Petroglyphs of the Dampier Archipelago: Background to Development and Descriptive Analysis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Review of Archaeology and Rock Art in the Dampier Archipelago
A review of archaeology and rock art in the Dampier Archipelago A report prepared for the National Trust of Australia (WA) Caroline Bird and Sylvia J. Hallam September 2006 Final draft Forward As this thoughtful and readable survey makes clear, the Burrup Peninsula and adjacent islands merit consideration as an integrated cultural landscape. Instead, the Western Australian government is sacrificing it to proclaimed industrial necessity that could have been located in a less destructive area. Before being systematically recorded, this ancient art province is divided in piecemeal fashion. Consequently, sites that are not destroyed by development become forlorn islands in an industrial complex. Twenty-five years ago the Australian Heritage Commission already had noted the region’s potential for World Heritage nomination. Today, State and corporate authorities lobby to prevent its listing even as a National Heritage place! This is shameful treatment for an area containing perhaps the densest concentration of engraved motifs in the world. The fact that even today individual motifs are estimated vaguely to number between 500,000 and one million reflects the scandalous government failure to sponsor an exhaustive survey before planned industrial expansion. It is best described as officially sanctioned cultural vandalism, impacting upon both Indigenous values and an irreplaceable heritage for all Australians. Instead of assigning conservation priorities, since 1980 more than 1800 massive engraved rocks have been wrenched from their context and sited close to a fertilizer plant. The massive gas complex, its expansion approved, sits less than a kilometre from a unique, deeply weathered engraved panel, certainly one of Australia’s most significant ancient art survivors. -
Annual Australian Notices to Mariners Dated 1 January 2013 Is Cancelled and Should Be Destroyed)
ANNUAL AUSTRALIAN NOTICES TO MARINERS IN FORCE ON 1 JANUARY 2014 (Former Annual Australian Notices to Mariners dated 1 January 2013 is cancelled and should be destroyed) Containing Notices Numbers 1-26 and Temporary and Preliminary Notices in force The last Australian Notice to Mariners issued in 2013 was No 1297 IMPORTANT NOTICE This publication includes all significant and relevant information obtained by the Australian Hydrographic Service (AHS) at date of publication. Significant infromation is updated by fortnightly Australian Notices to Mariners. All reasonable efforts have been made to ensure the accuracy and completeness of the information, including third party information, incorporated in this product. The AHS regards third parties from which it receives infrormation as reliable, however the AHS cannot verify all such information and errors may therefore exist. The AHS does not accept liability for errors in third party information or the inappropriate use of this publication. © Commonwealth of Australia 2014 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process, adapted, communicated or commercially exploited without prior written permission from The Commonwealth represented by the Australian Hydrographic Service. Copyright in some of the material in this publication may be owned by another party and permission for the reproduction of that material must be obtained from the owner. Notices may be copied for the purpose of inserting Notice substance on official charts and publications. Paper copies may be printed by chart agents and distributed to customers on a cost recovery basis. Participating chart agents are listed on the AHS website (www.hydro.gov.au/prodserv/distributors/distributors.htm) and in Chapter 2 of this Annual Notice as providing a 'Paper Notices to Mariners’ service. -
Special Issue3.7 MB
