Alexis Lothian |
[email protected] | 310-436-5727 Writing Sample Submission to International Journal of Cultural Studies Submitted September 8, 2011 Archival Anarchies: Online Fandom, Subcultural Conservation, and the Transformative Work of Digital Ephemera Abstract: This essay explores the politics of digital memory and traceability, drawing on Jacques Derrida’s Archive Fever and on queer theories of performance and ephemerality. Its primary example is the Organization for Transformative Works, a successful advocacy group for creative media fans whose main project has been an online fan fiction archive. I am concerned both with this public face and with the activities that fans would prefer to keep out of the official record. For scholars of subcultural artistic and cultural production, the mixed blessings of conservation and legitimacy are necessary considerations for the archiving and meaning-making work of cultural theory. Paying attention to the technological and social specificities that contextualize fandom as a digital archive culture, I trace contradictions and contestations around what fannish and scholarly archivable content is and should be: what’s trivial, what’s significant, what legally belongs to whom, and what deserves to be preserved. Keywords: subculture, fandom, archive, ephemera, memory, digital, queer Word count: 8,053 including all notes and references Lothian 2 1. Introduction: Legitimacy [W]hat is no longer archived in the same way is no longer lived in the same way. (Derrida 1996: 18) In 2011, Google’s decision to delete apparently pseudonymous accounts on its new social networking service, Google Plus, caused enormous online controversy. The hashtag #nymwars indexed online disagreements over whether individuals’ participation in online social networking should be connected to the names on their credit cards.