 22, 90 (1811 etc.), 15, 57, 58 Pavier, Thomas, publisher/draper, Parry, Morris, on printing at Chester, 21, 15 15, 58 Payne, George, lithographic printer, Parsons, Thomas, Sermon preach’d at the 10, 43 funeral of John, Earl of Rochester (1728), Peacock, Tom, of Barringer, Wallis set in Caslon type, 16, 26 & Manners, 8, 54, 61, 64 Partington, Charles Frederick: Peale, Franklin, of U. S. Mint, experi- Engraver’s complete guide (c. 1825), 3, ments in electrotyping by, 10, 87, 89 24n, on rolling presses, 17, 1, 2; Pearce, Ernest, on British wood- Printer’s complete guide (1825, 1831), 4, 18 engravers (19th century), 17, 31, part-works see serial publication 44–55 passim Patent Carving Company, and J. Hare, Pearce, Nathaniel, lithographic 24, 77, 84 printer, 10, 43 patents: for agricultural equipment, Pearse, William Chancey, litho- handled by J. Hare (1840s), 24, 71, graphic printer, 10, 44 76, 80–81; for anastatic printing, 5, Pearson, George, lithographic printer 24–27; of Applegath for printing at Calcutta, dispute with Rind equipment etc., 2, 57; 26, 49, 54–55, (1829), 27, 102–104 62, 63, 66–69; of Cowper, 26, 48, 57, Pearson, Joseph, teacher at Hull, on 58; for cylinder lithographic training of printers (1900), 14, 36–37 presses, 3, 46–47; of Dodge for Pearson, William, publisher of music Linotype matrices etc., 26, 88, 90; using new type (1699), 2, 40n for electrotint, 5, 66; for glypho- Peddie, R. A., on English provincial graphy, 5, 64–66; for Hoe’s printing (1904), 9, 6 ‘Lightning’ rotary press, 13, 29, 59; Pedemontese, Alessio, Book of art of Hildeyard for making blue (1572), ectypa illustrations in, 6, 54 paper, 28, 73; of F. Koenig, 26, 54; Peek Frean, biscuit-makers, biscuit tin of Legros and Grant etc., 28, 24–28, for, 8, pl. XL 29, 31; for lithography, in America, Peele, John, publisher, 12, 37 27, 67; of Mergenthaler for Lino- Peeters, Jeroen, on printing at Palam- type, 26, 76, 88; for rolling presses, bang (1848), 27, 127n, 129 17, 2–4; for Fox Talbot’s method of Peipard’s Farm see Prospect Farm photo-engraving, 13, 64–65 Peleguer, Vicente, engraver/litho- Patrelli, Annibale, music publisher/ grapher at Madrid, 27, 46 lithographic printer at Naples, 27, Pemberton, Henry, View of Sir Isaac 6–7, 9–29 passim Newton’s philosophy (1728), set in Patrie (Paris newspaper), uses Hoe’s Caslon type, 16, 23 ‘Lightning’ rotary press, 13, 28, Pendleton, William and John, litho- 29, 41 graphic printers at Boston, 27, 67 patronage: of Caxton’s books, 11, Pendred, John, earliest directory of 75–78; Combe’s of Pre-Raphaelites, book trade by, 9, 10 90 printing historical society

Penn, William, lithographic printer, Perseverance press of Millikin and 10, 44 Lawley, 23, 11 Pennant, Thomas, 7, 54–55; corres- Perugino, Lautizio, punch-cutter etc. pondence with Allan, 7, 55–56, 57–58 at Vicenza, 28, 57–58 pennantizing see grangerizing Pestalozzi, Johann Heinrich, educa- Pennell, Joseph, large lithograph by, tionalist, schools of connected with 8, 36n, pl. XXIIIb early American lithography, 27, 56, Pennell, Joseph and E. R., Lithography 60, 63 & lithographers (1898), 27, 5n Petch, Henry Phillipson, engraver, pen nibs, steel, originated for Donkin, and Perkins, 4, 72 4, 113 Peters, wood-engraver, 17, 54 Pennsylvania Academy of Fine Arts, Petersen, Clarence, Bantam story given lithographs by Engelmann (1975), on paper for ‘paperback’ (1818), 27, 50–51 books, 18, 46 penny black postage stamp, 4, 67 Peterson, William S., ‘The type- Penny Magazine, uses reproductive designs of William Morris’, 19/20, wood-engravings (1830s), 17, 32, 56 5–18, pl. 1–48 Pensis, Christophoro de, printer at petition of printers to Stationers’ Venice, 22, 94 Company (c. 1688), 21, 11–12, pl. People’s printing press of D. G. Berri, facing p. 12 23, 27, 7–8 Petrarch, Trion‰ and Sonette e canzoni Percy, Algernon, Duke see Northum- (1490), use of capitrals in, 22, 94 berland Petrie, Flinders, Decorative patterns of the Peregrinus, Peter, Epistle concerning ancient world (1930), 26, 34n the magnet (1902), 19/20, 85–86 Petrucci, Ottaviano dei, printer of ‘perfect’ binding, of ‘paperback’ music at Venice (1501), 1, 22 books (America), 18, 44–46 Petter, Helen Mary, Oxford almanacks perforated tape: in Hollerith 1674–1974 (1974), on intaglio plates machines, 1, 59–60; in typesetting used at Oxford, 25, 28 machines, 1, 60–61, 67; in weaving, Pettitt, Raymond, lithographic printer, 1, 59 10, 44 Perkin, Michael see Isaac and Perkin pewter plates, for printing engraved Perkins, Angier March, son of Jacob, music, 2, 43 4, 70, 72 Pfei er, Robert & Co., quarry owners Perkins, Jacob, 5, 3n; his dispute with at Solnhofen, 8, 5, pl. IIIa, IV, V Congreve, 4, 60–61, 70–71; patents P‰ster, Albrecht, printer at Bamberg rolling press (1819), 17, 3–4; sidero- (1450s–1460s), 13, 68 graphy of, 4, 59, 60, 61, 62, 66–73, Phaedrus, Gaius Julius, adaptor of pl. 15, 16; 6, 87; as stamp printer, 5, Aesop, 25, 13; Fables (1668), 25, 13 8; see also Perkins, Bacon & Petch Phalaris, tyrant at Agrigentum, spuri- Perkins, Thomas, correspondence ous Epistles of, 25, 17–18 with J. Hare (1846), 24, 85 Phemister, Alexander, punch-cutter, Perkins, William, divine, C. Burby 19/20, 63 prints works of, 21, 76 Philadelphia, early lithography at, 27, Perkins, William, printer at Haver- 49–67 passim fordwest, 15, 56n Philip II, King of Spain, and Plantin, Perkins, Bacon & Petch, stamp 1, 16 printers, 2, 18n; 4, 72; 5, 28 Philippe see Worms and Philippe Perrot, Louis Jerome, patentee of Philipson, J., and history of book lithographic presses at Rouen trade in North of England, 4, 98 (1840, 1845), 3, 47, 48–49 Phillipps, Sir Thomas, anastatic Perry, Stephen, of Ipswich, 24, 58 printing for, 5, 24–40 journal: index: nos 1 to 28 91

Phillips, E., and Charles Jephson, phytoglyphography see nature printing printers of Bellman’s verses, 26, 31 Pickering, Basil Montague, book- Phillips, F., printer (1870s?), 23, 28, seller, Catalogue (1857), 19/20, 96, 29, 2 97, 100 Phillips, Giles Firman, Art of drawing on Pickering, William, publisher: Combe stone (1828), 8, 26, 30 prints for, 3, 60; in development of Phillips, R., printer of Bellman’s publishers’ bindings, 28, 75–77, 81; verses, 26, 31 and Charles II Whittingham, 19/20, Phillipsthal, Luigi di, Prince, litho- 62, 65, 70–71, 78, 86, 87, 90; see also graphic portrait of (1823), 27, 20, 21 Chiswick Press Philosophical Magazine, printed by Rich- Pierre de la Cépède, Paris et Vienne ard Taylor’s ‰rm (from 1798), 2, 45 (1485), 11, 44, 126 Philpot, James, printer at Gosport, Pierres, Philippe Denis, cam-operated debts to Thomas II Grover of, 15, printing press of, 3, 82–92, pl. 12–19; 45, 47 5, 8 Phinney, Joseph Warren: and Ameri- Pierron, portable lithographic press can Type Founders, 13, 78; copies of, 3, ‰g. 52 ‘Golden’ and ‘Troy’ types for the Pietro, Gabriele di, printer at Venice, Dickinson Typefoundry (Boston), 22, 93 19/20, 17 Pigot & Co., classi‰ed directories Phipps, music publisher, 14, 61 of, 2, 6n, 63, 68; 10, 3, 4, 5, 7, 11, Phoenix iron foundry (London), 5, 6 12, 20 photocomposition, for ‘paperback’ Pigouchet, Philippe, printer at Paris books (20th century), 18, 39, 42 (15th–16th centuries), ornaments photo-engraving, 4, 38; 10, 66–67, ‰g. copied from, 19/20, 65 8; 12, 52–53; development by Fox Piil, C., of Copenhagen, inventor of Talbot of (1852–1858), 13, 64–65, pl. chemitype metal relief process, 5, facing p. 64; replacement of wood- 58; 6, 74 engraving by, 10, 65–72, attitudes Piloty, lithographer at Munich, 1, 39, towards, 10, 72–75 42 Photo-Engraving and Lithography, Pindley, John, publisher, 21, 77n L.C.C. School of see London Pine, William, publisher at Bristol, County Council: School of Photo- 24, 111 Engraving and Lithography Pinwell, George John, artist, engrav- photo-etching: on Admiralty charts, ings after drawings by, 5, 92, 94 25, 41–42; on wood, 10, 75 Piper, Stephen, printer/publisher at photographic printing processes, 4, Ipswich and Hadleigh, 25, 57, 58n, 39, 52, 54, 55–56; 5, 57 59n photography, 4, 52, 55; enlargements ‘piracy’ (unauthorised reprinting): of of typeforms by, 7, 51–53, pl. IV–XI; British books by foreign printers 19/20, 8–11, 101, pl. 1–19, 39–48; (19th century), 14, 15; of W. D. introduction to Singapore of (1841), Richmond, 7, 45n 27, 123 Pisan, Christine de: Book of fayttes of photolithography, 8, 63–64, pl. XLIV armes (1489), 11, 44; Moral proverbs photopolymer printing plates, used (1478), 11, 42 for ‘paperback’ books (20th Pisani, Antonio, lithographic portrait century), 18, 42 of, 27, 18, 19 phototransfer: of drawings to intaglio Pistrucci, Benedetto, chief engraver plates, 25, 40; of drawings in wood- at the Mint, in the Bate-Nolte engraving, 5, 89–95; 10, 60, 62, 67; inquiry, 4, 80, 81 of engravings to lithographic Pistrucci, E., lithographic printer, 10, stones/plates, 25, 45–46 44 92 printing historical society

Place, John, patentee of mechanism Plomer, Henry Robert: et al., Dictio- for feeding type-metal to Linotype nary of printers and booksellers from (1898), 26, 90n 1668 to 1725 (1922), 24, 18, 19, on plague of 1665–1666, e ects on Grover typefoundry, 15, 36; Short London book trade of, 21, 55, 60 history of English printing (1900, 1915), plain-song music, Gothic and Roman 2, 74 styles of notation for, 1, 22 Plutarch, Opuscula: (1509, 1514), use of plans see maps and plans, charts capitals in, 22, 102, 103; (1546), use planographic printing processes, 4, of special sorts in, 28, 58 34, 35, 37–38; see also lithography pochoir process, 4, 37 Plant, Marjorie, English book trade Pocock, George Admiral, printer at (1965), 2, 76; 4, 87 Dartford, 9, 15–17 Plantin, Christopher, printer etc. at Pocock, Robert, printer at Gravesend, Antwerp: Calligraphy & printing in the 9, 15 sixteenth century, dialogue attributed Pocock, Thomas William, litho- to (published 1964), 28, 43n, graphic printer, 10, 44 reviewed, 1, 99–101; history of Poetae Christiani veteres (1501–1504), use OŸcina Plantiniana (1969–1974), of capitals in, 22, 99–102 reviewed, 9, 66–72; lives of the poetry: early manuscript practice in Moretuses and, 9, 66, 67–69; writing of, 22, 8–9, 11, 15–28 passim; management of printing and on printing/binding (20th century), publishing house of, 9, 66, 69–72; 24, 4; typesetting of (Britain, 1870s), 24, 118n; type-specimens of, 1, 16; 23, 40–41; see also Bellmen types used by, 1, 15–20; 4, 109; 16, Poirier, lithographic press of, 3, 33, 30, 76; 18, 50; 28, 58; wooden ‰g. 40 patterns for large type used by, 2, 81 pole lithographic press, 3, 12–16, ‰gs Plantin-Moretus Museum (Antwerp), 3–10; see also scraper lithographic 1, 15, 16–17, 99, 100; 9, 66; wooden press presses at, 6, 3–5; wooden rolling Pollard, Alfred William, 3, 112; on press at, 17, 4–5, 8, 16 Planudes, Maximus, on Aesop, 24, 12, Greek type (1891), 19/20, 104–105, 16 106, 108 Plasiis Cremonensis, Petrus de, Pollard, Alfred William, and G. R. printer at Venice, 22, 94 Redgrave, Short title catalogue plate-marks (intaglio prints), imitated 1475–1640 (1986–1991), 24, 10 on lithographs, 14, 84–86, pl. 2–3 Pollard, Graham: on bookbinders platens, copper, for Plantin’s presses, (England, 15th century), 11, 93–94, 9, 70 105; on printers’ type stock (mid- plates see intaglio plates 19th century), 19/20, 73 Plato, Phaedo (1894), 19/20, 111, 112, 113 Pullux, Vocabularium (1502), use of playbills, as a source of printers’ capitals in, 22, 97 names, 9, 8–9 Polyglot Bibles: ‘Complutensian’ Playford, William, printer in Cam- (1514), Greek types in, 19/20, 121, bridgeshire, correspondence with J. 124; London (1653–1657), 3, 70, 80; Hare (1846), 24, 93 16, 29; Plantin’s (1568–1572), 1, 16; Plenty, James and Edward, agricul- 9, 68 tural engineers at Newbury, corres- Polymele: eine Sammlung von Gesang- pondence with J. Hare (1847), 24, 83 Duetten und Terzetten (1840), use of Plimpton & Huetson, lithographic bold type in, 22, 134 printers, 10, 44 Pomeroy, Alfred, of Thomas Ross & Pliny the elder, Historia naturalis: Son, 25, 73, 80 (1470), 11, 49; (1476), 19/20, 9, 10, 11, Pomeroy family, of Thomas Ross & pl. 2, 16, 18, 19 Son, 2, 10–11; 25, 73 journal: index: nos 1 to 28 93

Pontchartrain, Louis Phélypeaux, slab-serif types of, 15, 6, 7, 19, 24, 25, Comte de, Chancellor of France, 30–32, 34–35; 22, 118 obtains funds for creation of romain Povey, K., bibliographical press of, du roi type, 1, 75, 80, 86 1, 7 Pool, James, press-maker, 23, 16 Powell, Charles & Co., lithographic Poole, Herbert Edmund: book printers, 10, 44 reviews, 2, 74–77, 78–80; 3, 108– Powell, George, lithographic printer, 112; ‘A day at a music publishers: a 10, 44 description of the establishment Powis, William Henry, wood- of D’Almaine & Co.’, 14, 59–81, pl. engraver, 17, 50, 52, 54 between pp. 68/69; ‘New music Pownceby, H. & Co., lithographic types: invention in the eighteenth printers, 10, 44 century’, 1, 21–38; 2, 23–44 see also Poynter, Sir Edward John, artist, 28, Berry and Poole 13; engravings after drawings by, 5, Poppe, Johann Heinrich M., Litho- 94 graphie (1833), 3, 39 Preece, David A., ‘Social aspects and Porcabeuf, Alfred, intaglio printer at e ects of composing machine adop- Paris, 17, 12n tion in the British printing industry’, Porret, Henri Désiré, wood-engraver 18, 1–35 at Paris, 17, 56, 57 Pre-Raphaelites, Combe’s patronage Porson, Richard, Greek types based of, 3, 56; see also Rossetti, Dante on handwriting of, 19/20, 104, 111, Gabriel and the names of other artists 115, 116, 120, 121 press devices: of Chiswick Press, portable presses: for amateurs (18th 19/20, 102; of Oxford University century), 23, 5, 29, (19th century), 4, Press, 25, 22 47, 23, 5–29, 1–84; for lithography, press, hand: for amateurs, 23, 5–29, 1– 3, 37–41 84 passim; intaglio see rolling press; Porter, R., Britannia press of, 3, 99 iron see Albion press, Columbian Portugal: early printing in, 13, 74, 76; press and the names of other speci‰c wooden press surviving in, 6, 21 presses; lithographic, (1796–1850), 3, postage stamps: competition for 3–50, ‰gs 1–56, pl. 1–7, in India design of (1839), 4, 64; penny black, (1820s), 27, 98–99, see also pole litho- 4, 67; Perkins, Bacon & Petch print graphic press, scraper lithographic the ‰rst, 2, 18n; 4, 72–73 press, star-wheel lithographic press; posters: lithographic stones for, 8, 9, wooden, American, 8, 42–52, pl. 36, pl. XIb; use of bold types on, 22, XXV–XXXVI; wooden, census of 112–116, 121 surviving, 6, 1–32; wooden, cost Post OŸce London Directory: on J. Hare & of, 21, 22; wooden, at the Science Co. (1840s–1853), 24, 66–67, 70, 71, Museum (London), 15, 81–88; 73, 80, 93; lithographic printers in, wooden, weight of, 21, 21–22; see also 10, 3, 4, 5, 11, 12, 13, 20; typography portable presses of title-page of (1839), 22, 120 pressing of paper see paper, pressing of Potter, music publisher, 14, 61 presswork: instructions for amateurs Potter, Esther, ‘The development of in (Britain, 1870s), 23, 53–59; litho- publishers’ binding in the nine- graphic (India, 1820s), 27, 98 teenth century’, 28, 71–93 Price, wood-engraver, 17, 48 Potter, Mary, Poetry of nature (1789), set Price, Bartholomew, Secretary to in Caslon’s script type, 16, 75 Delegates of Oxford University Potter, Thomas see Wilkes and Potter Press (1868), 3, 63–4 Potter, William, lithographic printer, Price, Richard, Masters, unions and men 10, 44 (1980), on trade unions for printers, Pouchée, Louis J., typefounder, 2, 81; 24, 107–108 94 printing historical society prices: of Bibles (1810–1853), 3, 59; (1800–1840), 9, 12, 26, 44n, 10, of bookbinding materials (18th 1–2; see also journeyman printers; century), 6, 38–45; of book produc- lithographic printers; master tion (Britain, 17th century), 21, 22– printers; and the names of speci‰c 27; of chromolithography (1835), 17, printers 66–69; of Columbian presses, 5, 12; Printers’ and Allied Trades Associa- of food (Augsburg, 1473), 22, 33–34; tion, 14, 31, 38, 48; see also Master of intaglio printing equipment Printers’ and Allied Trades Associa- (1820s), 2, 7; of Legros and Grant’s tion Typographical printing-surfaces (1916), Printers’ and Typefounders’ Technical 28, 5, 12–13; of missals (15th century), School (Vienna), 14, 19–20 22, 77; of paper, at Cologne (1470s), Printers’ Labourers’ Union, 1, 106 11, 4–5, in Britain (1870s), 23, 53, in Printers’ Managers and Overseers’ England (17th century), 21, 22–23, Association, on apprenticeship, 13, for Plantin’s publications, 9, 69; of 21, 23; 14, 6 presses, at Augsburg (15th century), printers’ manuals: for amateurs, 23, 22, 33, in Britain (17th century), 17, 5–6, 29, 1–84; bibliography of (to 22; of presses for amateurs (Britain, 1850), 4, 11–32; 7, 65–66 19th century), 23, 27, 7–15; of printing printers’ marks see press devices inks (c. 1800), 27, 75n; of printing Printers’ Register: on Albion and materials (18th century), 6, 50–52; Columbian presses (1875), 2, 64; of printing materials for amateurs on apprenticeship and training of (Britain, 19th century), 23, 27, 7–15, printers (1878–1887), 13, 8, 14–15, 30–31; of printing type (15th 18–19; 14, 39; on competition century), 22, 88, 90, in Britain (17th between British and foreign century), 17, 22, (1830s), 24, 38–39, printers (1879), 14, 13–14; on type (1870s), 23, 24–25; of stationery cases (1872), 7, 40–45 (18th century), 6, 45–50; of type- printing, speed of see speed of founding materials (17th–18th printing; productivity centuries), 18, 53, 54, 55, 56; see also Printing and Kindred Trades Feder- charges and costs ation, 18, 21 Pridmore, Abraham, agricultural Printing Historical Society, list of engineer at Thatchvile, correspon- members etc. (1968), 4, 120–137, dence with J. Hare (1847), 24, 81 (1970), 6, 90–113 Prince, Daniel, publisher at Oxford, Printing Machine Managers’ Trade manager of Oxford University Society, 14, 8, 43; on mechanization Press (1758–1784), 3, 53, 55 (1891), 14, 2–3 Prince, Edward Philip, punch-cutter, Printing Machinery Exhibition (1904), 3, 114–115; 5, 8a; and William 8, 63, pl. XLII Morris, 19/20, 12, 13, 15, 16, pl. 24 printing oŸces: for amateurs (Britain, Prince, William, lithographic printer, 1870s), 23, 33–34; Andrew Wilson’s, 10, 44 9, 52–55 Pring, James, inventor of electrical printing practice see presswork engraving method, 6, 89 printing processes: classi‰cation of, Prinsep, Henry Toby, patron of J. B. 4, 34–41; see also the names of speci‰c Tassin, 27, 107 printing processes Print Collectors’ Club, and mezzo- printing telegraph see telegraph tints, 25, 71 Printing Trade Exhibition (1910), printers: in Britain, 21, 29–42, English lithographic stone at, 8, 15 (16th–17th centuries), 21, 13–27, printing types: for amateurs (Britain, 51–69 passim; in London (1700–1750), 19th century), 23, 7–28 passim, 7–8, 12, 33–51, (1724), 4, 104–106, 10, 11, 14, 17–25, 34; Anglo-Saxon, 28, journal: index: nos 1 to 28 95