Volume Eleven Conservation Science 2016 Western Australia Review and synthesis of knowledge of insular ecology, with emphasis on the islands of Western Australia IAN ABBOTT and ALLAN WILLS i TABLE OF CONTENTS Page ABSTRACT 1 INTRODUCTION 2 METHODS 17 Data sources 17 Personal knowledge 17 Assumptions 17 Nomenclatural conventions 17 PRELIMINARY 18 Concepts and definitions 18 Island nomenclature 18 Scope 20 INSULAR FEATURES AND THE ISLAND SYNDROME 20 Physical description 20 Biological description 23 Reduced species richness 23 Occurrence of endemic species or subspecies 23 Occurrence of unique ecosystems 27 Species characteristic of WA islands 27 Hyperabundance 30 Habitat changes 31 Behavioural changes 32 Morphological changes 33 Changes in niches 35 Genetic changes 35 CONCEPTUAL FRAMEWORK 36 Degree of exposure to wave action and salt spray 36 Normal exposure 36 Extreme exposure and tidal surge 40 Substrate 41 Topographic variation 42 Maximum elevation 43 Climate 44 Number and extent of vegetation and other types of habitat present 45 Degree of isolation from the nearest source area 49 History: Time since separation (or formation) 52 Planar area 54 Presence of breeding seals, seabirds, and turtles 59 Presence of Indigenous people 60 Activities of Europeans 63 Sampling completeness and comparability 81 Ecological interactions 83 Coups de foudres 94 LINKAGES BETWEEN THE 15 FACTORS 94 ii THE TRANSITION FROM MAINLAND TO ISLAND: KNOWNS; KNOWN UNKNOWNS; AND UNKNOWN UNKNOWNS 96 SPECIES TURNOVER 99 Landbird species 100 Seabird species 108 Waterbird -
Of the Nineteenth-Century Maloti- Drakensberg Mountains1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery The ‘Interior World’ of the Nineteenth-Century Maloti- Drakensberg Mountains1 Rachel King*1, 2, 3 and Sam Challis3 1 Centre of African Studies, University of Cambridge, United Kingdom 2 McDonald Institute for Archaeological Research, University of Cambridge, United Kingdom 3 Rock Art Research Institute, University of the Witwatersrand, South Africa *Corresponding author: [email protected] Abstract Over the last four decades archaeological and historical research has the Maloti-Drakensberg Mountains as a refuge for Bushmen as the nineteenth-century colonial frontier constricted their lifeways and movements. Recent research has expanded on this characterisation of mountains-as-refugia, focusing on ethnically heterogeneous raiding bands (including San) forging new cultural identities in this marginal context. Here, we propose another view of the Maloti-Drakensberg: a dynamic political theatre in which polities that engaged in illicit activities like raiding set the terms of colonial encounters. We employ the concept of landscape friction to re-cast the environmentally marginal Maloti-Drakensberg as a region that fostered the growth of heterodox cultural, subsistence, and political behaviours. We introduce historical, rock art, and ‘dirt’ archaeological evidence and synthesise earlier research to illustrate the significance of the Maloti-Drakensberg during the colonial period. We offer a revised southeast-African colonial landscape and directions for future research. Keywords Maloti-Drakensberg, Basutoland, AmaTola, BaPhuthi, creolisation, interior world 1 We thank Lara Mallen, Mark McGranaghan, Peter Mitchell, and John Wright for comments on this paper. This research was supported by grants from the South African National Research Foundation’s African Origins Platform, a Clarendon Scholarship from the University of Oxford, the Claude Leon Foundation, and the Smuts Memorial Fund at Cambridge. -
Editor's Note
Volume 8: Issue 1 (2021) Editor’s Note CONTENTS Dear ICA Members, Editor’s Note .................. 1 Welcome to 2021! We are now a year into the COVID-19 pandemic, and with vaccines on the market, we are seeing the light at the end Meetings, of the tunnel. Announcements, and Calls for Papers .............. 3 The ICA Interest group will be meeting at this year’s virtual SAA Research Highlights ....... 4 meeting on April 16 from 12-1 PM EDT. Please join us to learn more about the group, get involved, and network with colleagues. All are Lapidary artwork in the welcome! Amerindian Caribbean, a regional, open, online Over the past year, there have been over 1000 new publications in database and GIS ....... 4 81 different journals in our field. In addition, several new books have The La Sagesse been published, four of which are featured in our “Recent Community Publications” section. The quantity and quality of new literature attests to the fact that, despite the pandemic, island and coastal Archaeology Project research is thriving. (LCAP) in Grenada, West Indies ................ 