International History Bowl – Round 1 Middle School
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Conceptualizing the Blue Frontier: the Great Qing and the Maritime World
Conceptualizing the Blue Frontier: The Great Qing and the Maritime World in the Long Eighteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultüt der Ruprecht-Karls-Universität Heidelberg Vorgelegt von Chung-yam PO Erstgutachter: Prof. Dr. Harald Fuess Zweitgutachter: Prof. Dr. Joachim Kurtz Datum: 28 June 2013 Table of Contents Abstract 2 Acknowledgments 3 Emperors of the Qing Dynasty 5 Map of China Coast 6 Introduction 7 Chapter 1 Setting the Scene 43 Chapter 2 Modeling the Sea Space 62 Chapter 3 The Dragon Navy 109 Chapter 4 Maritime Customs Office 160 Chapter 5 Writing the Waves 210 Conclusion 247 Glossary 255 Bibliography 257 1 Abstract Most previous scholarship has asserted that the Qing Empire neglected the sea and underestimated the worldwide rise of Western powers in the long eighteenth century. By the time the British crushed the Chinese navy in the so-called Opium Wars, the country and its government were in a state of shock and incapable of quickly catching-up with Western Europe. In contrast with such a narrative, this dissertation shows that the Great Qing was in fact far more aware of global trends than has been commonly assumed. Against the backdrop of the long eighteenth century, the author explores the fundamental historical notions of the Chinese maritime world as a conceptual divide between an inner and an outer sea, whereby administrators, merchants, and intellectuals paid close and intense attention to coastal seawaters. Drawing on archival sources from China, Japan, Korea, Vietnam, and the West, the author argues that the connection between the Great Qing and the maritime world was complex and sophisticated. -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
The History and Politics of Taiwan's February 28
The History and Politics of Taiwan’s February 28 Incident, 1947- 2008 by Yen-Kuang Kuo BA, National Taiwan Univeristy, Taiwan, 1991 BA, University of Victoria, 2007 MA, University of Victoria, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of History © Yen-Kuang Kuo, 2020 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The History and Politics of Taiwan’s February 28 Incident, 1947- 2008 by Yen-Kuang Kuo BA, National Taiwan Univeristy, Taiwan, 1991 BA, University of Victoria, 2007 MA, University of Victoria, 2009 Supervisory Committee Dr. Zhongping Chen, Supervisor Department of History Dr. Gregory Blue, Departmental Member Department of History Dr. John Price, Departmental Member Department of History Dr. Andrew Marton, Outside Member Department of Pacific and Asian Studies iii Abstract Taiwan’s February 28 Incident happened in 1947 as a set of popular protests against the postwar policies of the Nationalist Party, and it then sparked militant actions and political struggles of Taiwanese but ended with military suppression and political persecution by the Nanjing government. The Nationalist Party first defined the Incident as a rebellion by pro-Japanese forces and communist saboteurs. As the enemy of the Nationalist Party in China’s Civil War (1946-1949), the Chinese Communist Party initially interpreted the Incident as a Taiwanese fight for political autonomy in the party’s wartime propaganda, and then reinterpreted the event as an anti-Nationalist uprising under its own leadership. -
Scoring One for the Other Team
FIVE TURTLES IN A FLASK: FOR TAIWAN’S OUTER ISLANDS, AN UNCERTAIN FUTURE HOLDS A CERTAIN FATE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES MAY 2018 By Edward W. Green, Jr. Thesis Committee: Eric Harwit, Chairperson Shana J. Brown Cathryn H. Clayton Keywords: Taiwan independence, offshore islands, strait crisis, military intervention TABLE OF CONTENTS Page List of Tables ................................................................................................................ ii List of Figures ............................................................................................................... iii I. Introduction ............................................................................................................... 1 II. Scope and Organization ........................................................................................... 6 III. Dramatis Personae: The Five Islands ...................................................................... 9 III.1. Itu Aba ..................................................................................................... 11 III.2. Matsu ........................................................................................................ 14 III.3. The Pescadores ......................................................................................... 16 III.4. Pratas ....................................................................................................... -
