What Burns Never Returns Vincent Dermody
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Galapagos Momentum Press Quotes
Quotes from Upsilon Acrux’s Paul Lai, excerpted from Etan Rosenbloom’s “Mapping the path to obscurity” in Prefix Magazine, October 18, 2006: “We feel 7/4 the way that most people feel a 4/4 pocket. It's just a downbeat -- it's like you wanna rock, but so much shit is rocked in 4. And it's rad. But I can't do that shit again -- I'd like to hear something else. That's why I like Meshuggah and other bands that step out of the standard time signatures. “ “…we are a rock band, we just try not to do typical things. We listen to enough music, we're big enough music geeks, that we wouldn't want to play something cool that had already been done by ten thousand bands. It works in music and it works in art: If you have something to say, then say it in your own way. If you don't have anything to say, shut the fuck up, go home and be a consumer. … Most bands these days sound like they're working at Kinko's, just carbon copies of other bands. … … Ultimately, I'm looking for singularity. We strive for unprecedented music. …” “…I think Faust, especially, is one of the most creative bands ever: You can't really pinpoint what they exactly do. That's what all bands should strive for, creativity above genres or styles. It should be about trying to be as creative possible. … If you're not reaching out to someone, creating a personal bridge with lyrics and vocals,…then you should be insanely creative in a completely different way. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Brand New Cd & Dvd Releases 2006 6,400 Titles
BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00 -
Mcbastard's MAUSOLEUM: DVD Review: the JESUS
McBASTARD'S MAUSOLEUM: DVD Review: THE JESUS ... Page 1 of 46 Share Report Abuse Next Blog » Create Blog Sign In McBASTARD'S MAUSOLEUM the crypt of cult, horror and exploitation cinema TUESDAY, NOVEMBER 22, 2011 CONTRIBUTORS DVD Review: THE JESUS LIZARD: CLUB (2011) Christopher Kahler McBastard Root Rot CONTACT To submit materials for review please email me for the address. I am also willing to accept reviews, articles and other content for the site. email: [email protected] twitter: http://twitter.com/mcbastard2000 facebook: http://www.facebook.com/pages/mcBast ards-mausoleum/169440663073382 tumblr: http://mcbastardsmausoleum.tumblr.co m/ digg: http://digg.com/mcbastard2000 stumbleupon: http://www.stumbleupon.com/stumbler/ McBastard2000/reviews/ THE JESUS LIZARD - CLUB (2011) Label: MVD Visual THE CRYPT Region Code: 0 NTSC Duration: 65 mins ► 2012 (5) Video: 4:3 Fullscreen ▼ 2011 (327) Audio: Dolby Digital 5.1 Surround ► December (26) Director: Mathew Robinson ▼ November (26) Band: David Yow, Duane Dennison, David WM. Sims, Mac McNeily Blu-ray Review: THE EXTERMINATOR (1980) After a decade of inactivity seminal 90's noisemakers THE JESUS LIZARD returned Japanese spine-tingler GUROZUKA to the American stage at the Exit club it Nashville, TN on July 14th 2009. The coming to DVD from... performance captured here features the four members of the classic JL line-up, African zombie film THE DEAD on David Yow (SCRATCH ACID) on vocals, Duane Dennison (TOMAHAWK) on guitar, BD/DVD February 14... David WM. Sims (RAPEMAN) on bass and Mac McNeily (MULE) on the drums. Israel's first horror film RABIES out on DVD Febru.. -
OBSERVER Vol
OBSERVER Vol. 1 No. 1 September 1, 1995 Page 1 Observer to Undergo Major Changes in the Coming Weeks Newspaper aims to change the way the Bard students are informed Pedro Rodriguez New Faculty Members Bring Diversity and Experience Linnea Knollmueller Page 2 Bard Students Commended for Heroic Vermont Rescue Delegates Reflect on Nicaragua Students share in local customs and culture Dead Squirrels Baffle Local Man Page 3 Official Documents Page 4 Entertainment Committee Gears Up for a Productive Semester Joel Hunt Page 5 New Recreation Director Makes Effort to Increase Activities at Bard Dave Hyde and Meeka Bhattacharya Inside the Game Strong Like Bull, Sexy Like Woman Tonya Giarnella Page 6 Is There Any Safety in Numbers? Matt Johnson The Somnambulist We Work Hard for the Money So You Better Treat Us Right Pedro Rodriguez Page 7 No Comment X Marks the Scam Shawnee Barnes Health Services Undergoes Many Changes Over the Summer Break Karen Lee Hansen Page 8 [Calendar of Events] 111111111111 II I I IIIII I I I 111111111111111111111 111111 9 1111 1 II II I Ulllll SPOUTS • P.Ual~ :: Is there a director in the house? What's inside ... Interested in sports and fitness? You Letters to the Editor/ Editorials have might want to get to know the new moved to the front ofthe paper. OBSERVER Check them out on page 2. BARD an gym director. The Observer has Volume 1, Issue 1 September 1, 1995 interview with him inside. Observer to undergo major changes in the coming weeks Newspaper aims to change the way the Bard students are informed Beginning this issue, the paper is Richard Stern. -
