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Galapagos Momentum Press Quotes
Quotes from Upsilon Acrux’s Paul Lai, excerpted from Etan Rosenbloom’s “Mapping the path to obscurity” in Prefix Magazine, October 18, 2006: “We feel 7/4 the way that most people feel a 4/4 pocket. It's just a downbeat -- it's like you wanna rock, but so much shit is rocked in 4. And it's rad. But I can't do that shit again -- I'd like to hear something else. That's why I like Meshuggah and other bands that step out of the standard time signatures. “ “…we are a rock band, we just try not to do typical things. We listen to enough music, we're big enough music geeks, that we wouldn't want to play something cool that had already been done by ten thousand bands. It works in music and it works in art: If you have something to say, then say it in your own way. If you don't have anything to say, shut the fuck up, go home and be a consumer. … Most bands these days sound like they're working at Kinko's, just carbon copies of other bands. … … Ultimately, I'm looking for singularity. We strive for unprecedented music. …” “…I think Faust, especially, is one of the most creative bands ever: You can't really pinpoint what they exactly do. That's what all bands should strive for, creativity above genres or styles. It should be about trying to be as creative possible. … If you're not reaching out to someone, creating a personal bridge with lyrics and vocals,…then you should be insanely creative in a completely different way. -
Bio Information: RICHARD PINHAS Title: METAL/CRYSTAL (Cuneiform Rune 308/309)
Bio information: RICHARD PINHAS Title: METAL/CRYSTAL (Cuneiform Rune 308/309) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: ROCK / ELECTRONIC / NOISE RICHARD PINHAS “Richard Pinhas is still a force in world music today…his music has the emotive depth that most other electronauts hardly begin to grapple with. Add to this its other attributes: alien atmospheres, futuristic imagery, feelings of the mystery of technology, precise clinical production, belief in creative and political revolution, an obscure intellectual base and references to science fiction…then there is a musical force that has little or no rival.” – Audion “Richard Pinhas,…the astonishingly talented French pioneer…it’s no exaggeration to state he’s managed to cross the philosophies of J.G Ballard and Jean Giraud with the guitar sound of Robert Fripp, and thereby arrived at a cosmos-shattering glimps into the infinite.” – The Sound Projector MERZBOW "Think of those artists who overpowered the grind of their eras: Bach, Wagner, Miles Davis, The Beatles -- all of these people were consistently displaced of their time by the striking originality of their work, and yet were quintessentially "then". This is rare, indeed, and there is a case for including Masami Akita (a.k.a. Merzbow) in such a group. On the one hand, he is merely the brightest fire in an eclectic, almost anarchic Japanese music scene. On the other, Merzbow's music shatters scenes and precedents. Masami Akita is his own context, and listeners enter that world at their own risk." – Pitchfork WOLF EYES “If Deleuze had made it past '95, he might have written about [Wolf Eyes CD]. -
The Sky Opened up with Answers
The Sky Opened Up with Answers julia dzwonkoski & kye potter the sky opened up with answers Interviews by Julia Dzwonkoski & Kye Potter onestar press onestar press DZWONKOSKI_COVER.indd 1 23/03/09 13:57:50 The Sky Opened Up with Answers Interviews by Julia Dzwonkoski & Kye Potter RICHARD WICKA / Te Home of the Future 5 ANIMAL CHARM / Bacon, Eggs and Sweet Mary Jane 23 WYNN SATTERLEE / Painting and Prison 37 NAOMI UMAN / Te Ukrainian Time Machine 47 CHARLIE NOTHING / 180 Needles into Sonny Rollins 61 ERNEST GUSELLA / I’m Not a Believer 71 BRIAN SPRINGER / Te Disappointment 85 HENRY FLYNT / Te Answer You Like is the Wrong Answer 99 TWIG HARPER & CARLY PTAK / Livin’ & Feelin’ It 115 THEO KAMECKE / Trow the House in the River 133 