56 National Film Awards
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ANNIVERSARY SPECIAL Millenniumpost.In
ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha. -
Pokiri Telugu Mp3 Songs Free Download Ippatikinka | Listen to Muralidhar Ippatikinka MP3 Song
pokiri telugu mp3 songs free download Ippatikinka | Listen to Muralidhar Ippatikinka MP3 song. Ippatikinka ( ) song from the album Pokiri is released on Apr 2006. The duration of song is 04:36. This song is sung by Muralidhar. Related Tags - Ippatikinka | , Ippatikinka | Song, Ippatikinka | MP3 Song, Ippatikinka | MP3, Download Ippatikinka | Song, Muralidhar Ippatikinka | Song, Pokiri Ippatikinka | Song, Ippatikinka | Song By Muralidhar, Ippatikinka | Song Download, Download Ippatikinka | MP3 Song. View 12 Awara Naa Songs Download Tamil Mp3. Your Awara Naa Songs Download Tamil Mp3 pic are geared up in this page. Awara Naa Songs Download Tamil Mp3 are a theme that is being searched for and favored by netizens nowadays. You can Download the Awara Naa Songs Download Tamil Mp3 here. Get all royalty-free picture. We Have got 11 pic about Awara Naa Songs Download Tamil Mp3 images, photos, pictures, backgrounds, and more. In such page, we additionally have number of images out there. Such as png, jpg, animated gifs, pic art, symbol, blackandwhite, images, etc. If you're searching for Awara Naa Songs Download Tamil Mp3 subject, you have visit the ideal web. Our website always gives you hints for seeing the highest quality images content, please kindly hunt and locate more enlightening articles and picture that fit your interests. This site is an open community for users to share their favorite images on the internet, all picture or pictures in this blog are for personal images use only, it is stricly prohibited to use this picture for commercial purposes, if you are the writer and find this images is shared without your permission, please kindly raise a DMCA report to Us. -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Institute of Film & Video Technology, Mumbai
INSTITUTE OF FILM & VIDEO TECHNOLOGY, MUMBAI & MEWAR UNIVERSITY, CHITTORGARH (Rajasthan) PROSPECTUS for JOINT PROGRAMMES ABOUT THE IFVT: There has always been a mad rush of people aspiring to join the glamour world of Cinema and Television. However, there is no clear cut path carved out for their entry other than through the Film Institutes established by the Government. There is always a need felt by the Production Houses to have trained film makers and technicians for quality film and Television productions. Considering this huge requirement of trained professionals many private institutes have mushroomed in various places. However these Institutes also lack the trained faculty in various departments of film making. This has prompted few graduates from Film and Television Institutes of India to come together and thus the Institute of Film and Video Technology was established with a sole objective of providing professional education in Cinema and Television Technology. The IFVT endeavors to take Cinema Education to the places where Cinema is not made and Cinema is not taught. IFVT opens a window of opportunities to those who have no access to the world of Cinema. OUR MISSION: To strive to give Cinema Education a Professional status Equivalent to other professional Degrees such as Medical, Engineering, Computers etc by providing a Bachelors degree in Cinema & Television with Master’s degree & PhD in cinema thereafter. FACILITIES AND SERVICES: IFVT draws its highly experienced faculty from internationally renowned Film Institutes and from the film industry. Apart from the permanent faculty, the IFVT has tie ups and arrangements with reputed artistes and technicians from the film world to train & share their experiences with the students. -
Power of Talent
Black Red CharcoalGray WarmGray Power of talent “Our core corporate assets walk out every evening. It is our duty to make sure that these assets return the next morning, mentally and physically enthusiastic and energetic.” – N. R. Narayana Murthy, Chairman and Chief Mentor This Annual Report is printed on 100% recycled paper as certified by the UK-based National Association of Paper Merchants (NAPM). The paper complies with strict quality and environmental requirements and is awarded the following international eco-labels: the Nordic Swan from the Nordic Council of Ministers; the Blue Angel, the first worldwide environmental label awarded by the Jury Umweltzeichen; and the European Union Flower. Infosys Annual Report 2007-08 | 1 Eugenie Rosenthal InStep intern in 2007 Mardava Rajugopal Catch Them Young participant in 2007 Deepak Gopinath Catch Them Young participant in 2007 Connect In 2007, an impressive 66% of 350 colleges surveyed opined that our Campus Connect program has helped make their students more employable. 2 | Power of talent Black Red CharcoalGray WarmGray Development Center, Bangalore, India By 2010, the Indian IT industry will need significantly contributed to our cultural “CTY was an enriching 2.3 million software engineers, says a and intellectual diversity. In the last nine experience. The courses were NASSCOM study. The estimated shortfall years, we have had over 600 interns from conducted in an encouraging, is 22%. This shortfall is one of the key 85 premier universities such as Harvard, open atmosphere which helped reasons we think it is imperative to connect Stanford, MIT and Oxford. InStep has us think out of the box and make the academic world with the industry. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Idiot 2 in Hindi 720P Torrent
