Paul Ricoeur's Hermeneutics of Symbols: a Critical Dialectic Of
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CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X. -
1 Douglas Kellner [
Douglas Kellner [http://www.gseis.ucla.edu/faculty/kellner/] T.W. Adorno and the Dialectics of Mass Culture While T.W. Adorno is a lively figure on the contemporary cultural scene, his thought in many ways cuts across the grain of emerging postmodern orthodoxies. Although Adorno anticipated many post-structuralist critiques of the subject, philosophy, and intellectual practice, his work clashes with the postmodern celebration of media culture, attacks on modernism as obsolete and elitist, and the more affirmative attitude toward contemporary culture and society found in many, but not all, postmodern circles. Adorno is thus a highly contradictory figure in the present constellation, anticipating some advanced tendencies of contemporary thought, while standing firming against other regnant intellectual attitudes and positions. In this article, I argue that Adorno's analyses of the functions of mass culture and communications in contemporary societies constitute valuable, albeit controversial, legacies. Adorno excelled both as a critic of so-called "high culture" and "mass culture," while producing many important texts in these areas. His work is distinguished by the close connection between social theory and cultural critique, and by his ability to contextualize culture within social developments, while providing sharp critical analysis. Accordingly, I discuss Adorno's analysis of the dialectics of mass culture, focusing on his critique of popular music, the culture industry, and consumer culture. I argue that Adorno's critique of mass culture is best read and understood in the context of his work with information superhighway. In conclusion, I offer alternative perspectives on mass communication and culture, and some criticisms of Adorno's position. -
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction -
Freud: Memory and the Metapsychological Witch
Freud: Memory and the Metapsychological Witch Manuel Batsch Thesis submitted for the degree of Doctor of Philosophy University College London 2015 I, Manuel Batsch confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Acknowledgements First and foremost, I would like to express my deep gratitude to my supervisors, Juliet Mitchell and Liz Allison for their excellent guidance and generous encouragement during this project. Thanks to their benevolent attention and intelligent advice, I was able to construct and structure my research question. Our supervision meetings were crucial steps in the writing of my thesis and they also remain in my memory as transformative existential moments. I was impressed by the accuracy with which they read and corrected my drafts, a process from which I learnt a great deal. Psychoanalysis and Feminism is an important book in my inner library and often, when I feel threatened by a kind of intellectual inertia, I just have to reread some of its passages to regain a pleasure for thoughts. The seminars and supervisions with Juliet Mitchell have always triggered the same pleasure and inspired in me a form of bravery in thinking. I have been working under the supervision of Liz Allison since my MSc dissertation and throughout these years she has given me the confidence to compose academic work in English. Amongst many other things, I owe to her my introduction to a completely new reading of Derrida. Our Bion reading group was also extremely helpful and had a significant impact on my understanding of metapsychology after Freud. -
This Body, This Civilization, This Repression: an Inquiry Into Freud and Marcuse
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 2008 This body, this civilization, this repression: An inquiry into Freud and Marcuse Jeff Renaud University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Renaud, Jeff, "This body, this civilization, this repression: An inquiry into Freud and Marcuse" (2008). Electronic Theses and Dissertations. 8272. https://scholar.uwindsor.ca/etd/8272 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. THIS BODY, THIS CIVILIZATION, THIS REPRESSION: AN INQUIRY INTO FREUD AND MARCUSE by JeffRenaud A Thesis Submitted to the Faculty of Graduate Studies through Philosophy in Partial Fulfillment of the Requirements -
Nietzsche's Naturalism As a Critique of Morality and Freedom
