A Brief History of Album Covers Free

Total Page:16

File Type:pdf, Size:1020Kb

A Brief History of Album Covers Free FREE A BRIEF HISTORY OF ALBUM COVERS PDF Jason Draper,Paul Du Noyer | 384 pages | 01 Aug 2008 | Flame Tree Publishing | 9781847862112 | English | London, United Kingdom 10 Album Covers and their Meaning | Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Paul Du Noyer. Cover art can be an influential factor in a record's success, and some designs are so memorable that they go down in design and music history - who doesn't instantly recognize the covers for the Beatles' Sergeant Pepper's Lonely Hearts Club Band or Pink Floyd's Dark Side of the Moon? Now celebrate some of the greatest covers of the last 50 years alongside entertaining and Cover art can be an influential factor in a record's success, and some designs are so memorable that they go down A Brief History of Album Covers design and music history - who doesn't instantly recognize the covers A Brief History of Album Covers the Beatles' Sergeant Pepper's Lonely Hearts Club Band or Pink Floyd's Dark Side of the Moon? Now celebrate some of the greatest covers of the last 50 years alongside entertaining and informative text, in this great little A Brief History of Album Covers that will make an ideal gift for any music aficionado or art and design enthusiast. Get A Copy. Paperbackpages. More Details Original Title. Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jul 05, Zane rated it it was amazing Shelves: musicnon-fiction. This book shows some of the influential, ground-breaking or A Brief History of Album Covers thought- provoking album covers throughout the 50s to early 00s. This book packs in a lot of album covers and keeps each analysis of the art concise but informative. It was fun seeing the covers throughout the years and how they developed. Also, being able to see iconic album covers in the context of its time was fun. He also touches on interesting packaging for LPs which is something I never really considered much. I learnt quite a bit from this book, not just from the album art but from music history in general. May 12, Andy Hickman A Brief History of Album Covers it really liked it. Editing mistake: Two albums must have been omitted just prior to final publication because some of the references are four pages out of sync. For example, on page about a Talking Heads album there is a reference to 'Remain In Light' on page [but it is actually p]. Same issue occurs on p Jan 01, Kerry O'Reilly rated it really liked it. I really enjoyed the book and the stories behind the making of the covers. Apr 14, Simon Sweetman rated it liked it. Fairly trivial writing but a great collection of covers nonetheless. Jun 08, Rudy Gutierrez rated it it was amazing. I've read a few of these books but I love that this one starts in the 50s and goes into the new millennium. I would have liked a little more info about the albums but it was a quick enjoyable read. Aug 27, SouthWestZippy rated it it was ok Shelves: own-trade-or-give- awayartmusicnonfictionhistory-nonfiction. Starts A Brief History of Album Covers album covers from the fifties and ends in The collections of the covers are ok. The write up on each one of them is short but has some interesting facts. Jan 02, Mark rated it it was ok. Not so much a "brief history" as a scattered collection of album covers across the decades. There isn't a clear sense of how these artwoks made the cut. While I learnt some tidbits about the music artists and perhaps some interesting quotes with no references from them about their intentions for going with a certain image or style, a lot of this information can be garnered from wikipedia today. So what's the value really of this book? There is generally not a lot of information out there about Not so much a "brief history" as a scattered collection of album covers across the decades. There A Brief History of Album Covers generally not a lot of information out there about the graphic artists who worked on album artwork, and it would have been nice to read a well researched book shedding light into this area. Jan 24, Stephanie Harchar rated it really liked it. I was given this for a New Years A Brief History of Album Covers. It took about an hour to go through. Have to say that I do miss album covers on the whole. Artwork and the music made it all magically. Feb 28, Julie rated it liked it Shelves: music. Jan 21, Nigel Wilson rated it it was amazing. All you wanted to know and see about the unspoken side of music And it's all going to die because of crappy invention of mp I hate them with a passion!! Jimmy rated it it was amazing Sep 02, A Brief History of Album Covers Elizabeth rated it really liked it Jun 10, Derek rated it it was amazing Apr 28, Aidan Halpin rated it really liked it Jun 30, Jean Salvas rated it really liked it Oct 16, Ashley rated it it was ok Mar 12, Darryl Lundy rated it it was ok Jun 15, Klaus rated it liked it Dec 28, Ecem Simsek rated it really liked it Jan 03, Lynn rated it liked it Sep 30, Sebastian rated it really liked it May 17, Steve rated it really liked it Aug 05, Timothy M. Watson rated it it was amazing Dec 25, Sarah rated it it was amazing Dec 29, Jeff rated it really liked it May 26, Ken Mcintyre rated it really