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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
BIO Stéphane Galland
Stéphane Galland was born into a musical family and received his first drum set at the age of three. He decided to take lessons in classical percussion when he reached the age of nine, at the conservatory at Huy (Belgium) and started playing jazz with his fellow pianist Eric Legnini two years later. At the age of 13, having had the opportunity to play with the best jazz musicians in Belgium, he developed a growing interest in this musical field. Always in search of new musical experiences, he met Pierre Vandormael, Fabrizio Cassol and Michel Hatzigeorgiou, and later with the last two, formed the band called AKA MOON. The band, which recorded over 20 CDs and performed worldwide (Europe, Africa, Asia, the United States, Canada, South America, the Caribbean Islands, India…), has been a unique and invaluable field of development and experimentation with different musical traditions. This led Stéphane Galland to record and perform with the Malian star Oumou Sangare, Senegalese master Doudou N'diaye Rose (Miles Davis, Rolling Stones, Peter Gabriel...), the Great and undisputed South Indian master of Mridangam Umayalpuram K. Sivaraman, the Turkish master of percussion Misirli Ahmet, and many different artists from Africa, India, Asia, Europe and America. Other than that, Stéphane Galland has been playing and recording with numerous famous artists from different horizons including Joe Zawinul, Joe Lovano, Toots Thielemans, Philip Catherine, Mark Turner, Robin Eubanks and singers Ozark Henry, David Linx, Axelle Red, Zap Mama, Novastar as well as many different groups using new developments in rhythm and harmony such as Dhafer Youssef, Nguyên Lê, Nelson Veras, Thôt, Kartet. -
M U S I C & W O R D S Brussels Jazz Orchestra W. Tutu Puoane
Brussels Jazz Orchestra w. Tutu Puoane Mama Africa, the new album by the Brussels Jazz Orchestra, pays tribute to Miriam Makeba, possibly the greatest South African singer ever. Tutu Puoane, who hails from South Africa, was invited to sing and choose the songs. Seven arrangers were commissioned to arrange these songs from ‘Mama fact sheet Africa’s’ repertoire for one of Europe’s best big bands, the Brussels Jazz Orchestra. Artist • Brussels Jazz The BJO worked with Tutu Puoane before in several projects, e.g. a tribute to Billy Orchestra, Tutu Puoane Holiday. Tutu Puoane in her own right is a rising star. Her two solo albums Song and Quiet title • Mama Africa Now were well received and both albums were licensed into Japan and South Africa. label • Saphrane Especially on her second album she shows more of her South African roots and it was no article nr • S 62612 big surprise that she was invited by the BJO to put together a program with music from format • CD/jewelcasr/O- South Africa. It was in this period that Miriam Makeba passed away, so eventually it was card decided that most of the songs were to be from this great singer’s repertoire. booklet • 28 pages: Amongst the songs chosen are various contemporary compositions by some of the English, Dutch best writers the land has to offer, but also quite a few folk songs in native languages. country • Belgium/South Nevertheless Mama Africa is a real jazz album that pays a worthy tribute to ‘Mama Africa’. Africa genre • jazz/big band brussels jazz orchestra price • full price bookings In 1993 Frank Vaganée, Serge Plume and Marc Godfroid, three big names on the Belgian scene, decided to set up new professional big band. -
I Silenti the Next Creation of Fabrizio Cassol and Tcha Limberger Directed by Lisaboa Houbrechts