6 As always, please continue to send us your new publications. While Recent Publications ....... 7 we do not rely exclusively on sources sent to us by our members, we usually receive at least one member submission from a journal that Featured New Books: 7 we missed in our biannual literature review. Your submissions help Journals Featuring to provide publicity for your work and assists us in putting together a Recent Island and more thorough bibliography each cycle. Coastal Archaeology Papers: ....................... 8 The last issue of the Current appeared when wildfires and political scandal dominated news headlines, and coastal archaeologists faced New Papers in the reports of accelerating sea level rise. -
Memoirs of Hydrography
MEMOIRS OF HYDROGRAPHY INCLUDING B rief Biographies o f the Principal Officers who have Served in H.M. NAVAL SURVEYING SERVICE BETWEEN THE YEARS 17 5 0 and 1885 COMPILED BY COMMANDER L. S. DAWSON, R.N. i i nsr TWO PARTS. P a r t I .— 1 7 5 0 t o 1 8 3 0 . EASTBOURNE : HENRY W. KEAY, THE “ IMPERIAL LIBRARY.” THE NEW YORK PUBLIC LIBRARY 8251.70 A ASTOR, LENOX AND TILDEN FOUNDATIONS R 1936 L Digitized by PRE F A CE. ♦ N gathering together, and publishing, brief memoirs of the numerous maritime surveyors of all countries, but chiefly of Great Britain, whose labours, extending over upwards of a century, have contributed the I means or constructing the charted portion óf the world, the author claims no originality. The task has been one of research, compilation, and abridgment, of a pleasant nature, undertaken during leisure evenings, after official hours spent in duties and undertakings of a kindred description. Numerous authorities have been consulted, and in some important instances, freely borrowed from ; amongst which, may be mentioned, former numbers of the Nautical Magazine, the Journals of the Royal Geographical Society, published accounts of voyages, personal memoirs, hydrographic works, the Naval Chronicle, Marshall, and O'Bymes Naval Biographies, &c. The object aimed at has been, to produce in a condensed form, a work, useful for hydrographic reference, and sufficiently matter of fact, for any amongst the naval surveyors of the past, who may care to take it up, for reference—and at the same time,—to handle dry dates and figures, in such a way, as to render such matter, sufficiently light and entertaining, for the present and rising generation of naval officers, who, possessing a taste for similar labours to those enumerated, may elect a hydrographic career. -
Repainting of Images on Rock in Australia and the Maintenance of Aboriginal Culture [1988]
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/269164534 REPAINTING OF IMAGES ON ROCK IN AUSTRALIA AND THE MAINTENANCE OF ABORIGINAL CULTURE [1988] Article in Antiquity · December 1988 DOI: 10.1017/S0003598X00075086 CITATIONS READS 34 212 4 authors, including: Graeme K Ward Australian National University 75 PUBLICATIONS 1,081 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Cosmopolitanism, Social Justice and Global Archaeology View project Pathway Project View project All content following this page was uploaded by Graeme K Ward on 06 December 2014. The user has requested enhancement of the downloaded file. REPAINTING OF IMAGES ON ROCK IN AUSTRALIA AND THE MAINTENANCE OF ABORIGINAL CULTURE [1988] David MOWALJARLAI Wanang Ngari Corporation, PO Box 500, Derby WA 6723 Patricia VINNICOMBE Department of Aboriginal Sites, Western Australian Museum, Perth WA 6005 Graeme K WARD Australian Institute of Aboriginal Studies, GPO Box 553, Canberra ACT 2601 Christopher CHIPPINDALE Cambridge University Museum of Archaeology and Anthropology, Downing Street, Cambridge CB2 3DZ Published in Antiquity 62 (237): 690-696 (December 1988) Introduction This paper has grown out of public and private discussions at the First AURA (Australian Rock Art Research Association) Congress held in Darwin (NT), Australia, in August 1988. DM is a traditional Aboriginal ‘lawman’ concerned to make his viewpoint known to a wider audience following controversy over the repainting of images in rock-shelters in his territory, A highlight of the AURA Congress was the participation of Australian Aboriginal people. They and their ancestors are the source of the painted and engraved images discussed in Australian sections of the conference and seen on field excursions. -
