The Meaning of 'L' in Driving
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Hitlers GP in England.Pdf
HITLER’S GRAND PRIX IN ENGLAND HITLER’S GRAND PRIX IN ENGLAND Donington 1937 and 1938 Christopher Hilton FOREWORD BY TOM WHEATCROFT Haynes Publishing Contents Introduction and acknowledgements 6 Foreword by Tom Wheatcroft 9 1. From a distance 11 2. Friends - and enemies 30 3. The master’s last win 36 4. Life - and death 72 5. Each dangerous day 90 6. Crisis 121 7. High noon 137 8. The day before yesterday 166 Notes 175 Images 191 Introduction and acknowledgements POLITICS AND SPORT are by definition incompatible, and they're combustible when mixed. The 1930s proved that: the Winter Olympics in Germany in 1936, when the President of the International Olympic Committee threatened to cancel the Games unless the anti-semitic posters were all taken down now, whatever Adolf Hitler decrees; the 1936 Summer Games in Berlin and Hitler's look of utter disgust when Jesse Owens, a negro, won the 100 metres; the World Heavyweight title fight in 1938 between Joe Louis, a negro, and Germany's Max Schmeling which carried racial undertones and overtones. The fight lasted 2 minutes 4 seconds, and in that time Louis knocked Schmeling down four times. They say that some of Schmeling's teeth were found embedded in Louis's glove... Motor racing, a dangerous but genteel activity in the 1920s and early 1930s, was touched by this, too, and touched hard. The combustible mixture produced two Grand Prix races at Donington Park, in 1937 and 1938, which were just as dramatic, just as sinister and just as full of foreboding. This is the full story of those races. -
Karaoke Catalog Updated On: 20/12/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 20/12/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Perfect - Ed Sheeran Grandma Got Run Over By A Reindeer - Elmo & All I Want For Christmas Is You - Mariah Carey Summer Nights - Grease Crazy - Patsy Cline Bohemian Rhapsody - Queen Feliz Navidad - José Feliciano Have Yourself A Merry Little Christmas - Michael Sweet Caroline - Neil Diamond Folsom Prison Blues - Johnny Cash Killing me Softly - The Fugees Don't Stop Believing - Journey Ring Of Fire - Johnny Cash Zombie - The Cranberries Baby, It's Cold Outside - Dean Martin Dancing Queen - ABBA Fly Me To The Moon - Frank Sinatra Rockin' Around The Christmas Tree - Brenda Lee Girl Crush - Little Big Town Livin' On A Prayer - Bon Jovi White Christmas - Bing Crosby Piano Man - Billy Joel Jackson - Johnny Cash Jingle Bell Rock - Bobby Helms Can't Help Falling In Love - Elvis Presley Baby It's Cold Outside - Idina Menzel Friends In Low Places - Garth Brooks Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston Last Christmas - Wham! Let It Snow! Let It Snow! Let It Snow! - Dean Martin You're A Mean One, Mr. Grinch - Thurl Ravenscroft Uptown Funk - Bruno Mars Africa - Toto Rudolph The Red-Nosed Reindeer - Alan Jackson Shallow - A Star is Born My Way - Frank Sinatra I Will Survive - Gloria Gaynor The Christmas Song - Nat King Cole Wannabe - Spice Girls It's Beginning To Look A Lot Like Christmas - Dean Take Me Home, Country Roads - John Denver Please Come Home For Christmas - The Eagles Wagon Wheel - -
Interpret Songtitel Sprache