Shi Lang: Hero Or Villain? His Evolving Legacy in China and Taiwan
Ronald C. Po Shi Lang: hero or villain? His evolving legacy in China and Taiwan Article (Accepted version) (Refereed) Original citation: Po, Ronald C. (2017) Shi Lang: hero or villain? His evolving legacy in China and Taiwan. Modern Asian Studies . ISSN 0026-749X © 2017 Cambridge University Press This version available at: http://eprints.lse.ac.uk/81309/ Available in LSE Research Online: June 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Shi Lang: Hero or Villain? His Evolving Legacy in China and Taiwan Ronald C. Po London School of Economics [Accepted to be published in Modern Asian Studies (2018)] Abstract For over two centuries, some of China’s most prominent officials, literary figures, and intellectuals have paid special attention to the legacy of Shi Lang. -
A Case Study of Taiwan, China and the United States
HOW DO NATIONAL ELECTION OUTCOMES AFFECT INTERNATIONAL RELATIONS? A CASE STUDY OF TAIWAN, CHINA AND THE UNITED STATES An Undergraduate Research Scholars Thesis by JACK WANG Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. Alexander Pacek May 2020 Major: International Studies, Politics and Diplomacy Track TABLE OF CONTENTS Page ABSTRACT .................................................................................................................................... 1 Literature Review.................................................................................................... 1 Thesis Statement ..................................................................................................... 1 Theoretical Framework ........................................................................................... 2 Project Description.................................................................................................. 2 ACKNOWLEDGMENTS .............................................................................................................. 3 KEY WORDS ................................................................................................................................. 4 INTRODUCTION .......................................................................................................................... 5 CHAPTER I. TAIWAN: HISTORY AND 2020 -
Thermal Sustainability
$UFKLWHFWXUDO Liefooghe, M. 2019. Buildings for Bodies of Work: The Artist Museum After the Death and Return of the Author. Architectural Histories, +LVWRULHV 7(1): 12, pp. 1–13. DOI: https://doi.org/10.5334/ah.296 RESEARCH ARTICLE Buildings for Bodies of Work: The Artist Museum After the Death and Return of the Author Maarten Liefooghe Critiques of the cult of artists, life-and-work narratives, and the authority of authors over the meaning of their works not only unsettle the conventions of literary and art historical studies. They also challenge the importance of the artist museum and its architecture. Adopting Roland Barthes’ discussions of the ‘death’ and ‘return of the author’ of the late 1960s and early 1970s as a critical lens, this article examines how the architecture of artist museums reflects and contributes to the discursive construction of the resilient figure of the artist-author. To do so, the article compares the cultist make-up of the 19th- century Thorvaldsen Museum-Mausoleum (opened in 1848) with the resolutely work-centred museums of Van Gogh (1973) and Roger Raveel (1999). The architecture of the last two examples is significantly different, however. The Van Gogh Museum seemingly negates its monographic orientation, while the Raveel Museum amends a white cube logic with a reserved interpretation of artistic individuality and site-boundedness. Parallel to the institutional interpretation of a museum’s monographic mission, and the curators’ representation of the artist-life-work nexus in exhibitions, architecture is yet another element in a museum’s assemblage of an artist presented as a dead or revived author to its visitors. -