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UTV Joins Hands with Ace Director Sundar C and Producer Khushbu Sundar to Produce Masala Café
UTV joins hands with ace director Sundar C and Producer Khushbu Sundar to produce Masala Café Chennai, October 17th 2011: Continuing its alliance with some of the most prominent names in the South Film Industry, UTV Motion Pictures has now partnered with the popular director Sundar C for his film Masala Café in association with his wife - Khushbu Sundar’s production house Avni CineMax. With a slate of successful films like Ullathai Alli Tha, Mettukudi, Superstar Rajinikanth’s Arunachalam, Kamal Haasan’s Anbe Sivam, Winner, Giri, London, Rendu to his credit, Sundar C is back to writing and directing with his latest venture Masala Café. The film slated to be a comic entertainer stars the current young heroes Vimal, “Mirchi” Shiva, Anjali, Santhanam among others. Sundar C along with directing is also penning the story and screenplay while dialogues are being written by Badri and camera by U.K. Senthil Kumar. The music composer is Ebinizer, from the film Kanden fame.Targeted at the youth, Masala Café will be a summer 2012 release. The film will commence shooting in Kumbakonam and Chennai from November 2011. UTV Motion Pictures, post releasing the highly appreciated Deiva Thirumagal and Muran will also release Vettai, Vazhakku Enn 18/9 and Kumki produced in association with Lingusamy’s Thiruppathi Brothers and is currently in the process of commencing the shooting of Mysskin’s Mugamoodi, starring Jiiva, Narain, Pooja Hegde and others. About UTV Motion Pictures: The Motion Pictures division of UTV, established in 2004, is an integrated studio model in the Indian film industry as well as in the whole of South Asia region. -
Aspirational Movie List
SL Title Year Type Rating Ratings 1 3 Idiots 2009 Feature 8.5 155,763 2 Like Stars on Earth 2007 Feature 8.5 71,581 3 Rang De Basanti 2006 Feature 8.4 57,061 4 Gangs of Wasseypur 2012 Feature 8.4 32,853 5 Lagaan: Once Upon a Time in India 2001 Feature 8.2 54,714 6 Mughal-E-Azam 1960 Feature 8.4 3,425 7 A Wednesday 2008 Feature 8.4 30,560 8 Udaan 2010 Feature 8.4 23,017 9 Swades 2004 Feature 8.4 47,326 10 Dil Chahta Hai 2001 Feature 8.3 38,159 11 Pyaasa 1957 Feature 8.4 2,677 12 Black Friday 2004 Feature 8.6 6,126 13 Sholay 1975 Feature 8.6 21,695 14 Anand 1971 Feature 8.9 7,826 15 Special 26 2013 Feature 7.9 22,078 16 Queen 2014 Feature 8.5 28,304 17 Andaz Apna Apna 1994 Feature 8.8 22,766 18 Haider 2014 Feature 8.5 28,728 19 Guru 2007 Feature 7.8 10,337 20 Dev D 2009 Feature 8.1 16,553 21 Paan Singh Tomar 2012 Feature 8.3 16,849 22 Chakde! India 2007 Feature 8.4 34,024 23 Sarfarosh 1999 Feature 8.1 11,870 24 Mother India 1957 Feature 8 3,882 25 Bhaag Milkha Bhaag 2013 Feature 8.4 30,313 26 Barfi! 2012 Feature 8.3 43,308 27 Zindagi Na Milegi Dobara 2011 Feature 8.1 34,374 28 PK 2014 Feature 8.4 55,878 29 Baby 2015 Feature 8.4 20,504 30 My Name Is Khan 2010 Feature 8 56,169 31 The Legend of Bhagat Singh 2002 Feature 8.1 5,481 32 Munna Bhai M.B.B.S. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Page 01 Feb 27.Indd
THURSDAY 27 FEBRUARY 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Indian Indie films: CAMPUS • Qatar Academy Small, but not hosts Emirati Manga author inconsequential P | 4 P | 8-9 SCIENCE • Trying to save a rare poison frog P | 6 BOOKS • I am Malala: The struggle EGYPT’S for education SMART CARDS P | 7 HEALTH • Vegetarian diets may lower FOR BREAD blood pressure P | 11 TECHNOLOGY • BlackBerry, Motorola and Nokia search for lost glory P | 12 A device resembling a credit card swiper is revolutionising some of Learn Arabic Egypt’s politically explosive bread lines • Learn commonly used Arabic words and may help achieve the impossible and their meanings — cutting crippling food import bills. P | 13 2 PLUS | THURSDAY 27 FEBRUARY 2014 COVER STORY The financial miracle for age-old problem of Egypt’s food subsidy By Maggie Fick be bought for dollars on international markets. device resembling a Profiteers exploit the system, and credit card swiper is many people feed bread to their live- revolutionising some of stock because it is cheaper than animal Egypt’s politically explo- feed. sive bread lines and may Yet, one cash-strapped government Ahelp achieve the impossible — cutting after another has resisted attacking crippling food import bills. the problem, fearful that cutting sub- Authorities who hope to avoid pro- sidies could be political suicide. tests over subsidised loaves sold for the President Anwar Sadat triggered equivalent of one US cent have turned riots when he cut the bread subsidy in to smart cards to try to manage the 1977, while President Hosni Mubarak corrupt and wasteful bread supply faced unrest in 2008 when the rising chain that has been untouchable for price of wheat caused shortages. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions.