DOCSLIB.ORG

Fredric Jameson Also by Sean Homer FREDRIC JAMESON: Marxism, Hermeneutics, Postmodernism

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fredric Jameson Also by Sean Homer FREDRIC JAMESON: Marxism, Hermeneutics, Postmodernism Fredric Jameson Also by Sean Homer FREDRIC JAMESON: Marxism, Hermeneutics, Postmodernism Also by Douglas Kellner CRITICAL THEORY, MARXISM AND MODERNITY JEAN BAUDRILLARD: From Marxism to Postmodernism and Beyond POSTMODERN THEORY: Critical Interrogations (with Steven Best) Fredric Jameson: A Critical Reader Edited by Sean Homer Senior Lecturer in Media Studies City College, Thessaloniki, Greece and Douglas Kellner Chair in the Philosophy of Education University of California, Los Angeles, USA Selection and editorial matter © Sean Homer and Douglas Kellner 2004 Chapter 1 © Sean Homer 2004 Remaining chapters © Palgrave Macmillan Ltd 2004 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2004 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-0-333-98209-9 ISBN 978-0-230-52352-4 (eBook) DOI 10.1057/978-0-230-52352-4 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Fredric Jameson : a critical reader / edited by Douglas Kellner and Sean Homer. p. cm. Includes bibliographical references and index. ISBN978- 0–333–98208–8 (cloth) — ISBN 978-0–333–98209–6 (pbk.) 1. Jameson, Fredric—Criticism and interpretation. I. Kellner, Douglas, 1943– II. Homer, Sean. PN75.J36F74 2004 801′.95′092—dc22 2003062096 10987654321 13 12 11 10 09 08 07 06 05 04 Contents List of Plates vii Acknowledgements viii Notes on Contributors ix Introduction xii Sean Homer and Douglas Kellner 1Sartrean Origins 1 Sean Homer 2 The American Lukács? Fredric Jameson and Dialectical Thought 22 Christopher Pawling 3 Fredric Jameson on ‘Third-World Literature’: A Qualified Defence 42 Neil Lazarus 4 Postmodernism is the Theory, Gentrification is the Practice: Jameson, Haraldsson, Architecture, and Vancouver 62 Clint Burnham 5Stranded Economies 77 Christian A. Gregory 6 The Political Unconscious of Globalization: Notes from the Periphery 94 Maria Elisa Cevasco 7 Jameson as a Theorist of Revolutionary Philately 112 Slavoj Zizek 8 Talking Film with Fredric Jameson: A Conversation with Michael Chanan 125 Michael Chanan 9 Postmodern Negative Dialectics 142 John O’Kane 10 Modernity as Cultural Politics: Jameson and China 169 Xudong Zhang v vi Contents 11 Jameson, Brecht, Lenin and Spectral Possibilities 195 Esther Leslie 12 Dekalog as Decameron 210 Fredric Jameson Bibliography 223 Index 237 List of Plates 1 Arni Haraldsson, Downtown East, Downtown Eastside Architecture, Vancouver, BC (2000–03). c-print, 23" × 37" framed 63 2 Arni Haraldsson, Downtown East and China Town, Downtown Eastside Architecture, Vancouver, BC (2000–03). Detail from Diptych, c-print, 52.5" × 34" framed 66 3 Arni Haraldsson, Regal Place Hotel (1909), 144–46 West Hastings Street; Gardiner & Mercer, architects. Downtown Eastside Architecture, Vancouver, BC (2000–03). c-print 28" × 32" framed 70 4 Arni Haraldsson, Dominion Building (1908–10), 207 West Hastings Street; J. S. Heyler & Son, architects; and Flack Block (1899), West Hastings Street; William Blackmore, architect. c-print 28" × 32" framed. Downtown Eastside Architecture, Vancouver, BC (2000–03) 73 vii Acknowledgements The authors would like to thank Anthony Elliott for his support and encour- agement in bringing this book to publication. We also wish to thank Jennifer Nelson and Briar Towers at Palgrave Macmillan for their assistance and patience. All images are reproduced courtesy of the artist and Catriona Jefferies Gallery. Grateful acknowledgement is made to: Duke University Press to reproduce copyright material from Fredric Jameson, Postmodernism, or, The Cultural Logic of Late Capitalism, Verso, 1991 (Copyright © 1991 by Duke University Press); Macmillan Publishing Limited and Suhrkamp Verlag for permission to reproduce Bertolt Brecht ‘Everything Changes’, translated by John Willett from John Willett and Ralph Mannheim (eds) Bertolt Brecht, Poems 1913–1956, Methuen Publishing Ltd, 1987 (Copyright © 1976 Methuen London Ltd). Malcolm Lowry’s ‘Christ Walks in the Infernal District Too’ is reprinted with permission by the Publisher from The Collected Poems of Malcolm Lowry by Kathleen Dorothy Scherf © University of