I SILENTI THE NEXT CREATION OF FABRIZIO CASSOL AND TCHA LIMBERGER DIRECTED BY LISABOA HOUBRECHTS Notre Dame de la détérioration © The Estate of Erwin Blumenfeld, photo Erwin Blumenfeld vers 1930 THE GOAL For several years Fabrizio Cassol has been concentrating on this form, said to be innovative, between concert, opera, dance and theatre. It brings together several artistic necessities and commitments, with the starting point of previously composed music that follows its own narrative. His recent projects, such as Coup Fatal and Requiem pour L. with Alain Platel and Macbeth with Brett Bailey, are examples of this. “I Silenti proposes to be the poetical expression of those who are reduced to silence, the voiceless, those who grow old or have disappeared with time, the blank pages of non-written letters, blindness, emptiness and ruins that could be catalysers to other ends: those of comfort, recovery, regeneration and beauty.” THE MUSIC Monteverdi’s Madrigals, the first vocal music of our written tradition to express human emotions with its dramas, passions and joys. These Madrigals, composed between 1587 and 1638, are mainly grouped around three themes: love, separation and war. The music is rooted, for the first time, in the words and their meaning, using poems by Pétraque, Le Tasse or Marino. It is during the evolution of this form and the actual heart of these polyphonies that Monteverdi participated in the creation of the Opera as a new genre. Little by little the voices become individualized giving birth to “arias and recitatives”, like suspended songs prolonging the narrative of languorous grievances. -
Starten Met Jazz
Themalijst Starten met Jazz Inleiding De Openbare Bibliotheek Kortrijk heeft een zeer uitgebreide jazzcollectie een paar duizend cd’s en een paar duizend vinylelpees) waardoor het voor een leek moeilijk is het bos door de bomen te zien. Ik zie voor de leek die iets meer wil weten ver jazzmuziek drie opties: 1. Je komt naar de Bib en grasduint wat in onze fantastische collectie. Grote kans dat je de ‘verkeerde’ cd’s meeneemt en voorgoed de jazz afzweert. Wat jammer zou zijn.. 2. Je neemt enkel verzamel-cd’s mee, bijvoorbeeld de Klara cd’s 3. Ok, dan heb je een staalkaart van het beste wat er ooit verschenen is en wil je misschien nog iets dieper gaan, meer exploreren, meer voelen wat échte jazz is.. Dan lees je 4. De beknopte lijst hieronder die chronologisch in enkele tientallen cd’s je wegwijs maakt in de verschillende subgenres van de jazz. Verwacht geen uitgebreide biografieën of discografieën maar een kort situeren van de belangrijkste stromingen met haar prominentste vertegenwoordigers. Dit is alleen maar een kennismaking, een aanzet. Maar dit document probeert een chronologisch overzicht te geven met de belangrijkste namen per sub genre. Als je van al deze artiesten één cd beluisterd hebt, kan je al wat meepraten voor jazz. Het is belangrijk op te merken dat al die sub genres soms zeer lang blijven en zelfs heropleven. Uiteraard overlappen ze elkaar in de tijd. En weinig muzikanten beperken zich echt tot één stijl. Jazzrecensent Mark Van den Hoof stelt dat na de jaren ‘60 niets nieuws meer gebeurde in de jazz en dat men zich beperkt tot het spelen in de stijlen van de vorige eeuw. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Labelnight Programmafolder Def.Indd
FEEST VAN DE BELGISCHE JAZZ ZATERDAG 8 OKTOBER 2016 In februari 2012 sloegen het Concertgebouw en De Werf de handen in elkaar voor een eerste W.E.R.F.- Labelnight. Deze eerste editie huldigde niet alleen 100 releases op het Brugse label, maar vierde even- eens het tienjarige jubileum van het Concertgebouw. De formule bleek een schot in de roos en een ver- volg kon dan ook niet uitblijven! Vandaag draait het W.E.R.F.-label nog steeds op volle toeren en stevent het af op 150 titels. Wat oorspronkelijk startte in 1993 als een eenmalige ondersteuning aan de Brugse pianist Kris Defoort, groeide uit tot wellicht het belangrijkste jazzlabel in Vlaanderen. De oneindige lijst aan jazzmuzikanten die reeds voor het label opnamen, leest als een encyclopedie van de Belgische 18:00 KRIS DEFOORT’S DIVING POET SOCIETY CONCERTZAAL jazzgeschiedenis van de afgelopen 25 jaar. Doorheen de jaren groeiden dan ook heel wat artiesten met JAZZCONCERTEN IN DE WERF NAJAAR 2016 ROBIN VERHEYEN QUARTET het label uit tot gevestigde waarden in het circuit. Voor deze tweede Labelnight selecteerden we zowel jonge leeuwen als vertrouwde gezichten. Op het programma staat onder meer Kris Defoorts nieuwe cre- 19:00 SCHNTZL KAMERMUZIEKZAAL atie Diving Poet Society met special guest Veronika Harcsa, het jonge duo SCHNTZL, Chris Joris Home VR. 21 OKT. ANTOINE PIERRE URBEX The Bach Riddles - Wereldpremière Project, Sander De Winne – Bram De Looze Duo , Bart Defoort Quintet, Jean-Paul Estiévenart – Steven Woensdag 18.01.2017 Delannoye Quartet, enzovoort. Een mix van generaties en stijlen. ZO. 30 OKT. OMER AVITAL QUINTET (* locatie Vrijstaat O in Oostende) BART DEFOORT QUINTET STUDIO 1 20:00 Kamermuziekzaal VR. -
And Soprano Saxophonist, Arranger, Composer, Artistic Director BJO, Teacher
FRANK VAGANÉE Alto- and soprano saxophonist, arranger, composer, artistic director BJO, teacher °1966 www.frankvaganee.com www.brusselsjazzorchestra.com www.jazznbeyond.be www.luca-arts.be Frank Vaganée was born on March 19, 1966 in Mechelen, Belgium. He received a classical musical education at the Conservatory of Mechelen and the Royal Conservatory of Antwerp (1974-1985). Frank got improvisation lessons from the American jazz saxophonist John Ruocco at the Antwerp Jazz Studio (1983-1986) and studied composition and arranging techniques at the Hochshule für Musik und Tanz in Cologne (1993-1995) with another American, Bob Brookmeyer. In 1998 he moved to New York to study. Frank has led his own bands and composed for both large and small orchestral forces since 1983. He was a freelancer at the BRT (Belgian Radio and Television) Jazz Orchestra and BRT Big Band from 1986-1991. He was a member of the ‘Timeless Orchestra’ from the Netherlands, with which he toured throughout Europe and Japan (1989-1993) and represented Belgium in 1989 in the EBU-big band (European Broadcasting Union) in Lignano Sabbiadoro, Italy. In 1991 Frank was named best jazz talent by the Belgian Jazz Press. In 1993 he won the CERA Bank’s “Youth and Music” Award. In 1994 he and the BJO won the “Prix Nicolas Dor”. In 2001 Frank won the “Django d’Or” award. In 2006 Frank and the BJO won the “Flemish Culture Award”. In 2011 he won the “Jazzmozaïk [magazine] Award”. Between 2011 and 2013, Frank was artist-in-residence in his hometown Mechelen, Belgium. In this capacity, he realized numerous projects in Mechelen, including: the jazz oratorio “Say, sing it, the city are we” in collaboration with poet Roger De Neef, in the context of the Newtopia festival, “The end of the world”, a play in collaboration with theater ‘t Arsenaal, “Serendipity”, a musical score in addition to the exhibition of artist painter Beniti Cornelis. -
Concert: Kenny Werner Trio, Visiting Artists Series 2004-5 Kenny Werner
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-3-2005 Concert: Kenny Werner Trio, Visiting Artists Series 2004-5 Kenny Werner Kenny Werner Trio Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Werner, Kenny and Kenny Werner Trio, "Concert: Kenny Werner Trio, Visiting Artists Series 2004-5" (2005). All Concert & Recital Programs. 5082. https://digitalcommons.ithaca.edu/music_programs/5082 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. CHOOLOF VISITING ARTISTS SERIES 2004-5 ( KENNY WERNER 7:00 p.m. Lecture Hockett Family Recital Hall KENNY WERNER TRIO 8:30 p.m. Concert Ford Hall Sunday,April3, 2005 ITHACA - Program To Be Selected From The Following Tunes Peace Pinocchio/Fall All Things You Are Jabali Peace Stella By Starlight Evidence Chach Beat Degeneration Little Blue Man Trio Imitation Yump Guru Voncify the Emulyans Melodies of 2002 ( Beat Degeneration Form and Fantasy Amongkst Sicilienne Nardis Tears In Heaven Dolphin Dance My Funny Valentine Bill Remembered Time Remembered/Lonnies Lament ( Kenny Werner was born on November 19, 1951 in Brooklyn, NY. At the age of eleven, he recorded a single with a fifteen-piece orchestra and appeared on television playing stride piano. He attended the Manhattan School of Music as a concert piano major. In 1970, he transferred to the Berklee School of Music. In 1977, he recorded his first Long Playing album that featured the music of 'ix Beiderbecke, Duke Ellington, James P. -
Belgianjazzdirectory2011.Pdf
Preface Introduction Jazz in Belgium 2011, Courage in the delta The Artists Unity is strength! Hamster Axis of the one-click Panther Manuel Hermia Trio After three editions of the Flemish Jazz Meeting we are very pleased De Beren Gieren to present you with a new initiative that aims to unite the jazz scenes Collapse of both parts of the country in one common objective: to firmly put Pascal Mohy Trio Belgian jazz on the map of Flanders, Wallonia, Brussels and Europe, Rêve d’éléphant Orchestra thus promoting mutual knowledge. Tuur Florizoone - Mixtuur Nicolas Kummert Voices The Belgian Jazz Meeting is a mini showcase festival that gives national Rackham and international promoters and the press the chance to see 12 bands Christian Mendoza Group at work. Joachim Badenhorst At the same time, the meeting is an ideal forum for colleagues to meet Giovanni Barcella – Jeroen Van Herzeele Duo each other, stay connected, expand networks and exchange ideas. Belgian Jazz Directory For the selection, we asked a jury of about 60 members from all corners Organisations of the country to select 12 artists with international potential who could Jazz Festivals benefit from our support. The result is not a hit parade but rather a very Venues diverse palette of hungry young things as well as more established Jazz Clubs/Small Music Venues names that never tire of reinventing themselves. This CD introduces Media each one of them with a recent composition. Information Platforms Management/Booking Agencies The second part of this booklet contains an overview of the most Labels & Distribution important organisations, concert venues, festivals, etc… for jazz in Belgium. -
Outanabi, Ibn Al-Farid, Hosni Ibrahim Mirza Or Abu Nawas
CD 1 - AKA BALKAN MOON 1 BABA 15’22 (F. CASSOL – Includes the Bulgarian folk song: Izkusala Baba) 2 DALI 12’55 (F. CASSOL – Includes the Bulgarian folk song: Dali Carni Ochi Nyamam) 3 BULGARIAN STUDY 7’26 (F. CASSOL) 4 OKIO 8’26 (F. CASSOL – Includes the Bulgarian folk song: Devoiko) 5 MOME KALINO 4’36 (Bulgarian folk song) 6 A.K.A STÉSTÉ 5’24 (F. CASSOL) 7 UPON MI-SI-LA 11’58 (F. CASSOL, after an anonymous 16th-Century English – Includes an anonymous Bosnian tune and a Bulgarian folk song: Jenala E Diber Yanav) Total time: 66’10 Recorded live at Flagey, Studio 4 (Brussels) at the opening of the Festival Musiq’3 (Festival of Wallonia), 26 June 2014. CD 2 - ALEFBA 1 MONKEY 13’31 (F. CASSOL) - Vocals: Tcha Limberger, Khaled Alhafez, Mustafa Saïd, Magic Malik, Amir ElSaffar 2 BRUME DU MATIN 7’40 (F. CASSOL) - Vocals: Khaled Aljaramani, Khaled Alhafez 3 HADI 15’42 (F. CASSOL) - Vocals: Sheikh Ehab Younes, Mustafa Saïd 4 SINAÏ 13’06 (F. CASSOL & MISIRLI AHMET) 5 COMEDIA 13’15 (F. CASSOL) - Vocals: Khaled Alhafez, Khaled Aljaramani 6 DIVINA COMEDIA 4’25 (IMPROVISED BY EHAB YOUNES) Total time: 67’42 Recorded live at the Cathedral of Tournai (Belgium), during Festival Les Inattendues (Festival of Wallonia-Hainaut), 30 August 2014, except tracks 3 & 6, recorded live at KVS (Brussels), 4 April 2014. The lyrics are mainly improvised and based on classical Arabic poems, written by anonymous or authors such as Qais Ben Ibn Al Moulawah, Abou Alala Almaari, Abou Taieb Almoutanabi, Ibn al-Farid, Hosni Ibrahim Mirza or Abu Nawas. -
Bart Defoort
BART DEFOORT TENOR- EN SOPRAANSAXOFONIST °1964 MySpace Profiel Saxofonist Bart Defoort is sedert 1990 zeer actief op onze jazzscène als lid van onder andere K.D.’s Basement Party (met broer Kris Defoort), Brussels Jazz Orchestra, Octurn en Streams. Daarnaast is hij een veelgevraagd sideman en speelde hij op onze nationale festivals en clubs en op festivals in Canada, India, China, de Verenigde Staten, enz. In 1997 maakt hij een eerste W.E.R.F.-cd met eigen composities : ‘Moving’ (w.e.r.f. 009) Deze cd en groep kreeg lovende kritieken en speelde toen onder andere op Jazz Middelheim. Na het verschijnen van de cd ‘Streams’ (Igloo) met co-leider Diederik Wissels, is "The Lizard Game" zijn tweede cd op het w.e.r.f.-label. "The Lizard Game" werd opgenomen na een uitgebreide JazzLab Series-tournee in het voorjaar van 2008. Het repertoire bestaat uit eigen composities van Bart zelf en van gitarist Hans Van Oost, en beslaat een brede waaier aan sferen en grooves: hard swingende up tempos, bezielende ballades en groovy, bluesy medium stukken. Het quartet brengt deze muziek tot leven met veel interactie en spelplezier. Bart Defoort is sinds de oprichting in 1993 een vast lid van het Brussels Jazz Orchestra. Hij leidt het Bart Defoort Quartet en speelt geregeld als freelance muzikant bij diverse orkesten. Daarnaast is hij leraar op het Conservatorium in Gent en de Kunstacademie in Antwerpen. Discografie : K.D.’s Basement Party “ Sketches Of Belgium ” (1992) W.E.R.F 001 OCTURN “ Chromatic History ” (1994) W.E.R.F. 002 OCTURN “ Ocean ” (1996) W.E.R.F.