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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Scratch Acid Announce Reunion Tour, the Jesus Lizard Announce Live LP
Scratch Acid Announce Reunion Tour, The Jesus Lizard Announce Live LP... http://www.pitchfork.com/news/43871-scratch-acid-announces-reunion-to... Twitter Facebook RSS Tumblr News Latest News Tours Reviews Tracks Features Interviews Articles Guest Lists Staff Lists Columns Rising Pitchfork.tv TV Music Videos Best New Music Best New Albums Best New Tracks Best New Reissues 8.0+ Reviews Festivals Pitchfork Music Festival: Chicago Pitchfork Music Festival: Paris Family Altered Zones Kill Screen Scratch Acid Announce Reunion Tour, The Jesus Lizard Announce Live LP It will be a very noisy autumn By David Bevan, September 1, 2011 3:38 p.m. CT Photo of the Jesus Lizard by Francis Chung As part of last month's Pitchfork 15 coverage, No Age guitarist Randy Randall spoke about the eye-opening experience that was his first Jesus Lizard show. He was so moved he tried to take frontman David Yow's shirt off his back. During the show-- not before or after. 1 of 7 9/15/2011 11:05 AM Scratch Acid Announce Reunion Tour, The Jesus Lizard Announce Live LP... http://www.pitchfork.com/news/43871-scratch-acid-announces-reunion-to... While the Jesus Lizard won't be hitting the road any time soon, on December 6, Chunklet will release the soundtrack to The Jesus Lizard: Club , a DVD document of their first U.S. show in over 10 years, which took place in 2009 show at the Exit/In in Nashville. Tracklist and trailer for the film are below. Additionally, Yow and bandmate David Wm. Sims will reconvene their 1980s noise-punk band Scratch Acid for a trek through North America in November and December. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Mahogany Rush, Seattle Center Coliseum
CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle -
La Top 50 Di Kurt La Top 50 Di Kurt
Cobain e Novoselic fondano la prima band Pagina accanto: I Nirvana fotografati a Seattle sognando di fare cover dei Creedence nel maggio 1988. Da sinistra: il batterista Clearwater Revival. Chad Channing, Novoselic e Cobain. Charles Peterson/Retna Ltd./Corbis più ampio e, anche se nell’ordine delle decine di persone, è un pubblico costante. I Nirvana ampliano LA TOP il proprio territorio fino a Olympia e a qualche accordi lavorativi (è l’unico con un diploma di scuola concerto sporadico a Seattle. Jack Endino rimane superiore), ma questa volta si presenta tracannando 50 DI sufficientemente colpito dal loro demo tape da LA TOP una bottiglia di vino. Cobain è estremamente nervoso e darne una copia a un DJ della KCMU, la stazione chiuso. Poneman gli offre un contratto discografico, ma KURT radio dell’Università di Washington, che comincia a 50 DI per produrre un singolo e con un compenso che copre trasmettere una delle tracce. solo le spese di registrazione. Peggio ancora, Poneman è SCRATCH ACID Endino consegna una copia del demo anche a KURT interessato esclusivamente a “Love Buzz,” l’unica canzone Scratch Acid EP (Rabid Cat, 1984) Jonathan Poneman che, col socio Bruce Pavitt, ha in scaletta che non è stata critta da Cobain. Eppure, alla La band degli Scratch Acid (gran nome, qualsiasi fondato la Sub Pop Records. La scena musicale di SACCHARINE TRUST fine dell’incontro, i Nirvana accettano l’accordo, concluso cosa significhi) prende il suono dei colleghi texani EP (SST, 1981) Butthole Surfers, lo intreccia con un’intensa e Seattle è ancora dominata dalle cover band, ma la Sub Paganicons con una stretta di mano, e la band fissa una nuova sessione La nascita e lo sviluppo dell’hardcore tradizionale irritante affinità coi Birthday Party di Nick Cae Pop comincia ad avere un successo contenuto con le di registrazione con Endino. -
Electrical Workers and Operators
The Journal ot Electrical Workers and Operators OFFICIAL PUBLICATION OF THE International Brotherhood of Electrical Workers Affiliated with the American Federation of Labor and all Its Departments. OWNED AND PUBLISHED BY THE INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS CHAS. P. FORD} International Secretary, GENERAL OFFICES: REISCR BUILDING SPRINGFIELD, ILL. Subscription, 26c per year, in advance. This Journal will not be held responsible for views exprelllled by corre8ponden•• The tenth of each month is the closiq date; an copy must be in our handa on or Won. Second Cia•• prhilejre applied for at the Post omc.. at Sprin",eld, IDlDOia. under Act of June I.th, 18e•• INDEX. A Quarter Century of Progress. .. 221-227 Around the Circuit. ................................... 271-272 Classified Directory .................................. 287-288 Correspondence ..................• . .. 245-271 Editorial ............................................. 