British Columbia Press 1992; all rights reserved by the Publisher. Every effort has been made to trace all copyright holders but if any have been inadvertently overlooked the publishers will be pleased to make the necessary arrangement at the first opportunity. viii Notes on Contributors Clint Burnham teaches at the University of British Columbia and Emily Carr Institute of Art and Design, Canada. He is author of The Jamesonian Unconscious: The Aesthetics of Marxist Theory, The Life and Work of Steve Mcaffery and Be Labour Reading. He is currently working on a book about Vancouver photo-conceptualism. Maria Elisa Cevasco is Professor of English and American Literatures at the University of Sao Paulo, Brazil. She has recently co-edited a book on the World Social Forum, O Espirito de Porto Alegre and is author of Dez Lições de Estudos Culturais. She is the translator of Jameson’s books into Portuguese and has published widely in Brazilian and English journals including Crop, Pretexts and Textual Practice. Michael Chanan is a writer, documentary film maker and Professor of Cul- tural Studies at the University of the West of England, Bristol, UK. He is author of books on the beginnings of cinema, the social history of music, and the history of recording. A new edition of his study of Cuban cinema, The Cuban Image, was published in 2003. Christian A. Gregory teaches at Auburn University, US. He previously pub- lished in Film Criticism and Mediations. Sean Homer is Senior Lecturer in Media Studies, City College, Thessaloniki, Greece. He is author of Fredric Jameson: Marxism, Hermeneutics, Postmodernism and has published articles on psychoanalysis and critical theory in Radical Philosophy, New Formations, The Letter, PS, and Free Associations. He is on the editorial board of Psychotherapy and Politics International. Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University, where he is Director of the Graduate Program in Literature and the Center for Critical Theory. He is the author of many books including the prize-wining Postmodernism, or, The Cultural Logic of Late Capitalism and more recently The Cultural Turn: Selected Writings on the Postmodern, 1983–1998; Brecht and Method and A Singular Modernity: Essay on the Ontology of the Present. Douglas Kellner is George Kneller Chair in the Philosophy of Education at UCLA and is author of many books on social theory, politics, history, and ix x Notes on Contributors culture including: Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (co-authored with Michael Ryan); Critical Theory, Marxism, and Modernity; Jean Baudrillard: From Marxism to Postmodernism and Beyond; Postmodern Theory: Critical Interrogations (with Steven Best); Television and the Crisis of Democracy, The Persian Gulf TV War; Media Culture; and The Post- modern Turn (with Steven Best). He has recently published a book on the 2000 US presidential election, Grand Theft 2000: Media Spectacle and the Theft of an Election; and The Postmodern Adventure: Science, Technology, and Cultural Studies at the Third Millennium (co-authored with Steve Best). He has just published two books on Media Spectacle and on September 11, Terror War and the Bush Presidency. Neil Lazarus is Professor of English and Comparative Literary Studies at the University of Warwick, UK. His publications include: Resistance in Postcolonial African Fiction; Nationalism and Cultural Practice in the Postcolonial World; and (co-edited with Crystal Bartolovich) Marxism, Modernity and Postcolonial Studies. Esther Leslie is a lecturer in English and Humanities, Birkbeck College, University of London, UK. She has written extensively on aesthetics and the Frankfurt School and is author of Walter Benjamin: Overpowering Conformism and Hollywood Flatlands: Animation, the Avant-garde and Critical Theory. She is on the editorial board of the journals Historical Materialism, Revolutionary History, and Radical Philosophy. John O’Kane teaches theory, media and cultural studies at USC. His recent publications include articles on capital and socio-economic justice in Rethinking Marxism; welfare and Empire in Emergences; Seattle and
Load more

Recommended publications
  • CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
    CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X.
