Review of the Year 2015/16 02 : Association of British Orchestras : Review of the Year 2015/16
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Composer Keith Burstein Pays Homage to Beethoven with a New Work to Mark the 250Th Anniversary of His Birth
COMPOSER KEITH BURSTEIN PAYS HOMAGE TO BEETHOVEN WITH A NEW WORK TO MARK THE 250TH ANNIVERSARY OF HIS BIRTH Keith Burstein rehearsing his Symphony No 1 Elixir with the Kaunas City Symphony Orchestra in Kaunas Lithuania in 2012. Performance Date: 25 March 2020 Venue: Cadogan Hall, London A new work written by composer Keith Burstein to mark the 250th anniversary of the birth of Ludwig van Beethoven will be performed by the London Chamber Orchestra (LCO) at the Cadogan Hall in Chelsea, London, on 25 March 2020. Memories of Bonn, Symphonic Poem No 1 will be conducted by LCO’s Music Director and Principal Conductor, Christopher Warren-Green, and was inspired by the composer’s visit to Bonn, Beethoven’s birthplace. Vladimir Ashkenazy, the great pianist and conductor – and mentor to Burstein – suggested he wrote the Symphonic Poem. Albany Arts | A22 Laystall Street | London | EC1R 4PA | t: + 44 (0) 20 78 79 88 95 | www.albanyartscommunications.com The piece seeks to reflect the complex confluence of history and culture that Burstein experienced in Bonn when he attended a premiere of his music there in 2016. Inevitably the music evokes Beethoven, who is considered by the composer to be ‘the exemplar of a radical composer who wrote memorable melodies.’ Burstein is renowned for his fervent championing of tonal music, as opposed to the atonal style which has dominated classical music teaching and composition for over a century, and Memories of Bonn looks set to ignite the ongoing controversy surrounding the pre-eminence of atonal music over tonal. ‘I am delighted Christopher Warren-Green and the London Chamber Orchestra are premiering this new work, which was strongly advocated by Mark Redman, Chairman of the LCO Trust. -
Annual Report 2017/18
Annual Report 2017/18 Inspiring Collaboration Contents EXECUTIVE SUMMARY 2 FUNDING SWARMS AND APPLICATIONS 3 TCCE RESEARCHER-LED FORA 4-5 WORKSHOPS, NETWORKING EVENTS AND SYMPOSIA 6-9 PUBLICATIONS 10-11 COLLABORATIONS, PRESENTATIONS AND CONSULTATIONS 12-13 TCCE E-NEWSLETTER AND SOCIAL MEDIA 14 OTHER FORMS OF SUPPORT 15 TCCE BESPOKE SERVICES 16 TCCE OTHER PROJECTS 17 NETWORK, MEMBERS AND PARTNERS 18-19 CORE STAFF PROFILES 20 TCCE ANNUAL REPORT 2017/18 Executive Summary As our members will be aware, in the We look forward to working with you academic year 2017/18 we developed in future and would like to take this a brand new membership scheme, opportunity to thank you so much for based on institutional turnover. We your ongoing commitment, support did so based on consultation with and responsiveness. our members. You told us that membership rates were higher than Best wishes comparable membership bodies operating in Higher Education. We Evelyn Wilson and Suzie Leighton took on your views and responded accordingly. We also developed a Beyond London membership campaign. In less than a year, we were joined by: University of Kent, Liverpool John Moores University and Royal Conservatoire of Scotland. This is a timely shift, coinciding with rapid funding TCCE are simply outstanding. Working with diversification to the regions, largely the team over many years has allowed me and in response to the Industrial Strategy. Institutions I have represented to gain access We anticipate that opportunities to, and insights from, key individuals and for more dispersed networks will institutions within the Cultural Industries. When continue to present themselves in seeking partners to collaborate, or advice on response to new policy directives. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Monday Playlist
