O'brien, EDNA. Edna O'brien Papers, Circa 1939-2000
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The Failure of an Irish Political Party
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service 1 Journalism in Ireland: The Evolution of a Discipline Mark O’Brien While journalism in Ireland had a long gestation, the issues that today’s journalists grapple with are very much the same that their predecessors had to deal with. The pressures of deadlines and news gathering, the reliability and protection of sources, dealing with patronage and pressure from the State, advertisers and prominent personalities, and the fear of libel and State regulation were just as much a part of early journalism as they are today. What distinguished early journalism was the intermittent nature of publication and the rapidity with which newspaper titles appeared and disappeared. The Irish press had a faltering start but by the early 1800s some of the defining characteristics of contemporary journalism – specific skill sets, shared professional norms and professional solidarity – had emerged. In his pioneering work on the history of Irish newspapers, Robert Munter noted that, although the first newspaper printed in Ireland, The Irish Monthly Mercury (which carried accounts of Oliver Cromwell’s campaign in Ireland) appeared in December 1649 it was not until February 1659 that the first Irish newspaper appeared. An Account of the Chief Occurrences of Ireland, Together with some Particulars from England had a regular publication schedule (it was a weekly that published at least five editions), appeared under a constant name and was aimed at an Irish, rather than a British, readership. It, in turn, was followed in January 1663 by Mercurius Hibernicus, which carried such innovations as issue numbers and advertising. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
Newspapers: Nexis UK
Newspapers: Nexis UK Created 18th July 2011 Nexis UK offers access to an extensive range of full-text English and foreign language newspapers from around the globe. These include regional, national and international titles. Coverage varies with each title: Major newspaper titles include The New York Times (1980-), Washington Post (1977-), Moscow Times (1993-), International Herald Tribune (1991-), The Times/Sunday Times ( 1985-), The Independent (1988-), Guardian (1982-), Irish Times (1992-). Foreign language titles include Le Figaro (1997-), Die Welt (1999-), La Stampa (1992-) and El Pais (1996-). How do I access Nexis UK ? From the UCD Library homepage a. Select findit @UCD Library on the Finding Information section. b. Select Nexis UK from the newspaper database listings. The following screen will appear: The homepage defaults to “News” The “News” database includes both newspaper and business/trade journal articles. To limit your search to newspaper content only, you must select an appropriate newspaper file. The “News” database contains a number of sub-files. To view the range of sub-files simply click here. The listing of sub-files will now display 05/09/2011 Newspapers: Nexis UK Guide 100 Page | 2 1. Selecting and viewing newspaper files: Example: Major World Newspapers (English) A. Select “Major World Newspaper (English)” file from listing by clicking on file name. B. The following screen appears: An alphabetical listing of newspaper titles which are contained within this file is displayed below. This file contains over 40 newspapers from around the world Click here to scroll through the listing to view full content of this file. -
Kennedy Assassination Newspaper Collection : a Finding Aid
University of South Florida Scholar Commons Special Collections and University Archives Finding Aids and Research Guides for Finding Aids: All Items Manuscript and Special Collections 5-1-1994 Kennedy Assassination Newspaper Collection : A Finding Aid Nelson Poynter Memorial Library. Special Collections and University Archives. James Anthony Schnur Hugh W. Cunningham Follow this and additional works at: https://scholarcommons.usf.edu/scua_finding_aid_all Part of the Archival Science Commons Scholar Commons Citation Nelson Poynter Memorial Library. Special Collections and University Archives.; Schnur, James Anthony; and Cunningham, Hugh W., "Kennedy Assassination Newspaper Collection : A Finding Aid" (1994). Special Collections and University Archives Finding Aids: All Items. 