    [Show full text]
  • 1 Douglas Kellner [
    Douglas Kellner [http://www.gseis.ucla.edu/faculty/kellner/] T.W. Adorno and the Dialectics of Mass Culture While T.W. Adorno is a lively figure on the contemporary cultural scene, his thought in many ways cuts across the grain of emerging postmodern orthodoxies. Although Adorno anticipated many post-structuralist critiques of the subject, philosophy, and intellectual practice, his work clashes with the postmodern celebration of media culture, attacks on modernism as obsolete and elitist, and the more affirmative attitude toward contemporary culture and society found in many, but not all, postmodern circles. Adorno is thus a highly contradictory figure in the present constellation, anticipating some advanced tendencies of contemporary thought, while standing firming against other regnant intellectual attitudes and positions. In this article, I argue that Adorno's analyses of the functions of mass culture and communications in contemporary societies constitute valuable, albeit controversial, legacies. Adorno excelled both as a critic of so-called "high culture" and "mass culture," while producing many important texts in these areas. His work is distinguished by the close connection between social theory and cultural critique, and by his ability to contextualize culture within social developments, while providing sharp critical analysis. Accordingly, I discuss Adorno's analysis of the dialectics of mass culture, focusing on his critique of popular music, the culture industry, and consumer culture. I argue that Adorno's critique of mass culture is best read and understood in the context of his work with information superhighway. In conclusion, I offer alternative perspectives on mass communication and culture, and some criticisms of Adorno's position.
    [Show full text]
  • CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
    CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction
    [Show full text]
  • Valences of the Dialectic Fredric Jameson
    VALENCES OF THE DIALECTIC FREDRIC JAMESON VALENCES OF THE DIALECTIC VALENCES OF THE DIALECTIC N FREDRIC JAMESON First published by Verso 2009 Copyright © Fredric Jameson 2009 All rights reserved The moral right of the author have been asserted 1 3 5 7 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F 0EG USA: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-84467-877-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset in Garamond by WestKey Ltd, Falmouth, Cornwall Printed in the United States by Maple Vail for Roberto Schwarz and Grecia de la Sobera and for Perry Anderson O Wechsel der Zeiten! Du Hoffnung des Volkes! Contents I. THE THREE NAMES OF THE DIALECTIC 1 The Three Names of The Dialectic 3 II. HEGEL WITHOUT AUFHEBUNG 2 Hegel and Reification 75 3 Hegel’s Contemporary Critics 102 III. COMMENTARIES 4 Marx’s Purloined Letter 127 5 Deleuze and Dualism 181 6 “History and Class Consciousness” as an Unfinished Project 201 7 Sartre’s Critique, Volume One: An Introduction 223 8 Sartre’s Critique, Volume Two: An Introduction 241 IV. ENTRIES 9 Commodification 257 10 Cultural Revolution 267 11 Persistencies of the Dialectic: Three Sites 279 12 Lenin as Political Thinker 291 13 Rousseau and Contradiction 303 14 Ideological Analysis: A Handbook 315 V.
