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Trap Pilates POPUP
TRAP PILATES …Everything is Love "The Carters" June 2018 POP UP… Shhh I Do Trap Pilates DeJa- Vu INTR0 Beyonce & JayZ SUMMER Roll Ups….( Pelvic Curl | HipLifts) (Shoulder Bridge | Leg Lifts) The Carters APESHIT On Back..arms above head...lift up lifting right leg up lower slowly then lift left leg..alternating SLOWLY The Carters Into (ROWING) Fingers laced together going Side to Side then arms to ceiling REPEAT BOSS Scissors into Circles The Carters 713 Starting w/ Plank on hands…knee taps then lift booty & then Inhale all the way forward to your tippy toes The Carters exhale booty toward the ceiling….then keep booty up…TWERK shake booty Drunk in Love Lit & Wasted Beyonce & Jayz Crazy in Love Hands behind head...Lift Shoulders extend legs out and back into crunches then to the ceiling into Beyonce & JayZ crunches BLACK EFFECT Double Leg lifts The Carters FRIENDS Plank dips The Carters Top Off U Dance Jay Z, Beyonce, Future, DJ Khalid Upgrade You Squats....($$$MOVES) Beyonce & Jay-Z Legs apart feet plie out back straight squat down and up then pulses then lift and hold then lower lift heel one at a time then into frogy jumps keeping legs wide and touch floor with hands and jump back to top NICE DJ Bow into Legs Plie out Heel Raises The Carters 03'Bonnie & Clyde On all 4 toes (Push Up Prep Position) into Shoulder U Dance Beyonce & JayZ Repeat HEARD ABOUT US On Back then bend knees feet into mat...Hip lifts keeping booty off the mat..into doubles The Cartersl then walk feet ..out out in in.. -
It Must Be Karma: the Story of Vicki Joy and Johnnymoon
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-14-2010 It Must be Karma: The Story of Vicki Joy and Johnnymoon Richard Bolner University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bolner, Richard, "It Must be Karma: The Story of Vicki Joy and Johnnymoon" (2010). University of New Orleans Theses and Dissertations. 1121. https://scholarworks.uno.edu/td/1121 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. It Must be Karma: The Story of Vicki Joy and Johnnymoon A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Rick Bolner B.S. University of New Orleans, 1982 May, 2010 Table of Contents Prologue ...............................................................................................................................1 -
Open Steinle Cory Kanyecriticism.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS & SCIENCES “I THOUGHT ABOUT KILLING YOU”: CONSIDERING THE UTILITY OF RHETORICAL AND BIOGRAPHICAL CRITICAL APPROACHES TO KANYE WEST’S YE CORY N. STEINLE SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts and Sciences and Labor and Employment Relations with honors in Communication Arts and Sciences Reviewed and approved* by the following: Bradford Vivian Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Associate Teaching Professor in Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This paper examines the merits of intrinsic and extrinsic critical approaches to hip-hop artifacts. To do so, I provide both a neo-Aristotelian and biographical criticism of three songs from ye (2018) by Kanye West. Chapters 1 & 2 consider Roland Barthes’ The Death of the Author and other landmark papers in rhetorical and literary theory to develop an intrinsic and extrinsic approach to criticizing ye (2018), evident in Tables 1 & 2. Chapter 3 provides the biographical antecedents of West’s life prior to the release of ye (2018). Chapters 4, 5, & 6 supply intrinsic (neo-Aristotelian) and extrinsic (biographical) critiques of the selected artifacts. Each of these chapters aims to address the concerns of one of three guiding questions: which critical approaches prove most useful to the hip-hop consumer listening to this song? How can and should the listener construct meaning? Are there any improper ways to critique and interpret this song? Chapter 7 discusses the variance in each mode of critical analysis from Chapters 4, 5, & 6. -
"THE Besttqnic
B u c h a n a n R e c o r d . PUBLISHED EVERY THURSDAY, TOIE3I2SF C3-_ IEHOTL ilb /d E S . TERMS, $ t .50 PER YEAR r iT A B I X IN ADVANCE. a m v m . bates mads khqwh oh appucatidh. VOLUME XX. BUCHANAN1, BERBIEN COUNTY, MICHIGAN, THUBSDAY. NOVEMBER 11, 1886. NUMBER 41. OFFICE—In Record Building, Oak Street. JUST TOO LATE. on his licel and strides away, leaving I f your parents will trust you in my TIw! Edges of Books. Business Directory. her standing there alone in the deep euro, you may consider yourself engag golden glory of the mellow autumn ed forthwith.” Did you ever look at the “ marbling” I know a man—a worthy man on the edge of a book and wonder how SOCIETIES. Iianan mush Few wore iris faults and small, sunset. So, when thesen-foii wanes and closes, lYho kept Lis temper and his word, He has not seen how his words have Amy flits away with the- rest, to new they put it on? I did, and went to a bindery on purpose to see it done. One O. O. F.—Buchanan Lodge S o. 75 holds its (Redden’s Block.) "Whatever might "befall. stricken i tlie warm light and color scenes which, she prays, may deaden MOST PERFECT MADE I * regular meeting, at Odd. Fellows Hall, on But that he had one Htllc fault, from the piquant face, nor how those that awful aching of tlie heart which man performed the whole operation, Prepared with strict regard to Purity, Strength, and each Tnesdsy evening. -