41–69 passim; J. Bämler’s, 22, 34; prize-books, publishers’ bindings for, Caslon’s, 2, 43, 81–88; 3, 79–80; 7, 28, 74, 89–90 52, pl. VII, VIIIa; 15, 1, 4–10 passim, 12, Proctor, John, printer at Hartlepool, 15, 16, 18, 19, 21, 23, 29–35; 16, 3–113 4, 90 passim; 19/20, 63, 70, 71; Caxton’s, Proctor, Robert: and Greek type, 11, 5–9, 17–18, 23–25, 62–63, 87, 114, 19/20, 103n, 124; 25, 21; Printing of 117, 119–143; Chinese, 27, 113, 115, 116, Greek in the ‰fteenth century (1900), on 118; at Chiswick Press (1850s), Aldus’s types, 22, 84n 19/20, 62–102; in Cologne (1470s), productivity: of Caxton’s presses 11, 5–9, 17–18, 116; Pedro Disses’s, (1470s), 11, 22; of compositors, in 17, 83–86, 91, list of printers using, Britain (17th century), 21, 23, 24, 17, 87–90; in England (15th–16th (1890s–1900s), 18, 16–21; of litho- centuries), 11, 62–63, 87, 114, 117, graphic printers, in America 119–143; in J. Fairfax sale (1838), 24, (1820s), 27, 66, in Indonesia (1850s), 38–51 passim; in Italy (15th century), 27, 129; of printers, in Britain (17th 11, 61–62; 22, 85–87, 89; Nicholas century), 21, 24, 25–26, in India Kis’s, 18, 47–75; limitations on (1830s), 27, 116–117; of punch-cutters ownership and use of (15th century), (17th–18th centuries), 18, 54–55, 74; 22, 87–92; in Low Countries (15th of Wicks’s type-casting machine century), 3, 103–108, 11, 8, 23–25, (1900s), 28, 17, 18, 20 128–129, (16th century), 4, 108–111; pro‰ts: of Bible Side of Oxford William Morris’s, 19/20, 5–18, pl. University Press (1852), 3, 59–60; 1–48; for ‘paperback’ books (20th of printing (Britain, 17th century), century), 18, 39; in sale catalogue of 21, 25–27 Andrew Wilson’s business (1816), 9, proof correction: instructions for 58; in Spain (17th century), 17, 72–91 amateurs in (Britain, 1870s), 23, 59, passim; supplied to amateurs (1870s), 69–72; for Plantin, 9, 70–71 23, 10–11; synopses of see fount Proops, Salomon, typefounder at schemes; weight of, 21, 22; see also Amsterdam, 18, 64 the names of individual typefounders, ‘Propaganda’ press at Rome see Sacra designs, styles and families of types Congregatio de Propaganda Fide print-runs see edition sizes Prospect Farm (Freshford, Somer- Prior, wood-engraver, 17, 54 set), in C. M. Smith’s ‘autobio- Prior, Miss, wood-engraver, 17, 54 graphy’, 7, 25–26, pl. I Prior, W. H., glyphographer, 5, 72, Protestant religions, printing in 73–44, pl. 12, 13, 16 support of (16th century), 28, 42 private presses: bibliographical, 1, 1–13, Proudfoot, Ian, ‘Lithography at the numbers of, in Britain, Australia, crossroads of the East’, 27, 113–131 Canada, New Zealand and U.S.A. provincial printing and book trade, in (1958–1964), 1, 6; E. P. Prince as Britain: associations with other punch-cutter for, 3, 114; 5, 82; trades, 9, 9–11; census data relating 19/20, 12, 13, 15, 16, pl. 24; in Wales to, 9, 19–20; certi‰cates of regis- (late 18th–early 19th centuries), 7, tration for printers, 9, 11–14; 54–63; see also the names of individual directories of, 9, 6–7; electronic presses and printers resources for, 24, 9, 10; ESTC as privileges: for lithographic printing/ research tool for, 24, 6, 9–35; Jasper publishing at Naples (1820s), 27, Sprange Collection, Tunbridge 13–16, 31–32; for lithographic Wells, 9, 7–8; library collections of printing/publishing in Spain, 27, 33; ephemera relating to, 9, 8–9; pub- in London (17th century), 21, 73; see lications on, 24, 5–8; records of also copyrights; Bibles and Prayer Court for Insolvent Debtors, 9, 14– Books 19; Jasper Sprange Collection, 96 printing historical society provincial printing (cont.) machines for cutting, 28, 28; at Tunbridge Wells, 9, 7–8; statistical Plantin-Moretus Museum, 9, 69; at analysis of, 24, 14–17, (1700–1725), 24, Saint Bride (Printing) Library, 16, 17–35 17–20, 22–31, 104; 19/20, 65n, 85; at Provincial Typographical Associ- Stephenson, Blake & Co., 16, 17–27; ation, 18, 2, 3, 5; 24, 109; see also at Tetterode typefoundry, 18, 63– National Provincial Typographical 65; for Wicks’s type-casting Association; Typographical Associ- machine, 28, 19; see also speed of ation punch-cutting; and the names of Pryor, Lewis A., ‘The history of the individual punch-cutters California job type case’, 7, 37–50, punch-tape see perforated tape pl. II–III punctuation: in early manuscripts, 22, Psalms: Anglo-Saxon printing in, 28, 10–12, 15–27, 80; history of, 19/20, 45, 66; use of numerals in (16th 125–130; in typography (Britain, century), 26, 7; vernacular editions 1870s), 23, 37–40 of printed in France (16th century), Purcell, Henry, Orpheus Britannicus 28, 45; see also Fust and Schoe er (1706), music types used for, 16, 31 Psalter (1457) Purday, Charles Henry, on D’Almaine Public Ledger (Philadelphia), ‰rst & Co., 14, 64–65, 80 newspaper to use Hoe’s ‘Lightning’ Purdy, J. H., printer of Bellman’s rotary press, 13, 28, 38 verses at Yarmouth, 26, 32 publishers, in Britain: (17th century), Purfoot, Thomas, printer, 21, 26, 27, 41 21, 51–69 passim; (19th century), 28, Purser, James, printer, 12, 37 84, 89 Purser, John, printer, 12, 37 publishers’ bindings: of 1840s, 14, Pycroft, James Wallis, legal texts by, 68n; introduction to Britain of printed at Chiswick Press, 19/20, 91 (19th century), 14, 1–2; 28, 75–93; of Pye, Charles, engraver, 5, 45; metal ‘paperback’ books (America, 20th relief process of (1820), 5, 51, 57, 58; century), 18, 44–46; pre-history of 6, 87 (to 1820s), 28, 71–75 Pye, John, Patronage of British art (1845), publishers’ devices see press devices 2, 9n Publishers Weekly, on maximum thick- ness of ‘perfect’ bound books (1951), Quaritch, Bernard, bookseller, 19/20, 18, 45 15 Pugin, Augustus Charles, intaglio Quarter-Master-General’s OŸce, printing for, 2, 13, 14 lithographic press at (from 1808), Punch (magazine): and C. Keene, 24, 3, 5, 40; 10, 15, 17, 18, 44; 27, 70–71 60; Swain appointed wood- Quartley, A. J., wood-engraver, 17, 55 engraver to, 17, 56 Quartley, F. W., wood-engraver, 17, punches, 28, 43; for Anglo-Saxon 55 sorts (16th century), 28, 62; Benton- Quartley, John, wood-engraver, 17, Waldo machine for cutting, 1, 70; 3, 49, 54–55 115; 27, 77; 28, 19, 28–29; Caslon’s, 1, Queen, wood-engraver, 24, 72n 68–70; 3, pl. 9; 16, 17–31; for Chinese Queen press, 5, 9, pl. 14; 24, 61n, 72 types, 27, 115, 118; for Chiswick Press Queensland, bibliographical press at types, 19/20, 65, 85, 86, 87, 90–93, University of, 1, 9–10 96, 98, 101; cost of (1690s), 18, 54; Quelch, Henry, lithographic printer, for Cranach type, 5, 82, 83–84; 10, 44 Grant-Legros machine for cutting, Quick, John Vandenburg, printer of 28, 30, 32; Nicholas Kis’s, 18, 47–75 Bellman’s verses, 26, 29, 31 passim; at Oxford University Press Quinet, A. M., lithographic press of, (17th century), 28, 43; pantographic 3, 30–31, ‰gs 33, 34, 35 journal: index: nos 1 to 28 97

Quintilian: Institutiones oratoriae (1470), Ransome, Richard, engraver, 24, 78 19/20, 10, pl. 15; on learning through Ransome, Robert II, of J. R. & A. reading, 22, 140 Ransome, 24, 78; correspondence Quran: early lithographic editions of with J. Hare (1847), 24, 78, 82, 94, (1848, 1854), 27, 127–130; set on 95, 98–99 Linotype, 28, 10 Ransome, Roderick, of J. R. & A. Ransome, 24, 57 Radiguer family, typefounders at Ransome, Sheppard (S. & E.), 24, 77, Paris, licensed to cast Caslon types 78, 84; correspondence with J. Hare on Didot bodies, 1, 68 (1847), 24, 96 Rae, Alexander, lithographic printer, Ransomes & May, engineers/press- 10, 44 makers at Ipswich, 5, 9, 27; 24, 61n, Rašes, Sir Thomas Stamford, colonial 72, 88, 99 administrator, 27, 123 Ransomes & Sims, engineers/press- Ragg, Isaac, Bellman (1680s), 26, 15–16 makers at Ipswich, 5, 9, 27; 24, 61n Railton, Herbert, artist/engraver, 25, Raphelengius, son-in-law of Plantin, 29 1, 17 ‘Railway library’ series (1849–1880), Rapin, Paul de, History of England publisher’s binding of, 28, 89 (1732), set in Caslon type, 16, 23 railway timetables, design of (19th Rapp, Heinrich, Geheimniss des century), 22, 124, 127–129 Steindrucks (1810), 3, 15, 17, 18, ‰gs Raimbach, Abraham, engraver, on 8, 15 copper plates, 12, 64, 65 Rastell, John, printer of music (16th Raimondi, Giambattista, printer at century), 1, 26 Rome, 18, 73n Ratcli e, J. A., machine-compositor, Raithby Lawrence & Co., 14, 21 sacked by Bradford Daily Telegraph for Ramage, Adam, press-maker at Phila- low productivity (1909), 18, 19 delphia, 8, 44; presses of, 5, 5; 8, 45, Ratcli e, Thomas, printer, 15, 42 47, 48, 49, 50, pl. XXX, XXXVa; woods Ratdolt, Erhard, printer at Augsburg, used by, 8, 51, 52 22, 38, 77, 82, 101n Rampant Lions Press (Cambridge), rate books, evidence about printers prints Cupid and Psyche using ‘Troy’ from, 9, 27, 31, 43, 55, 64 type (1974), 19/20, 18 Raucourt de Charleville, Antoine, Ransome, Frederick, engineer at Mémoire sur les expériences litrographiques Ipswich, 24, 57, 70, 77, 78, 84 [sic] faites à l’École Royale des Ponts et Ransome, George, chemist at Ipswich, Chaussées de France, ou Manuel du 24, 57, 58, 78, 90n; correspondence dessinateur et de l’imprimeur lithographes with J. Hare (1847), 24, 79 (1819), 3, 15, 21n, 39; 8, 8, 17n; 27, 72; Ransome, J. R. & A. (J. & R.), English translation (1820, 1821), 3, engineers/press-makers at Ipswich, 21n; 27, 72; on lithographic press, 3, 24, 58n, 78; drawings of rolling 41, ‰gs 10, 49; 27, 72 presses from archives of, 17, 10, 11, Rauh, J., lithographic printer at 21; elephant plough made by, 24, Vienna, 27, 80n 98–99; and J. Hare (& Co.), 24, 53, Raven’s London almanack (1852), 21, pl. 9 54, 56, 61, 65, 66, 76, 77, 78, 86n–87n; Raverat, Gwendolen, wood-engraver, Queen press made by, 5, 9, 17, 41 pl. 14; 24, 61n Raw, John, printer at Ipswich, 24, 57 Ransome, James, of J. R. & A. Ran- Rawle, Samuel, engraver, 12, 66n some, 24, 78 Rawlins, John, printer, debts to Ransome, James Allan, of J. R. & A. Thomas I Grover of, 15, 39, 42 Ransome, 24, 78; Implements of Rawlins, William, printer, 21, 41; debts agriculture (1843), 24, 54, 61–62, 64 to Thomas I Grover of, 15, 39, 42 98 printing historical society

Ray, Joseph, printer at Dublin, debts 14, 15; lithographic stones hired out to Thomas II Grover of, 15, 45, 47 by, 8, 25; 12, 2; winner of medal for Rayner, William, newspaper printer/ lithograph on British stone, 8, 11, 12; proprietor, 12, 38–39, 41, 42–51 12, 15 Raynor, P. E.: and R. Fairbairn, 23, Redmayne, William, printer, debts 18–19; and J. Francis, 23, 19–24; and to Thomas II Grover of, 15, 45, C. Malins, 23, 7–18 passim, 23; Printing 47 for amateurs (1876), 23, 6, 7, 8–9, 25– Reed, Sir Charles (& Sons), type- 29, in facsimile, 23, 1–84 founder, and William Morris’s Read, Ellis, printers’ supplier: at types, 19/20, 13, 17–18; see also Fann San Francisco, 7, 40–41, 44, 45; in Street typefoundry Mexico, 7, 49 Reed, Talbot Baines, typefounder: Read, James, printer, 12, 41 History of the old English letter foundries Read, Samuel, artist at Ipswich, and (1887), 3, 66, 69n, 72, 79, on Anglo- J. Hare, 24, 58, 59, 61, 68, 73n, 96, Saxon printing, 28, 48, on Caslon’s 102 types, 16, 30, 75, on Grover type- Read, Thomas, lithographic printer, foundry, 15, 36, (1952 edition), 15, 10, 44 36; and William Morris’s types, Read, William & Co., lithographic 19/20, 8, 13; see also Johnson, A. F. printers, 10, 44 Reed, William, on Russian Imperial Reading University Library: collection paper-mill (1829), 4, 112 of 1826 election material at, 9, 9, Reed & Fox, typefounders, sell pl. 2, 3; drawings of rolling presses Columbian presses, 5, 11, 22 at, 17, 10, 11, 21; Longman archives Rees, Eiluned, and Gwyn Walters, at, 17, 66 ‘Thomas Pennant and Paul Panton Reading University Rural History Jr: their printing contacts with Centre, holds Ransome archive, 24, George Allan and Luke Hansard’, 53, 54n, 61n 7, 54–63 Real Academia de Bellas Artes de Rees’s cyclopaedia: on Columbian press San Fernando (Madrid), 27, 36, 46 (c. 1818), 13, 78; Longman attempts Reale Istituto di Incorraggiamento to have bound exclusively by (Naples), Atti del , includes Westley (1810s), 28, 75 lithograph (1821), 27, 18, 19 Reeve (Reeve Brothers, Frederick Reale Litogra‰a Militare see Lito- Reeve etc.), lithographic printer, gra‰a Militare 10, 45 Real Establicimiento Litográ‰co Reeve, Benham & Reeve (Reeve & (Barcelona), 27, 46, 47 Co. etc.), publishers, 28, 83 Real Junta de Comercio de Cataluña Reeves & Turner, publishers, and (Spain): Escudo de (1815), 27, 35; William Morris, 19/20, 6 and lithography, 27, 35 Regent Street Polytechnic, 14, 33, 40, Real Museo Borbonico (1824), lithographs 44, 53 in, 27, 26 register printing, of Applegath & Real y General Junta de Commercio Cowper (1820), 2, 50–51; 6, 87 (Madrid), 17, 82 registration of printers under Réaumur, René Antoine Ferchault Seditious Societies Act (1799), 2, 4; de, and study of trades by Académie 10, 1, 2; certi‰cates of, in research des Sciences, 1, 71, 74 on provincial printing, 9, 7, 11–14 Rebecca, Biagio, artist, 14, 70 Reid, Andrew, wood-engravings by, 4, Recorde, Robert, Grounde of artes 98 (1542), 26, 5, 10 Reid, Whitelaw, owner of New York Redman, David J., lithographic Tribune, and Linotype, 26, 76, 77–78, printer, 10, 4, 14, 18, 44–45; 12, 1–2, 7, 82–83, 89 journal: index: nos 1 to 28 99