    [Show full text]
  • Paul Ricoeur's Hermeneutics of Symbols: a Critical Dialectic Of
    KRITIKE VOLUME FOUR NUMBER TWO (DECEMBER 2010) 1-17 Article Paul Ricoeur’s Hermeneutics of Symbols: A Critical Dialectic of Suspicion and Faith Alexis Deodato S. Itao Introduction ritical theory, which started in Germany through the members of the Frankfurt School1 in the early 1920’s, has inspired a number of non- CGerman philosophical schools and philosophers to establish their own unique critical theories. Paul Ricoeur (1913-2005), who is one of the most celebrated contemporary philosophers in France, is one of those who fashioned a “unique version of critical theory.”2 David Kaplan reveals that Ricoeur is even “committed to a conception of philosophy as critical theory resulting in personal and social transformation and progressive politics.”3 However, Ricoeur’s philosophy as a whole has mainly been considered hermeneutical, that is, one concerned mostly with questions involving interpretation. Emerita Quito ascertains, for instance, that “Ricoeur’s entire philosophy finally centered on hermeneutics.”4 Likewise, Don Ihde confirms how hermeneutics eventually became the “guiding thread which unites” all of Ricoeur’s diverse interests.5 Indeed, Ricoeur devoted much of his writings in 1 Douglas Kellner relates that “the term ‘Frankfurt School’ refers to the work of the members of the Institut für Sozialforschung (Institute for Social Research) which was established in Frankfurt, Germany, in 1923 as the first Marxist-oriented research centre affiliated with a major German university. Under its director, Carl Grünberg, the institute’s work
    [Show full text]
  • The Great Refusal: Herbert Marcuse and Contemporary Social Movements
    Excerpt • Temple University Press 1 Bouazizi’s Refusal and Ours Critical Reflections on the Great Refusal and Contemporary Social Movements Peter N. Funke, Andrew T. Lamas, and Todd Wolfson The Dignity Revolution: A Spark of Refusal n December 17, 2010, in a small rural town in Tunisia, an interaction that happens a thousand times a day in our world—the encounter Obetween repression’s disrespect and humanity’s dignity—became a flashpoint, igniting a global wave of resistance. On this particular day, a police officer confiscated the produce of twenty-six-year-old street vendor Mohamed Bouazizi and allegedly spit in his face and hit him. Humiliated and in search of self-respect, Bouazizi attempted to report the incident to the municipal government; however, he was refused an audience. Soon there- after, Bouazizi doused himself in flammable liquid and set himself on fire. Within hours of his self-immolation, protests started in Bouazizi’s home- town of Sidi Bouzid and then steadily expanded across Tunisia. The protests gave way to labor strikes and, for a few weeks, Tunisians were unified in their demand for significant governmental reforms. During this heightened period of unrest, police and the military responded by violently clamping down on the protests, which led to multiple injuries and deaths. And as is often the case, state violence intensified the situation, resulting in mounting pressure on the government. The protests reached their apex on January 14, 2011, and Tunisian president Ben Ali fled the country, ending his twenty- three years of rule; however, the demonstrations continued until free elec- tions were declared in March 2011.
    [Show full text]
  • Postmodern Temptations
    Book Reviews Postmodern Temptations Fredric Jameson, Postmodernism,or, The CulturalLogic of Late Capital- ism. Durham: Duke University Press, 1991. Pp. xxii, 438. $34.95 (cloth), $19.95 (paper). Robert Post Pereat mundus, fiat philosophia,fiat philosophus, fiam! Fredric Jameson has long been among our most sophisticated and influential cultural critics. Combining Marxism2 and structuralism, 3 Jameson's persistent effort has been to locate and fix the social dimen- sions of structural cultural patterns. In his most recent book, Postmodernism, or, The Cultural Logic of Late Capitalism, Jameson applies this perspective to the important phenomenon of postmodern- 1. FRIEDRICH NIETZSCHE, ON THE GENEALOGY OF MORALS (Francis Golflng trans., 1956) 243. 2. FREDRIC JAMESON, MARXISM AND FORM: TWENTIETH-CENTURY DIALECTICAL THEORIES OF LITERATURE (1971); FREDRIC JAMESON, LATE MARXISM: ADORNO, OR, THE PERSISTENCE OF THE DIALECTIC (1990). 3. FREDRIC JAMESON, THE PRISON-HOUSE OF LANGUAGE: A CRITICAL ACCOUNT OF STRUCTURALISM AND RUSSIAN FORMALISM (1972). 4. FREDRIC JAMESON, THE POLITICAL UNCONSCIOUS: NARRATIVE AS A SOCIALLY SYMBOLIC ACT (1981). Yale Journal of Law & the Humanities, Vol. 4, Iss. 2 [1992], Art. 9 Yale Journal of Law & the Humanities [Vol. 4: 391 ism.5 The book ought to be required reading for the many legal academ- ics who have greeted the advent of postmodernism with unrestrained enthusiasm. Jameson, through close attention to the actual cultural manifestations of postmodernism, tells a far darker tale. Postmodernism, Jameson tells us, expresses "an inverted millenarian- ism in which premonitions of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that."6 The postmodern condition defines itself through its interrogation of the great movements of the past, especially of modernism.