237-241 Elementary Lessons ........................•......... 275-277 Executive Officers ................................... 235 In Memoriam ........................................ 228-234 Local Union Official Receipts .......................... 241-244 Local Union Directory .........._...................... 278-286 Notices ..................•••.....•................... 235-236 Things Electrical .................................... 272-275 THE JOURNAL OF ELECTRICAL WORKERS AND OPERATORS OFFICIAL PUBLICATION OF THE INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS Second CI ... privilege applied for at the Post Office at Springfield. Illinois. under Act of June 26th. 1906 Sinille Copies. 10 Cenb \70';.,. XVI, No.4 SPRINGFielD, ILL., NOVEMBER 1916. 25< per • Year in advance A Quarter Century of Progress ,p Twenty·five years ago this month, No c\About September 1st, 1890, a few men vember 21st, 1891, to be exact, the Broth· came together and against bitter and erhood was born. Attendants at the most senseless opposition formed what is birth pronounced it a bright hardy now Local No. -
,.~,"'...--:-~=~If Voters.Will Regl!Lter
w. PriId It Aa W. GIt It, W"atJ.o.t F.... F..... MYWtiIiM Hu No JWetiGa f•• to b. Pcfcr. THE HOME NEWSPAPER OF GROSSE PODI'I'E AlII) mE FOURTEENTH CONGRESSIONAL DISTRICT YOL.16-No.1 IL B. OLDHAM. Publi.her. .GROSSE POINTE, MICHIGAN, THURSDAY, OCTOBER 3, 1940 By Mail, $2.00 per year; Sin~le CopiCl, sCent.- QIUJd4. C~? , 8:rA. P..,. ~nTatiq. • Zouiq OrdiDauee We'~e nua acron two new yeniOlU .f\cIopted At Gratiot of campaip lapel aadgets which were Trembly School ~ilclren Salute Flag 'Draft Confusion Avoided designed and executed by an Eastem Townabip MeetiJJa' hairdreliSer, One u a small ke)' with Gt'atiot TOWllship'. lIew zonin,r ordi. If Voters. Will Regl!lter the lette... WILL propped OD top; the ;,. ~,"'..... --:-~=~ other is (of aU thinas) a red rose with II&ZIcewas llll.lllimollSl" adopted as pub- the letters VELT supportill&' the Item I lished ill a reeelit isalle of The Gt'osse " .,. Before Final Deadline McNary had a little lamb !'omte Review, last Monda" evening at Wednesday, Oetober 16, wiJI be the Who's DIllIe was "Iq 0' muttoa~ a board meeting in Eastwood School Both resbtrafiol1s will be handled b,. last day in which yoters who inteud to And everytime it waned its tall, Several questionl and om)' one ob- the same perlO11Jlel in your commugjt, east a baUot at aatiouat e1eciWD 011 It Sashed a Willkie battOL jeetioa were raised duriaa' tbe eveniaa'a the and a tremendou.s load wiU be thrown Tuesday, November can teeister. diaCtlstiOll. JUltice Edward Kraft gaye 5, UJIOll the reaisttiltioa C1achinery OIl For a Iollg tiJIIe "e've tbouaht that a sbort Ipeech dcfendill&' the ordiaanee Wednesda)', October 16, wiJI also be the that lIa7. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
INITIALS C.C. Liner Notes
Chris Connelly : INITIALS C.C. Out-takes, Rarities and Personal Favourites 1982-2002 vol.1 01. Detestimony – Fini Tribe: This was the “A” side of an EP called “Let the Tribe Grow,” written and recorded when the Fini Tribe was going through great musical changes. We had acquired an Ensoniq ‘Mirage’ sampling keyboard, and as was the same for a lot of bands at the time, it changed everything, opened up a lot of doors, and led us into some very uncharted waters. The actual piece was whittled down from a fifteen-minute opus we had written. I remember being in Philip Pinsky’s bedroom one night with John Vick. Philip’s then-roommate, Lindsay, gave us an old quarter-inch reel of tape he had. On it was a beautiful recording of the church bells you hear on the song; we sampled them and came up with the melody. The EP actually did better than any of us had anticipated and became a sort of hit in the Ibiza clubs at the very advent of the acid house/rave phenomenon. We actually went ahead and re-wrote/re- structured the song for the WaxTrax! Records release (“Make it Internal/Detestimony Revisited”) a couple of years later. 02. Mania – Murder Inc.: Certainly what I feel is the most compelling song on the one and only album released by Murder Inc. The band was basically Killing Joke, minus Jaz Coleman (Killing Joke’s singer), plus me, as well as the original drummer, Paul Fergusson, and newer drummer, Martin Atkins. The sessions took place at Pachyderm Studios in rural Minnesota during September of 1991. -
DAILY INSIDER Continued