December 23, 2019: (Full-page version) Close Window “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.” — WA Mozart Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online The Christmas Tree, and A Pine Forest in Sleepers, Awake! 00:01 Buy Now! Tchaikovsky Dresden State Orchestra/Poschner Sony Classic 88875031652 888750316523 Winter ~ The Nutcracker, Op. 71 Lute Suite in A minor (originally C minor), 00:10 Buy Now! Bach Julian Bream RCA 5841 07863558412 BWV 997 00:31 Buy Now! Mozart Violin Concerto No. 5 in A, K. 219 "Turkish" Frang/Arcangelo/Cohen Warner Classics 0825646276776 825646276776 01:01 Buy Now! Mendelssohn Piano Trio No. 2 in C minor, Op. 66 Perlman/Ma/Ax Sony Classical 52192 886975219223 St. Olaf Choir/Nidaros Cathedral Girls' 01:32 Buy Now! Traditional O come, all ye faithful St. Olaf Records 3501 610295350126 Choir/Armstrong/Brevik 01:38 Buy Now! Mercadante Flute Concerto in E minor Galway/I Solisti Veneti/Scimone RCA 7703 07863577032 02:01 Buy Now! Lauridsen O magnum mysterium Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:07 Buy Now! Leontovych Carol of the Bells Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:09 Buy Now! Schubert Symphony No. 1 in D, D. 82 Hanover Band/Goodman Nimbus 5198 083603519827 02:38 Buy Now! Brahms Cello Sonata No. 1 in E minor, Op. 38 Nelsova/Johannesen CBC 2018 059582201824 Christmas at the Opera House, with Bob 03:00 Buy Now! Chapman Symphony No. 1 in G minor, Op. -
A Centenary Celebration 100 Years of the London Chamber Orchestra
Available to stream online from 7:30pm, 7 May 2021 until midnight, 16 May 2021 A Centenary Celebration 100 years of the London Chamber Orchestra Programme With Christopher Warren-Green, conductor Handel Arrival of the Queen of Sheba Jess Gillam, presenter Mozart Divertimento in D Major, K205, I. Largo – Allegro Debussy Danses Sacrée et Profane Maconchy Concertino for Clarinet and Orchestra, III. Allegro Soloists Mozart Eine Kleine Nachtmusik, I. Allegro Anne Denholm, harp Britten Courtly Dance No. 5 Mark van de Wiel, clarinet Maxwell Davies Farewell to Stromness Various A Century of Music (premiere) Soloists, A Century of Music Elgar Introduction and Allegro Mary Bevan, soprano Pekka Kuusisto, violin London Chamber Orchestra Alison Balsom, trumpet Ksenija Sidorova, accordion Violin 1 Viola Flute & Piccolo Benjamin Beilman, violin Clio Gould Rosemary Warren-Green Harry Winstanley Jess Gillam, saxophone Manon Derome Kate Musker Gina McCormack Becky Low Oboe Sophie Lockett Jenny Coombes Gordon Hunt Imogen East Alison Alty Composers, A Century of Music Eunsley Park Cello Rob Yeomans Robert Max Clarinet & Bass Clarinet John Rutter Edward Bale Joely Koos Mark van de Wiel Freya Waley-Cohen Julia Graham Violin 2 Rachael Lander Bassoon Paul Max Edlin Charles Sewart Meyrick Alexander George Morton Anna Harpham Bass Alexandra Caldon Andy Marshall Horn Tim Jackson Guy Button Ben Daniel-Greep Richard Watkins Jo Godden Michael Thompson Gabriel Prokofiev Harriet Murray Percussion Cheryl Frances-Hoad Julian Poole Trumpet Ross Brown If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether George Frideric Handel Wolfgang Amadeus Mozart Arrival of the Queen of Sheba Divertimento in D Major, K205 I. -
Chead Conference 2019 Programme & Timetable
CHEAD CONFERENCE 2019 PROGRAMME & TIMETABLE 27th & 28th March 2019 CONTENTS _____________________________ 0_____________________________1 WELCOME _____________________________02 SPONSOR STATEMENT _____________________________03 CONFERENCE AT A GLANCE 0_____________________________4 GENERAL INFORMATION 0_____________________________5 SPEAKER PROFILES _____________________________06 DAY ONE AFTERNOON TOUR 0_____________________________7 ANNUAL RECEPTION & DINNER 0_____________________________8 CONFERENCE PROGRAMME 0_____________________________9 SHEFFIELD SIGHTS 10 FOOD AND DRINK _____________________________ 11 MAPS _____________________________ Council for Higher Education in Art and Design 2019 Conference 27th & 28th March 2019 Sheffield www.chead.ac.uk #CHEAD2019 01 WELCOME PROFESSOR ANITA TAYLOR, CHAIR On behalf of the Council for Higher Education in Art and Design (CHEAD) I would like to welcome you to our 2019 Annual Conference, which promises to be an exciting programme that will explore how we can develop a more coherent voice in articulating the value of art and design. This conference, in March 2019, comes at a pivotal point for art and design. The theme ‘Unbounded: The Agency of Art and Design’ emerged from discussions which started almost immediately after the conclusion of the 2018 Annual Conference in Cardiff. These discussions focussed on the value of an arts education, and how art and design education encourages people to explore, to experiment, to question. Despite the economic success of the UK creative industries totalling £101.5bn a year, we are challenged in our ability to influence policy that directly affects our sector and internally within our institutions to advocate for the creative subjects. This conference seeks to celebrate the agency of art and design and aims to provide a compelling forum to ensure that we are emboldened to engage with new opportunities and contexts, and to do so with increased confidence in our own value, agency and power. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Darren Henley
Register of Interests – Darren Henley Contact Alternate name Relationship type Type of interest Start date End date Notes Anthony D'Offay Ltd (32500582) Self Other / Art Dealer 20 October 28 October Handling the sale of 2016 2016 a privately owned artwork on a commercial basis. Arts & Business Limited (1385664) Arts and Self Member 01 January 17 April 2015 Member of Advisory Business 2014 Group Arts University Bournemouth (19251963) The Arts Self Other / Honorary 30 June University Fellow 2017 College at Bournemouth Ashridge Business School (30286434) Self Other / Vice Chair, 01 January Creative Industries 2015 MBA Advisory Group Associated Board of the Royal Schools of ABRSM Self Other / Trustee 01 January 17 April 2015 Music (29541929) 2013 Birmingham City University (6438137) University of Self Member 01 January 17 April 2015 Member of Cultural Central 2012 Advisory Group England Birmingham City University (6438137) University of Self Other / Honorary 18 July 2014 Central Doctorate England Buckinghamshire New University Bucks New Self Other / honorary 18 July (1488360) University doctorate 2014 Canterbury Christ Church University Self Other / Honorary 01 January (29543625) Fellow 2010 Canterbury Festival (1387482) Canterbury Self Board member 01 January 17 April 2015 Trustee Theatre & 2001 Festival Trust Chartered Management Institute CMI Self Other / Companion 01 January (13317470) 2010 City Music Foundation (29543292) Self Member 01 January 17 April 2015 Member of Advisory 2012 Board Composed Ltd (29541454) Self Other / Director -
28-May-Concert-Programme.Pdf
Available to stream online from 7:30pm, 28 May 2021 until midnight, 6 June 2021 At The Ballet Presented by Errollyn Wallen Programme Errollyn Wallen Horseplay Stravinsky Pulcinella (full ballet with narration) London Chamber Orchestra Violin 1 Cello Clarinet Trombone Clio Gould Robert Max Mark van de Wiel Andrew Connington Manon Derome Julia Graham Charles Sewart Rachael Lander Bass Clarinet Percussion Sophie Lockett Becky Knight Jonathan Parkin Julian Poole Anna Harpham Joby Burgess Bass Soprano Saxophone Violin 2 Stacey Watton Simon Haram Kathy Shave Andy Marshall Ciaran McCabe Tim Amherst Bassoon With Alexandra Caldon Martin Ludenbach Meyrick Alexander Christopher Warren-Green, Guy Button Bartosz Kwasecki conductor Harriet Murray Flute Karen Jones Horn and special guests Viola Chris Hankin Alex Wide Errollyn Wallen, presenter & Kate Musker David McQueen narrator Becky Low Oboe Jenny Coombes Gordon Hunt Trumpet Lucy Crowe, soprano Mariam Ruetschi Alison Alty Ross Brown Toby Spence, tenor If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using James Platt, bass the hashtag #LCOTogether on to study at London and Cambridge universities. Tom Sapsford for the Royal Ballet, who gave the Errollyn Wallen Her Concerto for Percussion and Orchestra was the premiere that year at the Theatre Royal, Sheffield. Horseplay first work by a black woman to be performed at the Proms. Indeed, she is the UK’s first internationally Sapsford writes: ‘Horseplay is a ballet for four male I. dark and mysterious celebrated black female composer, and has become dancers. The composer’s idea of the horse as archetype II. -