liked it Feb 17, Steve rated it really liked it Aug 17, Tom rated it liked it Dec 29, There are no discussion topics on this book yet. Readers also enjoyed. About Jason Draper. Jason Draper. Books by Jason Draper. Related Articles. Read more Trivia About A Brief History o No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account. Cover Story: A History Of Album Artwork | uDiscover Music The visual impact of album covers is not to be underestimated: their images are forever imprinted into our memories and associated with the emotions and sensations that the song or album gives to us. For such unique eye-catchers, graphic designers, advertising agencies and even the musicians themselves pour a lot of their creative energy. For many artists, album art decisions are more difficult to make than musical ones. Easy to understand. After all, it is about sales-promoting artwork in a square format, which has nothing to do with composing music. Here are 10 examples of album covers that have made it to legendary status…. The Beatles were not only groundbreaking musically, but also in the design of their covers. Bychoosing an album cover that took album sales into consideration was no longer of interest to the band, they had a feeling that they would sell millions of copies anyway. A picture with a total of 70 personalities was created for Sgt. What resulted was a message of diversityearthly contrasts and common ground. The album from the early days of A Brief History of Album Covers Reed and his bandmates at Velvet Underground was almost entirely produceddesigned and marketed by Warhol. It was to become one of the pioneering milestones of underground music and later independent and punk music. Because of the striking motif, the album is often referred to as the banana albumwhich is by no means derogatory. Some say the album cover is a commentary about the dark side of modern consumer society. The cover of Deep Purple in Rock should not be missing from this list. The album cover shows the portraits of the band members as gigantic stone sculptures. The depiction is based on the Mount National Memoriala monument completed in with monumental portrait heads of the four most symbolic American presidents of the time. The rock legends simply swapped their heads for those of the presidents. This year the album looks back on 50 years of history. The cover itself shows Paul Simon and Art Garfunkel, who stand together quite well. So far so good. Ever tried to look at it this way? A few years later, another design idea by Andy Warhol was a big success. The main motif shows the lower body of actor Joe Dallesandro in tight jeans from the front and back, with his genitals clearly showing. A working zipper was incorporated into the first editionbehind which was a picture of white underpants. The logo should reflect the anti-authoritarian attitude of the Stones with deliberate sexual provocation. At the beginning of the s, the band members of Pink Floyd were annoyed by the fact that their music provided almost exclusively an atmospheric background mood for the drunk. They were in a deadlocked image dead end. Founding member Syd Barrett had to leave the band in because of mental deterioration due to his excessive drug use. A white light beam hits the prism, whereupon the light diffracts into the spectral colours of the rainbow.
Recommended publications
  • Unobtainium-Vol-1.Pdf
    Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more.
    [Show full text]
  • New Books on Art & Culture
    S11_cover_OUT.qxp:cat_s05_cover1 12/2/10 3:13 PM Page 1 Presorted | Bound Printed DISTRIBUTEDARTPUBLISHERS,INC Matter U.S. Postage PAID Madison, WI Permit No. 2223 DISTRIBUTEDARTPUBLISHERS . SPRING 2011 NEW BOOKS ON SPRING 2011 BOOKS ON ART AND CULTURE ART & CULTURE ISBN 978-1-935202-48-6 $3.50 DISTRIBUTED ART PUBLISHERS, INC. 155 SIXTH AVENUE 2ND FLOOR NEW YORK NY 10013 WWW.ARTBOOK.COM GENERAL INTEREST GeneralInterest 4 SPRING HIGHLIGHTS ArtHistory 64 Art 76 BookDesign 88 Photography 90 Writings&GroupExhibitions 102 Architecture&Design 110 Journals 118 MORE NEW BOOKS ON ART & CULTURE Special&LimitedEditions 124 Art 125 GroupExhibitions 147 Photography 157 Catalogue Editor Thomas Evans Architecture&Design 169 Art Direction Stacy Wakefield Forte Image Production Nicole Lee BacklistHighlights 175 Data Production Index 179 Alexa Forosty Copy Writing Sara Marcus Cameron Shaw Eleanor Strehl Printing Royle Printing Front cover image: Mark Morrisroe,“Fascination (Jonathan),” c. 1983. C-print, negative sandwich, 40.6 x 50.8 cm. F.C. Gundlach Foundation. © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. From Mark Morrisroe, published by JRP|Ringier. See Page 6. Back cover image: Rodney Graham,“Weathervane (West),” 2007. From Rodney Graham: British Weathervanes, published by Christine Burgin/Donald Young. See page 87. Takashi Murakami,“Flower Matango” (2001–2006), in the Galerie des Glaces at Versailles. See Murakami Versailles, published by Editions Xavier Barral, p. 16. GENERAL INTEREST 4 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST Drawn from the collection of the Library of Congress, this beautifully produced book is a celebration of the history of the photographic album, from the turn of last century to the present day.