19. https://scholarcommons.usf.edu/scua_finding_aid_all/19 This Other is brought to you for free and open access by the Finding Aids and Research Guides for Manuscript and Special Collections at Scholar Commons. It has been accepted for inclusion in Special Collections and University Archives Finding Aids: All Items by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Kennedy Assassination Newspaper Collection A Finding Aid by Jim Schnur May 1994 Special Collections Nelson Poynter Memorial Library University of South Florida St. Petersburg 1. Introduction and Provenance In December 1993, Dr. Hugh W. Cunningham, a former professor of journalism at the University of Florida, donated two distinct newspaper collections to the Special Collections room of the USF St. Petersburg library. The bulk of the newspapers document events following the November 1963 assassination of John F. Kennedy. A second component of the newspapers examine the reaction to Richard M. Nixon's resignation in August 1974. -
S.Macw / CV / NCAD
Susan MacWilliam Curriculum Vitae 1 / 8 http://www.susanmacwilliam.com/ Solo Exhibitions 2012 Out of this Worlds, Noxious Sector Projects, Seattle F-L-A-M-M-A-R-I-O-N, Open Space, Victoria, BC 2010 F-L-A-M-M-A-R-I-O-N, aceart inc, Winnipeg Supersense, Higher Bridges Gallery, Enniskillen Susan MacWilliam, Conner Contemporary, Washington DC F-L-A-M-M-A-R-I-O-N, Golden Thread Gallery, Belfast F-L-A-M-M-A-R-I-O-N, NCAD Gallery, Dublin 2009 Remote Viewing, 53rd Venice Biennale 2009, Solo exhibition representing Northern Ireland 13 Roland Gardens, Golden Thread Gallery Project Space, Belfast 2008 Eileen, Gimpel Fils, London Double Vision, Jack the Pelican Presents, New York 13 Roland Gardens, Video Screening, The Parapsychology Foundation Perspectives Lecture Series, Baruch College, City University, New York 2006 Dermo Optics, Likovni Salon, Celje, Slovenia 2006 Susan MacWilliam, Ard Bia Café, Galway 2004 Headbox, Temple Bar Gallery, Dublin 2003 On The Eye, Golden Thread Gallery, Belfast 2002 On The Eye, Butler Gallery, Kilkenny 2001 Susan MacWilliam, Gallery 1, Cornerhouse, Manchester 2000 The Persistence of Vision, Limerick City Gallery of Art, Limerick 1999 Experiment M, Context Gallery, Derry Faint, Old Museum Arts Centre, Belfast 1997 Curtains, Project Arts Centre, Dublin 1995 Liptych II, Crescent Arts Centre, Belfast 1994 Liptych, Harmony Hill Arts Centre, Lisburn List, Street Level Gallery, Irish News Building, Belfast Solo Screenings 2012 Some Ghosts, Dr William G Roll (1926-2012) Memorial, Rhine Research Center, Durham, NC. 2010 F-L-A-M-M-A-R-I-O-N, Sarah Meltzer Gallery, New York. -
National Library of Ireland
ABOUT TOWN (DUNGANNON) AISÉIRGHE (DUBLIN) No. 1, May - Dec. 1986 Feb. 1950- April 1951 Jan. - June; Aug - Dec. 1987 Continued as Jan.. - Sept; Nov. - Dec. 1988 AISÉIRÍ (DUBLIN) Jan. - Aug; Oct. 1989 May 1951 - Dec. 1971 Jan, Apr. 1990 April 1972 - April 1975 All Hardcopy All Hardcopy Misc. Newspapers 1982 - 1991 A - B IL B 94109 ADVERTISER (WATERFORD) AISÉIRÍ (DUBLIN) Mar. 11 - Sept. 16, 1848 - Microfilm See AISÉIRGHE (DUBLIN) ADVERTISER & WATERFORD MARKET NOTE ALLNUTT'S IRISH LAND SCHEDULE (WATERFORD) (DUBLIN) March 4 - April 15, 1843 - Microfilm No. 9 Jan. 1, 1851 Bound with NATIONAL ADVERTISER Hardcopy ADVERTISER FOR THE COUNTIES OF LOUTH, MEATH, DUBLIN, MONAGHAN, CAVAN (DROGHEDA) AMÁRACH (DUBLIN) Mar. 1896 - 1908 1956 – 1961; - Microfilm Continued as 1962 – 1966 Hardcopy O.S.S. DROGHEDA ADVERTISER (DROGHEDA) 1967 - May 13, 1977 - Microfilm 1909 - 1926 - Microfilm Sept. 1980 – 1981 - Microfilm Aug. 1927 – 1928 Hardcopy O.S.S. 1982 Hardcopy O.S.S. 1929 - Microfilm 1983 - Microfilm Incorporated with DROGHEDA ARGUS (21 Dec 1929) which See. - Microfilm ANDERSONSTOWN NEWS (ANDERSONSTOWN) Nov. 22, 1972 – 1993 Hardcopy O.S.S. ADVOCATE (DUBLIN) 1994 – to date - Microfilm April 14, 1940 - March 22, 1970 (Misc. Issues) Hardcopy O.S.S. ANGLO CELT (CAVAN) Feb. 6, 1846 - April 29, 1858 ADVOCATE (NEW YORK) Dec. 10, 1864 - Nov. 8, 1873 Sept. 23, 1939 - Dec. 25th, 1954 Jan. 10, 1885 - Dec. 25, 1886 Aug. 17, 1957 - Jan. 11, 1958 Jan. 7, 1887 - to date Hardcopy O.S.S. (Number 5) All Microfilm ADVOCATE OR INDUSTRIAL JOURNAL ANOIS (DUBLIN) (DUBLIN) Sept. 2, 1984 - June 22, 1996 - Microfilm Oct. 28, 1848 - Jan 1860 - Microfilm ANTI-IMPERIALIST (DUBLIN) AEGIS (CASTLEBAR) Samhain 1926 June 23, 1841 - Nov. -
Download the Schools Pack
