Audio Interview with Edna O'brien
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nm u Ottawa l.'Univcrsilc cnnndicnnc Canada's university FACULTE DES ETUDES SUPERIEURES l==l FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES K'Universittf canadiennc Canada's university Siobhan Dunbar TUTEU1MLTTWSE7XUTHORWTHESTS" M.A. (English Literature) GRADE/DEGREE Department of English lACUL^IcaOErwrBO^^ (Un)Silencing the Voices of the Country Girls: A Journey into Twentieth-Century Irish Girlhood through the Fiction of Edna O'Brien TITRE DE LA THESE / TITLE OF THESIS David Jarraway WE'CTEUR^DTREC™^ EXAMINATEURS (EXAMINATRICES) DE LA THESE /THESIS EXAMINERS April London Ian Dennis Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies (Un)Silencing the Voices of the Country Girls: A Journey into Twentieth-Century Irish Girlhood through the Fiction of Edna O'Brien Siobhan Mary Dunbar Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the Collaborative M.A. degree in English Literature and Women's Studies Department of English Faculty of Arts University of Ottawa © Siobhan Mary Dunbar, Ottawa, Canada, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-50876-3 Our file Notre reference ISBN: 978-0-494-50876-3 NOTICE: AVIS: The author has granted a non L'auteur -
Representations of Femininity in the Novels of Edna 0 'Brien, 1960-1996
Representations of Femininity in the Novels of Edna 0 'Brien, 1960-1996 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Amanda Greenwood, BA, MLitt (University of Bristol) April 1999 Acknowledgements My greatest debts are to Dr Jane Thomas (University of Hull) and Professor Marion Shaw (Loughborough University) for their unfailing inspiration and support throughout their supervision of this thesis. I am grateful for financial assistance in the forms of a part time studentship from Loughborough University followed by a full time graduate teaching assistantship from the University of Hull. I would also like to thank Dr Katharine Cockin and Professor Angela Leighton of the University of Hull for reading draft versions of this thesis and advising me on revisions. Finally I am indebted to Edna O'Brien's publicity officer, Nick MacDowell of the Orion Publishing Group Limited, for supplying extensive copies of reviews of House of Splendid Isolation. Contents Introduction 1-30 Chapter 1, Negative Romance: The Country Girls trilogy (1960-1964) 31-80 Chapter 2, 'Glacial Nihilism': August is a Wicked Month (1965) and Casualties of Peace (1966) 81-124 Chapter 3, 'Woman must write herself': A Pagan Place(1970) and Night (1972) 125-175 Chapter 4, 'Ireland has always been a woman': Mother Ireland (1976) 176-219 Chapter 5, 'An Other Landscape': The High Road (1988) 220-275 Chapter 6, 'Might before Right': House of Splendid Isolation (1994) and Down by the River (1996) 276-343 Conclusion 344-347 Bibliography 348-363 11 Introduction In the National Portrait Gallery Bill Brandt's black and white photograph of Edna O'Brien (1980) is exhibited alongside portraits of Doris Lessing and Germaine Greer.' The Gallery's implicit recognition of O'Brien as a contemporary woman writer of significance is reinforced by the portrait's caption, which reads: 'Since her first novel The Country Girls (1960), O'Brien has addressed the subject [sic] of women in society, of solitude and sexual repression'. -
Reader's Guide for in the Forest Published by Houghton Mifflin
A Reader's Guide In The Forest by Edna O'Brien • Questions for Discussion (Coming Soon) • Edna O'Brien on Writing, Writers, and Herself • About the Author • A New York Times Notable Book and a Book Sense 76 selection "This literary thriller reads like a dark enchantment, an unholy myth, a terrifyingly true fairy tale." — Elle In the Forest returns to the countryside of western Ireland, the vivid backdrop of Edna O'Brien's best-selling Wild Decembers. Here O'Brien unravels a classic confrontation between evil and innocence centering on the young, troubled Michael O'Kane, christened by his neighbors "the Kindershrek," someone of whom small children are afraid. O'Kane loses his mother as a boy and by age ten is incarcerated in a juvenile detention center, an experience that leaves him scarred from abuse — and worse, with the killing instinct buried within. A story based on actual events, In the Forest proceeds in a rush of breathtaking, hair-raising episodes and asks what will become of O'Kane's unwitting victims — a radiant young woman, her little son, and a devout and trusting priest. Riveting, frightening, and brilliantly told, this intimate portrayal of both perpetrator and victims reminds us that anything can happen "outside the boundary of mother and child." www.houghtonmifflinbooks.com 1 of 5 Copyright (c) 2003 Houghton Mifflin Company, All Rights Reserved "A chilling read that will settle forever into the marrow of your bones." — USA Today "A tour de force of finely restrained fury." — Dan Cryer, Newsday "It's pure Edna O'Brien, who can take the verdant promises of the west of Ireland and render them sensual, paralyzing, and dangerous, sometimes all at once." — Gail Caldwell, Boston Globe "One of [Edna O'Brien's] most powerful and effective novels, a model of its kind." — Sunday Telegraph Edna O'Brien on Writing, Writers, and Herself On the rural Ireland of her childhood: I happened to grow up in a country that was and is breathlessly beautiful, so the feeling for nature, for verdure, and for the soil was instilled in me. -