    [Show full text]
  • Book Proposal 3
    Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue.
    [Show full text]
  • Postmodernism
    Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 1 Black Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 Edited by Glenn Adamson and Jane Pavitt V&A Publishing TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 2 3 Black Black Exhibition supporters Published to accompany the exhibition Postmodernism: Style and Subversion, 1970 –1990 Founded in 1976, the Friends of the V&A encourage, foster, at the Victoria and Albert Museum, London assist and promote the charitable work and activities of 24 September 2011 – 15 January 2012 the Victoria and Albert Museum. Our constantly growing membership now numbers 27,000, and we are delighted that the success of the Friends has enabled us to support First published by V&A Publishing, 2011 Postmodernism: Style and Subversion, 1970–1990. Victoria and Albert Museum South Kensington Lady Vaizey of Greenwich CBE London SW7 2RL Chairman of the Friends of the V&A www.vandabooks.com Distributed in North America by Harry N. Abrams Inc., New York The exhibition is also supported by © The Board of Trustees of the Victoria and Albert Museum, 2011 The moral right of the authors has been asserted.
    [Show full text]
  • And Acquaintances Recall Their Dealings with The
    REASONS TO BE CHEERFUL: THE LIFE AND WORK OF BARNEY BUBBLES by paul gorman Book reviewed by Andy Martin 2 4 1 In 1974, forsaking the wisdom with finesse and melon twisting and acquaintances recall their early ‘impersonators’ (some of of my art college tutors in favour packaging concepts. And for me, dealings with the man, sometimes whom ‘fess up’ in the book) went of long afternoons in the library, there lies Barney Bubbles’ secret, with great poignancy, such as ex- on to define the subsequent I stumbled upon the works of namely his ability to look Stiff Records’ staffer Susan Spiro cultural period, and all of them Eduardo Paolozzi, Constructivism, backwards and forwards at the recalling Bubbles’ ability (me included) owe this man a Krazy Kat, and a strange volume same time, whilst always to see the beauty in everyday huge debt. by Charles Jenks, Adhocism – managing to arrive at The Very objects. There is ample evidence This book is a treasure trove The Case for Improvisation. Point of Now-ness. also that alongside his own for image-makers across all Within a couple of years I noticed As it progresses, the book image-making he was no slouch media, and a reminder that the a similar admix of ideas gives us epoch-defining glimpses when it came to art direction, graphic bombs Barney Bubbles appearing in the work of one of a shuddering cultural drawing on the talents of some dropped are still reverberating. man, but due to his reluctance landscape, clouds of patchouli of the most forward thinking In the words of the late great to credit his artworks, time would oil fade and a new world forms, photographers of the era, Brian Ian Dury: there ain’t half been have to pass before the author’s accompanied by the distinct whiff Griffin and Chris Gabrin amongst some clever bastards.
    [Show full text]
  • What Is Happy Powys' Big Secret?