NIETZSCHE’S NATURALISM AS A CRITIQUE OF MORALITY AND FREEDOM A thesis submitted to Kent State University in partial fulfillment of the requirements for the Degree of Master of Arts by Nathan W. Radcliffe December, 2012 Thesis written by Nathan W. Radcliffe B.S., University of Akron, 1998 M.A., Kent State University, 2012 Approved by Gene Pendleton____________________________________, Advisor David Odell‐Scott___________________________________, Chair, Department of Philosophy Raymond Craig_____________________________________, Dean, College of Arts and Sciences ii TABLE OF CONTENTS ACKNOWLEDGEMENTS....................................................................................................................v INTRODUCTION............................................................................................................................... 1 CHAPTERS I. NIETZSCHE’S NATURALISM AND ITS INFLUENCES....................................................... 8 1.1 Nietzsche’s Speculative‐Methodological Naturalism............................................ 8 1.2 Nietzsche’s Opposition to Materialism ............................................................... 15 1.3 The German Materialist Influence on Nietzsche................................................. 19 1.4 The Influence of Lange on Nietzsche .................................................................. 22 1.5 Nietzsche’s Break with Kant and Its Aftermath................................................... 25 1.6 Influences on Nietzsche’s Fatalism (Schopenhauer and Spinoza) -
The Great Refusal: Herbert Marcuse and Contemporary Social Movements
Excerpt • Temple University Press 1 Bouazizi’s Refusal and Ours Critical Reflections on the Great Refusal and Contemporary Social Movements Peter N. Funke, Andrew T. Lamas, and Todd Wolfson The Dignity Revolution: A Spark of Refusal n December 17, 2010, in a small rural town in Tunisia, an interaction that happens a thousand times a day in our world—the encounter Obetween repression’s disrespect and humanity’s dignity—became a flashpoint, igniting a global wave of resistance. On this particular day, a police officer confiscated the produce of twenty-six-year-old street vendor Mohamed Bouazizi and allegedly spit in his face and hit him. Humiliated and in search of self-respect, Bouazizi attempted to report the incident to the municipal government; however, he was refused an audience. Soon there- after, Bouazizi doused himself in flammable liquid and set himself on fire. Within hours of his self-immolation, protests started in Bouazizi’s home- town of Sidi Bouzid and then steadily expanded across Tunisia. The protests gave way to labor strikes and, for a few weeks, Tunisians were unified in their demand for significant governmental reforms. During this heightened period of unrest, police and the military responded by violently clamping down on the protests, which led to multiple injuries and deaths. And as is often the case, state violence intensified the situation, resulting in mounting pressure on the government. The protests reached their apex on January 14, 2011, and Tunisian president Ben Ali fled the country, ending his twenty- three years of rule; however, the demonstrations continued until free elec- tions were declared in March 2011. -
Caroline Edwards from Eros to Eschaton
Caroline Edwards From Eros to Eschaton: Herbert Marcuse’s Liberation of Time This is a pre-print (i.e. final draft pre-refereeing) version of an article published in the journal Telos, Issue 165 (Winter 2013), pp. 91-114. The article should be cited from its final published version. For more information see the publisher website: http://journal.telospress.com/content/2013/165.toc This pre-print is published for reference use only, in accordance with the publisher copyright polices for green open access and self-archiving. For more information, see: http://www.sherpa.ac.uk/romeo/search.php?source=journal&sourceid=8601&la=en &fIDnum=%7C&mode=simple This pre-print version is the copyright of Dr Caroline Edwards, Lecturer in Modern & Contemporary Literature, Birkbeck College, University of London [email protected] Caroline Edwards From Eros to Eschaton: Herbert Marcuse’s Liberation of Time Abstract: This article explores what Gershom Scholem has called Herbert Marcuse’s “unacknowledged ties to [his] Jewish heritage.” At the core of Marcuse’s vision of transformed, non-repressive social relations is a struggle over time, which rests upon a distinctly Jewish approach to the twin questions of remembrance and redemption. One example of this approach is the temporal dialectic between alienated labor time and the timelessness of pleasure’s desire for eternity which underpins Marcuse’s analysis in Eros and Civilisation (1956). This dialectic rests upon Marcuse’s reading of the Freudian opposition between life-affirming Eros and the death drive; which he traces through a phylogenetic reading of primal society’s recurring crime of patricide that continues to haunt advanced industrial capitalism. -
Marx, Nietzsche, Freud (3 Credits)