Reilly, Richard, printer at Dublin, Reynolds’s News, uses Davis’s type- prints Caslon type-specimens, 16, casting machine (1912), 28, 35 106, 107 Rhodes, Dennis E., book review, 3, Reinagle, Philip, artist, 25, 71n 112–113 Religious Tract Society, publisher: Rhodes, R. J., Art of lithography (1914), 8, and Chiswick Press, 19/20, 70, 78; 28n and J. Whimper, 24, 101 Ribelles, José, painter, and litho- Remigius, Robertus de, Historie des graphy in Spain, 27, 40, 41, 44, 45, 46 Kampfes der Turken (1482), 22, 36 Ribera, Juan Antonio, painter, and Remnant, Frederick (Remnant & lithography, 27, 41, 44 Edmonds), bookbinder, in develop- Richard, John E. & Co., stationers, ment of publishers’ bindings, 28, 79, 23, 54 80, 81; see also Edmonds & Remnant Richards, Charles, lithographic Renner, Emanuel von, Austrian litho- printer, 10, 45 grapher, 27, 75 Richardson, Catherine, printer, 15, 46 Renner, Franz, printer at Venice, Richardson, Charles James, artist, 14, 19th-century revival of types of, 67, 76 19/20, 100 Richardson, John I, printer, 21, 36n, 41 Research Libraries Information Net- Richardson, Samuel (1689–1761), work (R L I N), and ESTC, 24, 10 author/printer, 12, 34, 35, 36; 21, 41, Reyes, Antonio González de, printer 42, pl. 6 at Madrid (17th century), uses Richardson, Samuel (1807?–1880), Pedro Disses’s types, 17, 87, 89 as author of Bellman’s verses, 26, Reynard the fox: (1481), 11, 31, 124; (1843), 23–24 17, 33 Richardson, William, lithographic Reynell, Carew, Two sermons (1730), printer, 10, 45 printed by Bowyer using Caslon Richardson, William, printer of North types, 16, 24 Briton, 16, 12 Reynell, Charles, printer of Bell- Richmond, James, agricultural man’s verses, 26, 23, 24, 31 engineer at Salford etc., 24, 93, 94; Reynell, Henry, printer of Bellman’s correspondence with J. Hare (1847), verses, 26, 24, 25, 29, 31 24, 79, 93 Reynell & Weight, printers of Bell- Richmond, W. D., Grammar of litho- man’s verses, 26, 26, 31 graphy (1878), 8, 9n, 29; pirated Reynell family, printers of Bellman’s American edition of (1883), 7, 45n verses, 26, 26, 30, 31 Ricketts, Charles, artist, ‘Kings’ type Reynolds, Frederick, lithographic design of (1903), 19/20, 123 printer, 10, 45 Ricks, Christopher see Carter, Harry, Reynolds, John, Letterpress printers of and Ricks Bradford: a short history of the Bradford Rider, John, English-Latin dictionary Graphical Society (1972), on employ- of, 21, 78 ment of printers and compositors Ridgway, James (& Son), publisher, (19th century), 18, 4, 9, 10, 13, 14, 24, 64 25, 27 Ridley, Sir Thomas, View of the civile and Reynolds, John, and Keith Laybourn, ecclesiasticall law (1634, 1639), Anglo- on Bradford as crucible for Inde- Saxon printing in, 28, 68–69 pendent Labour Party, 18, 17n, 27, Ridol‰, C., and F. Tartini, Memoria 29, 30–31 sulla litogra‰a (1819), 3, 5, 39; 8, 22 Reynolds, John Hamilton, on mezzo- Ridol‰, Giovanbattista, publisher at tints after Constable (1830), 25, 52, Venice (15th century), 11, 52–53 54 Rimbault, J. H., wood-engraver, 24, Reynolds, Joshua, artist, 26, 69 72n 100 printing historical society

Rimbault, Stephen, wood-engraver, Robinson, Arthur Howard: Early 17, 54 thematic mapping in the history of carto- Rind, James Nathaniel, lithographic graphy (1982), on Schouw’s maps, 27, printer at Calcutta (from 1822), 27, 76; on C. J. Minard (1967), 27, 72 8, 90–110 passim; account of litho- Robinson, F., lithographic printer, graphy in India by (1824), 27, 96– 10, 45 99; survey of lithographic presses in Robson, W., employee of Appel in Calcutta by (1828), 27, 106–107; see anastatic printing, 5, 29, 32 also Asiatic Lithographic Company; Robson, William & Co., lithographic Government Lithographic Press printers, 10, 45 Ringwalt, John Luther, ed., American Robson, Blades & Co., lithographic encyclopaedia of printing (1871), 7, 38 printers, 10, 46 Ristow, Walter W., of Library of Robson, Brooks & Co., lithographic Congress, wrongly identi‰es ‰rst printers, 10, 46 American lithographic map, 27, 59 Rochefort, Pierre de, engraver, 1, 76, Ritchie & Sons, makers of Columbian 85, 86 presses at Edinburgh, 5, 11, 13, 22, Ro e, Edwin, amateur printer, 23, 6 pl. 12 Roger, Etienne, publisher at Amster- Ritter, Carl, geographer, 27, 84; and dam, 25, 17 F. A. von Etzel, Allgemeine Erdkunde Rogers, Bruce, typographer, on (1825–1831), lithographs in accom- William Morris’s types, 19/20, 5 panying atlas, 27, 77–78 Rogers, David M., ‘Printing in 1478: Robbins, George Francis, litho- the background to the ‰rst press at graphic printer, 10, 45 Oxford’, 13, 67–77 Robert, Nicholas Louis, inventor of Rogers, Edward, bookbinder at Strat- paper-making machine, 4, 112 ford-on-Avon, 21, 55 Roberts, James, lithographic printer, Roh, Franz, Foto-Auge (1929), use of 10, 45 semi-bold type in, 22, 142 Roberts, James, printer/publisher rollers (for inking), 2, 76; 4, 113; 23, 11, (16th–17th century), 21, 14, 38, 41, 27, 29, 54–55 58, 75 rolling press, 12, 56–58; for amateurs Roberts, Percy, manuscript notes on (19th century), 23, 7; development English wood-engravers by, 17, 42, of, 2, 18; 4, 118; 17, 1–30; at Oxford 44–61 passim University Press, 25, 21; Perkins’s Roberts, Robert, printer, 21, 36n, 41 tympan for, 17, 3; sold to Oxford Roberts, Sydney Castle, History of the University Press by Loggan (1665), Cambridge University Press (1921), 9, 38 25, 14; woods used in, 17, 6–7, 10 Roberts & Newton, printers, 28, 33, Rolu, Johannes, typefounder at 34 Amsterdam, 18, 62, 67, 68, 69, 70, 71; Roberts Brothers, printers at Boston, type-specimens of (1690s–1710s), 18, imitate Kelmscott Press style, 63, 67, 71n 19/20, 17 ‘romain du roi’ types, of Imprimerie Robertson, Alexander & Son, litho- Royale, 1, 71–87, insert; 18, 51, 52 graphic printers, 10, 45 Román, Antonio, printer at Madrid Robertson, John, lithographic printer, (17th century), uses Pedro Disses’s 10, 45 types, 17, 87, 88, 89 Robertson, Joseph Clinton, editor of roman types: (15th century), 11, 61–63; Mechanics’ Magazine, 5, 42, 45 (15th–16th centuries), 22, 79–106 Robins, Joseph & Sons, lithographic passim printer, 10, 45 Romary, A. & Co. Ltd, biscuit-makers Robinson, Mr, correspondence with at Tunbridge Wells, biscuit tin for, J. Hare (1847), 24, 95 8, pl. XLIV journal: index: nos 1 to 28 101

Rome, early printing in, 13, 70; 22, 89– Routledge, George (& Sons), pub- 90, 92 lisher: in development of publishers’ ‘ronde’ types, in French typography, bindings, 28, 89; employs Dalziel 22, 111, 122 brothers, 17, 47 Rood, Theodoric, printer at Oxford Rowlands, Samuel, Common cals, cryes (1478–1486), 11, 59, 60–61; 13, 74 and sounds of the bell-man (1628), 26, 15 Rosart, Jacques François, punch- Rowney & Forster, lithographic cutter at Haarlem and Brussels, 1, printers, 10, 2, 4, 15, 46 15; 18, 49, 51; prints music from Roworth, Charles, printer and press- movable type (1749), 1, 27, 28–29, 32, maker, press of, 5, 8 37; 2, 23, 28, 37 Roxburgh Club (New York), 28, 10 Rose, George Frederick, patents Royal Agricultural Society (and improvements to rolling press Show), 24, 62, 64, 65, 69, 70, 76, 78 (1855), 17, 4 Royal book (1484), 11, 37, 42, 44 Rosenstiel, Felix (widow and son of), Royal College of Art: and A. Legros, print publishers, 25, 69n, 72 28, 13; holds wood-engraving classes Rosenthall & Co., stationers, 23, 54 for women, 17, 39 Ross, David & Co. (Typolithographic Royal Commission on Technical Press), lithographic printer, 10, 46 Instruction (1881–1884), 14, 16, 19, Ross, Francis, lithographic printer, 24–25, 32, 49–50 10, 46 Royal Institution, publish ‰rst litho- Ross, Thomas & Son, intaglio graphs in New York (1818), 27, 51 printers/publishers, 2, 5–10, 17–22, Royal Printing House (Stockholm), pl. 1–2, 4–8; 17, 8, 10, 11, 24, 25; 25, 69, matrices for Zinck’s type surviving 71, 73, 75, 80; archives of, 12, 52–67 at, 18, 49n Ross, William (Typolithographic Royal Society of Arts see Society of Arts Press), lithographic printer, 10, 46 Royal Society of Painter-Printmakers, Rossetti, Christina, Poems (1870), holds Frank Short archive, 25, 71 publisher’s binding of, 28, 91 Roycroft, Thomas, printer, 21, 41; 25, Rossetti, Dante Gabriel: on Dalziel 9n, 11; debts to Grover family of, 15, brothers, 10, 62; and A. Legros, 28, 39, 42, 43 13; publisher’s binding designed by Rubeis, Laurentius de, printer at (1899), 28, 91 Ferrara, 19/20, 11 Rossiter, B. G., lithographic printer, Rubeus, Jacobus, printer at Venice: 10, 46 photographic enlargements of Rostock (Germany), early printing in, roman type of, 19/20, pl. 11, 14, 16, 13, 69 17, 20, 21, 23, 24, 39–41, 47; as typo- rotary press: developed in America by graphical inspiration to William R. Hoe for newspaper printing, 13, Morris, 19/20, 9–10, 12, 14 27–29; ‰rst patent for, 3, 47n; used rubber-plate printing see Šexograph to print ‘paperback’ books (20th Rubio, Angel Pascual, printer at century), 18, 37; see also the names of Madrid (18th century), uses Pedro speci‰c presses Disses’s types, 17, 90 Rothschild Collection, Trinity College rubrication of manuscripts and (Cambridge), 6, 35, pl. facing p. 36 incunabula, 22, 86, 87, 107, 110; by Rounds, Sterling P., owner of electro- J. Bämler, 22, 32, 34; in missals, 22, typing foundry at Chicago (1855), 58–64 passim, 69, 72, 77; see also 10, 99 illumination; colour printing Roussin, Jean Charles, lithographic Rudimenta grammatices Latinae lingua press of, 3, 33, ‰g. 38 (1501), 22, 99–101 Routledge, F., lithographic printer, Ru y, William Joseph, lithographic 10, 46 printer, 10, 46 102 printing historical society

Ruggiero, Michele, on lithography at Saint Bride Foundation Institute Naples (1832), 27, 10, 19 Printing School, 14, 15, 32, 48, 52 Ruggles, Stephen, card and bill press Saint Bride Foundation Institute of, 3, 91 Printing Trade Conference (1900), rules (typography), in Britain (1870s), on apprenticeship, 13, 23 23, 31, 32–33, 42–43, 73 Saint Bride (Printing) Library, 28, 16; Rules and regulations to be observed by the holds Caslon punches, 16, 17–20, compositors and pressmen at the 22–31, 104; holds Chiswick Press Conference Printing OŸce (1808), on types and wood-blocks, 19/20, 65n, printers’ chapel, 24, 108 85, 88, 90, 93; holds facsimile of Rumball, Elizabeth, printer, 15, 48n Caxton’s type IV (c. 1850), 19/20, Rumpf, Christian, et al., Technologisches 7n, 85; holds material relating to Wörterbuch (1869), use of bold types William Morris’s types, 19/20, 8, in, 22, 130, 131 10; holds punches etc. of ‘Basle Runic type, Caslon’s (1740s?), 16, 104 roman’ type, 19/20, 6n, 90 Ruskin, John: employs John Le Keux, Saint John’s (Newfoundland), 12, 53n, 64, 66; Unto this last (1907), bibliographical press at Memorial 19/20, 120 University of, 1, 11 Russia, wooden presses surviving in, Saint Omer, Lambert of see Lambert, 6, 23–24 of St Omer Russian printing types, Grant, Legros Saint-Pierre, Bernardin de, Paul et & Co. try to obtain from S. Austen Virginie (1838), illustrations to, 17, 37, & Sons (1915), 28, 33 38, 44–61 passim Rust, W. A., Papierfabrikation und die tech- sale catalogues: giving stock-in-trade nologischen Anwendung des Papiers, 4, 112 of printers, 9, 21, 22–23, 55–64; Rutherford, J., correspondence with large-circulation, wood-engravings J. Hare (1847), 24, 89 in, 10, 77; listing stock of J. Fairfax Rutherford, William Gunion: and (1838), 24, 36–40, in facsimile, 24, Selwyn Image’s Greek type, 19/20, 41–52 107, 109, 112, 114; ed., Scholia Salisbury, Robert Arthur Talbot Aristophanica (1896), 19/20, 111, 118 Cecil, 3rd Marquess of, wood- Ruthven, Charles Stewart, litho- engraved portraits of, 10, 73, ‰g. 10 graphic printer, 10, 46 Salisbury & Taylor, printers’ suppliers, Ruthven, John, press-maker etc. at 23, 16 Edinburgh: lithographic press of, 3, Salivet, Louis Georges Isaac see Ber- 34, 39–40, ‰g. 50; 27, 98–99; litho- geron, L. E. graphic stones hired out by, 8, 25; Sallust (Gaius Sallustius Crispius), press of, compared with Pierres’s, Opera (1490s?), use of capitals in, 3, 90–91 22, 94 Rutledge, F. W., lithographic printer, Salmon, Alfred, establishes Ermitage 10, 46 Saint-Jacques at Paris, 17, 12 Rutter, Spencer, lithographic printer, Salmon, James, printers’ supplier at 10, 46 Manchester, 23, 16 Ryder, John, Suite of Šeurons (1956, Samaritan type: Caslon’s (1734), 16, 1976), 26, 33–46 passim 28–29, 62, 77; Nicholas Kis’s (1680s), 18, 70–71 Sacra Congregatio de Propaganda Sampson, Thomas, assistant to Fide, printer/publisher at Rome, 18, Edward Palmer, 5, 64, 66; Electrotint 71, 73, 74; see also Typographia (1842), 6, 68–69, 70 Vaticana Sanchez, Joaquín, printer at Madrid Sa’di, works of printed by lithography (18th century), uses Pedro Disses’s at Calcutta (1820s), 27, 104, 105 types, 17, 90 journal: index: nos 1 to 28 103 sand-casting of printing types, by Savignac, Philippe de, lithographer/ Caslon, 16, 14 lithographic printer in India, 27, 8, ‘Sanders, Harry’, name used by W. J. 92, 93–95, 107 Stannard, 4, 44, 45 Savile, Sir Henry, bequest of printing Sanderson, Edward F., of Sanderson types to Oxford University Press Brothers & Co., correspondence by, 25, 21 with Richard Hoe, 13, 40 Savona, Lorenzi di, Nova rhetorica Sanderson Brothers & Co., saw-maker (1479), 11, 122 at SheŸeld, creditor and advisor to Sawyer, Henry, lithographic printer, R. Hoe & Co., 13, 29, 34, 37, 38, 39, 10, 46 40, 53 Saxoferrato, Bartolus de, Lecturae Sander Wood-Engraving Co. (1492), use of capitals in, 22, 101n– (Chicago), 10, 77 102 San Francisco, typefounders and Saxonia, Ludolphus de see Ludolphus agents in (1874), 7, 40 de Saxonia Sangiacomo, Domenico, publisher at ‘Saxon’ types, Caslon’s (c. 1740), 16, Naples, 27, 27 30, 63 Sanguinetti, V., engineer associated Saxton, Joseph, engineer etc. at Phila- with British Paper Corporation, delphia: experiments in electro- collects material on paper-making typing by, 10, 88; as maker of machines, 4, 111 medal-engraving machines, 4, 76, 78 sanserif types (Britain, 19th century), Say, Mary, printer, 12, 34, 36, 39 15, 4; 22, 116, 122–124, 135, 136; 23, Sayes, William, printer/publisher, 23–24 debts to Thomas II Grover of, 15, Sanz family, printers at Madrid (17th– 45, 47 18th centuries), use Pedro Disses’s Scammell, W. C., printer at Bishop types, 17, 89 Stortford, 22, 115 Sappho, Sapphus, poetriae Lesbiae, frag- Scarlet, Thomas, printer, 21, 75 menta et elogia (1733), set with Caslon Scheda, Joseph von, lithographic types, 16, 22 printer at Vienna, 27, 82 Sargeant, William see Serjeant Sche er, Johannes Gerhardt, History Sarum hours (1478, 1480?), 11, 122, 123 of Lapland (1674), intaglio plates for, Sarum missal (1487), 11, 130 25, 25 ‘Satanick’ type, 19/20, 17, 100 Schilling, Hans see Solidi, Johannes Saul, John, Bellman at Cambridge Schippan, Heinrich Adolph, (1680s), 26, 22 Vorlegerblätter zur Belehrung im Saunders, Thomas H., glypho- Situationzeichen (1829), lithographs graphed paper labels for, 5, 78, in, 27, 74n pl. 21 Schleich und Seitz, lithographic Saurloch, Sixst, tenant of J. Bämler, printers at Munich, 27, 78n 22, 33, 34, 45, 52 Schlesinger, Carl, Biography of Ottmar Savage, Henry, engraver at Oxford, Mergenthaler (1989), 26, 71–79 passim 25, 10 Schlicht, press-maker at Mannheim, Savage, William: Colour prints in lithographic press of, 3, 36, ‰g. 46 imitation of drawings (1825), 4, 116; Schloss, Albert, English Bijou Almanac Dictionary of the art of printing (1841), 2, (1836–1842) published by, 2, 21–22 43n, 52n, 66, 68, 70, 4, 19, 10, 84, 91, Schmatz, Daniel Michael, Neu-vorges- on bold types, 22, 119, on com- telltes auf der löblichen Kunst Buchdruckerey binable type-ornaments, 26, 34; gebräuchliches Format-Buch (1684), 4, 25 Practical hints on decorative printing Schmid, B., music publisher at Augs- (1822), 4, 15, 48, 49–50, 64–65, 116, burg, use of bold types by, 22, 132, on bold types, 22, 119 133 104 printing historical society

Schmidt, J. A., typefounder/printer at inspiration to William Morris, Amsterdam etc., 18, 54, 67–72 passim; 19/20, 8–9 type-specimens of, 18, 67, 70, 71 Schussenried (Germany), probable Schmidt, Johann, typefounder to early printing in (1478), 13, 68 Frederick the Great of Prussia, ‘Schwabacher’ types, 22, 111 1, 29n Schwartz, Frederick & Co., importers Schmiers, Verner & Stein, makers of of lithographic stones, 8, 27 o set tin-printing machines at Schwarz, Heinrich, Anfäng der Litho- Vienna, 8, 62 graphie in Österreich, bearbeitet von E. Schoe er, Peter I (c. 1425–1502?), Herrmann-Fichtenau (1988), on maps, printer at Mainz, 13, 69; 22, 54, 55, 27, 75–76 65, 77; photographic enlargements Schwerdt, Charles Francis George of type of, 19/20, pl. 7; as typo- Richard, on Alken’s prints, 14, 83, graphical inspiration to William 84 Morris, 19/20, 9, 12, 15; see also Fust Science Museum (London): restora- and Schoe er Psalter (1457) tion of wooden press at, 15, 81–88, Schoe er, Peter II (c. 1475–1547), woods used in, 15, 85; wooden printer/punch-cutter at Strasbourg rolling press at, 17, 5–6, 8, 9, 10n, etc., 18, 66; 22, 75, 77 18 Schoenberg, Louis (& Co.), printer Scienti‰c American: on export of Hoe’s etc.: as inventor of acrography, 4, presses to London, 13, 30; on Lino- 33, 48, 50, 51; 5, 42, 58–63; 6, 71; as type, 26, 79, 80 lithographic printer, 10, 46–47; scienti‰c books, printed by Richard medal-engraving by, 4, 85; Metallic Taylor, 2, 46, 47 engravings in relief (1842), 5, 54; Spectator Scotland: Bibles printed in, illegally (1841) printed by, 5, 59, pl. 4–10; sold in England (1800), 3, 58; manu- supplies lithographic materials, facture of Columbian presses in, 5, 8, 26 11; wooden presses surviving in, 6, Schönschütz, Josef, artist/lithographer 14, 15 at Naples, 27, 19, 21, 31–32, 80n Scott, J. B., manager of India Gazette Schoensperger, Hans, printer at lithographic press, 27, 106 Augsburg, 22, 38 Scott, Sir Walter: Oeuvres (1836–1836) Scho‰eld, G., patentee of cylinder and Waverley (1826), illustrations lithographic press (1845), 3, 47 to, 17, 35; Waverley novels (from 1829), Scholderer, Victor: Greek printing types publisher’s binding of, 28, 76, 1465–1927 (1927), 19/20, 102; ‘New (1842–1847), illustrations to, 17, 43, Hellenic’ type of, 19/20, 124 44–61 passim school books: planned by Fell and Scottish Gaelic language, printing in Yate at Oxford (1670s), 25, 5; (16th century), 28, 42, 47 publishers’ bindings for, 28, 74–75; Scottish Typographical Association, and Stationers’ Company, 25, 5–6; 18, 4, 7 stereotype printing for, 9, 32, 35; scraper lithographic press, 3, 8–11, use of bold types in, 22, 135, 138–141 ‰gs 11–15; improvements to (1820s– Schouw, Joakim Frederik, Grundzüge 1850), 3, 21–37; see also pole litho- einer allgemeinen PŠänzengeographie graphic press (1823), lithographic maps in, 27, 76 script type, Caslon’s, 16, 75, 78–79 Schramm, Johann Michael, litho- Scrymgeour, wood-engraver, 17, 54 grapher at Munich, 27, 78n Seaman, James V., publisher at New Schüssler, Johann, printer at Augs- York, and lithography, 27, 63 burg (15th century), 22, 33, 34; Searle, E. J., amateur printer, on photographic enlargement of type Excelsior press, 23, 16 of, 19/20, pl. 1; as typographical Sears, H., wood-engraver, 17, 55 journal: index: nos 1 to 28 105

