DOCSLIB.ORG

Let's Talk Dusty! 奢 View Topic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Let's Talk Dusty! •¢ View Topic Let's Talk Dusty! The Ultimate Forum for Dusty Springfield Fans Skip to content Search… Search Advanced search • Board index ‹ Let's Talk Dusty! The Forum ‹ Don't Forget About Me • Change font size • Print view • FAQ • Register • Login Legendary hair stylist Vidal Sassoon dies Post a reply Search this topic… Search 10 posts • Page 1 of 1 Legendary hair stylist Vidal Sassoon dies by IWannaBeABluesSinger » Wed May 09, 2012 11:58 pm Some of Dusty's early iconic hairstyles were created by Vidal Sassoon. He went on to be the most influential hairstylist of the Swinging Sixties. http://www.dailymail.co.uk/news/article-2142049/Vidal-Sassoon-death-Legendary-hair-stylist-dies-aged-84.html Maggie IWannaBeABluesSinger I've got a good thing Posts: 1681 Joined: Sun Apr 24, 2011 3:54 am Top Re: Legendary hair stylist Vidal Sassoon dies by jeffery » Thu May 10, 2012 5:29 am That's a nice piece on Sasson. See the link on facebook it includes an endearing interview with him. " The man with the child in his eyes ".... Jeffery jeffery Someone who cares Posts: 6517 Joined: Thu Dec 17, 2009 11:34 am Location: Norwalk, Ohio - USA (Great Lakes Region) Top Re: Legendary hair stylist Vidal Sassoon dies by daydreamer » Thu May 10, 2012 6:51 am A sad loss of yet another legend who moulded the sixties. I would visit the Sassoon salon in Manchester, always feeling slightly intimidated, I would even plan my outfit so as not to feel I didn't belong Silly now when I think about it We had a thread about him and Dusty a while back, I expect the documentary will be shown again sometime soon. viewtopic.php?f=7&t=3374 There's a part of you, that's a part of me... Carole x daydreamer Moderator Posts: 3667 Joined: Thu Dec 17, 2009 8:17 am Location: Cheshire, England Top Re: Legendary hair stylist Vidal Sassoon dies by Carole R. » Thu May 10, 2012 9:37 am Vidal Sassoon, an East End boy who ended up being feted by the stars.. I heard him interviewed a while back, and he came over as a really nice, modest guy. Sad to hear of his demise. RIP Vidal Sasson, definitely a cut above the rest. Carole R xx "Nothing is forever, always is a dream." Carole R. Wasn't born to follow Posts: 2971 Joined: Thu Dec 17, 2009 8:27 am Location: Manchester England. Top Re: Legendary hair stylist Vidal Sassoon dies by Brian » Thu May 10, 2012 2:56 pm 'Curl up and dye'...another sixties legend is gone Brian "Live it up" Brian Someone who cares Posts: 9220 Joined: Thu Dec 17, 2009 8:26 am Location: Appleford Oxfordshire Top Re: Legendary hair stylist Vidal Sassoon dies by karen » Thu May 10, 2012 4:18 pm Haven't seen this myself , but my daughter has and says it's well worth a look.. sad he has gone. RIP. Vidal Attachments Vidal Sassoon the Movie.jpg (19.31 KiB) Viewed 1064 times karen I only want to be with you Posts: 18105 Joined: Thu Dec 17, 2009 6:48 pm Top Re: Legendary hair stylist Vidal Sassoon dies by Rob » Thu May 10, 2012 8:59 pm [youtube]http://www.youtube.com/watch?v=28jvlBA0RMk[/youtube] R B Rob Moderator Posts: 2821 Joined: Thu Dec 17, 2009 8:17 am Top Re: Legendary hair stylist Vidal Sassoon dies by Cas19 » Fri May 11, 2012 9:39 am A real icon. Rest in peace. Casx Something in your eyes Cas19 All I see is you Posts: 23261 Joined: Thu Dec 17, 2009 8:25 am Top Re: Legendary hair stylist Vidal Sassoon dies by BornTooLate » Fri May 11, 2012 11:29 am daydreamer wrote:A sad loss of yet another legend who moulded the sixties. I would visit the Sassoon salon in Manchester, always feeling slightly intimidated, I would even plan my outfit so as not to feel I didn't belong Silly now when I think about it We had a thread about him and Dusty a while back, I expect the documentary will be shown again sometime soon. viewtopic.php?f=7&t=3374 The documentary is AMAZING by the way and I highly recommend it. I turned my tv on the last time I was at my parents' house and it happened to be showing on the channel that the cable box was set to. Very strange. The interviews of him in that documentary make him look like such a humble and appreciative guy. ~Carolyn Do re mi fa so la ti, Let's get together and make whoopee... BornTooLate I'll try anything Posts: 207 Joined: Mon Oct 17, 2011 12:37 am Top Re: Legendary hair stylist Vidal Sassoon dies by allherfaces » Sun May 20, 2012 1:25 am Would love to see that too. Loved his legendary hair styles! London WAS fashion in the 60s. x Bosseh There's something in my soul that will always lead me back to you. allherfaces Someone who cares Posts: 5815 Joined: Thu Dec 17, 2009 8:15 am Location: Boston MA Top Display posts from previous: All posts Sort by Post time Ascending Go Post a reply 10 posts • Page 1 of 1 Return to Don't Forget About Me Jump to: Don't Forget About Me Go Who is online Users browsing this forum: No registered users and 13 guests • Board index • The team • Delete all board cookies • All times are UTC Powered by phpBB® Forum Software © phpBB Group :: Style: L_Antre.
Load more

Recommended publications
  • For a Faggot Anti-Fascism!
    ...for a faggot anti-fascism! June 2011. The squares are crowded. The people? The people left their couches and took to the streets. Debate. Fermentation. Direct democracy. The people got to acquaint themselves with the real, human face of anarchy rather than with that portrayed in the 8 o'clock news. Those days were a rupture. From there onwards we would “storm into the sky”. The cops spoiled the party. The repressive pigs. With the Israeli tear gas.1 At that point, then, a bit before storming the skies, an awkward moment was due. It was the first and only time – it is true – that we set foot in Syntagma square. It was when on the 4th June 2011, the gay pride parade run into the 'indignados'. Given that it was summer, the coldness of the encounter had something beautiful. A celebration of homosexual pride was encountering a circus of national moaning and it was logical to expect some discontent on the part of the latter. But this text won't talk about such easy to prove point: the widespread racism of Greek society against non-heteronormatives. We want, instead, to address the field of homophobia within anti-fascism, an immediate concern for us. Not to argue why it is not in our interest to maintain it. Besides, who is 'us'? We would just like to elucidate it and put different foundations in the whole debate, our foundations. No one would be surprised were we to reiterate the view that many stereotypes, prejudices and hate ideas have survived from the middle ages, and even prior to that, to the late 19th century and down to the 21st century.
    [Show full text]
  • Under Postcolonial Eyes
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and Chapters University of Nebraska Press 2013 Under Postcolonial Eyes Efraim Sicher Linda Weinhouse Follow this and additional works at: https://digitalcommons.unl.edu/unpresssamples Sicher, Efraim and Weinhouse, Linda, "Under Postcolonial Eyes" (2013). University of Nebraska Press -- Sample Books and Chapters. 138. https://digitalcommons.unl.edu/unpresssamples/138 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Under Postcolonial Eyes: Figuring the “jew” in Contemporary British Writing Buy the Book STUDIES IN ANTISEMITISM Vadim Rossman, Russian Intellectual Antisemitism in the Post-Communist Era Anthony D. Kauders, Democratization and the Jews, Munich 1945–1965 Cesare G. DeMichelis, The Non-Existent Manuscript: A Study of the Protocols of the Sages of Zion Robert S. Wistrich, Laboratory for World Destruction: Germans and Jews in Central Europe Graciela Ben-Dror, The Catholic Church and the Jews, Argentina, 1933– 1945 Andrei Oi܈teanu, Inventing the Jew: Antisemitic Stereotypes in Romanian and Other Central-East European Cultures Olaf Blaschke, Offenders or Victims? German Jews and the Causes of Modern Catholic Antisemitism Robert S. Wistrich,
    [Show full text]
  • Vidal Sassoon INSPECTION REPORT