www.karaoke-verleih-münchen.de Karaoke-Liste 2017 Seite 1 Interpret Songtitel Sprache ABIDIN 70001 BOSUNA BOSUNA Türkisch ABIDIN 72123 BOşUNA BOşUNA Türkisch ABIDIN 70002 ZIRZIR Türkisch ADAMO 70003 HER YERDE KAR VAR Türkisch ADJA PEKKAN 71198 HOSGORSEN Türkisch AHMET KAYA 70005 AGLADIKCA Türkisch AHMET KAYA 70006 ARKA MAHALLE Türkisch AHMET KAYA 70161 ARKA MAHALLE Türkisch AHMET KAYA 70007 BENI BUL ANNE Türkisch AHMET KAYA 70008 CILLI KEDI Türkisch AHMET KAYA 70461 CILLI KEDI Türkisch AHMET KAYA 70009 HADI SEN GIT ISINE Türkisch AHMET KAYA 71063 HADI SEN GIT ISINE Türkisch AHMET KAYA 70010 HANI BENIM GENCLIGIM Türkisch AHMET KAYA 71168 HANI BENIM GENCLIGIM Türkisch AHMET KAYA 70011 KAFAMA SIKAR GIDERIM Türkisch AHMET KAYA 71312 KAFAMA SIKAR GIDERIM Türkisch AHMET KAYA 70012 KUM GIBI Türkisch AHMET KAYA 71440 KUM GIBI Türkisch AHMET KAYA 70013 NENNI BEBEK Türkisch AHMET KAYA 71641 NENNI BEBEK Türkisch AHMET KAYA 70014 OY BENIM CANIM Türkisch AHMET KAYA 71746 OY BENIM CANIM Türkisch AHMET KAYA 70015 SÖYLE YAGMUR CAMUR Türkisch AHMET TURAN SAN 70016 SULAR DURULUR DERLER Türkisch AHMET TURAN SAN 70017 SULAR DURULUR DERLER Türkisch AJDA 70381 BU NE BICIM HAYAT Türkisch AJDA PEKKAN 70004 AGLAMA ANNE Türkisch AJDA PEKKAN 70020 AGLAMA ANNE Türkisch AJDA PEKKAN 70073 AGLAMA ANNE Türkisch AJDA PEKKAN 70021 AH FATMA Türkisch AJDA PEKKAN 70022 AH FATMA Türkisch AJDA PEKKAN 70077 AMAZON Türkisch AJDA PEKKAN 70023 ANLAMADIM GITTI Türkisch AJDA PEKKAN 70122 ANLAMADIM GITTI Türkisch AJDA PEKKAN 70024 ATLI KARINCA DöNüYOR DöNüYOR Türkisch AJDA PEKKAN -
A Brief History of Aranjman Translations: the Earliest Examples of Turkish Pop Music
VOLUME 5, ISSUE 1 June 2019 79 eISSN: 2444-1961 https://doi.org/10.14201/clina201951 CLINA Vol. 5-1, 79-93 June 2019 eISSN: 2444-1961 DOI: https://doi.org/10.14201/clina2019517993 A Brief History of Aranjman Translations: the Earliest Examples of Turkish Pop Music Una breve historia de las traducciones aranjman: los primeros ejemplos de la música pop turca Alaz PESEN Boğaziçi University Recibido febrero-2019. Revisado: marzo-2019. Aceptado: mayo-2019. Abstract: Aranjman in Turkish is a loanword borrowed from French. When used in the context of music, it refers to the 1960s, a formative stage in introducing foreign pop music with Turkish lyrics into the Turkish cultural repertoire. The present study views the aranjman era, which has so far constituted a blank space, from the perspective of translation studies. It first sketches out a theoretical framework fusing Even-Zohar’s «invention», «import» and «cultural repertoire» with André Lefevere’s notions of «rewritings» and «patrons». Briefly reviewing the latest approaches in song translation studies, the study proposes subcategories to the term «rewriting» to refer to instrumentation, voice and lyrics levels as «reperforming», «resinging» and «relyricizing» respectively, which altogether enable the song to be rewritten in another language. These acts cannot be achieved in the absence of music producers, who are the «patrons» initiating the recording or «rerecording» of a song in any given music industry. From a general perspective, it was the collaboration of these patrons and rewriters that introduced first the inventions and then the imports into the Turkish pop music cultural repertoire. CLINA Alaz PESEN vol. -
Bernd Rosemeyer
Sidepodchat – Bernd Rosemeyer Christine: This is show three of five, where Steven Roy turns his written words into an audio extravaganza. These posts were originally published at the beginning of the year on Sidepodcast.com but they are definitely worth a second airing. Steven: Bernd Rosemeyer. Some drivers slide under the door of grand prix racing unnoticed and after serving a respectable apprenticeship get promoted into top drives. Some, like Kimi Räikkönen, fly through the junior formulae so quickly that they can only be granted a license to compete on a probationary basis. One man never drove a race car of any description before he drove a grand prix car and died a legend less than 3 years after his debut with his entire motor racing career lasting less than 1,000 days. Bernd Rosemeyer was born in Lingen, Lower Saxony, Germany on October 14th 1909. His father owned a garage and it was here that his fascination with cars and motor bikes began. The more I learn about Rosemeyer the more he seems like a previous incarnation of Gilles Villeneuve. Like Gilles he had what appeared to be super-natural car control. Like Gilles he seemed to have no fear and like Gilles he didn’t stick rigidly to the law on the road. At the age of 11 he borrowed his father’s car to take some friends for a drive and when at the age of 16 he received his driving license it was quickly removed after the police took a dim view to some of his stunt riding on his motor bike. -