Sears, Matthew Urlwin, wood-engra- Senefelder, Georg, brother of Alois, ver, 17, 38, 43, 55; 24, 61n, 72n; 27, 5n Specimen of engravings on wood (1833), Senefelder, Karl Friedrich Matthias, 24, 85; Specimen of stereotype ornaments brother of Alois, 27, 33 (1825), 24, 93n Senefelder, Theobald, brother of Sears, Robert, intaglio printer/engra- Alois, 27, 5n ver, partner in Fenner, Sears & Co., Senhouse, Peter, Right use and improve- 17, 55 ment of sensitive pleasures (1728), printed Sears, William Joseph, printer, 17, 55 by Bowyer using Caslon types, 16, seaweed, nature printing from, 6, pl. 24 2–5 Seres, William II, and John Day, Seditious Societies Act (1799), 2, 4; 9, privilege of, 21, 73 11; registration of printers under, serial publication: of music (19th 10, 1, 2, certi‰cates of, in research century), 14, 74; of novels (19th on provincial printing, 9, 7, 11–14 century), 28, 88 Segusio, Henricus de, Summe super titulis Sergeant, wood-engraver, 17, 54 decretialum (1480), 22, 101n Serjeant (Sargeant), William, litho- Seile, Henry, publisher (17th century), graphic printer, 10, 47 28, 67 sermons, publication of (Britain, 18th Selden, John, 28, 43, 68; Anglo-Saxon century), 24, 16–17 printing in works of (17th century), Serres, Marcel de: describes litho- 28, 64, 67, 68; Works (1722–1726), graphy in Annales des Arts et Manu- printed by Bowyer using Caslon factures (1814), 3, 17, 18, 20, 46, ‰gs 9, types, 16, 24, 25, 28 16, 27, 7, Spanish translation (1815– Sellers, G. E., American engraver, 4, 1816), 27, 35; and French litho- 113 graphic stone, 8, 15, 17; on Solnhofen Selow, Peter von, punch-cutter, 1, 69; quarries (1811), 8, 3; stone cylinder 16, 104 for rotary printing considered by, Selwood, J., printer at Bristol, 24, 116 8, 36–37 Senefelder, Alois, inventor of litho- Sessions, Dorothy Mary, Federation graphy, 1, 40, 42; 10, 47; 27, 5, 11, 34, of Master Printers: how it began (1950), 37, 56, 78, 80, 130; Complete course of 18, 14 lithography (1819), 1, 40; 3, 3, 4–8, 17, sewing of books: for case binding 45n; 4, 64; 8, 2, 8n, 14, 25; 27, 11, 70; (Britain, 1830s), 28, 82; mechaniza- Invention of lithography (1911), 27, 50n; tion of (from 1878), 28, 92; pamphlet papirography of, 27, 53, 63–64, 65; sewing (Britain, 1870s), 23, 61 at Paris, 27, 63; patent speci‰cation Sexton, F., lithographic printer, 10, 47 of, 8, 11; pole press of, 3, 12–16, 43, Shaaber, Matthias Adam, on news- pl. 2, ‰gs 3, 4, 7; portable press of, ballads (1990), 26, 21 3, 37–39, 41, pl. 3, ‰gs 47, 48; 27, 64; Shaftoe-Field controversy (1888), 18, rolling press adapted by, 3, 6–7, ‰gs 30–31 1, 2; and Solnhofen quarry, 8, 3, 4, Shain, Michael, on lithography (1976), 8; stone cylinder for rotary printing 27, 12n considered by, 8, 36; stone with Shakespeare, William: C. Burby engraving by, 8, pl. XIII; Vollständiges publishes plays of, 21, 74; employs Lehrbuch der Steindruckerey (1818), 27, R. Field to print Venus and Adonis, 21, 5–6, 50, 69–70, English trans- 55; T. Hanmer’s edition of the plays lation see Complete course of lithography of (1744), 25, 28, 29; Henry IV, part 1 and Invention of lithography, French and Richard II, quarto facsimiles translation (1819), 27, 7, 12, 70, 94, (1966), reviewed, 2, 79–80 Italian translation (1824), 27, 9, 25n, Shantey (Shanly?) & Son, lithographic 70, 71 printers, 10, 47 106 printing historical society

Sharp, Granville, Essay on banking Sherman & Cope see Cope & Sherwin (1854), on glyphography, 5, 75, 77, Sherwin, H. E., of Grant, Legros & 78, 79 Co., 28, 35, 36 Sharp, Michael, Davison displayed: the Sherwin, J., & Cope see Cope & Sher- display type used by William Davison of win Alnwick 1815–1855 (1995), 24, 7n Shield, Francis, press-maker at Sharp, P. R., on technical education, London and New York, 8, 44; 14, 49 press made by, 8, 46, 48, 49, pl. Sharp, William, lithographer, 10, 47 XXXII, XXXIII; woods used by, 8, 52 Sharpe, John Judd, printer of Bell- Shield & Co., makers of Stanhope man’s verses at Norwich, 26, 32 presses (1808), 8, 46 Shaw, Graham, ‘Calcutta: birthplace Shipley, Rev. Orby, religious works of the Indian lithographed book’, of, 19/20, 98n, 100 27, 89–111 Shirer, William L., Rise and fall of the Shaw, Henry: Alphabets, numerals and ¡ird Reich (1962), thickest ‘perfect’ devices of the Middle Ages (1845), 19/20, bound book, 18, 45 68; and Chiswick Press, 19/20, 70; Short, Sir Frank, artist, teacher etc., Handbook of the art of illumination 25, 71 (1866), 17, 46 Short, Peter, printer (1590s–1603), Shaw, J. T., and history of book trade and Anglo-Saxon printing, 28, 63 in North of England, 4, 91 Shuttleworth, John & Co., litho- Shaw, William, founder of Royal graphic printers, 10, 17, 18, 47 Agricultural Society, 24, 64 Shuttleworth, John S., lithographic Sheers, wood-engraver, 17, 60 printer, 10, 17, 18, 47 She er see Sche er Siberch, John (Johann Lair von Sheldonian Theatre (Oxford), 25, 28; Siegburg), printer at Cambridge used as device by University Press, etc., 1, 101–103 25, 22 Siborn (Siborne), Lieutenant William, Sheldrick, C., lithographic printer, 10, cartographer, 27, 73 47 siderography, 4, 33, 56, 59, 61, 62, 66– Sheldrick, William, lithographic 74, pl. 15, 16; 6, 87 printer, 10, 47 Siemens, William, introduces anastatic Shellard, John, Secretary of the printing, 5, 24, 27–28 Bristol Typographical Association Sigl, Georg, patentee of powered (1874–1897), 24, 117 lithographic press (1851), 3, 49 Shepard, Leslie, History of street literature Sigüenza y Vera, Juan Josef, Mecan- (1973), on Bellman’s verses, 26, 18 ismo del arte de la imprenta (1811), 4, Shepherd, wood-engraver, 24, 72n 31, ‰g. 6 Shepherd, R. H. see Shepherd, Thomas silk: as a bookbinding material, 28, 78; Hosmer printing on, by Applegath, 2, 53–54, Shepherd, Thomas Hosmer, artist, 14, 55; 26, 62, 64, 69; see also cotton 66, 67, 77n; 21, pl. 2 printing Sherborn, Charles William, engraver, silk-screen process, 4, 37, 38 acquires wooden rolling press, 17, 5 Silliman, Benjamin, editor of American Sheriden bookbinding machine, Journal of Science, 27, 60; on litho- used to bind ‘paperback’ books graphy (1819–1821), 27, 55, 56–57, (America), 18, 44 59 Sheringham, Robert, De Anglorum gentis Silver, Rollo G.: ‘An early time- origine disceptatio (1670), Anglo-Saxon sharing project: the introduction printing in, 28, 66 of the Napier press in America’, 7, Sherman, Arthur N., Printer’s manual 29–36; ‘Trans-Atlantic crossing: (1834), 4, 18, ‰g. 2; 7, 66n the beginning of electrotyping in journal: index: nos 1 to 28 107

America’, 10, 84–103; Typefounding in Slader, Aldred, wood-engraver, 17, 56 America 1787–1825 (1965), reviewed, 3, Slader, Samuel, wood-engraver, 17, 56 113–114 Slader, Samuel, junior, wood-engraver, Silverlock, wood-engraver, 17, 54 17, 56 Silverlock, Henry, lithographic Slatter, Henry, on apprenticeship printer, 10, 47 (19th century), 13, 6–7; 14, 7, 44; 18, Silvester & Mitchelson, lithographic 8, 11, 34–35 printers, 10, 47 Slavonic type, Caslon’s (1740s?), 16, Simmons, George, lithographic 104 printer, 10, 47 Sleap, Thomas, lithographic printer, Simmons, John, ed., Bibliography in 10, 48 Britain (1964), reviewed, 1, 108 Sly, Stephen, wood/metal-engraver, 5, Simmons, John Simon Gabriel, on 57; 17, 56 Oxford University Press type- small capitals (typography), early specimens, 16, 29 history of (15th–16th centuries), 22, Simmons, Mary, printer, debts to 79–106, 109 Thomas I Grover of, 15, 42 Smalridge, George, publisher at Simmons, Samuel, printer, debts to Oxford, 25, 17; on Aldrich’s reaction Thomas I Grover of, 15, 39, 42 to Alsop’s Aesop (1698), 25, 19 Simmons & Kirkby, printers at Canter- Smart, John E., ‘The wooden common bury, sell patent medicines, 9, 10, press at the Science Museum, pl. 4 London’, 15, 81–88 Simms, Charles, glyphographer, 6, 72, Smart, Walter & Co., lithographic pl. 14 printers, 10, 48 Simon, lithographer at Vienna, 27, 80n Smee, Alfred, Elements of electrometallurgy Simonau, Peter, lithographic printer, (1841, 1843, 1851), 4, 85; 5, 59, 66, 70, 10, 48 71, 78; 6, 66, 69; on glyphography, 5, Simonneau, Louis, engraver, 1, 74, 76, 75, 76 78, 79; at meetings of committee on Smeeton, wood-engraver, 17, 56 printing, 1, 87–91; plates by used as model for romain du roi type, 1, 83, Smith, Albert H., ‘The Albion press: 84, 85, 86, insert addenda and corrigenda’, 3, 97–98 Simons, S. & Co., printers’ suppliers Smith, Charles Manby, Working man’s at Chicago (1870s), 7, 45, 47 way in the world (1853, 1967), 5, 4; on Simplissimus press, 23, 6 apprenticeship, 13, 21; fantasies and Simpson, Mr, printer, debts to fabrications in, 7, 1–28, pl. I Thomas II Grover of, 15, 45, 47 Smith, George Manby, printer at Chip- Simpson, M. H., on history of book ping Norton (from 1810), 7, 10–11 trade in North of England, 4, 91 Smith, Harvey Orrin, wood-engraver, Singh, Lachman, Indian lithographer, 17, 56 27, 110, 111 Smith, Henry, sermoniser, C. Burby Skingsley, T. A., ‘Technical training publishes works of, 21, 74, 75, 76 and education in the English Smith, James, lithographic printer, 10, printing industry: a study in late- 48 nineteenth-century attitudes’, 13, Smith, James Edward, Grammar of 1–25; 14, 1–58 botany (1822), second American book Skinner, Herbert, on apprenticeship with lithographs, 27, 63, 64 (1904), 18, 35 Smith, John, agricultural engineer at Skipper, Charles (& East), litho- Uxbridge, 24, 72 graphic printer, 10, 48 Smith, John, mezzotint engraver, 25, 69 slab-serif type, 15, 1–35; 22, 116–119, Smith, John, printer, Printer’s grammar 121–126, 130–132, 135, 136, 138–141; at (1755, 1787), 4, 14; 16, 75, 76; on black Chiswick Press, 19/20, 73, 75 letter types, 22, 110 108 printing historical society

Smith, John and W. H., nature print- Snare, John, printer etc. at Reading, ing by (c. 1835), 6, 83 sale of e ects of (1849), 24, 7 Smith, John Orrin, wood-engraver, 17, Snare, R., printer at Reading, 9, pl. 3 36, 37, 51, 52, 56, 58 Snodham, Thomas (d. 1625), printer, Smith, John Rubens, American artist, 28, 68 lithograph after, 27, 66 Société d’Encouragement pour Smith, John Russell, ed., ‘Library of l’Industrie Nationale: encourages old authors’ series, 19/20, 78 search for lithographic stone in Smith, John Thomas, Antiquities of West- France, 8, 10, 15, 17, 18–19, 21; o ers minster (1807), 3, 15; 4, 34–35 prize for machine to grind stones, Smith, K., and history of book trade 8, 31n in North of England, 4, 91 Société des Ingénieurs de France, and Smith, Lewis Ferdinand, translator, L. A. Legros, 28, 22, 39 Tale of the four Durwesh (1813?), 27, 91 Society for Promoting Christian Smith, Margaret M., ‘The pre-history Knowledge (S.P.C.K.): Caslon’s of “small caps”: from all caps to Arabic type for, 3, 67, 70–72, 73, pl. smaller capitals to small caps’, 22, 11; 16, 3, 7, 8, 29, 62; and J. Whimper, 79–106 24, 101 Smith, Orrin see Smith, John Orrin Society for the Promotion of Hellenic Smith, Robert, lithographic printer, Studies, 19/20, 105 10, 48 Society of Arts: encourages search Smith, Robert, manager of Commer- for lithographic stone in Britain, 8, cial Lithographic Press, Calcutta, 10, 11; 12, 14–15; Report on forgery of 27, 106, 108–110 bank-notes (1818), 4, 56–57, 69–70; Smith, Steven R., on 17th-century 5, 52 London apprentices, 21, 59, 60, 612 Society of London Bookbinders, 14, Smith, Thomas, printer/publisher at 42; on apprenticeship, 13, 23; Tiverton and Bath, 7, 11–19 dispute with James Burn & Co. Smith, Walter, lithographic printer, (1872), 13, 23; on employment of 10, 48 foreign bookbinders, 14, 13, 14; on Smith, William (Smith, Son & Co.), mechanization, 14, 3–4, 6–7 lithographic printer, 10, 48 Society of Master Letterfounders, and Smith, William C. see Humphries and type for stereotypers, 9, 30, 35n Smith So‰a Dorotea di Württemberg see Smith & Co., agricultural engineers Sophie Marie Dorothea at Stanford, correspondence with Soho Square (London), 14, 65, 69–70, J. Hare (1847), 24, 82 76; number 20, history and occu- Smith & Ebbs, printers, 22, 128 pants of (1683–1924), 14, 65–66, 67, Smith, Elder & Co., publishers etc.: 69, 70, 76 in development of publishers’ Solidi, Johannes, printer at Cologne, bindings, 28, 78, 79, 90; as litho- Basle and Vienne (1470s), 11, 5, 8, 9, graphic printers, 10, 48 14; 13, 72 Smithsonian Institution: American Solley, Edward II, experiments in wooden press reconstructed for, 8, electrotyping by, 10, 86, 89 42–43, 50–51, pl. XXVI, XXVII, wood Solnhofen (Bavaria): history of stone used in, 8, 51–52; ‘Franklin’ press at, industry at, 8, 37–38; lithographic 6, 26; 8, 42, 44n, pl. XXVIII; 15, 82 stone from quarries at, 8, 2–10, Smoke Prevention Committee of 22–23, pl. I, III, V, VI; 27, 21; nature Manchester, employs L. A. Legros, of stone quarried at, 12, 14, 15–16; 28, 14 production continues at, 8, 39; Smollett, Tobias see Hume, David, stone from used for monumental and Smollett inscriptions, 12, 14 journal: index: nos 1 to 28 109

Soman, Philip (Soman & Howes), Sparke, Michael, printer/author, printer of Bellman’s verses at challenges authority of Stationers’ Norwich, 26, 32 Company Court (1641), 21, 61 Sommer (Traugott Heinrich Som- Sparrow, John Eddowes, attorney at mer?), lithographer at Württem- Ipswich, 24, 59 berg, 27, 74 ‘Spartan’ type, 19/20, 121 Somner, William, Anglo-Saxon Specimens of polyautography (1803, 1806), printing in works of (17th century), 27, 49 28, 66, 67, 69 Spectator: mezzotints after Constable Soncino, Hieronymus (Gersom), in (1831), 25, 54; printed by Schoen- printer at Fano, 22, 84 berg (1841), 5, 59, pl. 4–10 Sophie Marie Dorothea of Württem- speed of printing: with lithographic berg, Princess, 27, 17 presses, 3, 22, 32, 41–44, 48, 49; with Sophocles: Elektra (1649), 25, 13; Napier press, 7, 30–31, 32 Tragoediae (1897), 19/20, 118, 119 speed of punch-cutting (continent, Soret see Graf & Soret 17th–18th centuries), 18, 54, 55 Sorrill, J., lithographic printer, 10, 48 speed of typesetting (Cologne, 1470s), Soulby, Elizabeth, lithographic 11, 4 printer, 10, 48 Speiser, A., ¡eorie der Gruppen von Soulby, John (father and son), endliche Ordnung (1927), 26, 34n printers at Ulverston (late 18th– Spelman, Sir Henry, Anglo-Saxon early 19th centuries), 3, 115–116; 4, printing in works of (17th century), 87, 90; 9, 7; 22, 112–115, 121 28, 66, 67 Soulby Brothers (late Elizabeth Spelman, Sir John, ed. Psalms (1640), Soulby), lithographic printers, Anglo-Saxon printing in, 28, 66 10, 48 Spence, R. H., printer at Chester, 15, Southby & Blyth, engineers at 58 Manchester, employ L. A. Legros, Spencer, Asa, American inventor of 28, 14 engraving machine, 4, 69, 70, 72, 76 Southcott, Mr, printer at Bristol Spencer, Thomas: describes Palmer’s (1869), 24, 116 glyphography (1840), 17, 54; experi- Southcott, Joanna, religious fanatic, ments in electrotyping by (1837), 10, 26, 22 84–85, 86, 87, 91 Southey, Robert, poet, 26, 22, 23 Spilling, James, Jack Jawkins’s ‰rst vote South Kensington Museum see (1880), publisher’s binding of, 28, Victoria and Albert Museum 84 Southward, John, Practical printing Spira, Vindelinus and Johannes de, (serialized 1874–1875), 7, 42–43, printers at Venice, 22, 82; photo- 45, 47n graphic enlargements of roman spacing material for printers (leads, type of, 19/20, pl. 5; as typo- quads etc.), in Britain (1870s), 23, graphical inspiration to William 22, 29–30, 32 Morris, 19/20, 9 Spain: early printing in (1470s), 13, Sportsman (newspaper), introduces 73–74, 75; immigration of artisans to Thorne typesetting machine (1890), (from 1679), 17, 82; introduction of 18, 11 lithography in (1800s–1825), 27, 6, 7, Spottiswoode, Andrew, printer, 17, 67; 33–47; problems of printers in (17th 19/20, 72n century), 17, 73–74, 76–78, 82; type- Sprange, Jasper, printer at Tunbridge founding in (17th century), 17, 72, Wells, collection relating to, 9, 73–76, 77–91; wooden press surviving 7–8, pl. 1 in (at Palma de Mallorca), 6, 9 spread of printing across Europe Spalding & Hodge, stationers, 23, 54 (15th century), 11, 48–63; 13, 67–74 110 printing historical society