    INSPECTION REPORT Vidal Sassoon 04 November 2002 VIDAL SASSOON Grading Inspectors use a seven-point scale to summarise their judgements about the quality of learning sessions. The descriptors for the seven grades are: • grade 1 - excellent • grade 2 - very good • grade 3 - good • grade 4 - satisfactory • grade 5 - unsatisfactory • grade 6 - poor • grade 7 - very poor. Inspectors use a five-point scale to summarise their judgements about the quality of provision in occupational/curriculum areas and Jobcentre Plus programmes. The same scale is used to describe the quality of leadership and management, which includes quality assurance and equality of opportunity. The descriptors for the five grades are: • grade 1 - outstanding • grade 2 - good • grade 3 - satisfactory • grade 4 - unsatisfactory • grade 5 - very weak. The two grading scales relate to each other as follows: SEVEN-POINT SCALE FIVE-POINT SCALE grade 1 grade 1 grade 2 grade 3 grade 2 grade 4 grade 3 grade 5 grade 4 grade 6 grade 5 grade 7 VIDAL SASSOON Adult Learning Inspectorate The Adult Learning Inspectorate (ALI) was established under the provisions of the Learning and Skills Act 2000 to bring the inspection of all aspects of adult learning and work-based training within the remit of a single inspectorate. The ALI is responsible for inspecting a wide range of government-funded learning, including: • work-based training for all people over 16 • provision in further education colleges for people aged 19 and over • learndirect provision • Adult and Community Learning • training funded by Jobcentre Plus • education and training in prisons, at the invitation of Her Majesty’s Chief Inspector of Prisons.
    [Show full text]
  • Polanskimay Soon Be Permitted Back Into the U.S., but He's Made Some of His Most Compelling Films While in Exile from the Holl
    RomanMAY SOON BE PERMITTED POLANSKI BACK INTO THE U.S., BUT HE’S MADE SOME OF HIS MOST COMPELLING FILMS WHILE IN EXILE FROM THE HOLLYWOOD MACHINE. AS HE COLLABORATES WITH ARTIST FRANCESCO VEZZOLI ON A COMMERCIAL FOR A FICTIONAL PERFUME STARRING NATALIE PORTMAN AND MICHELLE WILLIAMS, THE DIRECTOR TALKS ABOUT THE PERILS OF THE MOVIE WORLD AND THE PLEASURES OF SKIING DRUNK AT NIGHT By FRANCESCO VEZZOLI and CHRISTOPHER BOLLEN Portrait PAOLO ROVERSI OPPOSITE: ROMAN POLANSKI, PHOTOGRAPHED IN PARIS ON NOVEMBER 25, 2008. YOU KNOW WHAT I like TO SEE AGAIN and AGAIN? SNOW WHITE. I DON’T THINK they MAKE ABOVE AND OPPOSITE: PHOTOS FROM THE SET OF GREED, THE NEW FRAGRANCE BY FRANCESCO VEZZOLI (2008), DIRECTED BY ROMAN POLANSKI ANYTHING better. IT’S so NAÏVELY BEAUTIFUL. AND STARRING MICHELLE WILLIAMS AND NATALIE PORTMAN. COSTUMES DESIGNED BY MIUCCIA PRADA. “ ” When Italian artist Francesco Vezzoli went look- Not like in America. [pauses] You know, I did an in- RP: No, I didn’t. But you have to take it into consid- ing for a director to help him make his latest art- terview for Interview with Andy back in 1973. eration, nevertheless. work, he went straight for the biggest. Vezzoli’s CB: I think, in fact, you did two with him. Do you FV: I’m sure you know the movie by [François] productions have always served up larger-than-life remember the questions he asked you? Truffaut called The Man Who Loved Women [1977]. spectacles studded with Hollywood mythos and RP: Not at all. He didn’t care.
    [Show full text]
  • Oisteanu, Andrei, Inventing the Jews. Antisemitic Stereotypes in Romania and Other Central European Cultures
    Oisteanu, Andrei, Inventing the Jews. Antisemitic Stereotypes in Romania and Other Central European Cultures. Studies in Antisemitism. University of Nebraska Press, Lincoln, London for the Vidal Sassoon International Center for the Study of Antisemitism. Andrea Petö To cite this version: Andrea Petö. Oisteanu, Andrei, Inventing the Jews. Antisemitic Stereotypes in Romania and Other Central European Cultures. Studies in Antisemitism. University of Nebraska Press, Lincoln, London for the Vidal Sassoon International Center for the Study of Antisemitism.. 2010. hal-03232940 HAL Id: hal-03232940 https://hal.archives-ouvertes.fr/hal-03232940 Submitted on 22 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Oisteanu, Andrei, Inventing the Jews. Antisemitic Stereotypes in Romania and Other Central European Cultures. Studies in Antisemitism. University of Nebraska Press, Lincoln, London for the Vidal Sassoon International Center for the Study of Antisemitism. The Hebrew University of Jerusalem. 2009. ISBN 978-0-8032-2098-0, x+468p. Moshe Idel, the most prominent kabala scholar of our time sets a tone of the volume as the first sentence of his introduction labels Oisteanu as „an expert in Romanian folklore and an active Jewish intellectual in Romania”.
