FEBRUARY, 2009 Church of the Good Shepherd Lookout Mountain

Total Page:16

File Type:pdf, Size:1020Kb

FEBRUARY, 2009 Church of the Good Shepherd Lookout Mountain THE DIAPASON FEBRUARY, 2009 Church of the Good Shepherd Lookout Mountain, Tennessee Chancel Organ Cover feature on pages 26–27 Feb 09 Cover 2-YES.indd 1 1/12/09 1:23:14 PM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundredth Year: No. 2, Whole No. 1191 FEBRUARY, 2009 Henri Mulet as well. Besides the mere general fact Established in 1909 ISSN 0012-2378 Byzantine speculations of the erection of the church, one of the An International Monthly Devoted to the Organ, When I opened the December is- three chapels is dedicated to St. Peter. It the Harpsichord, Carillon, and Church Music sue of The Diapason, I was thrilled to is interesting to note that, in this chapel, see an extended article on Henri Mulet. one of the marble plates of donors bears What a sensation! the name of the Parisian parish St-Roch Recently again in Paris, I took my where Mulet was organist. We found St. CONTENTS Editor & Publisher JEROME BUTERA [email protected] family along the usual organist’s pil- Peter also present in the form of a statue 847/391-1045 grimage through the Parisian churches. placed in a niche in the back wall of the FEATURES In St-Sulpice we investigated the obe- sanctuary, receiving frequent adorations. University of Michigan lisk and enjoyed the posted reading The movement Procession may have also Historic Organ Tour 55 Associate Editor JOYCE ROBINSON material on the wall about the rumors a meaning beyond the common liturgi- by Jeffrey K. Chase 20 [email protected] caused by a recent novel. Entering the cal procedure before or after a mass. At 847/391-1044 Basilique Sacré-Coeur afterwards, a its consecration, the church was titled From the Dickinson Collection: Reminiscences by Clarence Dickinson, little Dan-Brownish feeling came up. a basilica. Besides being a architectural Part 2: 1898–1909 Contributing Editors LARRY PALMER To this unique edifi ce in Roman-Byz- term, basilica can also stand for pilgrim- Compiled by Lorenz Maycher 22 Harpsichord antine style, Henri Mulet had dedicated age church. Still today, pilgrim proces- his ten-movement collection Byzantine sions are quite common in Catholic ar- Sketches. Would it be possible to fi nd eas of Europe. In the center side apse NEWS & DEPARTMENTS JAMES MCCRAY Choral Music traces of connections of the movements opposite St. Peter, the paintings on the Editor’s Notebook 3 with the basilica and its interior? Here side walls depict essential moments of Letters to the Editor 3 BRIAN SWAGER are some speculations. Christ’s life, whereas the altarpiece in Here & There 3, 4, 5, 6, 8, 10 Carillon In 1870 war broke out between France the center refers to the Nativity: Holy Nunc Dimittis 8 and Germany, and Parisian citizens vowed Mary with the child. Hence perhaps the HERBERT L. HUESTIS to build a church consecrated to the Heart movement Noël. In Paradisum could re- Looking Back 10 OrganNet Forum Osiris Organ Archive of Christ in penitence for committed sins. fer then to the depicted Ascension scene In the wind . by John Bishop 12 www.wu-wien.ac.at/earlym-l/organs/local.html In their opinion, the misery of their coun- in the same chapel. These two move- On Teaching by Gavin Black 14 e-mail: [email protected] try had more spiritual than political rea- ments could represent the fi rst and last sons. The cornerstone was laid in 1875 moments of Christ on earth. at the highest hill of Paris, in the quarter Chant funèbre may refer to the men REVIEWS Prepress Operations DAN SOLTIS Montmartre. This mountain of martyrs killed in action during World War I; Music for Voices and Organ 15 is the site where Paris’s fi rst archbishop maybe some of them have been laid out Book Reviews 16 St. Denis is said to have been martyred in a chapel before consecration. Asking THE DIAPASON (ISSN 0012-2378) is published monthly New Recordings 16 by Scranton Gillette Communications, Inc., 3030 W. Salt around A.D. 250. In earlier times being church wardens about the location of the New Organ Music 18 Creek Lane, Suite 201, Arlington Heights, IL 60005-5025. a Druidic holy place, the hill has gained Chapelle des Morts I was surprised by Phone 847/391-1045. Fax 847/390-0408. Telex: 206041 further importance through the founda- the answer. They told me that there is no New Handbell Music 19 MSG RLY. E-mail: <[email protected]>. Subscriptions: 1 yr. $35; 2 yr. $55; 3 yr. $70 (Unit- tion of the Societas Jesu (the Jesuits’ or- such chapel. Maybe in Mulet’s time one der) by Ignatius Loyola. Since 1885, the of the chapels was used as a consecration NEW ORGANS 28 ed States and U.S. Possessions). Foreign subscrip- tions: 1 yr. $45; 2 yr. $65; 3 yr. $85. Single copies $6 place is respected as a location of perpet- chapel or Mulet refers with his move- CALENDAR 29 (U.S.A.); $8 (foreign). ual worship. The church was completed ment Chapelle des Morts to the sanctu- Back issues over one year old are available only ORGAN RECITALS 33 from The Organ Historical Society, Inc., P.O. Box 26811, in 1914, together with the detached bell ary in the large crypt. Richmond, VA 23261, which can supply information on tower with its 42,000-pound Savoyarde, Recent novel style of deciphering CLASSIFIED ADVERTISING 34 availabilities and prices. one of the heaviest bells in the world. riddles remained for the movement Vi- Periodical postage paid at Rochelle, IL and additional mailing offi ces. POSTMASTER: Send address changes The breakout of World War I, however, trail. The singular may or may not point prevented the church from the conse- to a specifi c window. Suppose that Mu- Cover: Parkey OrganBuilders, Duluth, to THE DIAPASON, 3030 W. Salt Creek