Çağımızın Hastalığı Diş Sıkma (Bruksizm) Ve Tedavi Yöntemleri Dt
İÇİNDEKİLER HOŞ SOHBET 4 Duygularımızın Tercümanı: Gülden DİŞİNİZE TAKILANLAR 8 Hamilelikte Diş Hekimliği Uygulamaları Dt. Kübra Doğan BEGO İLE DİŞİNİZE GÖRE 10 Çağımızın Hastalığı Diş Sıkma (Bruksizm) ve Tedavi Yöntemleri Dt. Beyza Ünal Görgün TREND SAĞLIK 12 Hamilelikte En Sık Görülen Şikayetler ve Çözüm Önerileri Esra Ertuğrul YAŞAMA AÇILAN PENCERE 16 Ne Kadar Hızlı Olduğunun Farkında mısın? Yavaşla! DİŞ DOSTU Diş Dostu Derneği Adına Danışma Kurulu Yayına Hazırlayan DİŞ DOSTU DERNEĞİ KORO Fikir Ajansı İmtiyaz Sahibi Doç. Dr. Aylin Baysan Levent Mah. Nispetiye Cad. Selda Alemdar Dinçer Prof. Dr. Betül Kargül Mevlana Mah. Yıldırım Beyazıt Cad. Yeşil Ufuk Apt. 9/3 Esenyurt-İstanbul Dost Apt. Kat:1 Daire:2 Dr. Engin Aksoy İmajlar: unsplash.com Levent/İstanbul Diş Dostu Derneği Adına Prof. Dr. Funda Yanıkoğlu Tel: 0212 240 7353 Sorumlu Yazı İşleri Müdürü Dr. Gökhan Yamaner Baskı Faks: 0212 240 7301 KİRAZ BASIM MEDYA SANAYİ Şila Koen Prof. Dr. Hakan Özyuvacı [email protected] Prof. Dr. İlknur Tanboğa VE TİCARET A.Ş. Oruç Reis Mah. Giyimkent Sit. Bulvarı www.disdostu.org Dt. Mıgır Gülezyan 16, Sok. No: 112 Esenler/ İSTANBUL Dr. Oktay Dülger Tel: 0212 438 66 50 Yayın Türü: Dr. Remzi Ülgen Faks: 0212 438 66 51 Diş Sağlığı Projesi Dr. Seyhan Gücüm www.kirazmedya.com.tr DİŞ DOSTU, 3 ayda bir yayınlanır. Derginin hiçbir bölümü izinsiz çoğaltılamaz, başka bir dergide ve web sitesinde yayınlanamaz. DİŞ DOSTU’nda yer alan yazılardaki fikirler yazarlarına aittir ve yayıncı yazının içeriğinden sorumlu tutulamaz. Yayınlanan ilanların sorumluluğu ilan sahiplerine aittir. 2 DİŞ DOSTU’NDAN Sağlıklı yaşam farkındalığı Merhaba değerli “Diş Dostu” ailem, Öncelikle hepimize sağlıklı, varlıklı, hızlı geçen zamanı iyi değerlendirebileceğimiz, farkındalıklarımızın yüksek olaca- ğı 2020 yılı ve sonrası diliyorum. -
Türk Pop Müziğinde Yapilan
İNÖNÜ ÜNİVERSİTESİ SANAT VE TASARIM DERGİSİ Inonu University Journal of Art and Design ISSN: 1309-9876 E-ISSN: 1309-9884 Cilt/Vol. 2 Sayı/No. 6 (2012): 323-335 Yıllık Özel Sayı/ Annual Special Issue TÜRKİYE’DE POPÜLER MÜZİK KÜLTÜRÜ İÇERİSİNDE “COVER” KAVRAMI ÜZERİNE BİR İNCELEME M. Serkan ÇAKIR* İnönü Üniversitesi Güzel Sanatlar ve Tasarım Fakültesi Müzik Teknolojisi ABD, Malatya ÖZET Bu çalışmada; uluslararası müzik literatüründe “Cover” olarak adlandırılan ve ülkemizde de kullanılan kavram çeşitli açılardan incelenmiştir. Araştırmada, Türk Pop Müziğinde en çok coveri yapılan şarkılar, cover yapan sanatçılar ve gruplar belirlenmiş, cover yapma nedenleri ortaya konulmuştur. 31 popüler müzik şarkıcısı, 16 popüler müzik grubu ile ulaşılabilen eserleri incelenmiş, elde edilen bulgular yorumlanmıştır. Türk Pop Müziği sanatçıları ve grupları; gündemde olan, dillerden düşmeyen ve genellikle kendi tarzlarındaki parçaların coverlerini ticari kaygılardan ve gündemden düşmemek için yapmaları, Türk Pop Müziği parçalarının daha çok talep görmesinden dolayı en fazla coverlemenin Türk Pop Müziği tarzında yapılması, birçok sanatçının, kötü giden müzik piyasası, albüm satışlarındaki yetersizlik ve/veya yeni beste bulma sıkıntısından dolayı kendi coverlerini piyasaya çıkarmaları ile dikkat çekmiştir. Anahtar Kelimeler: Yeniden seslendirme, Türkçe pop, düzenleme A RESEARCH ON THE CONCEPT OF "COVER" INSIDE THE POPULAR MUSIC CULTURE IN TURKEY ABSTRACT In the study, the research is carried out to determine the most covered songs, the musicians and the bands who cover, to find the reasons of covering and to end up a conclusion. For this aim, 31 Turkish Pop Musical Artist, 16 Pop/Rock Band and their works have been inverstigated. The study carried out shows that: 1.Most of Turkish Pop Music artists and bands usually cover contemporary songs for commercial purposes and staying popular. -