MUSIC NEWS DAILY INSIDER continued Memorial Day weekend. They'll be joined by The Posies, Gary Busey, John a fire marshal who proclaimed him, "no less dangerous to the public than a Taylor and other artists at Miracle In The Desert near Palm Springs, man who walks into abar with aloaded gun." Yow denies that the band made California on May 23. Among the organizers is the co-creator/producer of any changes because of the record company although he admits that Capitol Woodstock, Artie Kornfeld. The day's events will also include aworld champi- was disappointed when their last album, Shot, failed to expand their audience on in-line skating, skateboard and BMX Bike exhibition. Net revenue will go beyond the 40,000 that their three indie releases sold. Yow says the band to several charitable organizations including the Musicians Assistance already wanted to make some changes and experiment and that Capitol was Program and alocal recovery program. excited by the news. "Through the years we realized there's never been astu- dio record that's as exciting as alive show unless it's adull live band," explains NEW CONTEST FOR UNSIGNED BANDS: The latest contest for unsigned Yow. "You can't reproduce the live show on record and you can't reproduce the bands was unveiled recently by Sony. Sony follows the Ticketmaster and record live so we decided to make astudio album." Yow adds that he's also done Grammy Showcases and Marty Callner's Internet Demo Derby last year with alot of "screaming, talking, whispering and making weird noises" but only alit- the Demolisten Derby. -
Capricor Phil Walden
August 6, 1993 ISSUE #337 $6.95 708 Stokes Road Medford, N J 08055 609-654-7272 609-654-6852 TOP PRIORITY LILLIAN AXE Capricor LILLIAN AXE Phil CRUCIFIED HARD ACT TO FOLLOW Walden BLACKEIS' SWEET SIXTEEN ALTERNATIVE PICK THE OCEAN BLUE SUBLIME HARD HITTEF INSIDE: • FROM OTIS REDDING TO THE ALLMANS AND WIDESPREAD PANIC--PHIL WALDEN HAS SEEN THAT AND MOORE bnins • END OF AN ERA: COX LMA'S TAMPA ROCK LEGEND WYNF WITH CHANGE TO HOT AC SUNNY 95 RUMORED al INFINITY 2ND QUARTER EARNINGS PROMPT 3 FOR 2 SPLIT II RANDY HOCK TO LEAVE MCA FOR DEAL WITH DENNY SOMA CH t.sNe ▪ KUKQ DROPS NEW ROCK FORMAT, WILL SIMUL KIFPD FOR NOW • LISA MICHAELSON IS ELEKTRA'S NEW NACAIAZZ/AAA MGR. • BARNES, BETTS, CURELOP, EDWARDS, HUGHES, JANG, LOGAN, LUCZAK, MCNUTT, OWEN AND MORE MEET FOR CANOE CARNEY 93! dAD B r RISE/UNIDENTIFIED TOP PRIORITY illian Axe, "Crucified", I.R.S. Last year Poetic Justice hit sales figures in excess of 120,000 with corresponding chart success along the way. Lillian Axe has been blessed with the talent to write great Lsongs, work hard, pay their dues, and break into the AOR ranks with solid singles like "True Believer" and "No Mailer What". Psychoschizophrenia will likely take the band to the next level with hard hitting "Crucified" as a first release. Steve's guitar blazes once again as he incorporates his classical training and a terrific edge to the album. Steve takes Axe's sound to a darker, heavier place with results that are already paying oft Early action at WWBZ, WRZK, KZRX, WVCR and WKLO have people like John Edwards at the Blaze admitting, "It has just the right texture for us." KLQ's Dave Wellington adds, "I'm really impressed with the sound of their new stuff" We think you'll agree HARD ACTS TO FOLLO W ishbone, "Unyielding Conditioning", Columbia Fis/ibones forte has always been „ ve performances. -
Mcbastard's MAUSOLEUM: DVD Review: the JESUS
McBASTARD'S MAUSOLEUM: DVD Review: THE JESUS ... Page 1 of 46 Share Report Abuse Next Blog » Create Blog Sign In McBASTARD'S MAUSOLEUM the crypt of cult, horror and exploitation cinema TUESDAY, NOVEMBER 22, 2011 CONTRIBUTORS DVD Review: THE JESUS LIZARD: CLUB (2011) Christopher Kahler McBastard Root Rot CONTACT To submit materials for review please email me for the address. I am also willing to accept reviews, articles and other content for the site. email: [email protected] twitter: http://twitter.com/mcbastard2000 facebook: http://www.facebook.com/pages/mcBast ards-mausoleum/169440663073382 tumblr: http://mcbastardsmausoleum.tumblr.co m/ digg: http://digg.com/mcbastard2000 stumbleupon: http://www.stumbleupon.com/stumbler/ McBastard2000/reviews/ THE JESUS LIZARD - CLUB (2011) Label: MVD Visual THE CRYPT Region Code: 0 NTSC Duration: 65 mins ► 2012 (5) Video: 4:3 Fullscreen ▼ 2011 (327) Audio: Dolby Digital 5.1 Surround ► December (26) Director: Mathew Robinson ▼ November (26) Band: David Yow, Duane Dennison, David WM. Sims, Mac McNeily Blu-ray Review: THE EXTERMINATOR (1980) After a decade of inactivity seminal 90's noisemakers THE JESUS LIZARD returned Japanese spine-tingler GUROZUKA to the American stage at the Exit club it Nashville, TN on July 14th 2009. The coming to DVD from... performance captured here features the four members of the classic JL line-up, African zombie film THE DEAD on David Yow (SCRATCH ACID) on vocals, Duane Dennison (TOMAHAWK) on guitar, BD/DVD February 14... David WM. Sims (RAPEMAN) on bass and Mac McNeily (MULE) on the drums. Israel's first horror film RABIES out on DVD Febru..