Marx, Nietzsche, Freud (3 credits) Spring 2016, Rutgers University Prof. Nicholas Rennie German 01:470:371-01 [index 15419], O. hrs. Tu 2:15PM, Th 3:30PM, & by Comparative Literature 01:195:374-01 appointment [index 15745], Philosophy 01:730:344:01 172 College Ave., rm. 201A [index 15744] Tel. 732-932-7201 TTh2 (9:50-11:10AM), CAC. Tu.: Murray [email protected] [MU] 211; Th.: Milledoler [MI] 100. Exploration of the work of three German writers who revolutionized modern philosophy, theology, psychology, aesthetics, social and political science, gender studies, historiography, literature and the arts. We will be reading and discussing a selection of key writings by Karl Marx, Friedrich Nietzsche and Sigmund Freud. Along with these we’ll examine a sampling of texts that were important for their work, and writings that later both reflected their influence and drew their ideas in new directions. In English. No prerequisites. Learning Goals Learning Outcome Goals for the Course: • Students will learn to 1) identify and assess critically the philosophical and historical analysis of moral issues as undertaken by Marx, Nietzsche and Freud; 2) gain a basic understanding of the role these thinkers had in shaping the history of ideas in German- language thought; and 3) recognize and evaluate the distinct epistemological programs developed in each thinker’s work. Additionally, students will learn to (4) develop arguments that are clearly structured, that provide evidence for their claims, and that engage with nuances of the issues at stake, and that do so in the simplest language possible. Permanent Core Curriculum requirements: HST, AHo -- • Social and Historical Analysis o j. -
Media Culture: Cultural Studies, Identity and Politics Between The
Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us. -
Jacques Lacan -The French Freud?
Jacques Lacan -the French Freud? John Bird French intellectual life appears to exercise a contexts: (i) ten months of wrestling with Lacan's fascination, some might say a dreadful influence, on texts; Cii) a developing awareness that Freud had the .English intellectual avant-garde. In the 1960s already said all that is important in Lacan in a far it was the tortuous debate between Sartre and Levi more accessible form and, by implication, that what Strauss; in the 1970s, the 'true', dehumanised Marxism is new in Lacan is radically non-Freudian; (iii) a of Althusser; and as we enter the 1980s, we have a new developing annoyance with unclarity, with a position master, embodied in the labyrinthine prose of Jacques that sees the world as so opaque that study of it Lacan. The 'theory of the subject' is with us and yields only incomprehensible edifices in front of Freud has, at last, been assimilated into Parisian which the mind reels. debate, and in this process, into Marxism itself. And yet, doubts exist. How far are we still with Freud? Is the Marx/Freud marriage legitimate? One is initially bedazzled by La.can's elephantine prose, beguiled by his new conceptual armoury, a uniting of The Three Processes Freud and linguistics, in whose glossaries the word Three processes are crucial for Lacan in any under 'real' is defined under the entry for 'imaginary'. standing of the person and of his entry into the And then comes the act of interpretation, an act in world of rules, of society. One of the processes is which many have already failed, and many will continue centrally Freudian, the Oedipus situation, which to do so. -
The Mirror of Humanism; Or, Towards a Baudrillardian Posthuman Theory
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-4-2018 11:00 AM The Mirror of Humanism; or, Towards a Baudrillardian Posthuman Theory David Guignion The University of Western Ontario Supervisor Tom Carmichael The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © David Guignion 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Continental Philosophy Commons Recommended Citation Guignion, David, "The Mirror of Humanism; or, Towards a Baudrillardian Posthuman Theory" (2018). Electronic Thesis and Dissertation Repository. 5780. https://ir.lib.uwo.ca/etd/5780 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i Abstract This thesis considers the relationship between Jean Baudrillard’s thought and theories of posthumanism. I argue that Baudrillard’s work is fundamentally posthuman, but that Baudrillard’s posthumanism is one that stands in opposition to main currents of contemporary posthuman theory. Most contemporary posthuman theory, I argue, focuses on the dissipation of a liberal humanist subject--and celebrate its loss. Baudrillard’s thought, by contrast, suggests that the posthuman figure only arrives in the age of hyperreality and is therefore intertwined with the oppressive logic of the simulacrum. In my consideration of contemporary posthuman theory, I focus primarily on the work of Katherine Hayles, Cary Wolfe, and Rosi Braidotti to show how each fails to consider the implications of an oppressive posthuman figure and how each therefore mirror the same systemic modes of oppression they purport to challenge.