Contribution of Translations and Adaptations to the Birth of Turkish Pop Music
Asian Journal of Humanities and Social Studies (ISSN: 2321 – 2799) Volume 04 – Issue 03, June 2016 Contribution of Translations and Adaptations to the Birth of Turkish Pop Music Ayşe Şirin Okyayuz Bilkent University Ankara, Turkey Email: yener [AT] bilkent.edu.tr _________________________________________________________________________________ ABSTRACT— Popular songs are important multimodal mass media products through which cultures are communicated to people of different backgrounds, and these are widely translated. But, the study of the translations of popular songs has been partially neglected in translation studies. In an effort to contribute to filling this gap, the article aims to underline the importance of the translation and adaptation of songs; to explain how songs were translated and adapted to give birth to Turkish pop music; and to provide an example of an instance where socio- political and cultural realities and aspirations, aided by different translational strategies, helped shape a new music culture. Keywords— song translation, adaptation, replacement text, transfer postulate, relationship postulate _______________________________________________________________________________________________ 1. INTRODUCTION: SONGS, CULTURES AND SONG TRANSLATION Songs not only reflect a society, in some cases, they create social conditions including facilitation of social change. Songs are valuable resources for telling us what concerned people, how they saw issues and how they expressed their hopes, aspirations and frustrations. Songs do not consist of just the lyrics and the tune, but also of all the contexts in which they are created, experienced, produced, and consumed (Spitzer & Walters 2015, 1). S. Hallam (2008) refers to a song being, “powerful at the level of social group, because it facilitates communication which goes beyond words, enables meanings to be shared, and promotes the development and maintenance of individual, group, cultural and national identities.” Some translation scholars also acknowledge this. -
ACES WILD ACES WILD the Story of the British Grand Prix the STORY of the Peter Miller
ACES WILD ACES WILD The Story of the British Grand Prix THE STORY OF THE Peter Miller Motor racing is one of the most 10. 3. BRITISH GRAND PRIX exacting and dangerous sports in the world today. And Grand Prix racing for Formula 1 single-seater cars is the RIX GREATS toughest of them all. The ultimate ambition of every racing driver since 1950, when the com petition was first introduced, has been to be crowned as 'World Cham pion'. In this, his fourth book, author Peter Miller looks into the back ground of just one of the annual qualifying rounds-the British Grand Prix-which go to make up the elusive title. Although by no means the oldest motor race on the English sporting calendar, the British Grand Prix has become recognised as an epic and invariably dramatic event, since its inception at Silverstone, Northants, on October 2nd, 1948. Since gaining World Championship status in May, 1950 — it was in fact the very first event in the Drivers' Championships of the W orld-this race has captured the interest not only of racing enthusiasts, LOONS but also of the man in the street. It has been said that the supreme test of the courage, skill and virtuosity of a Grand Prix driver is to w in the Monaco Grand Prix through the narrow streets of Monte Carlo and the German Grand Prix at the notorious Nürburgring. Both of these gruelling circuits cer tainly stretch a driver's reflexes to the limit and the winner of these classic events is assured of his rightful place in racing history. -