RSD List 2020
Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists. -
Shane Perlowin (Guitar), Derek Poteat (Bass), Sean Dail (Drums)
WHAT THE PRESS HAS SAID ABOUT: AHLEUCHATISTAS WHAT YOU WILL CUNEIFORM 2006 Line-up: Shane Perlowin (guitar), Derek Poteat (bass), Sean Dail (drums) “…hefty doses of prog rock shock therapy… like the Magic Band on steroids. …these young lads convey boundless energy amid some unrelenting quirks and knotty time signatures, where meter and momentum are apt to change on a nanosecond’s notice. Diehard progressive rock junkies should enjoy the heck out of this little gem.” – Glen Astarita, All About Jazz, February 2006, www.allaboutjazz.com “…you owe it to yourself to hear this wonderful new recording from the Ahleuchatistas (great band name – think Charlie Parker, y’all). These three youngsters seem to be channeling the spirits of Fred Frith, Bill Laswell and Fred Maher, who recorded a similarly funky, spiky and fun album in 1981 under the name Massacre. Difficult, yes, but challenging, no – for all its weird jumpiness, this is friendly and inviting music that will be sure to have your patrons nodding their heads and tapping their feet. Granted, they’ll be tapping in 15/8 time, but still.” – Rick Anderson, CD Hot List: New Releases for Libraries, April 2006, cdhotlist.btol.com “This…trio’s math rock is a series of screeds against war, for human rights, even corporate malfeasance. The nuance: There are no words. …A free- jazz stepchild of Don Caballero, Ahleuchatistas have more swerves, rougher time changes, mini-improvisational sections and not a hint of distortion or studio trickery. On opener “Remember Rumsfeld at Abu Ghraib,” bass and drum roll over aloof guitars, acting as communiqués between the Pentagon and Iraq… “Shell in Ogoniland,” about the oil company’s mistreatment of people in Niger, sounds like the gurgling of a viscous liquid…created by a sludge-like bass groove and doubled bass drum kicks. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
BTGE Newspaper
MAKE YOUR OWN NEWSPAPER Making a newspaper like this is actually not as complicated or expensive as you area on the page will be. Most newspapers have a little border around each might think. Here is some general information to help you get a sense of what page where there is no printing. You will need to know how large to make your this might entail and how much it might cost. borders. For example, on this newspaper, each page size is 11 3/8 inches by 17 inches, but the printing area on the press is only 10 1/8 inches by 16 inch - There are many different design software programs you can use to design your es. Ask the printer how much space you need to leave around your images and newspaper. You could also make the entire thing by hand and then photograph text so that the press can print your design. the hand-made pages with a digital camera or scan them with a scanner, save the pages as PDF (portable document format) files and make the paper that Don’t be afraid to ask questions like, “What is the cheapest paper size and way (check the “Save As” function on most programs to see if the PDF format stock to print on?”, “How can I design this in a way that will save money?”; is an option). Note that for some stupid reason, most design programs do not “Would you be willing to give me a discount if I paid for this job in cash?”, and include a spell-checking function. -
Mise En Page 1