    [Show full text]
  • Hairdresser History
    the HISTORY OF HAIRDRESSING By Ryan TEAL Produced by t h e Professional Beauty Association EUGENE SCHUELLER ( 1 8 8 1 - 1 9 5 7 ) Creator of Modern Hair Color Produced by t h e Professional Beauty Association EUGENE SCHUELLER Family Life Taught chemistry at the Sorbonne Approached by hairdresser in early 1900’s Converted his apartment Auréale Produced by t h e Professional Beauty Association EUGENE SCHUELLER Wealthiest industrialist in France Daily routine Controversial politics Family legacy Produced by t h e Professional Beauty Association EUGENE SCHUELLER ( 1 8 8 1 - 1 9 5 7 ) Creator of Modern Hair Color Produced by t h e Professional Beauty Association ANTONI “ANTEK ” CIERPLIKOWSKI ANTOINE DE PARIS ( 1 8 8 4 - 1 9 7 6 ) “THE HANDS OF AN ARCHITECT, AND THE EYE OF AN ARTIST” Produced by t h e Professional Beauty Association ANTOINE DE PARIS Monsieur Antoine The early years… Lilly De Moure (1904) Joan of Arc (1909) Inventor of Hairspray? Produced by t h e Professional Beauty Association ANTOINE DE PARIS Dyed his hair to Coronation of George VI match his poodles’ Died, July 1976 1924 1937 1976 1930 1973 Returned to Poland Began opening salons at Saks Fifth Avenues. 10,000 employees Produced by t h e Professional Beauty Association ANTONI “ANTEK ” CIERPLIKOWSKI ANTOINE DE PARIS ( 1 8 8 4 - 1 9 7 6 ) “THE HANDS OF AN ARCHITECT, AND THE EYE OF AN ARTIST” Produced by t h e Professional Beauty Association ANTOINE DE PARIS Protégés Sydney Guilaroff Did hair for over 400 movies (1907-1997) First hair stylist to be listed in the credits
    [Show full text]
  • Production Notes
    PRODUCTION NOTES Director | Nick Gillespie Producer | Finn Bruce Cast | Tom Meeten, Kris Marshall, Johnny Vegas, Katherine Parkinson, Kevin Bishop, Steve Oram, Alice Lowe, Jarred Christmas, Mandeep Dhillon, Pippy Haywood, Craig Parkinson, Steve BroDy, Neil EDmonD, Lloyd Griffith Executive Producers| Finn Bruce, Pandora Edmiston, Matthew ShreDer, James Appleton Writers | Brook Driver, Matt White & Nick Gillespie Editor | Tom Longmore Cinematographer | Billy J Jackson Run Time | 1h 35m 05s Rating | TBC Company | Belstone Pictures Publicity Contact The DDA Group [email protected] LOGLINE: When Paul’s chances of winning a national talent competition are ruined and his dreams of fame slashed, he plans a deathly revenge mission. One lunch break, five spectacular murders! Will the sparkly suited Paul pull it off, stay one step ahead of the cops and find the fame he’s always longed for? SYNOPSIS: Paul, a weedy charity-shop worker has his heart set on winning a national talent competition. With a sparkly suit, killer routine, and his dear old mother in tow… this is his big chance. But when the actions of five intransigent, selfish people get in his way and cause him to miss the audition, Paul plans a deathly revenge mission. One lunch break, five spectacular murders! Each wrongdoer seemingly dispatched in a fitting manner by a sparkly-suited Paul on a revenge rampage around his small hometown. But will he pull it off, stay one step ahead of the cops and find the fame he’s always longed for? DIRECTOR’S STATEMENT | NICK GILLESPIE “This story for me has always been an uplifting one but at the heart of which it’s essentially about grief and loss and how people deal with that.