Edna O'brien, Irish Feminism and Her Gébler
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program 5-1-2007 ANOTHER "SCANDALOUS WOMAN": EDNA O’BRIEN, IRISH FEMINISM AND HER GÉBLER MEN Jeffrey P. Griffin University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Literature in English, British Isles Commons Recommended Citation Griffin,eff J rey P., "ANOTHER "SCANDALOUS WOMAN": EDNA O’BRIEN, IRISH FEMINISM AND HER GÉBLER MEN" (2007). Honors Scholar Theses. 26. https://opencommons.uconn.edu/srhonors_theses/26 ANOTHER ‘SCANDALOUS WOMAN ’: EDNA O’BRIEN, IRISH FEMINISM AND HER GÉBLER MEN Jeffrey Patrick Griffin A thesis submitted to the faculty of the University of Connecticut in partial fulfillme nt of the requirements for the Bachelor D egree of Art s in English with University Scholar and Honors Scholar designation. University of Connecticut 2007 Approved by: Dr. Mary Bur ke Dr. Brendan Kane Dr. Thomas S hea ABSTRACT Irish novelist Edna O’Brien suffered a tumultuous early reception ; her first six novels were banned in Ireland, and critics complained that her writing was sensational and gratuitous. Yet by the time Ireland’s economic boom arrived on the island, many contemporary critics suddenly applaud the novelist’s writing. Is th is significant change in critical reception based on O’Brien’s development as an author? Or was O’Brien writing stories that were ahead of her time and only now accepted by contemporary critics? My paper considers the writing and critical reception of Ed na O’Brien by placing her life and career alongside three waves of Irish feminism. -
Journal of the Short Story in English, 63 | Autumn 2014 Questioning the Paddy Stereotype in Edna O’Brien’S “Shovel Kings” 2
Journal of the Short Story in English Les Cahiers de la nouvelle 63 | Autumn 2014 Special Issue: The 21st Century Irish Short Story Questioning the Paddy Stereotype in Edna O’Brien’s “Shovel Kings” Jeanette Roberts Shumaker Electronic version URL: http://journals.openedition.org/jsse/1514 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2014 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Jeanette Roberts Shumaker, « Questioning the Paddy Stereotype in Edna O’Brien’s “Shovel Kings” », Journal of the Short Story in English [Online], 63 | Autumn 2014, Online since 01 December 2016, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/1514 This text was automatically generated on 3 December 2020. © All rights reserved Questioning the Paddy Stereotype in Edna O’Brien’s “Shovel Kings” 1 Questioning the Paddy Stereotype in Edna O’Brien’s “Shovel Kings” Jeanette Roberts Shumaker London is the place where the incessant labour that was the navy’s life can be forgotten for a while in the pubs of Camden Town and the dance halls of Cricklewood, so much so that it becomes a veritable home from home. Jean-Philippe Hertz (7) 1 Known for decades for her novels and short stories about passion, adultery, and relationships between mothers and daughters, Edna O’Brien seemed preoccupied by so- called “women’s concerns,” which may have caused her neglect by critics, according to Lisa Colletta and Maureen O’Connor (4). However, starting in the 1990s O’Brien broadened her focus -
Edna O'brien's “The Little Red Chairs” and “Girl”
Fecha de recepción: 1 septiembre 2019 Fecha de aceptación: 28 octubre 2019 Fecha de publicación: 9 febrero 2020 URL: https://oceanide.es/index.php/012020/article/view/43/186 Oceánide número 13, ISSN 1989-6328 DOI: https://doi.org/10.37668/oceanide.v13i.43 Dr. José Manuel Estévez-Saá Universidade da Coruña, España ORCID: https://orcid.org/0000-0001-7979-2853 “Fearful … and Fearless”: Edna O’Brien’s “The Little Red Chairs” and “Girl” Resumen Las dos últimas novelas publicadas por Edna O’Brien, The Little Red Chairs (2015) y Girl (2019) han sido alabadas de forma unánime por la crítica. Philip Roth consideró The Little Red Chairs como la obra maestra de la escritora en la cubierta del libro, y para Éilís Ní Dhuibne se trató su novela más ambiciosa (2019), lo cual es mucho decir en el caso de una autora que ha sido un referente en la literatura irlandesa desde los años 60. Girl, su última novela, también ha sido reseñada positivamente, entre otros, por nombres tan influyentes como Christina Patterson (2019) y Anne Enright (2019). The Little Red Chairs se inspira en el episodio histórico de la Guerra de los Balcanes y el asedio de Sarajevo. Dividida en tres partes, la novela dirige a sus lectores desde el oeste de Irlanda hasta los Balcanes, pasando por Londres y el Tribunal de La Haya, en una serie de movimientos que sirven a la autora para ilustrar los intercambios migratorios en la sociedad actual, y que involucran a exiliados políticos, refugiados, expatriados y migrantes económicos. Girl ha sido descrita por la propia autora como la novela más dura y dolorosa que ha escrito. -