Making Music Has Brought Together Many of the Leading People and Organisations in UK Music Education
Making Teaching, learning & playing in the UK A COLLABORATIVE RESEARCH PROJECT September 2014 Contents Preface – by Leslie East, Chief Executive, ABRSM Page 3 1 INTRODUCTION Page 4 2 ABOUT THIS REPORT Page 6 3 EXECUTIVE SUMMARY Page 10 4 THE STATISTICS PaRT 1 Opportunity and progression Page 14 PaRT 2 Shifts in instrumental trends Page 24 PaRT 3 Teaching community Page 30 PaRT 4 How learners learn Page 40 5 BEHIND THE STATISTICS Page 46 6 NEXT STEPS Page 50 A final word – from ABRSM and its partners Page 52 Appendix Page 54 Research Simon Hume, Research Manager, and Emma Wells, Research Executive, at Critical Research Copywriter Paul Cutts Design www.fentonandpartners.com Images © Chris Christodoulou, Paul Cochrane Photography, Alick Cotterill and Simon Fernandez Photography 1 Preface Between 1993 and 1999 ABRSM carried out three substantial programmes of research into the teaching, learning and playing of musical instruments in the UK. The ABRSM reports based on that research had a significant impact on the music education environment. With the Wider Opportunities programme established, the publication of Darren Henley’s February 2011 report into music education in England, the November 2011 National Plan for Music Education and the setting up of the Music Education Hubs network in England – plus the deepest recession in the UK for many years – now seems an appropriate time to look again at what is happening to musical instrument teaching and learning. This report, we believe, will be of huge significance in a changing music educational environment. Its significance has been enhanced by the willing cooperation of the many organisations that have helped ABRSM with this project. -
King's Research Portal
King’s Research Portal Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Gordon-Nesbitt, R. (2017). Creative Health: The Arts for Health and Wellbeing. All-Party Parliamentary Group on Arts, Health and Wellbeing. http://www.artshealthandwellbeing.org.uk/appg- inquiry/Publications/Creative_Health_Inquiry_Report_2017_-_Second_Edition.pdf Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Henley Review of Cultural Education in England
CULTURAL EDUCATION IN ENGLAND An independent review by Darren Henley for the Department for Culture, Media and Sport and the Department for Education Contents 1.0 INTRODUCTION page 3 2.0 THE CULTURAL EDUCATION LANDSCAPE page 8 3.0 THE CASE FOR CULTURAL EDUCATION page 12 4.0 A VISION FOR CULTURAL EDUCATION page 22 5.0 A NEW STRATEGY page 29 6.0 LOCAL CULTURAL EDUCATION PARTNERSHIPS page 37 7.0 CULTURAL EDUCATION IN THE CURRICULUM page 41 8.0 THE WORKFORCE page 47 9.0 SUPPORTING TALENTED YOUNG PEOPLE page 52 10.0 RECOGNISING SUCCESS page 54 11.0 SUMMARY OF RECOMMENDATIONS page 56 ANNEXE 1 TERMS OF REFERENCE page 62 ANNEXE 2 CALL FOR EVIDENCE page 64 ANNEXE 3 LIST OF INDIVIDUALS MET DURING REVIEW page 68 ANNEXE 4 LIST OF WRITTEN RESPONDENTS TO REVIEW page 70 ANNEXE 5 LIST OF ATTENDEES AT ROUNDTABLES page 79 ANNEXE 6 BIOGRAPHY OF DARREN HENLEY page 83 2 1.0 INTRODUCTION 1.1 This independent review of Cultural Education in England follows on from the independent review of Music Education in England, which I undertook towards the end of 2010, at the request of the Secretary of State for Education and the Minister for Culture, Communications and Creative Industries. 1.2 Once again, I start my Review with a strong declaration of interest. I believe that all children can and should benefit from receiving a wide-ranging, adventurous and creative Cultural Education. For many young people, cultural activities form a vital part of their everyday lives. These activities are academically, physically and socially enriching, whether they take place in- school or out-of-school.