    [Show full text]
  • Vidal Sassoon Academy 321 Santa Monica Blvd, Santa Monica, CA
    Vidal Sassoon Academy 321 Santa Monica Blvd, Santa Monica, CA 90401 310-255-0011 ext. 2 888-757-5100 ext. 2 www.sassoon.com January 1, 2013 through December 31, 2013 Table of contents Approval disclosure statement 4 Program Offered 5 Mission and Purposes 5 Goals and Objectives 5 Location 6 Facilities 6 Teaching and Learning Methods 6 Library 7 Student Kit 7 Course Curriculum 7 Standards for Student Achievement 8 Grading Procedures 8 Probation and Dismissal 9 Attendance 9 Leave-of Absence 10 State Licensure Requirements 10 Faculty 11 Admissions 12 Acceptance of Hours earned at Other Institutions 13 Distance Education 13 International Students 13 Language Proficiency 13 Tuition and Fee Schedule 14 2 Student Tuition Recovery Fund (STRF) 15 Student’s Right to Cancel 17 Refund Policy 18 Notice Concerning Transferability of Credits and Credentials Earned at Our Institution 19 Student Services 19 Placement 19 Counseling 19 Housing 19 Parking 20 Student Rights 20 Student Grievance Procedure 20 Right of Privacy 20 Retention of Student Records 20 3 APPROVAL DISCLOSURE STATEMENT The Vidal Sassoon Academy at 321 Santa Monica Boulevard, Santa Monica, California is a private institution that is approved to operate by the Bureau for Private Postsecondary Education. The institution is subject to re-approval every five years. Any questions a student may have regarding this catalog that have not been satisfactorily answered by the institution may be directed to: Bureau for Private Postsecondary Education Physical Address: 2535 Capitol Oaks Drive Suite 400 Sacramento, CA, 95833 Mailing Address: P.O. Box 980818, West Sacramento, CA 95798-0181 www.bppe.ca.gov Phone: (916)431-6959 Toll Free: (888)370-7589 Fax Number: (916)263-1897 As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement.
    [Show full text]
  • Full Transcript of the Interview (PDF)
    AN ORAL HISTORY OF BRITISH FASHION Leslie Russell Interviewed by Linda Sandino C1046/05 © The British Library Board IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. © The British Library Board NATIONAL LIFE STORIES INTERVIEW SUMMARY SHEET Ref. No.: C1046/05/01-12 Playback No.: F13773-74; F14372-75; F14535-37; F14683-84; F14911 Collection title: An Oral History of British Fashion Interviewee’s surname: Russell Title: Mr Interviewee’s forenames: Leslie Sex: Male Occupation: Hairdresser Date of birth: 07.05.1943 Mother’s occupation: Housewife Father’s occupation: Factory worker Date(s) of recording: 03.09.2003; 26.09.2003; 10.12.2003; 21.01.2004; 11.02.2004; 24.03.2004 Location of interview: Interviewee’s flat above salon ‘Smile’ Name of interviewer: Linda Sandino Type of recorder: Marantz CP430 Total no. of tapes: 12 Type of tape: D60 Mono or stereo: Stereo Speed: n/a Noise reduction: Dolby B Original or copy: original Additional material: Two photocopies of magazine articles from 1960s about the interviewee and hairdressing styles. Copyright/Clearance: full Interviewer’s comments: Noises on tapes 3 – 6 are building work on neighbouring property.