    [Show full text]
  • Jameson on Jameson: Conversations on Cultural Marxism / Fredric Jameson; Edited by Ian Buchanan
    Jameson on Jameson post-contemporary interventions Series Editors: Stanley Fish and Fredric Jameson Jameson on Jameson conversations on cultural marxism Edited by ian buchanan Duke University Press Durham & London 2007 © 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Amy Ruth Buchanan Typeset in Minion by G&S Typesetters. Library of Congress Cataloging-in-Publica- tion Data appear on the last printed page of this book. Every eff ort has been made to trace copyright holders and to obtain their permission for the use of copyright material. Th e editors would be pleased to be notifi ed of corrections that should be incorporated in future editions of this book. Finally, the editors would like to give thanks to Tanya Buchanan who did an enormous amount of behind-the-scenes work to help realize this project. for my students contents Foreword • ix Introduction: On Not Giving Interviews • 1 Interview with Leonard Green, Jonathan Culler, and Richard Klein • 11 Interview with Anders Stephanson • 44 Interview with Paik Nak-chung • 74 Interview with Sabry Hafez, Abbas Al-Tonsi, and Mona Abousenna • 99 Interview with Stuart Hall • 113 Interview with Michael Speaks • 123 Interview with Horacio Machín • 135 Interview with Sara Danius and Stefan Jonsson • 151 Interview with Xudong Zhang • 171 Interview with Srinivas Aravamudan and Ranjana Khanna • 203 Bibliography • 241 Interviewers • 269 Index • 273 Foreword You have to take the work as a whole, to try and follow rather than judge it, see where it branches out in diff erent directions, where it gets bogged down, moves forward, makes a breakthrough; you have to accept it, welcome it, as a whole.
    [Show full text]
  • The Figure of Adorno in the Utopian Politics of Fredric Jameson and Slavoj Žižek1
    ISSN 1751-8229 Volume Thirteen, Number One The Figure of Adorno in the Utopian Politics of Fredric Jameson and Slavoj Žižek1 Ed Graham, Simon Fraser University Ed Graham is a PhD candidate at Simon Fraser University, Vancouver. He holds an MA in Philosophy from the University of Amsterdam and a BA in English Literature from the University of Warwick. His research interests include Marxism and critical theory, contemporary literature and culture, and utopian studies. 1 A version of this paper was presented for a panel on “Remobilizing Utopia” (Seattle, 20 May 2018), part of the annual Red May Seattle series. Many thanks to Morgan Young and Philip Wohlstetter for the invitation to speak. Special thanks also to Clint Burnham and Carolyn Lesjak for the advice and encouragement, and to Burnham for allowing me to write this paper as part of a directed study. Incorporating a diverse and eclectic range of theory and cultural forms, both Fredric Jameson and Slavoj Žižek have persistently foregrounded Marxist questions of ideology, totality and utopia at points where they seem unfashionable and outmoded. As a phrase attributable to both thinkers, Jameson and Žižek share a commitment to writing in and against a time where it has become “easier to imagine the end of the world than the end of capitalism.” Broadly speaking, in terms of a shared politics, both advocate seeing the system whole and keeping open the possibility of an “outside” to capitalism. As shown in his call for an aesthetic of cognitive mapping, the enabling of “a situational representation on the part of the individual subject to that vaster and properly unrepresentable totality which is the ensemble of society’s structures as a whole,” Jameson’s insistence on retaining the category of totality under a nominalist postmodern social order is related to keeping alive “the very idea of utopia” (Jameson 1991: 51; Jameson 1988: 6).