DZWONKOSKI_INT_150.indd 2-3 6/04/09 10:26:36 Te Home of the Future An Interview with Richard Wicka Buffalo, New York, August 1, 2007 Richard Wicka has been producing public access television shows at his Buffalo, New York home, Te Home of the Future, for over 20 years. Hundreds of people have visited the HOTF to work on TV shows, film shoots and radio programs. We talked with Wicka about the history of the HOTF and the social and artistic vision behind it. JULIA DZWONKOSKI & KYE POTTER: Can you tell us the story of the pond in your backyard? RICHARD WICKA: I went to nurseries and said: “How do you put a pond in your backyard?” Tey all told me the same thing: “You’ve gotta dig a hole at least three feet deep.” Why? “Because water freezes in the win- ter but never to a depth of three feet. -
Whitehouse, Merzbow, Maurizio Bianchi, the Haters, Hanatarash, the Gerogerigege, Massona, Prurient, John Wiese…
As Loud as Possible As Loud as Possible Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… Un parcours parmi les grandes figures du harsh noise, au sein de l’internationale du bruit sale de ses origines à nos jours. AS LOUD AS 48 POSSi- 49 bLe. Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… A tour among the major figures in harsh noise, within dirty Noise International—from its inception to the present day. Fenêtre ouverte. Le bruit, c’est ce son fronde, indompta- juste une main pour sculpter, une intention pour guider, Mais comment la musique a-t-elle osé muter en ça ? ble, discordant, une puanteur dans l’oreille, comme l’a écrit à peine une idée pour le conceptualiser. Il n’est pas une Objectivement, si on regarde la tête du harsh noise, son Ambrose Bierce dans son Devil’s Dictionary, ce que tout musique bruyante mais une musique-bruit taillée, pas un nom, il faut tout de même se pencher un peu en arrière, le oppose et tout interdit à la musique. Le bruit sévère, le bruit genre, encore moins un mélange, car s’il est né d’amonts XXe siècle brouhaha, pour comprendre cette « birth-death dur, le harsh noise, c’est, pire encore, le chaos volontaire, la lisibles dans l’histoire de la musique, dans l’histoire du XXe experience », si l’on m’autorise à citer le titre d’un disque de crasse en liberté, même pas la musique de son-bruits rêvée siècle, il n’a dans sa pratique et sa nature d’autre horizon Whitehouse, le premier de surcroît. -
Brand New Cd & Dvd Releases 2006 6,400 Titles
BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00 -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
TRACKLIST // INVOCAST 011 // Dr H 1. Maeror
TRACKLIST // INVOCAST 011 // Dr H 1. Maeror Tri - Saltatrix ( Drone Records - DR- 7", Ltd, 199 01) Vio 4 These Tears Will Crystalize 2. Various - The Passing Gods ( Play Loud - CD, 199 PL01) Comp 3 Vidana Obmana «Twirling Motion » 3. Freya Aswynn / Les Joyaux De La Princesse - Wolf Rune ( Les 7", Ltd, 199 Joyaux De La Princesse - SD 03) Bla 7 Invocation Of The Gods (Instrumental) 4. Paul Kelday - Computer Dream ( Börft Records - 199 7", Ltd Börft050) 2 If Only 5. Stahlwerk 9 - Oradour ( Achtung Baby! - LP, Album, Ltd, Num + 200 ABLP 004) 7" 3 La Cloche D'Oradour 6. Null* - Absolute Heaven ( Nux Organization - CD, 199 NUX-D8) Album 3 Part III 7. Astro / Pulse Emitter / Acre / Monsturo - Cold Fire ( Anarchymoon Recordings - anok28) Pulse Emitter « Wormhole » LP 2010 199 8. Sian - Synapse / Atmos ( Korm Plastics - kp LP, Ltd 6 6296) Synapse 9. Various - Holy Mother Russia ( Steinklang Industries - SK LP, Comp, Ltd, 200 - IN 02) Num 4 Hum « Self Disidentification # 3 » 10. T.O.M.B.* - Xesse ( Prison Tatt Records - PT 12", S/Sided, 201 002) Ltd 1 The Inhuman Condition 11. Stone Glass Steel - Industrial Meditation ( TypeToken - CD, 199 CD103) Album 2 Internal Expansion Theory 12. R.Y.N. - Whistle And I'll Come To You ( Drone Records - 7", Ltd, 200 DR-80) Pur 6 A Warning To The Curious 13. Origami Galaktika - Stjernevandring ( Speeding Across LP, Album, 199 My Hemisphere - tinnitus / v.S. 002) Ltd, Pur 6 Månedans 14. Stone Glass Steel - Industrial >ICON< ( TypeToken - CD, 199 CD104) Album 3 Halo Of Sparks 15. Carsten Vollmer / Hidden Technology / Spherical 2xLP, Ltd, 200 Disrupted / Skalpell - Oscotarach ( Deafborn - dbvn04) Num 5 Skalpell « Summoner 16. -