Iafor the International Academic Forum Introduction
Emperor Kangxi‘s Poetry on Taiwan Sherman Han, Brigham Young University, United States The Kyoto Conference On Arts, Media, & Culture 2020 Official Conference Proceedings Abstract A total of four poems plus a poetic preface collected in The Complete Works of Emperor Kangxi (康熙帝御制文集) that deal directly with the emperor’s military success of acquiring Taiwan are analyzed and translated into English. They include “Heard the News of Victory on the Day of Mid-Autumn Festival [中秋日聞海上捷 音],” “Composed Another Five-Character Quatrain on the Same Night Facing the Moon [是夜對月再成絕句],” “A Poem Given to Shi Lang, with a Preface [賜施琅詩 并序],” and “A Narrative about the Conquest of Taiwan in the Sacrificial Ceremony at the Tomb of Emperor Shunzhi [臺灣平吿祀孝陵有述]. The translation would base on the conventional English closed forms of fixed meters and rimes while maintaining the distinctive poetic structures, vocabulary, and rhyming schemes of those royal Chinese poems. In addition to the conventional discussions of literary merits, this paper focuses on the comparison and contrast between the emperor’s thoughts about acquiring Taiwan as recorded in the historical documents and those as described in his poems, which hopefully could provide more insights into this major military achievement in early Qing dynasty. Keywords: Kangxi, Shi Lang, Taiwan, Zheng Ke-shuag, Poem, Translation iafor The International Academic Forum www.iafor.org Introduction During his 61 years of reigning, Kangxi (康熙 A.D. 1654-1722) achieved many military successes, which not only contributed to fortifying the political foundations of Qing’s ruling, but also resulted in its territory being expanded to a size never before achieved in China. -
Vincent Van Gogh in Arles
VINCENT VAN GOGH IN ARLES “Van Gogh sur la route de Tarascon” Known also as “The painter on his way to work”, July 1888, 48 x 44 cm Formerly in the Kaiser-Friedrich-Museum, Magdeburg, Germany (Destroyed by fire in 1945) https://commons.wikimedia.org/wiki/File:Vincent_Van_Gogh_0013.jpg A Walk-Around of Selected Sites L. M. Boring Membre de l’Association des Artistes Alpicois, Le Pecq 28 February 2019 Vincent Van Gogh arrived in Arles by train on Monday, February 20, 1888, with an idea to found an artist colony in the south “Wishing to see a different light, thinking that looking at nature under a bright sky might give us a better idea of the Japanese way of feeling and drawing. Wishing also to see this stronger sun, because one could not understand Delacroix’s pictures from the point of view of execution and technique without knowing it, and because one feels that the colors of the prism are veiled in the mist of the North.” Oddly and by happenstance, when he arrived, he found the countryside covered in snow, and among his first paintings were soft landscapes of snow covered fields. He found lodging in the Hotel-Restaurant Carrel, but his stay ended badly over a billing dispute after only two months. Vincent signed a lease on May 1st for a small four-room two-story semi-detached house on the Place Lamartine, not far from the train station. Its stucco exterior was bright ochre, and it became known by Van Gogh’s paintings as La Maison Jaune, the Yellow House. -
Taiwan Studies:” the Evolution and the Transformations of a Multi- Disciplinary Sub-Field, 1600 CE to 2013CE
1 Studying “Taiwan Studies:” The Evolution and the Transformations of a Multi- Disciplinary Sub-field, 1600 CE to 2013CE Murray A. Rubinstein, Professor Emeritus, Baruch /CUNY Visiting Professor, Columbia University Introduction 1 In this essay I give you a grand and sweeping overview of Taiwan Studies. I discuss the evolution of our field/subfield and show how it developed within --and as witness to --the larger development of Taiwan as a political, diplomatic, economic, cultural and religious entity. My essay is broken down into a four different sections and conclusion. Section I. focuses upon what I term Proto-Taiwan studies. This means, those books about Taiwan that were produced those long periods in Taiwan’s history—and the study