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48 -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J. -
The Carters Everything Is Love Full Album Download the Carters Everything Is Love Full Album Download
the carters everything is love full album download The carters everything is love full album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67af2f48bc92c3e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Everything Is Love (Explicit) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. The ultimate luxury for the biggest stars is to be able to randomly release an album without warning. Although much anticipated ever since their first collaboration in 2002, Jay-Z and Beyoncé’s common album surprised everyone on June 16th, 2018 at the same time as Nas and Kanye West’s NASIR. Strange coincidence indeed. Following the blueprints of Jay-Z’s 4:44 and Beyoncé’s Lemonade , EVERYTHING IS LOVE is an album focused on the introspection of an extraordinary couple and the analysis of their celebrity. Its nine tracks are both a celebration of black success and a sharp critique of today’s society. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 61st Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2017 through September 30, 2018 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. THE MIDDLE Record Of The Year Zedd, Maren Morris & Grey Award to the Artist and to the Producer(s), Recording Engineer(s) Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom and/or Mixer(s) and mastering engineer(s), if other than the artist. Norris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer 1. I LIKE IT Cardi B, Bad Bunny & J Balvin Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite, Kuk Harrell & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer 2. THE JOKE Brandi Carlile Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer 3. THIS IS AMERICA Childish Gambino Donald Glover & Ludwig Göransson, producers; Derek “MixedByAli” Ali, Riley Mackin & Shaan Singh, engineers/mixers; Mike Bozzi, mastering engineer 4. GOD'S PLAN Drake Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer 5. SHALLOW Lady Gaga & Bradley Cooper Lady Gaga & Benjamin Rice, producers; Brandon Bost & Tom Elmhirst, engineers/mixers; Randy Merrill, mastering engineer 6. ALL THE STARS Kendrick Lamar & SZA Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer 7. ROCKSTAR Post Malone Featuring 21 Savage Louis Bell & Tank God, producers; Louis Bell, Lorenzo Cardona, Manny Marroquin & Ethan Stevens, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2018 - all rights reserved 1 Not for copy or distribution 61st Finals - Press List General Field Category 2 8. -
Julian, God, and the Art of Storytelling
Godelinde Gertrude Perk Umeå Studies in Language and Literature 32 Department of Language Studies Umeå University, Sweden Celebrated for her compassionate theology and subtle, subversive imagery, Julian of Norwich (c. 1343 – c. 1416), the earliest known woman writer in the English language, is also an accomplished storyteller. This study explores and compares the narrative strategies found in her two accounts of her visionary experience, A Vision Showed to a Devout Woman and A Revelation of Love. Reading these two non-fiction texts as narratives, this analysis and the Art Julian, God, of Storytelling 2016 Umeå University, brings Julian’s stories into dialogue with the narratives of her own time, Middle English literary theory, modern narratology, and the texts’ attention to their own telling. This reveals that Revelation includes, expands and transforms the plot, point of view, and characterization of Vision, while Revelation simultaneously implo- des these narrative structures to hint at greater, divine structures. By creating a poetics of developing and enveloping in Revelation, Julian strategically depicts herself, God and the reader as charac- ters in each other’s narratives and as participating in each other’s storytelling: she authorizes her own story by making it God’s and the reader’s as well. Cover: ‘St. Columba of Sens and St. Mary of Egypt holding books and palms,’ detail of early thirteenth-century French miniature in MS KB 76 F 5, f. 34v (Koninklijke Bibliotheek, The Hague). Godelinde Gertrude Perk Julian, God, and the Art -
Buzzangle Music 2018 Year-End Report (U.S.)