Sprenger, Alois, Catalogue of the Arabic, Stansbury, Joseph, father of Arthur J., Persian and Hindu’sta’ny manuscripts of 27, 60, 62 the libraries of the King of Oudh (1954), Stansby, William, printer (1597–1638), on lithography in India, 27, 90 and Anglo-Saxon printing, 28, 63– Sproat, Thomas, History and progress of 64, 68 the Amalgamated Society of Lithographic Starkey, James W., on training of Printers (1930): on foreign compet- printers (1897), 14, 55 ition, 14, 14; on training of printers, Starkey, John, printer, 21, 33 14, 47 Starr, Edwin, typefounder at Phila- Spurrell, W. & Son, printers at Car- delphia, 10, 102 marthen, 15, 56n Starr, Thomas W., of Philadelphia, Squintani, C. G. & Co., makers of patentee of process for electro- Model presses, How to print (c. 1875), typing matrices (1845), 10, 101–102 23, 5, 29 star-wheel lithographic press, 3, 4, 15, St see Saint 16–18, 19, pl. 5–7, ‰gs 16–18, 20–22, ‘stab’ system of paying compositors 30–39 (Britain, 1890s–1914), 18, 13, 16, 17, Statham, W. E., maker of toys and 19, 20 portable presses, 23, 25, advert Stackhouse, Thomas, lithographic facing p. 1 printer, 10, 48 Stationer (trade journal), prints letters Stacy, John H., partner with Oxford from Applegath, 26, 60, 62, 64n University Press, 3, 56, 65 Stationers almanack (1767), 21, pl. 8 stamps see postage stamps Stationers’ Company, 3, 52; 21, 13–27, Stanbury, George, lithographic 29–31, pl. 1–10; 24, 110–111; 25, 5, 10, printer/press-maker, 10, 48 11; and almanacs, 21, 6, 14, 19, pl. Standard (newspaper), 28, 7; didone 8–10; 25, 22; apprenticeship records types used in (1870s), 23, 20 of, 9, 25; 21, 51–69; and C. Burby, 21, Standen, John, printer, 12, 49 71–78; coat-of-arms of, 21, pl. 5, 7; Standidge, William & Co. (Standidge control of apprenticeship by, 13, 20; & Lemon), lithographic printers, Court of (17th–18th centuries), 21, 10, 18, 48–49 32–42, 61; destroys books printed at Stanes, Richard Creak, printer at Oxford (1670s), 25, 5, 6; petition to Chelmsford, 9, 13 (c. 1688), 21, 11–12, pl. facing p. 12; Stanford, Edward, bookseller, use records of, 21, 1–12, 33–34, pl. 3, 4, of bold types in 1862 catalogue of, facing p. 12; Transcript of registers of 22, 132 1554–1640 (1875–1894), 2, 74, and Stanhope, Charles Stanhope, 3rd Companion to (1967), reviewed, 3, Earl: dispute between Wilson and, 108–112 9, 46–48; iron hand press of, 2, 58, Stationers’ Hall (building), 21, pl. 1, 2 59, 63; 3, 42; 5, 7; 8, 46; 9, 32, 37; stationery, prices of Coghlan’s stock printer’s registration for, 9, 12; of (1755), 6, 45–50 Andrew Wilson as stereotype steel-engraving: advantages of, 12, printer for, 9, 22, 24–25, 28–37 54; as a reproductive medium, 17, Stannard, William & Co. (Stannard & 35, 36 Dixon), lithographic printers, 10, 49 steel sheet, printing on, 8, 55 Stannard, William John (& Co.), Steinberg, Sigfrid Henry, 22, 105; book lithographic printer etc., 4, 41–42; review, 1, 101–103 10, 49; Art exemplar (1859), 4, 33, 42– Steinhauser (Franz Steinhauser?), 46, 63; 5, 48, 52, 60, 61; 6, 71; 14, 72 cartographer at Vienna, 27, 81 Stansbury, Arthur J., artist at New Stelfox, William, lithographic printer/ York: Children’s friend (1821), 27, 62– press-maker, 10, 49 63; and lithography, 27, 60–62, 64 stencilling, 4, 37 journal: index: nos 1 to 28 111

Stempel Typefoundry (Frankfurt am Stiger & Co., lithographic printers, Main), Nicholas Kis’s punches etc. 10, 49 at, 18, 47, 51, 53, 59 Stoker, David, ‘The Eighteenth-century Stephenson, Blake & Co., type- short title catalogue and provincial founders at SheŸeld, 15, 21; 18, imprints’, 24, 6, 9–34 70; Caslon punches at, 16, 17–27; Stokes, Henry, lithographic printer, dispute with Grant, Legros & Co. 10, 49 (1916), 28, 33–34; photographic Stokes, Samuel, patentee of sculpture- enlargements of small pica roman engraving machine, 4, 84–85 types of (c. 1841), 7, 53, pl. XI; see also Stolz, Johann Hieronimous, carto- Blake & Stephenson grapher/lithographer at Munich, stereotype metallographic printing 27, 79 (1835), 6, 88 Stone, Colonel, of New York Commer- stereotype plates: curved, invented cial Advertiser, imports cylinder press, by Cowper (1816), 26, 48; in sale 7, 36 catalogue of Andrew Wilson’s Stone, Henry, lithographic printer at property, 9, 56–57 Washington (from 1822), 27, 66 stereotyping: of bank-notes by Apple- Stone, Melville, newspaper owner at gath & Cowper, 26, 49–50; at Cam- New York, and Linotype, 26, 76–77 bridge University Press, 9, 39–42, Stone, Reynolds: ‘The Albion press’, 52; of engraved plates, 6, 74; ‰rst 2, 58–73, pl. 11–18, ‘Addenda and use of, in England, 1, 97–98; Hodg- corrigenda’, 3, 98–99; ‘An Albion son’s book on (1820), 9, 22, 24–25; press used by Hague and Gill’, 7, music printed by, 9, 32; 14, 72; pro- 64, pl. XII posed process for engraving in, 6, Stone, William, father of printer’s 78; by Wilson, for Stanhope, 9, 22, apprentice at Bristol (1864), 24, 112 24, 28–37; of wood-engravings, 5, 41; Stone & Bryer, lithographic printers, 24, 92–94 10, 49 Stevens, Benjamin Franklin, 19/20, stone-engraving and etching, 8, 9; in 86 America, 27, 49–50, 52, 55; of maps, Stevens, George, lithographic printer, 27, 11–12, 34, 70, 74, 75, 76, 87; by 10, 49 Senefelder, 27, 5, 11–12, 34, 70 Stevens, Henry, bookseller at stone, lithographic, 8, 1–2, pl. VIII, Vermont: Catalogue of the American X–XXIV; for Alken’s Ideas and Notions books in the British Museum (1866), (1840s?), 14, 82–88, pl. 1–3; in 19/20, 78, 96; and Chiswick Press, America, 27, 50, 51, 52, 55; Thomas 19/20, 87, 90, 93, 98, 100; Stevens’s Barker’s use of (1810s), 12, 1–32, pl. American Bibliographer (1855), 19/20, I–XVI; Bath area as possible origin 92 for, 12, 11–17; damage and repairs to, Stevens, S. B., of Huntley, Boorne & 8, 31–32, pl. XVIII–XXIIa; disadvan- Stevens, visits Paris to buy machin- tages of, 8, 35–37; ‘frames’ ground ery (1871), 9, 4, 5 on, to produce imitation plate- Stevens, W. H., printer of Bellman’s marks, 14, 84–86, pl. 2–3; grinding verses at Norwich, 26, 32 and polishing of, 8, 30–31; 12, 7; 27, Stevenson, Mrs, of Dundrum, corres- 110; hiring of, 8, 24–26; 12, 2; import pondence with J. Hare (1847), 24, duty on (Britain, c. 1820), 8, 10; in 95–96 India, 27, 91, 108, 110; in Indonesia, Stevenson, Robert, lighthouse engin- 27, 114, 125; marketing of, 8, 23, 26– eer, intaglio printing for, 2, 14 30, pl. IX; quarries for, 8, 2–23, 37– Stevenson, Matchett & Stevenson, 40, pl. II–VII; re-use of monumental printers of Bellman’s verses at slabs as, 12, 13–14; in Spain, 27, 35, 40, Norwich, 26, 32; see also Matchett 46–47; storage of, 8, 32–36, pl. X, XIa; 112 printing historical society stone, lithographic (cont.) Strozzi, Marco, brother of Girolamo, survival of used examples of, 8, 40– 11, 52 41, pl. XIIa, XIII–XVII, XXIV; 12, 1–4, Struck, Samuel, Neu-verfassetes au der pl. I–VII, XIV, XVIa; 14, 82 löbl. Kunst-Buchdruckerey nützlich zu Stoner, William, printer at Bristol gebrauchendes Format-Buch (1715, 1724), (1853), 24, 112 4, 25, 27 Stoop, Dirk, artist/engraver, 25, 10 Stuart, Peter, map-printing process of Story, Edward (d. 1693), publisher at (1810), 6, 88 Cambridge, 28, 66 Stuarts (royal house), 25, 19; propa- Stower, Caleb: Compositor’s and press- ganda in support of (17th century), man’s guide (1808, 1812), 4, 14–15; 25, 12–13, 14, 17 Printer’s grammar (1808), 1, 7, 4, 14, 9, Sturges, R. F., and R. W. Win‰eld, 25, 26, 37, on Andrew Wilson, 9, 25; metal-workers at Birmingham, 6, Printer’s price-book (1814), 4, 15 62; patentees of nature printing Strachan & Henshaw, press-makers (1852), 6, 85 at Bristol, make presses for ‘paper- Styles, Philip, on social structure of back’ books (1950s), 18, 36–37, 39, Britain (17th century), 21, 56 40, 42, 46 stylography (c. 1850), 6, 88 Strahan, William, printer to Dr subdivision see division Johnson and King’s Printer, 1, 107; Suetonius (Gaius Suetonius Tran- 3, 55, 100; 15, 55n; 21, 41 quillus), Vitae Caesarum (1493), use Straker, C., Instructions in the art of litho- of capitals in, 22, 95 graphy (1867), 3, 33, 34 Su olk Chronicle, and J. Hare (& Co.), Straker, Samuel, lithographic 24, 58, 59n printer/press-maker, 10, 49; litho- sugar etching process, 6, 74 graphic press of, 3, 34, 35, ‰gs 41, Sugden, E. S., printer at Bradford, 18, 42; lithographic stones sold by, 8, 26 26, 27 Sullivan, James, lithographic printer, Strang, David, Printing of etchings and 10, 50 engravings (1930), 2, 19 Sully, Charles, bookbinder, in devel- Strangeways, John, buys ‰rm of opment of publishers’ bindings, 28, Moyes & Barclay, 4, 10 75 Stratton, Richard J., agricultural Sum‰eld & Jones, lithographic engineer at Bristol, correspondence printers, 10, 50 with J. Hare (1847), 24, 91–92, 94 ‘summer’ (American component of Streater, John, printer/publisher, hand press), 8, 49; see also winter debts to Thomas I Grover of, 15, Summerly, Felix see Cole, Sir Henry 39, 42 Summers, G. J., stationer, 23, 53 Strešeur, V. von, cartographer at Sureda, Bartolomé, Spanish engra- Vienna, 27, 81 ver/lithographer at Paris, 27, 7, 33, strikes see industrial action 34–35, 36n, 41 Stringer, H. J. S. Gilbert see Gilbert- Surrey, printers’ registrations for, 9, Stringer, H. J. S. 12, 13 Strixner, J. N., lithographer in Sutter, J. (John?), maker of portable Munich, 1, 39, 42, pl. I presses (1760s), 7, 56; 23, 5 Strong, H. O., supplier of Columbian Sutton, Christopher, C. Burby pub- presses, 5, 11 lishes works of, 21, 76, 77 Stroud, Edward Milborne & Charles Swain, John, wood-engraving business (E. M. & W.), lithographic printers, of, 17, 56 10, 49 Swain, Joseph, wood-engraving Strozzi, Girolamo, publisher at Venice business of, 5, 88, 94; 17, 36, 56; (15th century), 11, 52, 53 24, 72n journal: index: nos 1 to 28 113

Swain, William, printer at Philadel- Tacuino di Tridino, printer at Venice, phia, and R. Hoe & Co., 13, 28, 29, 22, 108 38, 39 Täubel, Christian Gottlob: Allgemeines Swan, Frank & Henry, lithographic theoretisch-praktisches Wörterbuch der printers, 10, 50 Buchdruckerkunst und Schriftgiesserey Sweden: early printing in, 13, 76; (1805–1809), 4, 28–29; Orthotypo- wooden presses surviving in, 6, graphisches Handbuch (1785), 4, 28; 22–23 Praktisches Handbuch der Buchdrucker- Sweynheym, Konrad see Pannartz, kunst für Anfänger (1791), 4, 28; Voll- Arnold ständiges theoretisch-praktisches Lehrbuch Swift, Henry Edward, banker, backs der Buchdruckerkunst (1809–1810), 4, 29 Applegath, 26, 61 tail-pieces (ornaments): at Chiswick Swift, Jonathan, Tale of a tub (1704), on Press (1850s), 19/20, 65, 98, 99; at Aldrich/Bentley dispute, 25, 18–19n Oxford University Press (1740s), 25, Swinburne, Algernon Charles, Atalanta 28 in Calydon (1894), 19/20, 112 Talbot, William Henry Fox: develop- Swinford, J. & J., lithographic printers, ment of photo-engraving by (1852– 10, 50 1858), 13, 64–65, pl. facing p. 64; Swinford, Samuel, lithographic photographic experiments of (1839), printer, 10, 50 4, 52; 10, 66 Swinford, William & James (Swinford Talboys, David Alphonso, Chrono- Brothers), lithographic printers, logical tables of history (1835–1840), 10, 50 use of bold types in, 22, 122–124, Swinton, John: possibly commissions 126, 135, 138 Etruscan type from Caslon, 16, 28; Tallis, John II, printer/publisher: works of, printed at Oxford using almost buys Illustrated London News, Caslon’s Etruscan type (1746), 16, 29 13, 45n; London street views (1838– Switzerland: early printing in (1468– 1840), 14, 65n; uses Hoe’s ‘Light- 1478), 13, 69, 75; wooden press sur- ning’ rotary press (1858), 13, 45 viving in, 6, 7 tanks (military vehicles), and L. A. Sydney, bibliographical press at Legros, 28, 37–38 University of, 1, 12 Tardieu, Alexandre, French engraver Sydney Herald: acquired by J. Fairfax of maps, 27, 77 (1841), 24, 36; buys Cooper’s steam Tasmania, export of lithographic cylinder press (1852), 24, 37; buys stones and press to (1830), 8, 26n Hoe’s ‘Lightning’ rotary press Tassin, Jean Baptiste, lithographer/ (1859), 13, 57 lithographic printer at Calcutta, 27, Symcock, Thomas, printer/patentee, 94, 107–108, 109, 110 21, 26, 27 Tatum, William, lithographic printer, symmetry, applied to type-ornaments, 10, 50 26, 33–46 passim Tavernier, Ameet, punch-cutter at synopses of founts see fount schemes Antwerp (16th century), 1, 15, 16; Syriac type: Caslon’s (1734), 16, 29, 62, 4, 109 75, 77; Caslon’s (c. 1770), 16, 75, 77; taxation: of paper (Britain, 1800s), 9, Granjon’s, 18, 72; Nicholas Kis’s, 18, 33–34; records of for J. Bämler and 56n, 71–72, 74 his family (Augsburg, 1449–1509), 22, 29–53 passim; see also import Tabart, George, wood-engraver, 17, 56 duties Tabberner, Mr, and J. Hare, 24, 82 Taylor, printers’ broker see Salisbury Tables of the resources of the districts under & Taylor the presidency of Fort William (1827), 27, Taylor, H. A., and history of book 104 trade in North of England, 4, 91 114 printing historical society

Taylor, John Edward II, proprietor of Text-book, or, Easy instruction in the elements Manchester Guardian, 13, 45, 47, 60 of the art of printing (1826), 7, 65 Taylor, Randall, publisher, 21, 54 textile printing see cotton printing Taylor, Raymond A., ‘Applegath and theatre (London, 19th century), 14, 61 Cowper: their importance to the Theobald, J. & Co., makers of English letterpress printing industry Amateur’s Complete Printing in the nineteenth century’, 26, 47–69 Apparatus, 23, 13 Taylor, Richard (1781–1858), printer, Theodor of Wurzburg, printer of 2, 45–48, pl. 9, 10; 26, 54 music at Venice (1480), 1, 22 Taylor, Silas, History of gavelkind (1663), thermography (1854), 4, 37, 39; 6, 53, 88 Anglo-Saxon printing in, 28, 66 Thierry, patentee of cylinder litho- Taylor, William, printer etc. at graphic press (1840) see Lemercier Nottingham, nature printing by family, and Thierry (c. 1844), 6, 61, 83 Thierry, Denis (d. 1712), printer at Taylor & Francis, printers, 2, 45 Paris, 1, 108 Taylor & Martineau, lithographic ‘36-line’ Bible (c. 1460), 19/20, 130 press-makers, 3, 24–25, 34, ‰g. 23 Thistleton, Augustus Union, printer Taylor & Winterbottom, printers at of Bellman’s verses, 26, 31 Wake‰eld, apprentices to, 13, 24 Thomas, Isiah, of American Anti- Teape, Henry & Son, lithographic quarian Society, 27, 55–56 printers, 10, 50 Thomas, Robert K., lithographic technical education see training printer, 10, 50 Technical Education Board see Thomas, Thomas, employee and London County Council successor of J. Parry, 15, 56, 58 Technical Instruction Acts (from Thomas, Timothy, lithographic 1889), 14, 27–28, 37, 50, 51–52, 58 printer, 10, 50 Tegg, Thomas, Complete book of trades Thomas, William Luson, founder (1842), 2, 7, 9, 10 of ¡e Graphic, wood-engraving telegraph, early development in business of, 5, 87, 88, 92 America of, 26, 70–72 Thomason, George, publisher, 21, 36 Tempi, Francesco, printer/type- Thompson, Albert, wood-engraver, founder at Florence, and Nicholas 17, 58 Kis, 18, 56, 57, 67, 68, 70, 73, 75 Thompson, Augusta, daughter of Temple, Sir William, Miscellanea upon John, wood-engraver, 17, 36, 41, ancient and modern learning (1690), on 57–58 Phalaris and Aesop, 25, 18 Thompson, Charles, wood-engraver, ‘ten-feeder’ printing press of Apple- 17, 44, 57 gath, 26, 67–68 Thompson, Charles Thurston, wood- Teniers, David, painter, lithograph engraver, 17, 45, 57, 58 after, 27, 44 Thompson, Eliza Harriot, daughter Tennyson, Alfred, Lord, Works (1900), of John, wood-engraver, 17, 36, 38, etched plates for, 25, 29 57, 58 Tenore, Michele, agronomist, litho- Thompson, Isabel, daughter of John, graphic plan included in works of wood-engraver, 17, 36, 57, 58 (1818), 27, 17 Thompson, J. Albert, wood-engraver, Terry, Stoneman & Co., stationers, 23, 17, 58 53 Thompson, J. W., bibliography of Testimonie of antiquitie (1566?), Anglo- Farne Islands literature by, 4, 98 Saxon printing in, 28, 48, 49, 52 Thompson, John, wood-engraver, Tetterode typefoundry (Amsterdam), 4, inset; 17, 36, 39, 40, 41, 45, 49, Hebrew punches and matrices at, 52, 57, 58; establishes school of 18, 63–65 wood-engraving at Paris, 17, 34; journal: index: nos 1 to 28 115