Shane Perlowin (Guitar), Derek Poteat (Bass), Sean Dail (Drums)
WHAT THE PRESS HAS SAID ABOUT: AHLEUCHATISTAS WHAT YOU WILL CUNEIFORM 2006 Line-up: Shane Perlowin (guitar), Derek Poteat (bass), Sean Dail (drums) “…hefty doses of prog rock shock therapy… like the Magic Band on steroids. …these young lads convey boundless energy amid some unrelenting quirks and knotty time signatures, where meter and momentum are apt to change on a nanosecond’s notice. Diehard progressive rock junkies should enjoy the heck out of this little gem.” – Glen Astarita, All About Jazz, February 2006, www.allaboutjazz.com “…you owe it to yourself to hear this wonderful new recording from the Ahleuchatistas (great band name – think Charlie Parker, y’all). These three youngsters seem to be channeling the spirits of Fred Frith, Bill Laswell and Fred Maher, who recorded a similarly funky, spiky and fun album in 1981 under the name Massacre. Difficult, yes, but challenging, no – for all its weird jumpiness, this is friendly and inviting music that will be sure to have your patrons nodding their heads and tapping their feet. Granted, they’ll be tapping in 15/8 time, but still.” – Rick Anderson, CD Hot List: New Releases for Libraries, April 2006, cdhotlist.btol.com “This…trio’s math rock is a series of screeds against war, for human rights, even corporate malfeasance. The nuance: There are no words. …A free- jazz stepchild of Don Caballero, Ahleuchatistas have more swerves, rougher time changes, mini-improvisational sections and not a hint of distortion or studio trickery. On opener “Remember Rumsfeld at Abu Ghraib,” bass and drum roll over aloof guitars, acting as communiqués between the Pentagon and Iraq… “Shell in Ogoniland,” about the oil company’s mistreatment of people in Niger, sounds like the gurgling of a viscous liquid…created by a sludge-like bass groove and doubled bass drum kicks. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Wolf Eyes Burned Mind Mp3, Flac, Wma
Wolf Eyes Burned Mind mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Burned Mind Country: US Released: 2004 Style: Noise, Experimental, Industrial MP3 version RAR size: 1719 mb FLAC version RAR size: 1610 mb WMA version RAR size: 1588 mb Rating: 4.2 Votes: 457 Other Formats: AC3 AHX ADX AUD AA WMA VOC Tracklist 1 Dead In A Boat 1:38 2 Stabbed In The Face 3:39 3 Reaper's Gong 1:46 4 Village Oblivia 4:02 5 Urine Burn 0:47 6 Rattlesnake Shake 4:56 7 Burned Mind 4:11 8 Ancient Delay 2:26 9 Black Vomit 8:14 10 Untitled 4:33 11 Untitled 1:32 12 Untitled 1:01 13 Untitled 3:38 Companies, etc. Recorded At – Terror Tank Recorded At – Key Club Recording Mixed At – I.T. Engineered At – I.T. Pressed By – Cinram, Olyphant, PA – X21473 Credits Electronics, Tape, Horns – John Olson Mixed By, Engineer – Brendan M. Gillen Recorded By – Wolf Eyes Recorded By [Some Parts] – Bill Skibbe, Jessica Ruffins Tape, Guitar, Voice, Electronics – Aaron Dilloway Vocals, Electronics, Programmed By – Nate Young Notes Recorded at the Terror Tank, Ann Arbor, MI, October 2003 - July 2004. Some parts recorded at Key Club, Benton Harbor, MI. Mixed and engineered at I.T. Ann Arbor. Tracks 10-12 contain only silence. Barcode and Other Identifiers Matrix / Runout: X21473 IR ADV 631.1-2 01 M1S1 Mastering SID Code: ifpi L902 Mould SID Code: IFPI 2U8E Other versions Category Artist Title (Format) Label Category Country Year Burned Mind (CD, SPCD 638 Wolf Eyes Sub Pop SPCD 638 US 2004 Album) WE-001, AM Burned Mind (LP, Hanson Records, WE-001, AM Wolf Eyes US 2004 370 Album) American Tapes 370 Related Music albums to Burned Mind by Wolf Eyes Wolf Eyes - Slicer Wolf Eyes / Hunting Lodge w/ Apetechnology - @ Destroy Compound Wolf Eyes - Dread Wolf Eyes - Droll Vol 12 N.R.A.