    [Show full text]
  • 'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75
    'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75 www.americanradiohistory.com www.americanradiohistory.com www.americanradiohistory.com 9L61 310oQPu-BH Dgg www.americanradiohistory.com BBC Handbook 1976 incorporating the Annual Report and Accounts 1974 -75 British Broadcasting Corporation www.americanradiohistory.com Published by the British Broadcasting Corporation 35 Marylebone High Street, London W 1 M 4AA ISBN 563 12891 7 First published 1975 © BBC 1975 Printed in England by The Whitefriars Press Ltd London & Tonbridge Illustrated section printed by Sir Joseph Causton & Sons Ltd, London www.americanradiohistory.com Contents Foreword Sir Michael Swann 7 Tables Part one World radio and television receivers 54 Annual Report and Accounts External broadcasting 65 1974 - 75 Annual Report of the Broadcasting Council for Scotland 105 Introductory 9 Annual Report of the Broadcasting Council for Wales 110 Programmes 21 Appendices 115 Television 21 I Hours of output: television 116 Radio 25 Hours of output: radio 117 Party political broadcasts and broadcasts II Programme analysis television networks by Members of Parliament 32 118 News 34 Programme analysis radio networks 119 III School broadcasting 120 Religious broadcasting 35 IV Hours of broadcasting in the External Educational broadcasting 37 Services 123 Northern Ireland 42 V Rebroadcasts of External Services 124 English regional broadcasting 43 _Network production centres 44 Part two The English television regions 47 Programme review Appeals for charity 48 Audience
    [Show full text]
  • Modernity, Commodification, and Spiritual Affiliation in Rosemary's
    Linda Sheppard, ‘Modernity, Commodification, and Spiritual Affiliation in Rosemary’s Baby’ Film Journal 5 / Screening the Supernatural / 2019 / pp. 75-92 Modernity, Commodification, and Spiritual Affiliation in Rosemary’s Baby Linda Sheppard University of East Anglia, UK Introduction In the early scenes of Rosemary’s Baby protagonist Rosemary Woodhouse (played by Mia Farrow) is shown renovating the Manhattan apartment she has just rented with her husband Guy (John Cassavetes). Painters apply white paint to the dark wood that adorns the gloomy interiors; the flat is re-painted, re-carpeted, re-furnished, and Rosemary hangs new curtains and lines the shelves of a mysteriously concealed closet. She pauses in her home-making to watch her husband’s TV commercial for the “the swingin’ world of Yamaha”. Later she is interrupted by a comically intrusive neighbour, Minnie Castevet (Ruth Gordon), who comes to introduce herself and see the apartment which has recently been vacated by her recently deceased friend, Mrs. Gardenia. Commenting on the brightness of the home and its modern design, Minnie flatters Rosemary even as she questions the cost of these adornments, the choice of which has been influenced by the world of magazines. In this way, from early on, the Woodhouse family seems to be aligned with impulses involving covering the old, ushering in the new, and establishing a sense of self vis-à-vis expensive and fashionably arranged accoutrements – all of this thanks to the support of the media which provide suggestions for what to buy, the means whereby these items may be acquired, and indications of where and how these products should be artfully displayed.
    [Show full text]
  • Vidal Sassoon Academy Cosmetology Program
    VIDAL SASSOON ACADEMY COSMETOLOGY PROGRAM VIDAL SASSOON ACADEMY 321 Santa Monica Blvd, Santa Monica, CA 90401 T: 310-255-0011 ext. 1 T: 888-757-5100 ext. 1 January 1, 2017 through December 31, 2017 SASSOON-ACADEMY.COM TABLE OF CONTENTS APPROVAL DISCLOSURE STATEMENT 4 PROGRAM OFFERED 5 – 10 Mission And Purposes 5 Goals And Objectives 6 Location 6 Facilities 6 Teaching and Learning Methods 7 Library 7 Student Kit 7 Course Curriculum 8 - 10 STANDARDS FOR STUDENT ACHIEVEMENT 11 – 16 Grading Procedures 11 Probation and Dismissal 11 Attendance 12 Leave-of Absence 12 State Licensure Requirements 12 - 13 Faculty 13 - 16 ADMISSIONS 16 – 22 Acceptance of Hours Earned at Other Institutions 17 Distance Education 17 International Students 17 Language Proficiency 17 Tuition And Fee Schedule 18 2 Student Tuition Recovery Fund (STRF) 19 - 20 Student’s Right To Cancel 21 Refund Policy 21-22 Notice Concerning Transferability of Credits and Credentials Earned at Our Institution 22 STUDENT SERVICES 23 Placement 23 Counseling 23 Housing 23 Parking 23 STUDENT RIGHTS 24 Student Grievance Procedure 24 Right Of Privacy 24 Retention Of Student Records 24 CONTINUING EDUCATION 25 Continuing Education Courses 25 3 APPROVAL DISCLOSURE STATEMENT The Vidal Sassoon Academy at 321 Santa Monica Boulevard, Santa Monica, California is a private institution approved to operate by the California Bureau for Private Postsecondary Education. Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. The institution is subject to re-approval every five years.
    [Show full text]