makes metal-engraving for Post Tilloch, Alexander, instructs Lord OŸce, 5, 52; on reproductive wood- Stanhope in stereotype printing, 9, engraving (1843), 17, 33 24, 29 Thompson, John S.: History of composing Tilt, Charles, publisher, 4, 84; and machines (1904), 1, 58; 26, 85; 28, 25– Nolte’s Medallic illustration of the history 26; Mechanism of the Linotype (1902), of England (proposed work), 4, 48– 26, 85, 90 49, 79; publishes Harding’s litho- Thompson, Lawrence, lithographic graphs, printed by Hullmandel, printer, 10, 50 1, 48 Thompson, Mrs M. T., and L. A. ¡e T imes: Applegath (& Cowper) and Legros, 28, 5, 7, 39 presses for, 2, 51–53, 55; 13, 28, 29, 32, Thompson, Maunde, 19/20, 122 34, 41, 48, 52, 55, pl. facing p. 48; 26, Thompson, Nathaniel, printer, debts 54, 60–61, 62–65, 67; didone types to Thomas I Grover of, 15, 39, 42 used in (1870s), 23, 20; R. Hoe and Thompson, Richard Anthony, wood- ‘Lightning’ rotary presses for, 13, engraver, 17, 57, 58 27–63, pl. facing pp. 48, 49; Koenig Thompson, Sylvanus P., 19/20, 86 and presses for, 26, 54; on L. A. Thomson, Frances, and history of Legros (1933), 28, 37–38; on mezzo- book trade in North of England, 4, tint process (1823), 25, 50; type- 97, 98 casting/typesetting machines used Thomson, James, Seasons (1843), illus- by, 18, 11; 28, 17; Wicks’s type- trations to, 17, 39, 58, 60 casting machines used at, 28, 17, 20 Thorne, Robert, typefounder, slab- Times Publishing Company, serif types of, 15, 12, 15, 18, 32n publishes mezzotints, 25, 69, 71 Thorne typesetting machine, 18, 21; Timms, wood-engraver at Paris, 17, 58 26, 72; 28, 17; introduction at Timms, William, print colourist, 2, 21n Manchester of, 14, 5; used to set Timperley, Charles Henry: Dictionary Bradford Observer (1890s), 18, 18, 22, of printers and printing (1839), 4, 58; 23; used to set Sportsman (from 1890), Encyclopaedia of literary and typographical 18, 11 anecdote (1842), 3, 69n; 9, 44n; Thornton, Robert John, Temple of Šora Printers’ manual (1838), 3, 99; 4, 18; (1799), mezzotints after plates in, 25, Songs of the press (1845), 3, 99 71, 75 tin-plate, 8, 53; printing on see tin- Thorowgood, William, typefounder, printing 26, 34; and ‘Clarendon’ type, 22, 125; Tin Plate Decorating Co., tin-printers slab-serif types of, 15, 5–11 passim, at Neath, 8, 55, 56–57, 59, pl. XXXIXb; 15–17, 19, 21, 24, 29–35; 22, 118, 125; 9, 1n, 3 see also Fann Street typefoundry tin-printing, 8, 53–54, pl. XXXVII– XLIV; Thorp, Joseph, printer/writer on in colour, 8, 63, 64; by direct printing, 28, 38 printing, 8, 55–58; 9, 2–3; makers of Threlfall, T. R., on technical educa- presses for, 8, 62–64, pl. XXXVIII, tion (1884), 14, 53 XLI, XLII; by o set-lithography, 8, 55, Thurston, John, artist, 17, 57 60–62; 9, 4–5; by transfer-printing, Thuvien, Théodore, cylinder litho- 8, 55, 58–60, 61; 9, 3–4 graphic press of, 3, 46, ‰g. 55 ‘tinted’ wood-engravings, printed by Thwaites, wood-engraver, 17, 58 Vizetelly, 17, 58 tickets: coronation, in compound- Tirebuck, Joseph & Isaac, litho- plate printing, 4, 62, 63, pl. 3, 4, 30, graphic printers, 10, 50 31; medal-engraving on, 4, 85; tissierography, 5, 58 siderographic, 4, 67, pl. 28 Tissot, Adèle, wood-engraver, 17, 41 Tignonville, Guillaume de see Guil- Tissot, Adrienne, wood-engraver, 17, laume de Tignonville 41 116 printing historical society title-pages, early development of (15th Trades Union Congress, 18, 28, 31; on century), 22, 77 training of printers (19th century), Titterton, George F., lithographic 14, 8, 42, 43, 47–48, 53–54 printer, 10, 50 Trade Union Act (1906), 18, 9 Titterton, Sarah, lithographic printer, trade unions, for printing industry: in 10, 50 Bristol, 24, 109–121 passim; in Britain Tocci, Luigi Michelini, on incunabula, (19th century), 1, 106; 13, 3–13 passim, 22, 54n, 55n, 60n, 61 17, 20–24; 14, 2–11 passim, 13, 14, 21–58 Todd, William B., 9, 11; Directory of passim; 18, 2–35 passim; 24, 107–109; London printers 1800–1840 (1972), 9, 12, see also chapel, guilds 26, 44n; 10, 1–2 training of artists and wood-engravers, Tookey, Robert, printer, debts to by J. Hare (1847), 24, 94–97 Thomas II Grover of, 15, 45, 47 training of bookbinders (Britain, 19th tools: for intaglio engraving, 25, 31, century), 14, 2–8 passim, 13 33–37; for mezzotint engraving, 25, training of printers: in Britain (19th 49, 50n, 73, 74, 76–78 century), 13, 1–25; 14, 1–58; on Tooth, Arthur, print publisher, 25, 69 continent (19th century), 14, 17–21 Topham, T. S., of Eaton Ford House, Tramaux-Malhet, J., Vademecum ou correspondence with J. Hare (1847), l’indispensable aux typographes (1843), 4, 24, 89 24 topographical art (Britain, 19th Trani, Angelo, publisher at Naples, century), 25, 47, 50; see also Maps 27, 25n and plans transfer of drawings etc.: to intaglio tornography, 6, 88 plates, 25, 39–40, 77, 82; to wood- Toronto Type Foundry, 7, 49 blocks (China), 27, 114; see also Toronto University: bibliographical lithographic transfer; phototransfer press at Massey College Library, 1, transfer of engravings to lithographic 13; bibliographical press at Univer- stones/plates, 14, 74, 78–79, 86; 25, sity College, 1, 13 45 Torresanus, Andreas, printer at transfer printing, in packaging and Venice, 22, 101n–102n ceramics, 4, 118 Tory, Geo rey, printer at Paris (16th Traschsel, L. S., engineer, litho- century), 1, 76, 84; ornaments graphic press of Bénard and, 3, 31n copied from, 19/20, 62, 65 Trattner, Johann, printer at Vienna, Toulmin, William Maintrue, chemist type-specimens of, 18, 75 in India, and lithography (1820s), travel guides see guidebooks 27, 92 Traxton, Joseph, lithographic printer, Tournes, Jean I de, printer at Lyons 10, 50 (16th century): ornaments copied Treadwell, Daniel, press of, 3, 90, 91 from, 19/20, 65; use of special sorts Treadwell, Michael: ‘The Grover by, 28, 58 typefoundry’, 15, 36–53; ‘Printers on Towers, John, printer, 16, 13; prints the Court of the Stationers’ type-specimens for Caslon (1763– Company in the seventeenth and 1766), 16, 11, 35, 110 eighteenth centuries’, 21, 29–42; Townsend, John, printer, 21, 32n, 37, research on London master printers 41 by, 21, 63 Townsend, William B., American Treame, William, printer’s apprentice newspaper editor, 7, 29–30, 35 at Bristol (1850), 24, 114, 115 trade cards: glyphographed, 5, pl. 11; Treasury Committee to Select the Best of London lithographic printers, Type Faces and Modes of Display 10, 7; medal-engraving on, 4, pl. for Government Printing (1920– 24–27 1922), and L. A. Legros, 28, 38–39 journal: index: nos 1 to 28 117

Trent, Reginald, apprentice to Blades, Tudot, Edmond, lithographic printer 14, 8–9 at Paris, 1, 41, 46 Trentsensky, Matthias and Joseph, Tuer, Andrew, Bartolozzi and his works lithographic press-makers/printers (1882), on intaglio printers, 2, 4 at Vienna, 3, 44, ‰g. 53; 27, 76, 81 Tugg, Phillip, printer at Bristol (1838), Treptow, Otto, Johann Lair van Siegburg, 24, 117 ‘John Siberch’ (1964), reviewed, 1, 101– Tunstall, Cuthbert, De arte supputandi 103 (1522), 26, 5, 10 Trew, J., Formatbuch (1623), 7, 65 Tupper, George Frederick, litho- Tribune book of open-air sports (1886), ‰rst graphic printer, 10, 18, 50 book set on Linotype, 26, 77, 87 Tupper, Martin Farquhar, Proverbial Tridino, Tacuino di see Tacuino di philosophy (1856), publisher’s binding Tridino of, 28, 85, 86 Trissino, Giangiorgio, Epistola de le Turner, Charles, mezzotint engraver, lettere nuovamente aggiunte ne la lingua 25, 69 Italiana (1524), typographical con- Turner, Joseph Mallord William, ventions in, 28, 57 artist, 25, 69; intaglio printing for, 2, Troisbrioux, Alphonse de, patentee 13, 14, 16n of cylinder lithographic press Turner, Michael L.: ‘Andrew Wilson: (1842), 3, 47 Lord Stanhope’s stereotype printer: Trollope, Anthony, Dr Wortle’s school, a preliminary report’, 9, 22–65; 24, ‘yellowback’ edition of (1880s?), 38n; book review, 4, 111–113 28, 88 Turner, Thomas, lithographic printer, ‘Troy’ type of William Morris, 3, 115; 10, 51 19/20, 5, 11, 12, 14–17, 123, pl. 25–28, Turner, Wilfred, assistant to George 34–38, 44, 46; imitated by J. W. Friend, 5, 81 Phinney, 19/20, 17 Turner, William (d. 1644), printer at Truchet, Père Sébastien: documents Oxford, 28, 68, 69 from papers of, 1, 91–93; at meetings Turner, William (Š. 1836), litho- of committee on printing, 1, 88–91; graphic printer, 10, 51 and romain du roi type, 1, 76, 77, 82, 86; in study of trades for Académie Turton, William, private press at des Sciences, 1, 71, 72, 74 Swansea of (1803), 7, 62–63 Trübner, Nicholas & Co., printers, ‘Tuscan’ type see slab-serif type buy ‘Basle roman’ type (1856), Tussaud, Madame (Marie) & Sons, 19/20, 91 24, 69, 70n Trueman, H. P., Eclectic hand-book of Twain, Mark (S. L. Clemens), printing (1880), 23, 29 Adventures of Huckleberry Finn (1884), Trumbull, George, Pocket typographia publisher’s binding of, 28, 86, 87 (1846), 4, 19 Twining, Thomas, of Twickenham, Trysorfa (Welsh-language periodical) nature printing by (1847), 6, 55, 84 see Goleuad Gwynedd two-colour printing see colour printing Tschichold, Jan: Asymmetric typography Twyman, Michael: ‘Thomas Barker’s (1967), reviewed, 4, 113–116; use of lithographic stones’, 12, 1–32, pl. bold types by, 22, 142 I–XVI; ‘The bold idea: the use of Tsien, Tsuen-hsuin, on the preparation bold-looking types in the nineteenth of Chinese woodblocks (1985), 27, 114 century’, 22, 107–143; ‘A directory Tucker, S., on apprenticeship (1896), of London lithographic printers 13, 16 1800–1850’, 10, 1–55; Early lithographed Tucker, Stephen D., historian and books (1990), 27, 9n, 73, 90, 120, 131; partner in R. Hoe & Co., 13, 37, 38, Early lithographed music (1996), on 42, 59, 60; on development and sale Patrelli, 27, 15; ‘Introduction’ to of ‘Lightning’ rotary press, 13, 28, 41 issue on lithography, 27, 5–8; 118 printing historical society

Twyman, Michael (cont.) typeforms, photographic enlarge- ‘The lithographic hand press 1796– ments of, 7, 51–53, pl. IV–XI; 19/20, 1850’, 3, 3–50, pl. 1–7, ‰gs 1–56; 8–11, 101, pl. 1–19, 39–48 ‘Lithographic stone and the printing typefounders: in America (1787–1825), trade in the nineteenth century’, 8, 3, 113–114; e ect of electrotyping 1–41, pl. I–XXIV; ‘A note on some on, 10, 100; sale of presses by, 5, 11; lithographic stones relating to in Spain (17th century), 17, 73–74, Henry Alken’s Ideas and Notions’, 14, 78–79; see also the names of individual 82–88, pl. 1–3; on small capitals, 22, typefounders 79n; John Soulby, printer, Ulverston typefoundry equipment, in sale cata- (1966), 4, 87, 90, 9, 7, 15, 55, 24, 7n, logue of Andrew Wilson’s business reviewed, 3, 115–116; ‘The tinted (1816), 9, 60–62 lithograph’, 1, 39–56, pl. 1–7; trans- type-metal: composition of, 26, 90; lator, ‘Patrelli, Müller and the scarcity of (1914), 28, 37 OŸcio Topogra‰co: the begin- type-moulds, invented by J. C. Grant nings of lithography in Naples’, 27, (1909), 28, 26 9–32 type-ornaments, 26, 33–46; Caslon’s, Twysden, Sir Roger, Historiæ Anglicanæ 16, 68–71, 75–76, 80–103, 107–112; scriptores X (1652), Anglo-Saxon Pedro Disses’s, 17, 74, 79, 85; printing in, 28, 67 Nicholas Kis’s, 18, 73–74 Tyler, Evan, printer at London, types see printing types Edinburgh etc., 15, 41, 42; 21, 41 typesetting: instructions for amateurs Tyler & Pace, metalworkers, 24, 90 in, 23, 34–52 passim, 73; speed of see Tylney, Richard Child, 1st Earl, speed of typesetting tenant of 20 Soho Square (1742– typesetting machines: Hattersley’s, 1750), 14, 65 18, 21, 28, 17, used by Bradford T imes Tymms, Samuel, Architectural and (from 1867?), 18, 2, used by Daily historical account of the church of St. Mary, News (from 1891), 18, 11; introduction Bury St. Edmund’s (1845), 24, 68 to Britain of (19th century), 14, 2–6, Tyndale, William, translator of the e ects on work-force of, 18, 1–35 Bible, 26, 6, 10, 11, 12 passim; Kastenbein’s, 1, 67; 28, 17; type see printing types Kniaghininsky’s tape-operated, 3, type cases: for amateurs (Britain, 19th 93–96; Mackie’s tape-operated, 1, century), 23, 20, 21, 23, 12, 14, 26–29; 57–67; 3, 93; Thorne’s, 18, 21, 26, 72, American (California job case), 7, 28, 17, introduction at Manchester 44–50; de‰ned by size, 7, 37; de‰n- of, 14, 5, used to set Bradford Observer ition of job case, 7, 38, pl. II, III; (1890s), 18, 18, 22, 23, used to set development of double form of, 7, Sportsman (from 1890), 18, 11; Wicks’s, 38–40, 42–44; C. Morton’s, 23, 12 28, 16, 17, 18 type-casting machines: Applegath and type sizes: in Britain (16th century), Henfrey’s, 26, 55, 56; Bannerman’s, 28, 44, 52, (19th century), 23, 26, 27, 28, 32; Bruce’s, 28, 7, 28; and 20–22; in Spain (17th century), 17, Clephane, 26, 72–73; Davis’s, 28, 74, 79–80, 83; standardisation in 26, 28, 31–32, 34, 35–36; Grantype America and Germany of (19th of J. C. Grant, 28, 24–25, 28, 36; century), 14, 13 introduction to Britain of (late 19th type-specimens: of Adamszoon’s century), 14, 2–6, e ects on work- widow and Ente (c. 1700), 16, 23, 25; force of, 18, 1–35 passim; Johnson 18, 53n, 54n, 58, 59, 60; of Alberts (c. and Atkinson’s, 1, 65, 66; pivotal, 1729), 18, 60; of American wood 28, 27, 28, 29, 31; Typograph, 28, 28, type, 1, 107; of Anglo-Saxon sorts 35; Wicks’s rotary, 1, 67; 28, 15–21 (16th century), 28, 48–61 passim, 64, passim; see also Linotype; Monotype 65; of Conrad Berner (1592), 1, 15; journal: index: nos 1 to 28 119

of Bessemer (1830), in facsimile, 5, 32, 33; on competition between supplement; of Blake & Stephenson British and foreign printers (1880s), (c. 1838), 7, 53, pl. XI; of Breitkopf 14, 12, 14; on mechanization of (1739, 1766), 18, 70; of Caslon, 2, 43, printing (19th century), 14, 4–5, 7; 3, 66n, 76–79, pl. 10, 11, facing p. 66, and mechanization of typesetting 7, 53, 16, 3, 9–13, 14, 21–31, 75–76, 104– (1890s–1910s), 18, 1, 3, 6–35 passim; 113, (1766), 16, 3, 7, 11, 12, 14, 17–31, 33, on terms of employment for printers in facsimile, 16, 35–73, (1785), 16, 75– (1910), 18, 15; on training of printers, 76, in partial facsimile, 16, 77–103; in Britain (1880s), 14, 45, 46–47, 56– collected by Ames, 3, 75, 76, pl. 11; 57, on the continent (1890), 14, 17; see 16, 105; of Willem Cupy (18th also (National) Provincial Typo- century), 18, 63; of Pedro Disses graphical Association (17th century), 17, 91; of Ehrhardt Typographical Labour Representation (c. 1720?), 18, 57, 58, 59n, 60; of Fund, 14, 45 Elsevier (1681), 18, 51, 61, 63; of typographic etching, 10, 66, 75, ‰g. 7 Enschedé (1743), 16, 11, 18, 66n, Typograph type-casting machine of (1744), 18, 66, (1748), 16, 76, (1768), Ludlow, 28, 28, 35 18, 67; of Figgins (1815), 26, 38, 40– Typolithographic Press see Ross, 41; of Fournier (1742), 16, 11, 75, 76; David; Ross, William of Edmund Fry (1828), 26, 38, 40; of Tyrrell, Robert Yelverton, ed., Sophoclis Imprimerie Royale (1819), 2, 31; of Tragoediae (1897), 19/20, 118, 119 Jean Jannon (1621), 18, 52; of Nicholas Kis, 18, 51, 52–54, 56–57, 67, Ullmer, Frederick, press-maker/ 73, 74; of Lamesle (1742), 3, 114; 16, supplier, 2, 71; 5, 11–12, 23; 23, 16 11; of Luther (1665), 18, 66, (1670), Ulrich VIII, Abbot of Saint Gall 18, 66n; of A. G. Mappa (1781, 1785), (15th century), manuscript missal 18, 72; of Moyes (1826), 4, 6; of belonging to, 22, 68–70 Oxford University Press (1693), 16, Underhill, Thomas, publisher, 21, 61 11; 25, 21n; 28, 43n; of Plantin, 1, 16; unemployment of compositors and of Johannes Rolu, 18, 63, 67, 71n; of printers (Britain, late 19th century), J. A. Schmidt, 18, 67, 70, 71; of slab- 18, 2, 6–8, 10, 13, 27 serif types (19th century), 15, 1–35; United States of America: competition of Johann Trattner, 18, 75; of Typo- with Britain in printing industry of graphia Vaticana (1628), 16, 11; 17, (19th century), 14, 12–13; electro- 83, 84; 18, 73n, 74; of Herman typing in, 10, 84–103; export of Uytwerf, 18, 51, 60; of Voskens lithographic stone to, 8, 23, 38, 39; family, 16, 23, 25; 18, 60, 62, 64, introduction of lithography in 66, 71 (1801–1825), 27, 7, 49–67; type- typewriters, early development in founding in (1787–1825), 3, 113–114; America of, 26, 70 wood-engraving in, 10, 58–65, Typographia Vaticana, printer/ challenge of other processes to, publisher at Rome, 18, 74; type- 10, 65–69, stages in decline of, 10, specimen of (1628), 16, 11; 17, 83, 84; 69–83; wooden presses surviving in, 18, 73n, 74; see also Sacra Congre- 6, 25–32; 8, 42–52, pl. XXVI– XXXVI gatio de Propaganda Fide University College London: biblio- Typographic Advertiser: on Albion press graphical press at, 1, 7; and A. (1862), 2, 71–72; publishes obituary Legros, 28, 13; and L. A. Legros, of Hopkinson (1864), 2, 70–71 28, 14 Typographical Association, 14, 2, 9, university towns, as sites of early 43, 44, 45, 53, 56–57; 24, 107, 109; and printing activity, 13, 74–77 apprenticeship (19th century), 13, 6, Unwin, George, on the Stationers’ 7, 9, 10–11, 17, 20, 21, 22; 14, 7; 18, 11, Company, 21, 13, 14 120 printing historical society