    What is happy Powys' big secret? Carl Yapp BBC News website Plenty to smile about - Powys is rated the happiest place in the UK, according to a survey Powys is officially the happiest place in the UK, but what is its secret and is it really all it's cracked up to be? After all, the county's transport links and the lack of broadband and mobile phone coverage are regularly lambasted by frustrated residents. However, the people I spoke to in the towns of Llanfair Caereinion and Machynlleth didn't seem to care...much. Musician Ian Gomm exchanged the hustle and bustle of London for sleepy Llanfair, near Welshpool, 33 years ago. Part of cult rock band Brinsley Schwarz, he moved with his family to Powys when the group spilt in 1975. During his time with Brinsley Schwarz, he toured with Paul McCartney and Wings and later during a solo career he formed part of the bill during Dire Straits' first US tour. Since then, he joked, he had been forced to endure Powys' poor transport links, TV reception, mobile phone coverage, the lack of broadband, post offices closing and threats to the county's community hospitals. But despite all the drawbacks he said the county was a wonderful place to live. He added: "Shortly after moving to Powys our friends in London would say, 'What's it like where you live?' "We would say: 'It's horrible, stay In some ways the drawbacks add to the area's away' because we didn't want charm and that's why some people move here anyone to know how peaceful and relaxing it was in comparison to Ian Gomm, musician the rat race in London.
    [Show full text]
  • The Working Practices of Barney Bubbles | I-D Online 28/09/2010 22:59
    PROCESS: The Working Practices of Barney Bubbles | i-D Online 28/09/2010 22:59 Home » i-Spy » PROCESS: The Working Practices of Barney Bubbles search - Published by i-D 11:49 GMT 22/09/10 More + Cited as a major influence to contemporary practitioners including Peter Saville, Malcolm Garrett and Neville Brody, Barney Bubbles was a radical graphic artist. Coinciding with the London Design Festival, last night the CHELSEA Space celebrated its latest exhibition showcasing the working processes of the late master designer. Born Colin Fulcher (he loved a pseudonym and stuck with Bubbles in 67), the enigmatic designer worked across the disciplines of graphic design, painting and music video direction, working with artists including Ian Drury, Elvis Costello, Billy Bragg and Iggy Pop. Referred to as "the missing link between Pop and Culture" by Peter Saville, Bubbles was most renowned for his work with the British independent music scene during the 70s and early 80s. Fellow designer Julian Balme who created sleeves for Madness, Clash and Adam and The Ants and would often visit Bubbles at his studio, told i-D Online, "Bubbles taught me more than any other university lecturer". More + Curated by Paul Gorman, PROCESS includes an array of work never previously shown, most of it borrowed from private collections. The displays are fascinating and represent the varying stages of Bubbles' creative life, including student notebooks, reference materials, his CV, original artwork, books, magazines, paintings, photography, record sleeves, T-shirts, posters, advertisements, badges and stickers and videos directed by Bubbles. Together, the exhibition clearly demonstrates the designer's signature style.
    [Show full text]
  • Playlists for 2002
    THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T.
    [Show full text]
  • DOG MEASURE 070513Web
    UP TO DATE 8th May 2013 Permanent 2nd 3rd Show Over 2 firstname lastname registered_name pet_name height 1 if not 0 measure Measure Measure Y/N Greg Derrett Jaycee Sproglett Jaycee 0 Greg Derrett Fern Sproglett Fern 0 Greg Derrett Gt Sproglett Gt 0 Laura Derrett FlyPuppy Fly 0 Jim Gregson Lipsmackin Gesviesha Twister Twister 0 Jo Rhodes Moravia Kelbie Kelbie 0 Jo Rhodes Moravia Ci Ci 470.00 1 Jo Rhodes Moravia Kaesie Kaesie 470.00 1 Derek Dragonetti Woodsorrel Jinja Jinja 0 Derek Dragonetti Woodsorrel Red Pepper Pepper 0 Derek Dragonetti Aligan The Wizard Aligan 0 Anne Alderman Wotta Lotta Tosh Tosh 0 Anne Alderman Trueline Waveney Breeze 0 Kathy Thompson Lunarlites Dizzy Mix Dizzy 488.00 1 Kathy Thompson Lunarlites Dark Gold Maddie 0 Kathy Thompson