The 1916 Rising and County Wexford Introduction The 1916 Rising and County Wexford pack is an introduction to County Wexford’s contribution to the uprising of that year. It offers information on many aspects: causes and context, a timeline of events, the aftermath, profiles of some local leaders, the role of women, and arts and literature inspired by the Rising, among others. Extracts from original documents of the period - letters, newspaper accounts, and witness statements are included. The selection provides a flavour of life in the late nineteenth and early twentieth centuries in Ireland and in County Wexford. It is intended to encourage and enable students to embark on further study. The pack includes references for all sources quoted and offers guidance to sources and resources for further research. The 1916 Rising and County Wexford pack cannot and does not attempt to tell the story of the Rising in its entirety. Rather, it introduces the reader to the wealth of information available in primary sources - an essential starting point for all reliable research- and in books, websites and other e-sources. The pack focuses in particular on local supports - the materials in the Wexford Studies Collections located on the top floor of the County Library in Mallin St., Wexford town, and in the Wexford County Archive collections in Ardcavan, Wexford. While every effort is made here to offer as current a resource as possible, you are directed also to the Council’s website for the 2016 Commemorations, www.enniscorthy1916.ie which will be updated beyond the print date of this publication. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
1 the Irish Sunday Newspaper
1 The Irish Sunday newspaper: its role, character and history JOE BREEN & MARK O’BRIEN In his foreword to his 1967 edited volume, Your Sunday Paper, the British culture critic, Richard Hoggart, noted that ‘though a great deal has been written on the press in general, there is relatively little on the Sunday press in itself’.1 Many more words and volumes have addressed the general topic of newspapers since 1967, but, peculiarly, there remains something of a lacuna regarding study of the history of the Sunday press in Britain or in Ireland. Kevin Williams echoes that sentiment when he notes that the ‘role of Sunday is often neglected in standard histories of the British press, where they appear in a secondary role to the exploits of the daily newspaper’ while Brake, Kaul and Turner argue that the history of press scholarship privileges ‘daily press above all else’.2 This lack of critical scrutiny is all the more surprising when the Sundays have long lorded over their daily competitors in circulation and, some might argue, in influence. In Ireland, for instance, data at the Newsbrands website show that, for the period July to December 2017, daily newspapers in Ireland sold an average of 399,731 copies a day while Sundays recorded 567,600 sales.3 Williams notes that the earliest Sunday newspapers were serious publications and that it was ‘the format of sex, gossip and crime developed by papers such as the News of the World, Reynolds News and Lloyd’s Weekly News which enabled the Sundays to become Britain’s best-selling newspapers from the mid-nineteenth century’.4 He also records that the News of the World reached its sales peak in 1950 when it was calculated that 8.44 million people bought the paper; the highest daily sale recorded was 5.27 million for the Daily Mirror in 1967.5 The oldest Sunday newspaper in these islands, and possibly in the world, is The Observer which was first published in London in December 1791 and was, ‘in varying degrees a scurrilous gossip sheet, government propaganda rag and provocative thorn-in-the- side of the establishment. -
Representations of Femininity in the Novels of Edna 0 'Brien, 1960-1996
Representations of Femininity in the Novels of Edna 0 'Brien, 1960-1996 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Amanda Greenwood, BA, MLitt (University of Bristol) April 1999 Acknowledgements My greatest debts are to Dr Jane Thomas (University of Hull) and Professor Marion Shaw (Loughborough University) for their unfailing inspiration and support throughout their supervision of this thesis. I am grateful for financial assistance in the forms of a part time studentship from Loughborough University followed by a full time graduate teaching assistantship from the University of Hull. I would also like to thank Dr Katharine Cockin and Professor Angela Leighton of the University of Hull for reading draft versions of this thesis and advising me on revisions. Finally I am indebted to Edna O'Brien's publicity officer, Nick MacDowell of the Orion Publishing Group Limited, for supplying extensive copies of reviews of House of Splendid Isolation. Contents Introduction 1-30 Chapter 1, Negative Romance: The Country Girls trilogy (1960-1964) 31-80 Chapter 2, 'Glacial Nihilism': August is a Wicked Month (1965) and