Unwin, Jacob, printer, 19/20, 84n; see Van Blochem, G., printer of Bellman’s also Unwin Brothers verses at Amsterdam, 26, 31 Unwin, W. C., lecturer in engineering, Van Cleef, Jz. P. M., Handboek ter 28, 14 beoefening der boekdrukkunst (1844), 7, Unwin Brothers, printers, use Davis’s 65 type-casting machine (1912), 28, 36 Vandenhoeck, Abraham, printer at Updike, Daniel Berkeley, Printing types Hamburg, uses Caslon type (1733), (1937): on ‘Basle roman’ type, 3, 79 19/20, 90; on Caslon types, 16, 109; Van den Keere, Hendrik (Henri du on ‘Egyptian’ or sanserif type, 15, 4; Tour), punch-cutter at Ghent on revival of Caslon types by Chis- (16th century), 1, 15, 16, 17; 4, 109– wick Press, 19/20, 63 110; 17, 83; 18, 48; works for Plantin, Updike, John, ‘Proem: tune, in Ameri- 9, 69 can type’, 24, 4, 6 Vandermaelen, Philippe, Atlas universel upper case type see capitals (1826–1827), lithographs in, 27, 77 Uppsala, early printing in, 13, 76 Van der Putte, Hendrik, typefounder Urbino, Federico da Montefeltro, at Amsterdam, 18, 66n Duca di, library of, 22, 59, 60 Van de Water, Willem, printer at Ussher, James, Discourse of the religion Utrecht, 18, 67n, 69 anciently professed by the Irish and Brittish Van-de-Weghe, Dominique, rolling (1631), Anglo-Saxon printing in, 28, press-maker at Faubourg Saint- 66 Jacques, 17, 13 Utrecht, early printing in (1470s), 11, Van Dyck, Christo el (d. 1669), type- 22; 13, 72 founder at Amsterdam, 18, 49, 51, 61, Uytwerf, Herman, printer/type- 63, 72n founder at Amsterdam, type-speci- Van Honthorst, Gerard, artist, mezzo- mens of (1720s–1730s), 18, 51, 60; see tint of ‘Christ before the high priest’ also Alberts after, 25, 80, 81–82 Van Hove, Frederick Hendrick, Vacher, Thomas (& Sons), litho- engraver at Oxford, 25, 15 graphic printer, 10, 51 Van Huysum, Jan, artist, 25, 71 Vacher, Thomas Brittain, lithographic Van Poolsum, Jacob, printer at printer, 10, 51 Utrecht, 18, 67n, 69 Valdarfer, Christopher, printer at Vanvitelli, Luigi II, Vita dell’architetto Venice and Milan (1470s–1488), Luigi Vanvitelli (1823), lithographic types used by, 22, 90 plates in, 27, 25 Valerio, Vladimiro: ‘Patrelli, Müller Van Voorst, John, publisher, 17, 52, 57 and the OŸcio Topogra‰co: the Van Winkle, Cornelius S., Printers’ beginnings of lithography in guide (1818, 1827, 1836), 4, 15; 7, 39n; Naples’, 27, 9–32; Società, uomini e 13, 78 istituzioni cartogra‰che nel Mezzogiorno Vasey, George, wood-engraver, 17, 58 d’Italia (1993), 27, 71 Vatican Library see Biblioteca Apos- Valerius Maximus, Facta et dicta memor- tolica Vaticana abilia (1487), use of capitals in, 22, 94 Vatican Press see Typographia Vatic- Valpy, Abraham John, printer, com- ana mends Columbian press, 5, 14 Vázquez, Manuel Nicolás, printer at value: of C. Burby’s estate (1600s– Seville (1766–1796), uses Pedro 1610s), 21, 71, 72; of type and equip- Disses’s types, 17, 84, 88, 90 ment at Chiswick Press (1859), Vear, William North, lithographic 19/20, 64, 73–75, 85, 90, 93, 98 printer, 10, 2, 18, 51 Vanandetsi, Mattheos, printer at Vega, Antonio de la, patron of Pedro Amsterdam, 18, 72, 73 Disses, 17, 81 journal: index: nos 1 to 28 121

Vega, Jesusa, ‘Lithography and Spain: Vickers Printing Machinery Group, 8, the diŸcult beginnings of a new 64 art’, 27, 33–47 Victoria, Queen of Britain: Leaves from Velásquez, Isidro González, litho- the journal of our life in the Highlands grapher at Madrid, 27, 46 (1868), publisher’s binding of, 28, Veldener, Johann, printer/punch- 90; witnesses demonstration of cutter at Louvian etc. (15th century), Applegath’s vertical cylinder press 3, 105–107; 11, 8, 9, 10, 14–21 passim, (1851), 26, 64, 65 27, 28, 29, 30, 116–123 passim, 125, 127, Victoria and Albert Museum, and 128, 129, 130; 13, 72, 73; as Caxton’s Thompson family, 17, 58 teacher, 11, 10, 15–17 Victoria Printing Machine of Apple- vellum, as a medium for missals (15th gath, 26, 65–66, 67 century), 22, 58, 59, 60 Victoria University (Wellington, New Venice, early printing in, 11, 51–53; 13, Zealand), bibliographical press at, 70–71; 22, 90–94, 101n–102n; as 1, 11 inspiration to William Morris, Vienna: early lithography at, 27, 69– 19/20, 7, 9–14, 100, pl. 2, 3, 5, 10, 11, 87; possible connections of Nicholas 14, 16–23, 39–42, 47, 48 Kis with, 18, 74–75 Vérard, Antoine, printer at Paris (15th Vietor, Johann Ludwig, Formatbüchlein century), 11, 42, 44, 45, 131, 132 (1653, 1664 etc.), 4, 24–25 Vere, William, lithographic printer, Villadiego, Bernardo de, printer/ 10, 51 typefounder at Madrid (17th Verey, H., lithographic stone- century), 17, 74, 78–79; uses Pedro merchant, 8, 27 Disses’s types, 17, 87, 89 Vergetius, Angelus, Cretan calli- Villadiego, Francisco de, printer at grapher, 1, 14 Madrid (17th–18th centuries), uses Vergil, Polydore, Anglicae historiae libri Pedro Disses’s types, 17, 90 virgini septum (1556), 19/20, 9, pl. 4 Villeroi, patentee of cylinder litho- Vergilius see Virgil graphic press (1833), 3, 47 Verovio, Simon, printer of music at Vinçard, B., Art du typographe (1806), Rome (1586), 1, 27 4, 21–22 Verplanck, Johnston, American news- Vinci, Gaspare, architect at Naples, paper editor, 7, 30, 35 Raccolta di vedute di Napoli, Pozzuoli e vertical cylinder newspaper press of loro contorni (1824), 27, 27n Applegath, 26, 62–65, 67 Viney, J. Elliott, of Hazell, Watson & Vervliet, Hendrik D. L.: Cyrillic and Viney, on training of printers Oriental typography in Rome (1981), on (1889), 14, 40 Granjon’s types, 16, 29, 18, 52, 73n; Virgil (Publius Vergilius Maro): ‘The Garamond types of Christo- Eneydes (1488) and Eneydos (1490), 11, pher Plantin’, 1, 14–20; Sixteenth- 44; [Works] (1476, Bartolommeo da century printing types of the Low Countries Bologna), 22, 93, (1501, Aldus), 22, (1968), 16, 30, 17, 83n, 22, 79n, 80n, 101, (1821, Pickering), binding of, 28, reviewed, 4, 108–111; see also Carter 75–76 and Vervliet Visconti, Ferdinando, Director of Veyrin-Forrer, Jeanne, ‘Caxton and OŸcio Topogra‰co (Naples), 27, France’, 11, 33–47 9, 10, 11, 12 Vianelli, Achille, artist, Souvenirs Vishnupersaud, Indian artist, litho- pittoresques de Naples (1825), 27, 26–27 graphs after (1824), 27, 99 ‘via sicca ’ method of engraving by Vizetelly, Henry, wood-engraver/ electricity, 6, 89 publisher, 17, 33, 36, 42, 56, 58, 61; Vice, W. C., lithographic printer, 10, Glances back through seventy years (1893), 51 17, 58; see also Branston & Vizetelly 122 printing historical society

Vizetelly (Brothers) & Co., printers, Wagner, Peter, lithographic printer 17, 58; 19/20, 84n; as lithographic at Karlsruhe, 3, 12, pl. 1a; 8, 33, printers, 10, 51 pl. Xa Vocal companion (1829), 14, 72 Wailes, George & Co., rolling press- Voet, Leon, Golden compasses: a history makers, 5, 11; 17, 11, 24 and evaluation of the printing and publish- Waite, Emma Forbes, of American ing activities of the OŸcina Plantiniana at Antiquarian Society, on early Antwerp (1969–1974), 17, 4n, reviewed, American lithography (1948), 27, 9, 66–72 52 Volkmann, lithographic stone-mer- Wake, William, Principles of the Christian chant at Paris, 8, 27 religion explained (1731), set in Caslon Vollweiler, Georg Jacob, lithographic type, 16, 27 printer, 10, 14, 51; lithographic stones Wake‰eld, T., wood-engraver, 17, 59 hired out by, 8, 24 Wakeman, Geo rey, ‘Anastatic voltaic etching see electro-etching printing for Sir Thomas Phillipps’, voltatype see electrotype 5, 24–40 Voskens, Bartholomeus I, type- Waldegrave, Robert, printer, 21, 77 founder at Amsterdam, type-speci- Wale, Samuel, artist, 21, pl. 8 men of (166–), 18, 71 Wales: printing in (18th century), 24, Voskens, Dirck, typefounder at 16; private presses in (late 18th– Amsterdam, 18, 49, 53n, 60, 66, 70, early 19th centuries), 7, 54–63; 71, 72 Welsh-language printing in (18th Voskens, Dirck, widow of, typefounder century), 24, 16, (19th century), 15, at Amsterdam, 16, 104; type-speci- 56–59 mens of (c. 1695), 16, 23, 25, 18, 60, Walker, wood-engraver, 17, 59; see also 62, (170–?), 18, 64, 66, 71 Armstrong & Walker Voss, C. L., lithographer at Berlin, 27, Walker, Sir Emery, 19/20, 105, 106, 78 120; and William Morris, 19/20, Vostre, Simon, printer at Paris, 16, 30 7–8, 10–13, 16, 101, 112 Vowles, Samuel, lithographic printer, Walker, Frederick, artist, wood- 10, 51 engravings after drawings by, 5, 94 ‘vraye parangonne romaine’ type of Gara- Walker, James I, engraver, 25, 32 mont, 1, 17, 20 Walker, John W., American printer, 7, 30, 31, 35 Wade, wood-engraver, 17, 44–45 Walker, Robert, press-maker for Lord wages: of compositors (17th century), Stanhope, 9, 24, 32, 48 21, 23–25, (mid 19th century), 1, 62, Walker, Robert, printer, 12, 43–50 64, (late 19th century), 18, 16–21, 23; passim of compositors of music, 2, 43n; of Walker & Sons, printers at Otley, lithographic printers (India, 1820s), 18, 20 27, 97; paid by J. Parry (1826–1836), Wall, wood-engraver, 17, 59 15, 56, 58, 61–80; piece-work, for Wall, Alfred, trade unionist, 24, 108 intaglio printers, 1, 8, 10; piece- Wallich, Nathaniel, Tentamen Šorae work, for Plantin’s compositors and Napalensis illustratae (1824–1826), pressmen, 9, 71; of printers (17th lithographs in, 27, 99–100, 101 century), 21, 23–25, (mid 19th Wallis, George, patentee of auto- century), 1, 105, (late 19th century), typography (1860), 6, 53, 72–73; on 18, 13–15; Saturday payment of, by William Taylor, 6, 61 Applegath (instead of Sunday Wallis, George, printer etc. at morning at public house), 2, 54; of Derby, on training of printers in wood-engravers, 17, 36 Britain and Germany (1900), 14, Wagner, wood-engraver, 14, 66; 17, 44 18–19 journal: index: nos 1 to 28 123

Wallis, Lawrence W., ‘Legros and 28, 38; see also Quarter-Master- Grant: the typographical connec- General’s OŸce tion’, 28, 5–39 Warren, Alice, widow of Thomas I, Walmsley, J., wood-engraver, 17, 59; printer, 28, 66, 67–68 24, 72n Warren, Arthur, Charles Whittinghams Walpergen, Peter de (1643–1703), (1896), 19/20, 65n, 66, 67, 69, 72n, typefounder at Oxford, 18, 49, 71n; 86, 90–91, 93, 97, 100 music types of, 1, 28 Warren, Francis, printer (1660s), 28, Walpole, Horace, 25, 25 66, 68 Walpurgis, Maria Antonia, Electress Warren, James, printer at Margate, of Bavaria, Breitkopf prints pastoral 9, 9 drama by, 1, 30, 38 Warren, Thomas I (d. 1661), printer, Walter, Godfrey, of ¡e Times, acquires 28, 66, 68 Wicks Rotary Type-Casting Co. Warren, Thomas II, printer (1660s), (1906), 28, 19 28, 66, 68 Walter, John II, of ¡e T imes, 2, 49n, Warrilow, Georgina see Gaskell, 51; 13, 40, 42, 56, 60, 62; 26, 54 Barber and Warrilow Walter, John III, of ¡e T imes, 13, 62 Warwickshire: County Record OŸce Walters, Gwyn: ‘The account book, holds Fairfax papers, 24, 36; 1826–1836, of the Reverend John printers’ registrations for (from Parry, printer and publisher of 1799), 9, 9, 12, 13 Chester’, 15, 54–80; see also Rees Wase, Sir Christopher, University and Walters Printer at Oxford, 25, 12–15; Waltham & Coathupe, early tin- Considerations concerning free schools printers, 8, 56 (1678), 25, 14; see also Phaedrus; Waraker, Thomas, lithographic Sophocles printer, 10, 51–52 Washburn, Dorothy K., and Donald Warboyse, Edward, apprentice to W. Crowe, Symmetries of culture Thomas II Grover, 15, 43n (1988), 26, 34, 38n, 39n, 46n Ward, maker(?) of Excelsior press at Washington Post, introduction of Burnley, 23, 13 Linotype machines at (1884), Ward, John, Young mathematician’s guide 26, 75 (1740), 22, 110, 111 Washington press, 1, 3; 2, 59 Ward, Marcus & Co., on apprentice- Waterhouse, Annie, wood-engraver ship and training of printers (1894), and teacher, 17, 39, 59 13, 17; 14, 38 Waterhouse, George Robert, 17, 59 Warde, Beatrice (‘Paul Beaujon’): on Waterlow, Albert Crakell (Waterlow Garamont (1926), 1, 15; on Legros and Sons), printer, press-maker etc.: and Grant (1932), 28, 12 Every man his own printer (1854, 1859, Warde, Frederic, Printers ornaments 1871), 3, 40n; 23, 29; improved (1928), 26, 34n, 39 lithographic press of (1850), 3, 40, Warden, David Bailie, American ‰g. 51 historian, and lithography, 27, Waterlow, Alfred James, W. B., and 49, 51 S. H., patent automatic wiper for Wardle, Edmund, mezzotint engraver, rolling press (1867), 17, 4 25, 71 Waterlow, James and Alfred James Ware, John, printer at Whitehaven, (James Waterlow & Sons), litho- 4, 97 graphic printers, 10, 52 Warne, Roger, publisher at Chippen- Waterlow & Morland, lithographic ham, 24, 21 printers, 10, 52 War OŸce: Mechanical Transport Watermarks, in papers used by Advisory Board, and L. A. Legros, Caxton, 11, 26–27, 36–38 124 printing historical society

Waters, James, lithographic printer, Weitenkampf, Frank, of New York 10, 52 Public Library, on early American Waters, William, lithographic printer, lithography, 27, 52 10, 52 Welby, William, publisher, acquires Waterton, Charles, Wanderings in South C. Burby’s copyrights (1609), 21, America (1825), ‰rst book printed on 74, 77n steam-presses, 26, 55–56 Welford, Richard, on history of book Watkins, Richard (d. 1599), publisher, trade in North of England, 4, 88 21, 14 Wellington (New Zealand), Victoria Watson, E., on Excelsior press (1875), University, bibliographical press at, 23, 8 1, 11 Watson, W. M., history of Mackay Wells, Charles, inventor of method family of Morpeth by, 4, 98; see also of bolting wood-blocks together, Isaac and Watson 5, 97 Watts, G., wood-engraver, 17, 59 Wells, Darius, and American wood Watts, George Frederick, artist, and type, 1, 106, 107 A. Legros, 28, 13 Wells, Edward, geographer, engraved Watts, Henry, lithographic printer/ plates for works edited by, 25, 26, press-maker, 10, 52 27 Watts, John, printer, 16, 7; 21, 36, 38– Wells, James M., Scholar printers (1964), 39, 41 reviewed, 1, 108 Watts, Richard, printer of foreign Wells, John, lithographic printer, Bibles (1816–1844), 7, 23–24 10, 52 Wax, Carol, Mezzotint: history and Wells, John B., lithographic printer, technique (1990), 25, 50n, 69, 73n 10, 52 wax-engraving, 10, 65–66; see also Wells, John I., press-maker in glyphography Connecticut, press of, 2, 59n, 64 Wearl, artist, 26, 29 Wells, Thomas, lithographic printer/ Weatherby, W., author of Bellman’s press-maker, 10, 52 verses, 26, 23 Wells & Haverson, lithographic Weaver, Edmund, Treasurer of the printers, 10, 52 Stationers’ Company, 21, 15 Welsh-language printing: (16th Webb, wood-engraver, 17, 59 century), 28, 44, 47; (18th century), Webb, Beatrice and Sidney, Industrial 24, 16; (19th century), 15, 56–59 democracy (1901), on apprenticeship, Wenford, John D., on Excelsior press 13, 19, 24–25 (1875), 23, 7 Webb, Edward, lithographic printer Wenzel, Francesco, artist/litho- at Calcutta, 27, 104 grapher at Naples, 27, 26n Webb, George & Son (& Co.), litho- West, wood-engraver, 17, 59 graphic printers, 10, 18, 52 West, Benjamin, artist: makes ‰rst Webb, H. Gordon, of Grant, Legros American lithograph (1801), 27, 49; & Co., 28, 36, 37 early lithographic stone with image Webb, Philip Carteret, Treasury after, 27, 54 Solictor, and Wilkes, 16, 13 Westall, Richard, artist, 17, 52 Weekly Journal (1720s), 12, 40–41 Westbury, William (Westbury & Weekly Register, on 19th-century ‘old Simmons), lithographic printer, style’ typography (1863), 19/20, 100 10, 52 Weimerskirch, Philip J., ‘The begin- Westcott, Brooke Foss, and John nings of lithography in America’, 27, Anthony Hort, edit the Bible in 49–67 Greek (1895), 19/20, 111, 115 Weiss, Franz von, Austrian carto- Western, James, printer at Tenterden, grapher, 27, 75 9, 12 journal: index: nos 1 to 28 125