Animals and the Irish Mouth in Edna O'brien's Fiction
Journal of Ecocriticism 5(2) July 2013 Animals and the Irish Mouth in Edna O’Brien’s Fiction Maureen O’Connor, University College Cork1 Abstract From Edna O’Brien’s earliest novels, many commentators have noted that desire is at the core of the narratives. The true irony in such observations lies in their frequently blinkered understanding of what comprises that desire, reducing it to a heteronormative, Barbara-Cartland-style pursuit of “romance.” While the characters themselves may think this is what they hunger for, the text inevitably opens up vaster sources of insatiable longing. As Mary Douglas has established, “the body is capable of furnishing a natural system of symbols” (xxxii), and in O’Brien’s texts the human mouth, especially when at its most “animal,” metonymizes numerous desires, most often balked and even impossible ones, including those that actuate the scene of writing. Mouths are everywhere in O’Brien’s novels, licking, yawning, weeping, swallowing, keening, grimacing, biting, shrieking, chewing, singing, speaking, and opening in silence. These mouths give voice to the immaterial, and even animate the inorganic, which, for all of its immateriality, can yet resist manipulation. The inscrutable “inhuman” voice that emerges ultimately reveals “that words themselves are sphinxes, hybrids of the animal, the human, and the inorganic” (Ellmann 77). The natural cries of all animals, even of those animals with whom we have not been acquainted, never fail to make themselves sufficiently understood; this cannot be said of language. Edmund Burke The absolutely foreign alone can instruct us Emmanuel Levinas Ireland is the most rich, inescapable land. -
O'brien, EDNA. Edna O'brien Papers, Circa 1939-2000
O'BRIEN, EDNA. Edna O'Brien papers, circa 1939-2000 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: O'Brien, Edna. Title: Edna O'Brien papers, circa 1939-2000 Call Number: Manuscript Collection No. 855 Extent: 46.25 linear feet (95 boxes), 1 oversized papers box and 2 oversized papers folders (OP), and AV Masters: .75 linear feet (2 boxes) Abstract: Literary and personal papers of Irish author Edna O'Brien from circa 1939-2000. Language: Materials entirely in English. Administrative Information Restrictions on access Special restrictions apply: Subseries 1.5, entire subseries is closed to researchers, including letters from Marie Heaney. Special restrictions: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Series 2, Journals, are closed to researchers and Series 5, Subject files, contains some material which is closed to researchers. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
PIC Fall-2020 11 2019.Pdf
PICADOR SEPTEMBER 2020 PAPERBACK REISSUE Housekeeping (Fortieth Anniversary Edition) A Novel Afterword by C. E. Morgan "So precise, so distilled, so beautiful that one doesn't want to miss any pleasure it might yield." --Le Anne Schreiber, The New York Times Book Review FICTION / LITERARY Picador | 9/1/2020 A modern classic, Housekeeping is the story of Ruth and her younger sister, 9781250769763 | $17.00 Lucille, who grow up haphazardly, first under the care of their competent Trade Paperback | 240 pages | Carton Qty: 32 grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, 8.3 in H | 5.4 in W their eccentric and remote aunt. The family house is in the small Far West town Other Available Formats: of Fingerbone set on a glacial lake, the same lake where their grandfather died in Hardcover ISBN: 9780374172084 a spectacular train wreck, and their mother drove off a cliff to her death. It is a Audio ISBN: 9781250257277 town "chastened by an outsized landscape and extravagant weather, and Hardcover ISBN: 9781250060655 Trade Paperback ISBN: 9780312424091 chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience. MARKETING · 40th Anniversary Edition Coinciding with Publication of New Novel JACK (FSG 10/6/2020) · National Print and Online Review PRAISE Coverage "Here's a first novel that sounds as if the author has been treasuring it up all her · Digital Marketing: Online Advertising and Social Media Campaign life . -
“Edna O'brien: an Interview with Maureen O'connor”