(Burrup) Petroglyphs
Rock Art Research 2002 - Volume 19, Number 1, pp. 29–40. R. G. BEDNARIK 29 KEYWORDS: Petroglyph – Ferruginous accretion – Industrial pollution – Dampier Archipelago THE SURVIVAL OF THE MURUJUGA (BURRUP) PETROGLYPHS Robert G. Bednarik Abstract. The industrial development on Burrup Peninsula (Murujuga) in Western Australia is briefly outlined, and its effects on the large petroglyph corpus present there are described. This includes changes to the atmospheric conditions that are shown to have been detrimental to the survival of the rock art. Effects on the ferruginous accretion and weathering zone substrate on which the rock art depends for its continued existence are defined, and predictions are offered of the effects of greatly increasing pollution levels that have been proposed. The paper concludes with a discussion of recent events and a call for revisions to the planned further industrial development. Introduction respect for Aboriginal history to do the same. The Burrup is an artificial peninsula that used to be The petroglyphs of the Murujuga peninsula have been called Dampier Island until it was connected to the main- considered to constitute the largest gallery of such rock art land in the mid-1960s, by a causeway supporting both a in the world, although estimates of numbers of motifs have road and rail track. In 1979 it was re-named after the island’s differed considerably, ranging up to Lorblanchet’s (1986) highest hill, Mt Burrup. This illustrates and perpetuates the excessive suggestion that there are 500 000 petroglyphs. common practice in the 19th century of ignoring eminently Except for visits by whalers, pearlers, turtle hunters and eligible existing names of geographical features in favour navigators, this massive concentration remained unknown of dull and insipid European names. -
Adec Preview Generated PDF File
Records ofthe Western Australian Museum Supplement No. 66: 27-49 (2004). The Burrup Peninsula and Dampier Archipelago, Western Australia: an introduction to the history of its discovery and study, marine habitats and their flora and fauna Diana S. Jones Department of Aquatic Zoology (Crustacea), Western Australian Museum, Francis Street, Perth, Wester!). Australia 6000, Australia email: [email protected] INTRODUCTION Englishman William Dampier who made the first The Dampier Archipelago lies between latitudes recorded European visit to the archipelago in 1688 20°20'5 - 20°45'5 and longitudes 116°24'S -117°05'E (Dampier, 1697). Aboard Captain Swan's Cygnet, he on the Pilbara coast in northwestern Australia, with spent nine weeks on the northwestern coast of the towns of Dampier and Karratha as its focus. Western Australia. Returning in 1699 aboard the The archipelago is situated at the eastern end of an Roebuck, the ship anchored off Enderby Island on 31 extensive chain of small coastal islands between August and on 1 September, Dampier landed on an Exmouth and Dampier and is one of the major island which he named "Rosemary" due to the physical features of the Pilbara coast (Figures 1 and presence of a plant (presently known as Eurybia 2). Western Australia's mineral resources sector is dampieri but awaiting formal publication in Olearia) flourishing and much of the state's investment that reminded him of a herb of that name (George, potential lies in the iron ore and gas and oil-rich 1999). Pilbara region, an area of distinctive climate, The French navigator St Allouarn noted geology, land forms, soils, vegetation and biota. -
Journal.Pone.0233912