Karl E. Ludvigsen Papers, 1905-2011. Archival Collection 26
Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Miles Collier Collections Page 1 of 203 Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Title: Karl E. Ludvigsen papers, 1905-2011. Creator: Ludvigsen, Karl E. Call Number: Archival Collection 26 Quantity: 931 cubic feet (514 flat archival boxes, 98 clamshell boxes, 29 filing cabinets, 18 record center cartons, 15 glass plate boxes, 8 oversize boxes). Abstract: The Karl E. Ludvigsen papers 1905-2011 contain his extensive research files, photographs, and prints on a wide variety of automotive topics. The papers reflect the complexity and breadth of Ludvigsen’s work as an author, researcher, and consultant. Approximately 70,000 of his photographic negatives have been digitized and are available on the Revs Digital Library. Thousands of undigitized prints in several series are also available but the copyright of the prints is unclear for many of the images. Ludvigsen’s research files are divided into two series: Subjects and Marques, each focusing on technical aspects, and were clipped or copied from newspapers, trade publications, and manufacturer’s literature, but there are occasional blueprints and photographs. Some of the files include Ludvigsen’s consulting research and the records of his Ludvigsen Library. Scope and Content Note: The Karl E. Ludvigsen papers are organized into eight series. The series largely reflects Ludvigsen’s original filing structure for paper and photographic materials. Series 1. Subject Files [11 filing cabinets and 18 record center cartons] The Subject Files contain documents compiled by Ludvigsen on a wide variety of automotive topics, and are in general alphabetical order. -
De Monaco Monte Carlo 24-27 May
Official A4 Media Kit Cover Width 210mm x Depth 297mm (3mm bleed) DE MONACO MONTE CARLO 24-27 MAY The F1 logos, F1, FORMULA 1, FIA FORMULA ONE WORLD CHAMPIONSHIP, GRAND PRIX DE MONACO and related marks are trade marks of Formula One Licensing BV, a Formula 1 company. All rights reserved. OFFICIAL MEDIA KIT 1 76th GRAND PRIX DE MONACO 24-27 MAY 2018 counting for the 2018 FIA Formula One World Championship Organised by the Automobile Club de Monaco Under the High Patronage of THEIR SERENE HIGHNESSES THE PRINCE AND THE PRINCESS OF MONACO with the support of the Princely Government, of the Municipality and the participation of the Société des Bains de Mer 2 CONTENTS The Story of Automobile Club de Monaco ....................................................................................................... 4 76th Grand Prix Automobile de Monaco 2018 Programme .............................................................................................................................................................. 8 Media Accreditation Centre and Media Centre Opening Hours Media Shuttle Service ........................................................................................................................................... 9 Map ............................................................................................................................................................................. 10 Various information .............................................................................................................................................. -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon