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Movie Actresses 10 Mar 2017
Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford. -
At Home with the Movies
At Home with the Movies PAT COSTA THE BOBO (1967) Friday, May 26 (NBC) He plays a Russian-British Thursday, May 25 (CBS) double agent and Mia Farrow is The regular Friday night NBC the love interest, naturally. The As I A poorly-done comedy starring movie is. pre-empted this night best parts are taken by Tom Peter Sellers, this is about an ex- for Chronolog, the documentary Courtenay, Per Oscarsson and matador from Barcelona who de series that everyone says they Lionel Stander in supporting cides to become a singer and se watch when pollsters call to ask roles.- See It duce a high-class prostitute which programs are being played by Britt Ekland. viewed. It was rated A-3, unobjection able for adults, by the national Rossano Brazzi and Adolfo Catholic film office. Celi are lost in supproting roles. TOPAZ (1970) Those who watched the televi supporting awards for their The national Catholic film of Saturday, May 27 sion industry present itself a- work on "The Mary Tyler Moore fice rated this A-3, unobjection wards for 2'/s hours recently at A foreign-intrigue adventuite THE SINGING NUN (1966) Show", gave extended credit able "for adults. Monday, May 29 (NBC) the 24th annual Emmy show to the writers on that situation drama, this one uses the Cuban could have learned a lot about comedy, which is one of the best missile crisis as its launching A syrupy concoction starring this medium. written fun shows of ail time. Gabrielli pad, with John Forsyth the only Debbie Reynolds as a constantly jiame in the cast that hops from cheerful nun who manages a rec And probably the first lesson Lesson three could deal with Speaks in country to country in this politi ord contract in between serving was that TV knows no more another background job so cal cloak and dagger film. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Being a Non-Entity with Soon-Yi Previn
Ellipsis Volume 41 Article 27 2014 Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Follow this and additional works at: https://scholarworks.uno.edu/ellipsis Part of the Nonfiction Commons Recommended Citation Hugmeyer, Carl (2014) "Being a Non-Entity with Soon-Yi Previn," Ellipsis: Vol. 41 , Article 27. DOI: https://doi.org/10.46428/ejail.41.27 Available at: https://scholarworks.uno.edu/ellipsis/vol41/iss1/27 This Creative Nonfiction is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in Ellipsis by an authorized editor of ScholarWorks@UNO. For more information, please contact [email protected]. Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Sometimes I realize that I’m not really putting myself out there. Being pleasant and considerate towards those around you is important, but part of me still thinks there should be something else going on. I find it hard to track down my contributions, my expressions, my statements. Partially read New Yorkers pile up and Netflix still recommends more documentaries than sitcoms. There is kale in the refrigerator, yes, and a $23 bottle of wine. Great. But is this supposed to be a model of beautiful living, to show to those who scream at their children, slapping them and then tugging at their arms as they wait for the tank to fill up at the gas station? To those who throw their Burger King wrappers out of the car window? It is dust accumulating, nothing, a mouse in the walls of the world that no one really sees or cares about except when it gets audibly worked up or so thoroughly stuck that a smell begins to emanate. -
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 Min | MGM | Rated PG-13
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 min | MGM | Rated PG-13 November 1, 2 p.m., 6th floor A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Farrow) regularly meets with her sisters Holly (Wiest) and Lee (Hershey) to discuss the week’s events. It’s what they don’t always tell each other that forms the film’s various subplots. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Dianne Wiest, Barbara Hershey, Michael Caine, Max von Sydow, and Carrie Fisher Broadway Danny Rose DVD | Black & White | 1984 | 86 min | MGM | Rated PG November 8, 2 p.m., 6th floor Danny Rose (Allen) is a fourth rate talent agent whose client list is filled with some of the oddest acts in show business. A good-hearted loser, Danny is willing to go to extremes to keep his acts happy and get them jobs. It’s this dedication that gets him in trouble when he becomes involved with his top client’s mistress and some unfriendly gangsters who mistake Danny as her lover. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Nick Apollo Forte, Paul Greco, and Frank Renzulli Film schedule continues on opposite page Elevators access the 6th floor after 1:30 p.m. All programs are free and subject to last minute change or cancellation SATURDAY MOVIES Grumpy Old Men DVD | Color | 1993 | 104 min | Warner Bros. | Rated PG-13 November 15, 2 p.m., 6th floor John and Max are elderly men living next door to each other. -
Grandmother Power: a Global Phenomenon
This PDF is NOT the entire book Grandmother Power: A Global Phenomenon by Paola Gianturco Published by To be released: October 2012 This PDF of Grandmother Power: A Global Phenomenon is only a preview and an uncorrected proof. Lifting images from mechanical files is strictly prohibited. To see the complete version, please contact Nina Ventura, Publicist: [email protected] Grandmother POWER A Global Phenomenon j PAOLA GIANTURCO Brooklyn, NY Grandmother Power: A Global Phenomenon Contents Text and photographs © 2012 Paola Gianturco All rights reserved. No part of this book may be reproduced in any manner in any media, or transmitted by any means INTRODUCTION 8 whatsoever, electronic or mechanical (including photocopy, film or video recording, Internet posting, or any other information storage and retrieval system), without the prior written permission of the publisher. HIV/AIDS 12 CANADA: Grandmothers caring for AIDS orphans in 15 African countries told Canadian grandmothers that Published in the United States by powerHouse Books, a division they didn’t want to be charity cases, but they did need “just enough.” Grandmothers in 245 groups across of powerHouse Cultural Entertainment, Inc. Canada raised $13 million over the last 6 years and sent “just enough” to those who asked. 12 37 Main Street, Brooklyn, NY 11201-1021 SWAZILAND: Youngsters run to their grandmothers as soon as their parents’ funerals are finished. All over telephone 212.604.9074, fax 212.366.5247 Sub-Saharan Africa, grandmothers adopt these AIDS orphans, sometimes supporting as many as 12 or 15 at e-mail: [email protected] a time. Grandmothers in rural Swaziland run seed nurseries and community gardens so they can feed their website: www.powerhousebooks.com many adopted boys and girls. -
Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
For a Faggot Anti-Fascism!
...for a faggot anti-fascism! June 2011. The squares are crowded. The people? The people left their couches and took to the streets. Debate. Fermentation. Direct democracy. The people got to acquaint themselves with the real, human face of anarchy rather than with that portrayed in the 8 o'clock news. Those days were a rupture. From there onwards we would “storm into the sky”. The cops spoiled the party. The repressive pigs. With the Israeli tear gas.1 At that point, then, a bit before storming the skies, an awkward moment was due. It was the first and only time – it is true – that we set foot in Syntagma square. It was when on the 4th June 2011, the gay pride parade run into the 'indignados'. Given that it was summer, the coldness of the encounter had something beautiful. A celebration of homosexual pride was encountering a circus of national moaning and it was logical to expect some discontent on the part of the latter. But this text won't talk about such easy to prove point: the widespread racism of Greek society against non-heteronormatives. We want, instead, to address the field of homophobia within anti-fascism, an immediate concern for us. Not to argue why it is not in our interest to maintain it. Besides, who is 'us'? We would just like to elucidate it and put different foundations in the whole debate, our foundations. No one would be surprised were we to reiterate the view that many stereotypes, prejudices and hate ideas have survived from the middle ages, and even prior to that, to the late 19th century and down to the 21st century. -
MGM Studio News (January 14, 1939)
. STUDIO NEWS Eddie Cantor Signed by M-G-M Star in Big Musical Comedy 'PIP ID -J Sf g W To Eddie Cantor will return to the screen under the banner of Metro- Goldwyn-Mayer. A contract just signed assures exhibitors at least Published In the Interests of Metro-Goldwyn-Mayer Pictures Studios one big Cantor musical comedy during 1939 with the star of “Kid VOL. V—CULVER CITY, CALIFORNIA, SATURDAY, JANUARY 14, 1939— No. 13 Boots,” “Whoopee,” “The Kid from Spain” and “Roman Scandals.” Although Cantor has not made a picture since “Ali Baba Goes to Town,” devoting Title Is Changed for all his time to radio, his activity on the New Nelson Eddy Film air has kept him closely associated with the As this issue of Studio News goes screen. to press, announcement is made His personal appear- that a new title has been chosen ances have been terrific for “Song of the West,’’ the Metro- successes in the Goldwyn-Mayer production star- and ring Nelson Eddy, with Virginia course of his radio work Bruce and Victor McLaglen. The he has constantly kept picture will be released as “The his audiences picture- Dusty Road.” minded with his screen discoveries. The latest is Cantor Terry Kilburn, the English boy actor who Wallace Beery scored in “Lord Jeff” and “Christmas Carol.” Cantor also was responsible to a Starts Work On great degree for the careers of Deanna Durbin and Bobby Breen. °Sergt. Madden' Detailed plans for Cantor’s first picture under his contract with M-G-M will be With “Stand Up and Fight” on its announced shortly. -
Under Postcolonial Eyes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and Chapters University of Nebraska Press 2013 Under Postcolonial Eyes Efraim Sicher Linda Weinhouse Follow this and additional works at: https://digitalcommons.unl.edu/unpresssamples Sicher, Efraim and Weinhouse, Linda, "Under Postcolonial Eyes" (2013). University of Nebraska Press -- Sample Books and Chapters. 138. https://digitalcommons.unl.edu/unpresssamples/138 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Under Postcolonial Eyes: Figuring the “jew” in Contemporary British Writing Buy the Book STUDIES IN ANTISEMITISM Vadim Rossman, Russian Intellectual Antisemitism in the Post-Communist Era Anthony D. Kauders, Democratization and the Jews, Munich 1945–1965 Cesare G. DeMichelis, The Non-Existent Manuscript: A Study of the Protocols of the Sages of Zion Robert S. Wistrich, Laboratory for World Destruction: Germans and Jews in Central Europe Graciela Ben-Dror, The Catholic Church and the Jews, Argentina, 1933– 1945 Andrei Oi܈teanu, Inventing the Jew: Antisemitic Stereotypes in Romanian and Other Central-East European Cultures Olaf Blaschke, Offenders or Victims? German Jews and the Causes of Modern Catholic Antisemitism Robert S. Wistrich, -
None of This Would Have Ever Happened If You Had Just Given an Oscar to Jennifer Lopez
NONE OF THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER LOPEZ By Tony Meneses Characters: Hugo Omar Nigel Elijah Yosef (all gay men of color in their 30’s/40’s) Setting: The last recorded Oscar party in gay history Time: February 9th, 2020 Wine. Charcuterie. Fresh fruit that no one’s eating. YOSEF. 1970? ELIJAH. ... Maggie Smith. NIGEL. Good one. YOSEF. 1991. ELIJAH Kathy Bates. HUGO. Also great. YOSEF. 1965! ELIJAH. Julie Andrews. NIGEL. (To Hugo.) Too easy. YOSEF 19... 46? ELIJAH. Joan fucking Crawford. NIGEL. HUGO. Oh my god! Yes ma-ma! NIGEL. That might actually be my favorite one. Mildred Pierce, can’t beat that. HUGO. What! Over Vivien Leigh, Ingrid Bergman, MERYL!?! 1 NIGEL. I stand by my decree. ELIJAH. Give me Elizabeth Taylor any day! YOSEF. 2002? In an instant it all goes quiet. NIGEL. ... What did you just say? YOSEF. 2002. Who won Best Actress in 2002? HUGO. Girl. Are you kidding? NIGEL. Oh god. She’s not. YOSEF. I’m not the biggest awards show gay, I’m sorry. HUGO. Who invited him again? ELIJAH. (Very serious.) 2002. That’s what you’re asking, Yosef? Two thousand, and two? YOSEF. Yes? ELIJAH. ... Halle Berry. Halle Berry won the Oscar that year. YOSEF. Oh. Isn’t that a good thing? We love Halle Berry. Don’t we? NIGEL. What kind of a question is that! 2 HUGO. You’re going to have to leave. ELIJAH. Halle Berry was—and remains to this day—the only woman of color to ever win the Academy Award for Best Actress. -
Bbf-1975-05-0375-001.Pdf
BULLETIN DE DOCUMENTATION BIBLIOGRAPHIQUE 2e PARTIE ANALYSES D'OUVRAGES ET D'ARTICLES FRANÇAIS ET ÉTRANGERS PRÉPARÉESPAR LA DIRECTIONDES BIBLIOTHÈQUES ET DE LA LECTUREPUBLIQUE I. LES DOCUMENTS PRODUCTION ET REPRODUCTION I053. - BORNEMANN(Henry S.). - Pennsylvania German illuminated manus- cripts : a classification of Fraktur-Schriften and an inquiry into their history and art... - New York : Dover publications, 1973. - 59 P-32 p. de pl. en coul.; 2I ×29 cm. ISBN 0-486-22926-2. La genèsede la publication de Henry S. Bornemann sur des manuscrits allemands rehaussésde motifs décoratifs et de couleurs et conservésen Pennsylvanie a quelque chose d'assezinsolite pour mériter d'être rapportée en cette place. Cela fixera mieux, au départ, ce que le lecteur est en droit d'attendre du texte et des documents repro- duits, en ouvrant cet imposant ouvrage oblong. Il ne s'agit pas, en effet, de ces manuscrits à miniatures qui ont fleuri au Moyen âge avant l'invention de l'impri- merie, mais de papiers de caractère familial qui ont eu leur temps de vogue en Alle- magne et sur les bords du Rhin à la fin du XVIIIe et durant une bonne partie du XIXe siècle; ils ont le grand mérite d'avoir été décorésà la manière de ces miniatures anciennes, avec un goût et un souci de la perfection qui en font de réels et petits chefs-d'oeuvre de la plume. Aussi leur présence en Pennsylvanie mérite-t-elle une explication. L'auteur la donne au lecteur dans sa préface. Ainsi la genèsede cet ouvrage remonte à sa grand-mère : née en 1789, elle était elle-même la petite-fille d'un ancêtre alle- mand venu s'établir en Pennsylvanie environ soixante-dix ans avant sa propre nais- sance.