This is a repository copy of Aboriginal artefacts on the continental shelf reveal ancient drowned cultural landscapes in northwest Australia. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/163057/ Version: Published Version Article: Benjamin, Jonathan, O'Leary, Michael, McDonald, Jo et al. (13 more authors) (2020) Aboriginal artefacts on the continental shelf reveal ancient drowned cultural landscapes in northwest Australia. PLoS ONE. pp. 1-31. ISSN 1932-6203 https://doi.org/10.1371/journal.pone.0233912 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ PLOS ONE RESEARCH ARTICLE Aboriginal artefacts on the continental shelf reveal ancient drowned cultural landscapes in northwest Australia 1,2 3 4 1 Jonathan BenjaminID *, Michael O’Leary , Jo McDonald , Chelsea Wiseman , 1 4 4 1 John McCarthy , Emma BeckettID , Patrick Morrison , Francis Stankiewicz , 1 1,5 1,6 1 1,7 Jerem Leach , Jorg Hacker , Paul Baggaley , Katarina JerbićID , Madeline FowlerID -
Rock Art Researchers in the Ukhahlamba Drakensberg
Rock art researchers in the uKhahlamba Drakensberg by Elwyn Jenkins he uKhahlamba Drakensberg the development of an understanding mountain range has a very of the art. Tlarge number of rock paintings, The first serious analysis of the including some of the most beautiful meaning of a Drakensberg painting in the world. Some date back possibly came about in 1873, when Joseph thousands of years and others were still Orpen, who was the British Resident being painted by San people late in the in Nomansland, was sent at the head nineteenth century. Since the nineteenth of a Sotho contingent to pursue Lan- century, they have fascinated visitors. galibalele. He found as a guide Qing, a People have searched for them and young San survivor, who was working recorded them in various ways. They as a hunter for a Sotho chief (Nquasha, have recorded their location; counted of Qacha’s Nek). Orpen had already them; made freehand copies, traced and copied paintings, and he now copied photographed them; excavated around paintings he saw along the way. He them; vandalised them; and removed requested Qing to give him explana- them. Many people have written about tions of the paintings. Qing spoke in the paintings, attempting to date them, sePhuti, which was translated by a So- describing them and analysing them. tho interpreter into English, and Orpen In this article I give a personal view of recorded his explanations. One of his the most notable of these personalities, copies, made in Sehonghong shelter, at the same time recounting in broad shows people interacting with strange outline what I believe to have been animals. -
TRADITION OR INVENTION: REMEMBERING and REVIVING MEANING of PLACES Marilyn TRUSCOTT*, Australie / Australia
Sub-theme B: Impact of change and diverse perceptions Sous-thème B : Impact du changement et perceptions diverses ________________________________________________________________________________________________ Section B2: Diversity of perceptions Session B2 : Diversité des perceptions et des sens ________________________________________________________________________________________________ TRADITION OR INVENTION: REMEMBERING AND REVIVING MEANING OF PLACES Marilyn TRUSCOTT*, Australie / Australia I would like to acknowledge the Nambia people here at Case Study 1 – Rock Art Repainting Mosi Oa Tunya (Victoria Falls) and thank them for their welcome to ICOMOS earlier this week. I also dedicate The first case study is in the far north west of Australia in this paper to colleague Pat Vinnicombe, the South African the extensive Kimberleys. In the wet tropics, this is an and Australian rock art specialist, who died earlier this extensive area of rugged sandstone plateau dissected by year, working on the cause of the protection of rock art in rivers, remote from main population centres (distances), Western Australia. although increasingly it is a destination for Australian and international tourists wanting a wilderness and / or Continuity of intangible cultural values often required a Indigenous Australian experience. For this area is not tangible manifestation. This may be a place where the only rich in natural biodiversity but has a rich and relationship between the physical nature of the place – its longstanding and still vital Aboriginal culture. fabric and the ‘intangible’ associations with that place and the meanings that place has to a group of people have I have explained aspects of the Australian Indigenous continued through time. Such associations and their cultures in past papers at ICOMOS Scientific Symposia, cultural significance are increasingly recognised in which although there were 300 different language groups, national and international systems.