of Taiwan , from the coming of the Dutch VOC merchants and missionaries to the conquest and development of the island by the Zhengs and the Qing to the creation of the Treaty Port culture to the Japanese colonization, to the coming of the ROC military men, bureaucrats and mainland business elites, to entry of the American MAG and AID representatives with their aid and technological assistance All this was a prelude to the modern, post-1959 period, that began with the arrival of the Fulbright/Foundation for Scholarly Exchange researchers and college instructors who augured era when a distinctive field of research and scholarly presentation that would be later called “Taiwan Studies” began to evolve. 2 In Section II., I examine the first period in the development of modern Taiwan Studies. This period began in the late 1957s, with the arrival of a number of American anthropologists to the island. -
Symphonieorchester Des Bayerischen Rundfunks
SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS 19 | 20 WICHTIGER HINWEIS Leider musste Mikko Franck seine Mitwirkung an den Konzerten am 20./21. Februar 2020 in München krankheitsbedingt absagen. Wir dan- ken Klaus Mäkelä, dass er sich kurzfristig bereit erklärt hat, die Lei- tung der Konzerte zu übernehmen. Bitte be- achten Sie die damit verbundene Programm- änderung: Statt Apotheosis von Einojuhani Rautavaara werden – und dies erstmals in den Konzerten des BRSO – Zoltán Kodálys Tänze aus Galánta zu hören sein (siehe Rückseite). Der 24-jährige finnische Dirigent Klaus Mäkelä hat sich durch die Zusammenarbeit mit nam- haften Orchestern rund um die Welt bereits in- ternationale Anerkennung erworben und zählt zu den großen Talenten seiner Generation. Mit Beginn der Saison 2020/2021 übernimmt er die Position des Chef- dirigenten und Artistic Advisor des Oslo Philharmonic Orchestra. Der- zeit ist er Erster Gastdirigent des Swedish Radio Symphony Orchestra, Artist in Association der Tapiola Sinfonietta und Künstlerischer Direktor des Turku Music Festival. In der aktuellen Saison feiert Klaus Mäkelä eine Reihe wichtiger Debüts, u. a. beim NDR Elbphilharmonie Orchester, bei den Münchner Philharmonikern, bei den Bamberger Symphonikern, beim Nederlands Radio Filharmonisch Orkest, beim Orchestre Philhar- monique de Radio France, beim London Philharmonic Orchestra und beim City of Birmingham Symphony Orchestra, und erhält Wiedereinla- dungen vom MDR- und vom hr-Sinfonieorchester, vom Minnesota Orche- stra und von den Göteborger Symphonikern. An der Finnischen Natio- naloper gab er seinen Einstand mit Mozarts Zauberflöte. Seine musikalische Ausbildung erhielt Klaus Mäkelä an der Sibelius- Akademie in Helsinki in den Fächern Dirigieren bei Jorma Panula und Violoncello bei Marko Ylönen, Timo Hanhinen und Hannu Kiiski. -
University of Florida Thesis Or Dissertation Formatting
MAZU WORSHIP IN LATE IMPERIAL CHINA: GENDER, POLITICS, RELIGION, AND IDENTITY CONSTRUCTION By YANCHAO ZHANG A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 Yanchao Zhang To people I love ACKNOWLEDGMENTS As this dissertation has taken shape over the past few years, some individuals and organizations have provided all kinds of support for me throughout its different stages. Since I started my doctorial study in Religion Department of University in 2011, I have received full support from my advisor, Dr. Mario Poceski. I deeply appreciate all his helps in both academic and personal lives. During the past few years, I took many courses with Dr. Poceski that laid foundation for my dissertation project. In addition, he continued offering guidance and feedback throughout my dissertation research and writing. Dr. Poceski also read and commented in detail on earlier versions of my dissertation. His consistent support and helpful feedback were crucial in completing my dissertation. I consider myself extremely fortunate to have him as my advisor. I would also like to thank the other wonderful members of my dissertation committee for supporting me and working with me since I started my dissertation proposal. First, I own a big debt of gratitude to Dr. Richard Wang for helping me with translating the classic Chinese texts featuring Mazu into English. He also read and commented on the chapter of Daoist canonization. I have benefited a lot from his rich knowledge on Daoism and Chinese culture.