Lunarlites Blue Moon Braggi 0 Kathy Thompson Lunarlites Fire Cracker Jed 0 Kathy Thompson Myndoc Moon Spirit Tiggy 0 Lisa Thompson Wynmallen Indiscreet Indy 0 Lisa Thompson Caninarosa Laughters Here Jake 0 Sue Elliott Chakotay Turbo Tornado Megan 475.00 1 Cayley Turner Splash Of Colour Sammy 0 Jo Chalmers Raeannes True Blue Josh 0 Alison Cronin Fletcher Cronin Fletcher 0 Jo Chalmers Tommy Two Bellies Tom 0 Alison Cronin Zoro Dog Cronin Zoro Dog 507.00 1 Sarah Beighton Scoobie Doo Of Valgray Scoobie 506.00 1 Lois Harris Zero's Aysha At Tolnedra Toffee 0 Lois Harris Starazaz Todd At Tolnedra Toddy 0 Denise Welsh Jadedoren Paris Harlie 0 Cathy Brown Blue Dippy Do Lally Dippy 0 Cathy Brown Dippity Doodah Scooby 0 Soraya Porter Hartsfern In Earnest Ernest 336.00 1 Maureen Goodchild Crystalgorse
    [Show full text]
  • Authenticity, Politics and Post-Punk in Thatcherite Britain
    ‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
    [Show full text]
  • Rodney Matthews
    y pg RC meets the rock LP sleeve illustrator extraordinaire, Rodney Matthews 58 Record Collector y pg ention Rodney Matthews’ name to Your early band, Squidd, mixed prog with jazz. others I’ve been involved with – Rick Wakeman, any rock or metal collector and they’ll I have always liked jazz but the main reason for the Asia, Barclay James Harvest and as mentioned, Eloy, tell you that it is synonymous with jazz influence in Squidd was that I had taken lessons are the most to my taste. Having said that, some of some of the most fantastic fantasy art- from a jazz drummer, Keith West, who taught me the other bands leaning slightly more towards rock; Mwork ever created. Originally a graphic designer, the rudiments, and for me it seemed natural to Praying Mantis, Scorpions, Nazareth, etc are suited Rodney worked on designs and lettering for records throw these into the prog-rock mix. It was the swing to my somewhat aggressive style which is obviously in the late 60s before, in the late 70s, turning to full drumming of Gene Krupa, Buddy Rich and Louis why they came to me. scale cover design and going freelance. He has since Bellson that took my imagination. My favourite bands in the rock and prog-rock been associated with Nazareth, Eloy, Scorpions, genres would include King Crimson, Genesis, Jethro Praying Mantis and most notably Magnum, among At what point did you decide to give up music and Tull, Yes, Cream etc, but of course I never got invit- a host of others.
    [Show full text]
  • Autumn at Colston Hall
    autumn at colston hall Colston-Hall_seasons_autumn_pocket-planner_5jt.indd 1 13/07/2016 14:34 02 | 0844 887 1500 supporters We would like to thank our sponsors and funders for their support principal sponsors major sponsors trusts corporate partners in kind support pp02-03_LOGOS_2re.indd 2 13/07/2016 13:53 www.colstonhall.org | 03 sponsors If you would like to find out more about supporting Colston Hall, please contact Development on 0117 204 7176 or email [email protected] pp02-03_LOGOS_2re.indd 3 13/07/2016 13:53 04 | 0844 887 1500 on sale now 3 little pigs monteverdi 450 families classical wed 24 – sun 28 aug wed 12 apr, mon 8 may 11am & 2pm, £13 incl. bf, groups & sun 28 may 2017 of 10+ £11.83 incl. bf, over 3s 7.30pm, premium ticket £64.99, £55, £45, £25, £15, u25s £8.50, u18s £1 incl. bf, series discount available Maestro Sir John Eliot Gardiner and his English Baroque Soloists and Monteverdi Choir present a landmark semi-staged series of Monteverdi’s three surviving operas – Il Ritorno d’Ulisse in Patria, I’Incoronazione di Poppea From the award-winning writers of the and L’Orfeo – to mark the composer’s international smash hits Mary Poppins 450th birthday. Together with his choir and Honk! comes a “great big little and period instrument ensemble plus a West End show” for audiences of three stellar cast of soloists including Krystian years old and up. He can huff and puff Adam, Hana Blažíková, Kangmin until the cows comes home, but will the Justin Kim, Lucile Richardot, and Furio big bad wolf get the better of the three Zanasi, Sir John Eliot Gardiner will take little superstar piglets in this brand new the audience on a voyage through nail- retelling of the classic story? Full of biting myth and murky Roman history.
    [Show full text]