    [Show full text]
  • The Work of Fredric Jameson
    CRITICAL =CHANCE #t 4 : Fall 1983 The Work of Fredric Jameson General Editor's Preface . JAMES J. SOSNOSKI .....................................11 Introduction STEVE NIMIS ........................................... iii Bibliography of Fredric Jameson ............................................. v ItThe Ideological Analysis of Spacet1 FREDRIC JAMESON ........................................ 1 "Does Jameson Have Any Use For Allegory?" CAROL P. JAMES ........................................I 6 "The Jam son Ef feett1 JAMES H. KAVANAUCH ....................................29 'IThe Political Unconscious of Jameson ' s The Political Unconscious" JAMES IFFLAND ..........................................40 "The Marxism Ceconstruction Debate" MICHAEL RYAN ...........................................59 Critical Exchange is published by The Society for Critical Exchange, a not-for-profit corporation organized to encourage "Jameson and the Dialectical Use of CRnre Criticism" cooperative research in criticism and theory. JUNEHOWAARD ............................................ 70 Material published in Critical Exchange is copyrighted by the I1Imagining the Real: Jameson's Use of Lacan" MICHAEL CLARK.. .81 Society with rights re-assigned to authors upon publication. ....................................... For information write: James J. Sosnoski The Society for Critical Exchange "The Dialectic of Utopia and Ideology in Spanish P. 0. Box 475 Golden Age Poetry" Oxford, Ohio 45056 JOHN BEE% EY .........................................102 Funding support
    [Show full text]
  • Traveling Theory: Fredric Jameson's Interpretations of the Cultural Revolution and Maoism
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 20 (2018) Issue 3 Article 5 Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism Xian Wang University of Notre Dame Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Chinese Studies Commons, Comparative Literature Commons, and the European Languages and Societies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Wang, Xian. "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism." CLCWeb: Comparative Literature and Culture 20.3 (2018): <https://doi.org/10.7771/1481-4374.3271> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • Review of Fredric Jameson, the Modernist Papers
    Bryn Mawr Review of Comparative Literature Volume 8 Article 5 Number 1 Fall 2009/Spring 2010 Fall 2009 Review of Fredric Jameson, The oM dernist Papers. G. S. Sahota University of California, Santa Cruz Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Sahota, G. S. (2009). Review of "Review of Fredric Jameson, The odeM rnist Papers.," Bryn Mawr Review of Comparative Literature: Vol. 8 : No. 1 Available at: https://repository.brynmawr.edu/bmrcl/vol8/iss1/5 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol8/iss1/5 For more information, please contact [email protected]. Sahota: Sahota on Jameson Fredric Jameson, The Modernist Papers. New York: Verso, 2007. 160 pp. ISBN 9781844670963. Reviewed by G.S. Sahota, University of California, Santa Cruz Zero Figurality, or Imperialism and Form The controversies around the work of Fredric Jameson will, at least for the time being, rest on the fault lines of a politics of Time itself. Only the future will decide if the incorporation of postmodern currents into the legacy of the Hegelian dialectic will have potentiated the final Negation, actualizing a post-capitalist Utopia; or if, on the contrary, the postmodern merely bogs down the legacy of Revolution in the unending sameness of a rhetoric of difference and deferral, unwittingly clearing the way toward the end times of humanity as such. In the meantime, Jameson's wager that Marxism needs to absorb the postmodern has illuminated, with characteristic flash, tenebrous spheres of the cultures of capitalism—like a brisk lightning storm across the dusky Great Plains.
    [Show full text]