Casualties of Peace (1966) 81-124 Chapter 3, 'Woman must write herself': A Pagan Place(1970) and Night (1972) 125-175 Chapter 4, 'Ireland has always been a woman': Mother Ireland (1976) 176-219 Chapter 5, 'An Other Landscape': The High Road (1988) 220-275 Chapter 6, 'Might before Right': House of Splendid Isolation (1994) and Down by the River (1996) 276-343 Conclusion 344-347 Bibliography 348-363 11 Introduction In the National Portrait Gallery Bill Brandt's black and white photograph of Edna O'Brien (1980) is exhibited alongside portraits of Doris Lessing and Germaine Greer.' The Gallery's implicit recognition of O'Brien as a contemporary woman writer of significance is reinforced by the portrait's caption, which reads: 'Since her first novel The Country Girls (1960), O'Brien has addressed the subject [sic] of women in society, of solitude and sexual repression'. -
Reader's Guide for in the Forest Published by Houghton Mifflin
A Reader's Guide In The Forest by Edna O'Brien • Questions for Discussion (Coming Soon) • Edna O'Brien on Writing, Writers, and Herself • About the Author • A New York Times Notable Book and a Book Sense 76 selection "This literary thriller reads like a dark enchantment, an unholy myth, a terrifyingly true fairy tale." — Elle In the Forest returns to the countryside of western Ireland, the vivid backdrop of Edna O'Brien's best-selling Wild Decembers. Here O'Brien unravels a classic confrontation between evil and innocence centering on the young, troubled Michael O'Kane, christened by his neighbors "the Kindershrek," someone of whom small children are afraid. O'Kane loses his mother as a boy and by age ten is incarcerated in a juvenile detention center, an experience that leaves him scarred from abuse — and worse, with the killing instinct buried within. A story based on actual events, In the Forest proceeds in a rush of breathtaking, hair-raising episodes and asks what will become of O'Kane's unwitting victims — a radiant young woman, her little son, and a devout and trusting priest. Riveting, frightening, and brilliantly told, this intimate portrayal of both perpetrator and victims reminds us that anything can happen "outside the boundary of mother and child." www.houghtonmifflinbooks.com 1 of 5 Copyright (c) 2003 Houghton Mifflin Company, All Rights Reserved "A chilling read that will settle forever into the marrow of your bones." — USA Today "A tour de force of finely restrained fury." — Dan Cryer, Newsday "It's pure Edna O'Brien, who can take the verdant promises of the west of Ireland and render them sensual, paralyzing, and dangerous, sometimes all at once." — Gail Caldwell, Boston Globe "One of [Edna O'Brien's] most powerful and effective novels, a model of its kind." — Sunday Telegraph Edna O'Brien on Writing, Writers, and Herself On the rural Ireland of her childhood: I happened to grow up in a country that was and is breathlessly beautiful, so the feeling for nature, for verdure, and for the soil was instilled in me. -
Edna O'brien, Irish Feminism and Her Gébler
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program 5-1-2007 ANOTHER "SCANDALOUS WOMAN": EDNA O’BRIEN, IRISH FEMINISM AND HER GÉBLER MEN Jeffrey P. Griffin University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Literature in English, British Isles Commons Recommended Citation Griffin,eff J rey P., "ANOTHER "SCANDALOUS WOMAN": EDNA O’BRIEN, IRISH FEMINISM AND HER GÉBLER MEN" (2007). Honors Scholar Theses. 26. https://opencommons.uconn.edu/srhonors_theses/26 ANOTHER ‘SCANDALOUS WOMAN ’: EDNA O’BRIEN, IRISH FEMINISM AND HER GÉBLER MEN Jeffrey Patrick Griffin A thesis submitted to the faculty of the University of Connecticut in partial fulfillme nt of the requirements for the Bachelor D egree of Art s in English with University Scholar and Honors Scholar designation. University of Connecticut 2007 Approved by: Dr. Mary Bur ke Dr. Brendan Kane Dr. Thomas S hea ABSTRACT Irish novelist Edna O’Brien suffered a tumultuous early reception ; her first six novels were banned in Ireland, and critics complained that her writing was sensational and gratuitous. Yet by the time Ireland’s economic boom arrived on the island, many contemporary critics suddenly applaud the novelist’s writing. Is th is significant change in critical reception based on O’Brien’s development as an author? Or was O’Brien writing stories that were ahead of her time and only now accepted by contemporary critics? My paper considers the writing and critical reception of Ed na O’Brien by placing her life and career alongside three waves of Irish feminism.