www.sonicprotest.com Jamais trois sans quatre comme dit si bien Peugeot et donc logiquement : Sonic Protest 2006, du 4 au 7 mai : youpi. C’est une ouverture facile mais puisque même la Vache qui rit s’y est mis.... (pour contacter la régie publicitaire, merci de passer par notre site) Bref, depuis 2003, la micro équipe de Sonic Protest se réunit souvent, avec plaisir et sans rancune, pour qu’au rythme exténuant d’une fois l’an, on puisse voir et entendre des tentatives de musique vivante dans des lieux vivables. C’est un vrai luxe puisque ça n’a l’air de rien. Et puisque ça n’a l’air de rien, ça ne se donne pas l’air, ça ne pompe pas. Ca, c’est Sonic Protest : une collection précieuse de concerts qui ne se ressemblent pas ; une réunion d’artistes qui ont du style, loin des genres ; un fatras de moments qui se partagent avec joie et ne se consomment pas. Sonic Protest n’aime vraiment pas l’autoroute et roule donc sur la bordure des petits chemins, plus chaotiques et plus propices aux cascades et aux rencontres. Une nouvelle station service d’ailleurs cette année puisqu’aux partenaires de toujours (LES Instants Chavirés) et aux collaborateurs de moins en moins éphémères (Mains d’Oeuvres), et c’est tant mieux, s’ajoute désormais l'Espace 1789, histoire d’abolir les privilégiés, cette fois. Pour continuer dans le vroum-vroum, Sonic Protest carbure toujours au mélange free-harsh-lo-fi- fartcore-psyche-drone-folk-garage-math’n’roll et enrichit même sa formule en distillant des projections de films et des performances garanties 100% sans musiciens. -
Systems of Oppression in Joseph Heller's Something Happened
HUMPHRIES, MATTHEW MCLAURIN. M.A. You Made Me This Way: Systems of Oppression in Joseph Heller’s Something Happened. Directed by Dr. Eve Wiederhold. pp 47. The purpose my paper is to examine Joseph Heller’s novel Something Happened in regards to issues of gender, identity, and sex. Using a psychoanalytic framework, I examine the main character, Bob Slocum, and his relationship with the exterior world and the his memory. Among the topics Slocum maintains focus on is his own sexual history and the sexuality of those around him. Slocum interprets the world in gendered terms but in such a way where his body is sexualized and he is reduced to his sexual parts. I argue that Slocum’s interpretation contributes to the unresolved and inverted Oedipal drama that runs throughout the novel and can only be resolved in the novel’s conclusion. I argue that it is from a mixture of the need to resolve the Oedipal conflict in his life, his own sexual inadequacy and his latent narcissism that leads to Slocum killing his own son. HUMPHRIES, MATTHEW MCLAURIN. M.A. Look at What You’re Doing: The Body in Political Protest. Directed by Dr. Eve Wiederhold. pp 50. I wish to examine the connection between political protest and body images. My principle topics will be center around images taken from various artists of the past decades and images used by anti-abortion activists. Using a number of theorists, I aim to show that protests related to the body often rely on an understanding of passive participation. I aim to show that activists wish to appeal to this sense of passive participation and force audiences to act. -
Excerpts from What the Press Has Said About
Excerpts from what the press has said about some of Cheer-Accident’s past releases: WHAT SEQUEL? 2006 PRAVDA Featuring: Scott Ashley (Guitar), Thymme Jones (Vocals, Drums, Clarinet, Trumpet, Recorder, various keyboard instruments), Jeff Libersher (Bass, Guitar, Piano, Trumpet, bg. Vocals), John McEntire (Overdubs, Mixing), Julie Pomerleau (Violin), Jessica Ruffins (Engineer), Toby Summerfield (Double Bass) “Cheer-Accident seems to thrive on the contradictions of experimental music. For every straight-ahead piano-driven pop number there's a song flailing hard rock riffs with abandon, and usually these two opposing genres are place right next to one another. …the group does an admirable job synthesizing an avant-garde pop collection from decades old indie rock basics and eccentric asides. There are shades of Pavement, Unwound and Sonic Youth in the slightly atonal slacker guitar strum on "Keep in Touch," the pogoing chorus punctuation seems particularly Malkmus-ian. "Go Gone Green" has a great drive of '70s prog/jazz... Jesus Lizard skronk spreads out all over "Surviving a Methodology;" chugging guitars cut a sinister path through a rhythm section bent on strange time signatures. …as an album of '90s fringe indie rock revisited, it's a fine statement.” – Aaron Shaul, Ink 19, July 2007, www.ink19.com “… Cheer-Accident has been dirtying their hands in some form or another for over twenty-years and it’s obvious that music is the fruit of their hard work. … What Sequel? finds the band actually introducing the word “concise” into their terminology, thanks in large part to the efforts of producer John McEntire (Tortoise, The Sea And Cake).