Western Daily Press (from 1858), 24, 120 White, John I, printer at York, debts Western Ontario see Ontario, Western to Thomas II Grover of, 15, 45, 47 Western Printing and Lithographing, White, John II, printer at Newcastle, American printer, 18, 38 4, 89 Westfalia, Johannes de see Johannes White, Joseph, editor of Syriac Bible de Westfalia (1778–1803), 16, 75 Westley, Francis, bookbinder, in White, Peter & Son, lithographic development of publishers’ bind- printers, 10, 53 ings, 28, 75, 81 White, Robert, engraver at Oxford, Westmorland, history of book trade 25, 10, 26 in, 4, 87, 91, 97 White, Robert, printer, 21, 41; debts to Wetherall, F. H. P., engineer to ¡e Thomas I Grover of, 15, 39, 42 Times, 13, 32 White, W., of White & Pike, on Wetstein family, printers at Amster- training of printers (1888), 14, 35 dam, 18, 66, 67, 68, 69, 70 White, W. F., amateur printer, on Wharfedale Observer, 18, 24 Excelsior press (1875), 23, 13 Wharton, Joseph, lithographic White, William, publisher at Shef- printer, 10, 52 ‰eld, in development of publishers’ Whatman, James, papermaker: Caslon bindings, 28, 89 uses paper made by (1760s), 16, 12, White & Pike, printers/tin-printers at 109; makes early wove paper (1760s), Birmingham, 9, 1 16, 12 White & Son, auctioneers at Leaming- Wheatley, Francis, artist, 25, 69n ton Spa: sell stock of J. Fairfax Wheeler, John Alexander, wood- (1838), 24, 37; Catalogue of Fairfax engraver, 17, 59 sale (1838), in facsimile, 24, 41–52 Whelock, Abraham, editor of Lam- Whitehead, W. G., wood-engraver barde’s Archaionomia (1644), 28, 66 (also printer/publisher?), 17, 60 Whimper (Whymper), Ebenezer, Whiting, Charles, son of James, 4, 62, wood-engraver, 24, 59–60, 61, 68, 64 101–102 Whiting, James, printer: associated Whimper (Whymper), Josiah Wood, with Branston, 4, 62, pl. 3; 5, 51; 22, wood-engraver, 17, 59; 24, 59–60, 61, 121; associated with Congreve, 4, 68, 101–102 61–62, pl. 9 Whistler, James McNeill, artist, and Whitman, Alfred, of the British A. Legros, 28, 13 Museum: on purchase of Crace Whiston, William and George, ed., collection (1899), 14, 66n–67n; Mosis Chorensis historiae Armenicae Masters of mezzotint (1898), and (1736), Caslon’s Armenian type cut other works on mezzotint artists, for, 16, 29 25, 72 Whitaker, John Henry & Co., litho- Whitmarsh, John G., lithographic graphic printers, 10, 53 printer, 10, 53 White, Gilbert, Natural history of Selborne Whittaker, Matthew, inventor of two- (1829), publisher’s binding of, 28, line Linotype matrix, 26, 89 73, 76 Whittingham, Charles I, printer, White, Harold, ‘A note on W. H. Fox 19/20, 71; ledger-books of, 19/20, Talbot and photo-engraving’, 13, 63–64 64–65, pl. facing p. 64 Whittingham, Charles II, printer, White, Henry, wood-engraver, 17, 56, 19/20, 62–102 passim; employs Mary 59 By‰eld, 17, 46; 19/20, 65; inventory White, Henry II, wood-engraver, 17, 59 of (1859), 19/20, 64–65, 72–75, 78, White, James, designer of litho- 79, 90, 93, 96, 98; ledger-books of, graphic press, 3, 5, 9n 19/20, 63–64; see also Chiswick Press 126 printing historical society

Whittingham, Charles John, son of Wilkins, John, partner of Charles II Charles II, 19/20, 86 Whittingham, 19/20, 64, 72 Whittingham, Charlotte, daughter of Wilkins, William, printer, 12, 34–35, Charles II, 19/20, 62, 65, 86, 99 36, 37, 40; 21, 36, 37, 41 Whittingham, Elizabeth Eleanor, Wilkinson, Christopher, publisher, daughter of Charles II, 19/20, 65 25, 16n Whittock, Nathaniel (& Co.), artist/ Wilkinson, Sir John Gardner, Manners lithographer etc., 10, 53; hires out and customs of the ancient Egyptians lithographic stones in Oxford, 8, (1837), 17, 70–71 25, pl. IXa Wilkinson, W. S., glyphographer, 5, Whitworth, Joseph, press-maker at 72, 74 Manchester: correspondence with Wilkinson & Peacock, printers at R. Hoe & Co. (1858), 13, 51, 52; in Bradford, 18, 30 dispute with R. Hoe & Co., 13, Wilks (Wilkes), engineer with Donkin 53–62; work for R. Hoe & Co. on & Co., maker of compound-plate presses for ¡e T imes, 13, 32–62 passim printing machine, 4, 58; 6, 76 Whymper, Edward, Alpinist, 17, 59; see Willeram of Ebersberg, scribe, 22, 15, also Whimper 16 Wicks, Frederick, inventor of type- Williams, Daniell, printer at Bristol casting and typesetting machines, and London, 24, 115, 116 28, 16, 18, 19, 20 Williams, David, lithographic printer, Wicks Rotary Type-Casting Company: 10, 53 and L. A. Legros, 28, 15–21; type- Williams, E., glyphographer, 5, 72, 74, casting machine of, 1, 67; 28, 15–21 pl. 11 passim; typesetting machine of, 28, Williams, E., wood-engraver, daughter 16, 17, 18; see also Blackfriars Type of Samuel, 17, 60 Foundry Williams, E. M., wood-engraver, 17, 60 Wi en, Jeremiah Holmes, librarian to Williams, J. M., wood-engraver, 17, 60 Duke of Bedford, 4, 9 Williams, Jack, ‘Numerals and Wiggington, J., of Birmingham, numbering in early printed English correspondence with J. Hare (1847), Bibles and associated literature’, 24, 102 26, 5–13 Wight, Thomas, publisher (1580– Williams, John, wood-engraver, 17, 60 1608), 19/20, 91; 28, 65 Williams, Joseph Lionel, wood- Wightman, William, maker of port- engraver, 17, 60 able presses, 23, 9, 14, 24; Amateur Williams, Mary Anne, wood-engraver, printer’s handbook (1871), 23, 29 17, 36, 37, 38, 40, 60 Wilcox, John W., early American Williams, Samuel, printer at Aberyst- electrotyper, 10, 93, 94, 95–97 wyth, 15, 56n Wild, E., wood-engraver, 24, 72n Williams, Samuel I, wood-engraver/ Wild, Leonardus, printer at Venice, engraver, 17, 36, 39, 50, 55, 60; wood- 22, 101n engravings of Moyes’s printing Wilkes, engineer with Donkin & Co. oŸce by, 4, 4–5, inset see Wilks Williams, Samuel II, wood-engraver, Wilkes, John, 16, 13; North Briton, 16, 12 17, 60 Wilkes, John, and Thomas Potter, Williams, T. M., wood-engraver, 17, 60 Essay on woman (1763), 16, 12 Williams, Thomas, artist/wood- Wilkins, Charles, method of making engraver, 17, 36, 50, 55, 56, 60; printing ink of, 9, 33 19/20, 102; wood-engravings of Wilkins, David, ed., Quinque libri Moysis Moyes’s printing oŸce by, 4, inset (1731), printed by Bowyer using Williams, Cooper & Co., stationers, Caslon’s Coptic type, 16, 28 debts of J. Fairfax to, 24, 37 journal: index: nos 1 to 28 127

Williams Engineering Co., buys Grant, Win‰eld, R. W. see Sturges and Win- Legros & Co. (1919), 28, 37 ‰eld Williamson, J., wood-engraver, 17, 61 Wing, Donald, et al., Short title catalogue Willich, Anthony Florian Madinger, 1641–1700 (1972–1988), 24, 10 Domestic encyclopedia (1821), on litho- Winkle, Cornelius see Van Winkle graphy, 27, 54–55 Winkler, Rolf Arnim, Frühzeit der Willich, Charles Madinger (Litho- deutschen Lithographie (1975), 27, 76 graphic Press), lithographic printer, Winkworth, Catherine, Lyra Germanica 10, 4, 53 (1855 etc.), 19/20, 79n Willoughby, Elizabeth, Baroness, So Wint, Peter de, artist, 25, 48n much of the diary as relates to domestic Winter, C. F., printer at Darmstadt, 22, history (1844), 19/20, 63, 65, 71, 72, 130, 131 76, 84 winter (press-component), 8, 49 Wilmer, Thomas, printer, debts to wire-plate engraving, suggestion for, Thomas II Grover of, 15, 45, 46 4, 47; 5, 42; 6, 89 Wilson, wood-engraver, 17, 56 Withy, wood-engraver, 17, 61 Wilson, Alexander, printer/type- Witsen, Nicholas, Burgomaster and founder (19th century), 19/20, 72; publisher at Amsterdam, 18, 71n, 73; slab-serif types of, 15, 8, 27–28, Noord en oost Tartarye (1705), 18, 73 30–32, 34; 22, 118 Wochenschrift für Klassische Philologie, on Wilson, Alexander, typefounder at Selwyn Image’s Greek type (1896), Glasgow (18th century), 9, 26n; 19/20, 118 Wodderspoon, John, Historic sites in Greek type of, 19/20, 103–104; Su olk (1839) and Guide to Ipswich photographic enlargement of (1842), 24, 59 English roman type of, 7, 53, pl. X Wolf, Henry, of New School of wood- Wilson, Andrew, stereotype printer engravers, 10, 61, 63 for Lord Stanhope, 9, 22, 24–25, Wolfe, John (d. 1601), printer/pub- 28–37, 65; early career of, 9, 25–28; lisher, 21, 76–77; Anglo-Saxon letter to Archibald Constable of printing of, 28, 63, 64 (1808), 9, 44–45; middle life of, 9, Wolfe, Richard J., on early American 43–46, 48–55; rift with Stanhope, 9, lithography, 27, 52 46–48; sale of stock of (1816), 9, 22, Wol , bookbinder at Augsburg 23, 55–65; 24, 38, 39; and university (1480s), 22, 37, 38, 47, 52 presses, Cambridge, 9, 29, 37–42, 52, Wol , Louis & Co., print publishers, Oxford, 9, 42–43, 52 25, 69n Wilson, John, printer/publisher in Wol ger, Georg, Neu-au gesetztes Ayrshire, 15, 55n Format-Büchlein (1673), 4, 25, ‰g. 4 Wilson, John, tin-printer at Shipley, Wol‰us, J. C., ed., Sapphus, poetriae 9, 1, 5 Lesbiae, fragmenta et elogia (1733), set Wilson, P. A. see Carr-Saunders and with Caslon types, 16, 22 Wilson Wolpe, Berthold, book review, 4, Wilson, William, printer (1640–1665), 116–118 21, 41; 28, 66; dies of plague Wolvercote paper mill (Oxfordshire), (1666?), 21, 35 3, 62–64 Wilson, William, printer (1799–1827), women: operate typesetting machines 4, 1 (Britain, 19th century), 18, 1–3, 7, 11; Winchester, Henry & Arthur Varn- in printing trades (Britain, 1890s– ham, lithographic printers, 10, 53 1900s), 18, 10–11; receive union Windet, John, printer (1584–1610), recognition as compositors (from and Anglo-Saxon printing, 28, 63, 64 1894), 18, 3; as wood-engravers, 17, ‘Windsor’ type, copying of by Grant, 36, 38–41, 45, 46, 47, 48, 51, 57, 58, 59, Legros & Co., 28, 33–34 60; 24, 60, 95, 97 128 printing historical society

Wood, music publisher, 14, 61 10, 60, 62, 67; reproductive, in Wood, Anthony, historian at Oxford, Britain (1840s), 24, 53–106 passim, on Fell, 25, 12; Historia et antiquitates growth of (1820s–1860), 17, 31–43; Universitatis Oxoniensis (1674), intaglio stereotyping of, 5, 41; 24, 92–94 plates for, 25, 25 wooden hand press see press, hand: Wood, C., and history of book trade wooden in North of England, 4, 91 Woodfall, George, printer, 21, 39, 41; Wood, E. M., History of the Polytechnic 26, 54 (1965), on Regent Street Polytech- Woodfall, Henry Sampson, printer/ nic, 14, 53 newspaper publisher, 21, 39, 41 Wood, George, manager of Asiatic Woodfall family, printers, 21, 39, 41 Lithographic Company, 27, 100, 102, Wood‰eld, engraver at Oxford, 25, 10 103, 104, 106 Woodhead, T. M., printer at Bradford, Wood, J. & R. M., press-makers, 5, 22; employs girls as printers (1900s), Typographic Advertiser of, on Albion 18, 6 presses (1862), 2, 71–72 Wood, Miles & Co. Ltd, typefounders Wood, R., collector of printing by and engineers, 28, 33; and L. A. Procter of Hartlepool, 4, 90 Legros, 28, 22–23 Wood, W. R., artist, 26, 29 Woods, Sir Henry Trueman, 4, 55; Wood & Sharwoods: as makers of on glyphography, 5, 75; Modern Columbian presses, 5, 10, 12, 21, pl. methods of illustrating books, (1887, 7; as typefounders of slab-serif 1891), 4, 45 types, 15, 6, 8, 10, 23, 26–27; 22, 117 Woods, Joseph, patentee of anastatic wood-blocks, assembly of, to allow printing, 5, 24–27; 6, 71–72 several wood-engravers to work woods: used in early American on same image, 5, 95–97; 10, 58; 17, presses, 8, 51–52; used in the hand 32–33 press now at the Science Museum, Woodbury-type (1865), 4, 36–37 15, 85; used in rolling presses, 17, woodcuts: in Bellman’s verses 6–7, 10 (England), 26, 15, 17–18, 19, 25, 26– wood type, 15, 4–35 passim; American, 29; of Chinese calligraphy, 27, 114– 1, 106–107; in Britain (1870s), 23, 25; 117; in missals (15th century), 22, 69, decorated, 1, 70; 2, 81–88; 15, 11, 15, 72, 77–78; printed by J. Bämler, 22, 17, 18, 20, 22–23, 27; 16, 14 34, 35, 36, 37; printed by Caxton, 11, Woodville, Elizabeth, queen-consort 71–73, 124, 125, 129, 130; printed by of Edward IV, as patron to Caxton, G. Zainer, 22, 33, 34 11, 76–77 wood-engravers: British (c. 1820– Woodward, David, ‘The decline of c. 1860), 17, 41–43, directory of, 17, commercial wood-engraving in 44–61; British, number of (1818), 5, nineteenth-century America’, 10, 52; British, working in Paris, 17, 34, 57–83, ‰gs 1–12 37, 38, 41, 43, 49–60 passim; women Woone, Godfrey, inventor of gypso- as, 17, 36, 38–41, 45, 46, 47, 48, 51, 57, graphy, 4, 50; 5, 54, 57; 6, 80–81 58, 59, 60; 24, 60, 95, 97 Worde, Wynkyn de, 11, 92, 118, 123, wood-engraving: chiaroscuro tech- 126, 127, 133; bindings on books nique in, 1, 41, 51n; in colour, 4, 116– printed by, 11, 92–113, pl. IX, XI, 117; 17, 58; compared with glypho- XII; comments on Caxton’s work graphy, 5, 77, pl. 19, 20; compared at Cologne, 11, 1, 2–3, 16; in Fleet with lithography (1847), 24, 87; Street (1500–1501), 4, 106; 11, 87 decline of commercial, in U.S.A., word spacing and division, in early 10, 58–83; by William Morris after manuscripts, 22, 10–11 Burne-Jones, 19/20, 6, 18; photo- Workers’ Municipal Election Com- transfer of drawings for, 5, 89–95; mittee, 18, 28 journal: index: nos 1 to 28 129

Workers’ Municipal Federation, 18, 30 Wyld, James, lithographer at Workingmen’s Institute Library Quarter-Master-General’s press, (New Harmony, Indiana), holds 3, 4, 40 W. Maclure papers, 27, 65, 66n Wyld, James, and (Berkeley) King, World War I (1914–1918), e ects lithographers, 10, 14, 53 on typefounding industry of, 28, Wyman, Charles William Henry (& 36–37 Sons), printer: donates wooden Worms, Jacob, and Philippe, make press to Science Museum (1863), curved stereotype plates (1845), 3, 15, 82, 84; uses Davis’s type-casting 47n machine (1912), 28, 35 Worring, Andrew, assistant to Auer, Wyon, William, chief engraver at the 6, 57 Mint, 4, 84; in Bate-Nolte enquiry, Wotton, William, ReŠections upon ancient 4, 80 and modern learning (1692, 1697), 25, 18 Wren, Sir Christopher, architect, and Xenophon, Oeconomicus (1895), 19/20, Loggan, 25, 16 118 Wren & Bennett, press-makers at xerography, 4, 38 Manchester, make Cowper’s presses, 26, 58 Wright, George, printer of Bellman’s Yale University Library, bibliograph- verses at Norwich, 26, 32 ical press at, 1, 7 Wright, John, tenant of 20 Soho ‘yapp’ edges to publishers’ bindings, Square (1787?–1809), 14, 66 28, 90 Wright, John, wood-engraver, 17, 45, Yarington & Bacon, printers of Bell- 46, 49, 50, 61 man’s verses at Norwich, 26, 32; see Wright, John Maysey, artist for also Bacon Schoenberg’s acrography, 4, 51; 5, Yarnold, wood-engraver, 17, 61 59–60, 62, pl. 5, 9, 10 Yate, Thomas, publisher etc. at Wright, Lee, historian of tin-printing, Oxford, collaborates with Fell, 8, 54, 60, 61 25, 4, 5, 12, 15, 20 Wright, Thomas, editor of ballads Yeates, Charles, printer at Bristol etc. for William Pickering, 19/20, 71 (1838), 24, 117 Wright, Thomas, printer, prints type- ‘yellowback’ books (Britain, 19th specimen for Caslon (1770s), 16, 13, century), 4, 117; 28, 88, 89 108, 110–111 Yonge, William Clarke & John, litho- Wright, Thomas, and William Gill, graphic printers, 10, 53 stationers, leaseholders from Yorkshire, North Riding, history of Oxford University Press for printing book trade in, 4, 87, 91 Bibles, 3, 53 Yorkshire Daily Argus, 18, 24 Wright, W., wood-engraver, 17, 61; see Yorkshire Daily Observer, 18, 24; dispute also Greenaway & Wright over ‘clocks’ on type-casting Wright, William, stationer (16th–17th machines at (1906), 18, 18–19 centuries), 21, 72–73, 75n Yorston, Robert, lithographic printer, Wright & Folkard, wood-engravers, 10, 53 17, 61 Young, George, Picture of Whitby (1824), Wroth, Lawrence Counselman, publisher’s binding of, 28, 73 Colonial printer (1938), 3, 114 Young, James, printer (1640s–1650s), Wurzburg, Theodor of see Theodor 15, 41 of Wurzburg Young, Robert, printer (1620s–1640s), Wyatt, Digby, Industrial arts of the XIXth 28, 66 century (1851–1853), lithographic Youngman, Philip, printer at Witham, stones for illustrations in, 8, 35 9, 18, 19 130 printing historical society

Zainer, Günther (d. 1478), printer at Zenodotus, and punctuation of Greek, Augsburg, 22, 33, 34, 52; photo- 19/20, 128 graphic enlargements of type of, Zertahelly, Leonhard, German litho- 19/20, pl. 12, 43; as typographical grapher, 27, 70 inspiration to William Morris, Zinck, Christian, typefounder at 19/20, 10, 12, 15 Leipzig, 18, 49n, 51 Zamorano Club (San Francisco), 28, zinc plates for lithography (zinco- 10 graphy), 27, 69 Zehnter, A. W. & Co., quarry owners Zink, Burkhard, tradesman etc. at and lithographic stone-merchants at Augsburg, 22, 30 Solnhofen etc., 8, 28, 29–30, 36 zodiac signs (type-ornaments), Zeisselmair, Lucas, printer at Augs- Nicholas Kis’s, 18, 73–74 burg (15th century), 22, 37, 38, 48– Zo any, Johann, artist, 25, 82, 85 50, 53 zoological illustrations, lithographs Zeitlin, Jonathan Hart, on mechan- for, 8, pl. XVII; 27, 56, 57, 65, 108, 109, ization of typesetting, 24, 107 ‰gs 4, 7–9 Zeitter, John Christian, lithographer, Zuber, Jean, patentee of cylinder 10, 53 lithographic press (1828), 3, 46, 47n Zell, Ulrich, printer at Cologne (15th Zuccato’s Papyrograph of Henry & century), 11, 14, 15, 16, 116 Co., 23, 78 journal: index: nos 1 to 28 131 132 printing historical society