U.S. MUSIC INDUSTRY CONSUMPTION 1 00 • Contents BuzzAngle Music 2018 Year-End Report (U.S.) Contents Industry Introduction Consumption by P. 4 Release Period 01 06 P. 25 Industry Summary Consumption by P. 7 Title Distribution 02 07 P. 30 Highlights Awards 03 P. 10 08 P. 35 Industry Album Charts Consumption Details P. 43 04 P. 16 09 Industry Consumption Song Charts by Genre P. 49 05 P. 20 10 2 00 • Contents BuzzAngle Music 2018 Year-End Report (U.S.) Artist Charts Airplay Charts 11 P. 53 13 P. 74 Genre Charts Closing 12 P. 57 14 P. 84 3 01 • Introduction BuzzAngle Music 2018 Year-End Report (U.S.) 01 Introduction 4 01 • Introduction BuzzAngle Music 2018 Year-End Report (U.S.) Welcome to the BuzzAngle Music 2018 Year-End Report Welcome to BuzzAngle Music’s 2018 report on U.S. music consumption. For the second year in a row, overall consumption growth was up double- digits. 2018 total consumption showed a 16.2% increase over 2017, which we showed last year to be up 12.8% over 2016. On-demand audio stream consumption continued to fuel the overall growth, increasing 41.8% to 534.6B streams, up from 376.9B streams last year. Total on-demand streams, including both audio and video, topped 809B for the year. In the fourth quarter of 2018, a dominant 85% of all audio streams were subscription-based. The # of unique titles audio-streamed in 2018 totaled 3M more than in 2017, a 9.2% increase. Consumers are exercising their choice to explore new music, which is a terrific sign for the industry. -
Grade-Change Files Removed from Campus by John C
Grade-change removed from campus files By John C. Hayes had always been taken from cam- Crawford-Drobot said last night Crawford-Drobot publicly More than 20 files containing stu- pus. he has not seen Chaldecott's letter. criticized AFC procedures several dent grade-change petitions have "Privacy laws have to be main- lie said he sent a letter to Chaldecott times last spring, starting with the been removed from campus and not tained," he said and when the yesterday requesting a meeting at appointment of Economics Depart- returned despite repeated requests committee failed to elect a new which time he could give the files to ment Chairman James Willis and for them, according to Don chairperson he felt he was the new AFC chairman. and later in an unsuccessful bid for the A.S. Attorney General's Office. DuShane, assistant dean of student responsible for the files. Most of the missing files relate to affairs. DuShane reported, however, that fairness cases initiated last Throughout the semester the committee was in a state of flux, Also missing is documentation as a spokesman for the University semester. If they are not returned plagued by resignations and new ap- relating to the petitions and a green and a liaison between the Academic the students will have to file new pointments, Chaldecott said. log-book listing students requesting Senate and the Administration, he grievance petitions, according to grade-changes as far back as 1970. was legally entitled to the files. Chaldecott. Meetings unattended DuShane said the files were The AFC is normally composed Chaldecott, who served on the Crawford-Drobot failed to attend removed from the Administration of seven faculty and seven students. -
The Digital Lives of Black Consumers
DIVERSE INTELLIGENCE SERIES | 2018 FROM CONSUMERS TO CREATORS THE DIGITAL LIVES OF BLACK CONSUMERS Copyright © 2018 The Nielsen Company (US), LLC. All Rights Reserved. FROM CONSUMERS TO CREATORS: THE DIGITAL LIVES OF BLACK CONSUMERS FOREWORD Every so often, life presents you with an opportunity to make impactful change on the world around you. For Nielsen’s State of the African American Consumer Diverse Intelligence Series, this presents our eighth such opportunity. For the last seven Cheryl Grace years, we have shared with brands, advertisers and communities strategies on how Senior Vice President, U.S. Strategic Community best to attract, connect with and retain the rapidly growing Black consumer base. As Alliances and Consumer consumer packaged goods giants, global streaming behemoths and massive media Engagement companies barrel toward pure conglomerate mergers, the lines between traditionally distinct industries are often blurred. Virtual actions are no longer distinct from in real life behavior. This influences and changes not only how consumers expect brands to do business, but also how they expect to see themselves represented, both “IRL” and in the digital marketplace. African Americans are no longer content being thought of simply as voracious consumers; they want to be known for the influence they’ve always possessed, as the creators they’ve always been. So we detour slightly from our historic model of exclusively sharing insights on Andrew McCaskill what motivates and drives Blacks’ consumption habits and purchasing behaviors Senior Vice President, Global Communications and have expanded the report to include resources on how to find the influencers and Multicultural and professionals who can keep brands relevant with this increasingly tech-savvy Marketing demographic.