Critical Inquiries Into Irish Studies Volume 3 Issue 1 Article 1 March 2021 “Edna O’Brien: An Interview With Maureen O’Connor” Maureen O'Connor University College, Cork Martha Carpentier Seton Hall University Elizabeth Brewer Redwine Seton Hall University Follow this and additional works at: https://scholarship.shu.edu/ciiis Part of the Celtic Studies Commons, English Language and Literature Commons, History Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation O'Connor, Maureen; Carpentier, Martha; and Brewer Redwine, Elizabeth. "“Edna O’Brien: An Interview With Maureen O’Connor”," Critical Inquiries Into Irish Studies, vol. 3, no. 1, 2021, https://scholarship.shu.edu/ciiis/vol3/iss1/1. O'Connor et al.: Edna O’Brien Edna O’Brien, 2009 https://www.britannica.com/art/autobiography-literature “Edna O’Brien: An Interview With Maureen O’Connor” Maureen O’Connor is the author of The Female and the Species: The Animal in Irish Women’s Writing (2010); editor of Back to the Future of Irish Studies: Festschrift for Tadhg Foley (2010); co-editor, with Kathryn Laing and Sinéad Mooney, of Edna O'Brien: New Critical Perspectives (2006); and co-editor, with Lisa Colletta, of Wild Colonial Girl: Essays on Edna O'Brien (2006). Currently a lecturer at University College Cork, Ireland, O’Connor recently agreed to discuss Edna O’Brien with Critical Inquiries Into Irish Studies co-editor Elizabeth Redwine. CIIIS: You begin your wonderful “Edna O’Brien, Irish Dandy” piece with O’Brien’s memory of seeing an elderly Maud Gonne in St. Stephens Green in the 1950s and being inspired to write. -
Reader's Guide for the Light of Evening Published by Houghton
A Reader's Guide The Light of Evening by Edna O'Brien • About the Book • About the Author • Questions for Discussion • For Further Reading About the Book Selected as a Best Book of the Year: Los Angeles Times, San Francisco Chronicle, Minneapolis Star Tribune, Rocky Mountain News, Boston Phoenix "A delicate, everyday, even humorous love between mother and daughter is revealed as the grandest of passions." —Nuala O'Faolain As she has in much of her stunning fiction, Edna O'Brien displays in The Light of Evening a fierce and intimate knowledge of the forces that both bind families together and keep them at odds. From her hospital bed in Dublin, the ailing Dilly Macready eagerly awaits a visit from her long-estranged daughter, Eleanora. Years before, Eleanora fled Ireland for London when her sensuous first novel caused a local scandal. Her mother beseeches her to return home, sending letters that are priceless in their mix of love, guilt, and recrimination. For all her mother's disapproval, Dilly herself knows something of Eleanora's need for freedom: as a young woman in the 1920s, she left Ireland for a new life in New York City, before tragedy sent her back to Ireland. A novel of dreams and affections, lamentations and betrayals, The Light of Evening is a luminous, truthful, and heartrending read. "You'll turn the pages of this book with the greatest reluctance, and that is because each page is so seductive, so dazzling, you won’t want to leave it. Whether the setting is Brooklyn or London or County Clare itself, richness of detail and -
Reader's Guide for Wild Decembers Published by Houghton Mifflin
A Reader's Guide Wild Decembers by Edna O'Brien • Questions for Discussion • Edna O'Brien on Writing, Writers, and Herself • About the Author • A National Bestseller & a Book Sense '76 Title "A page-turning narrative . as wildly beautiful and windswept as the country of her fiction." —Elle "O'Brien is a storyteller, an Irish storyteller, one of an ancient tradition of storytellers, people who tell the truth." —Thomas Cahill, Los Angeles Times Book Review "Beautiful and lush . a precise, poetic recollection of a distant world" —New York Times Book Review With the arrival of Michael Bugler's newfangled tractor, and of Mick Bugler himself, fresh from Australia to claim his family heritage, life on the mountain of Slieve Clochan and in the village of Cloontha is changed forever. And Joseph Brennan's relationship with the fields, bogs, and woods of the mountain he calls his own is also transformed–as is the conventional, home- and church-bound life of Joseph's younger sister, Breege. Edna O'Brien's masterly novel recounts the tragically rapid and life-altering demise of relations between Joe Brennan and Mick Bugler, "the warring sons of warring sons," on a tradition-bound mountain in tradition-bound western Ireland. With her inimitable gift for illuminating individual and social conflict www.houghtonmifflinbooks.com 1 of 7 Copyright (c) 2003 Houghton Mifflin Company, All Rights Reserved and heartbreak, O'Brien raises Joseph's love for his land to the level of his sister Breege's love for both him and his new rival, Bugler. Aware for the first time in her life of love's possibilities, Breege also sees "the wrong of years and the recent wrongs" fuel each other, as Bugler's actions clash with her brother's long-unquestioned claims.