Lane, Suite 201, Arlington Heights, IL 60005-5025. cration, which fi nally took place only on let had a specifi c window in mind, the Georgia; Church of the Good Shepherd, Routine items for publication must be received six October 16, 1919. Mulet’s dedication “En fi rst choice would be one of signifi cant Lookout Mountain, Tennessee 26 weeks in advance of the month of issue. For advertising copy, the closing date is the 1st. Prospective contribu- mémoire de la Basilique du Sacré-Coeur size. The only windows that fall into this tors of articles should request a style sheet. Unsolicited de Montmartre 1914–1919” suggests that category are the two window ensembles www.TheDiapason.com reviews cannot be accepted. it refers to the period during which the opposite each other on the side walls in This journal is indexed in the The Music Index, an- notated in Music Article Guide, and abstracted in RILM edifi ce had to wait for its fi nal destination. the main nave. One of them underlines Abstracts. It was a surprise to read in the recent Di- the crucifi xion with the epigraph Ecce Send subscriptions, inquiries, and ad- Copyright ©2009. Printed in the U.S.A. apason article on Mulet that the pieces Lignum Crucis (behold the wood of dress changes to THE DIAPASON, were composed earlier, at a time no one the cross), the other one the resurrec- 3030 W. Salt Creek Lane, Suite 201, THE DIAPASON accepts no responsibility or liability would have had any idea about the fi ve- tion with Christus Vincit (Christ tri- Arlington Heights, IL 60005. for the validity of information supplied by contributors, year delay of the consecration. umphs [over death]). The movement Vi- vendors, advertisers or advertising agencies. Now entering the church: Where are trail is composed in f-sharp minor. One the connections and mysteries? The ten can speculate further that it is the minor No portion of the contents of this issue may be reproduced in any form without the specifi c written permission titles read: Nef (nave) - Vitrail (stained- key with three “crosses,” and the Bible of the Editor, except that libraries are authorized to make photocopies of the material contained herein for the purpose of course reserve reading at the rate of one copy for every fi fteen students. Such copies may be reused for glass window) - Rosace (rosette) - Cha- mentions three crosses on Mount Olive. other courses or for the same course offered subsequently. pelle des Morts (chapel of the deceased) Maybe Ecce lignum crucis is then the - Campanile (bell tower) - Procession window. It falls into the picture that the (procession) - Chant funèbre (funeral melody comes fi rst harmonized, then song) - Noël (Christmas tune) - In Para- entirely in canon form, with fl owing disum (towards paradise) - Tu es petra et sixteenths in the accompaniment. This Editor’s Notebook portae inferi non praevalebunt adversus reminds us of Simon of Cyrene who, af- te (You are the rock and the gates of hell ter Jesus had carried the cross for some shall not prevail against you). time alone, assisted him to make the 100th year another benefi t of your subscription. It Nef, Rosace, and Campanile are self- burden lighter. As The Diapason continues in its features news items, reviews, and classi- explanatory. So seven titles remain. Tu Michael Gailit 100th year, we will be including items fi ed advertising, with links to our website es petra and St. Peter are no mystery, Vienna, Austria from the past (see “Looking Back” on for the complete articles. If you have not page 12 in this issue), and assembling yet received your copy of THE DIAPASON materials for next December’s 100th E-News, please visit our website and sign anniversary issue.
Recommended publications
  • Westminster Abbey 2013 Report to the Visitor Her Majesty the Queen
    Westminster Abbey 2013 Report To The Visitor Her Majesty The Queen Your Majesty, The Dean and Chapter of the Collegiate Church of St Peter in Westminster, under the Charter of Queen Elizabeth I on 21st May 1560 and the Statutes graciously granted us by Your Majesty in a Supplemental Charter on 16th February 2012, is obliged to present an Annual Report to Your Majesty as our Visitor. It is our privilege, as well as our duty, now to present the Dean and Chapter’s Annual Report for the Year of Grace 2013. From time to time, the amount of information and the manner in which it is presented has changed. This year we present the report with more information than in recent years about the wide range of expertise on which the Dean and Chapter is able to draw from volunteers sitting on statutory and non-statutory advisory bodies. We also present more information about our senior staff under the Receiver General and Chapter Clerk who together ensure that the Abbey is managed efficiently and effectively. We believe that the account of the Abbey’s activities in the year 2013 is of wide interest. So we have presented this report in a format which we hope not only the Abbey community of staff, volunteers and regular worshippers but also the wider international public who know and love the Abbey will find attractive. It is our daily prayer and our earnest intention that we shall continue faithfully to fulfil the Abbey’s Mission: — To serve Almighty God as a ‘school of the Lord’s service’ by offering divine worship daily and publicly; — To serve the Sovereign by daily prayer and by a ready response to requests made by or on behalf of Her Majesty; — To serve the nation by fostering the place of true religion within national life, maintaining a close relationship with members of the House of Commons and House of Lords and with others in representative positions; — To serve pilgrims and all other visitors and to maintain a tradition of hospitality.
    [Show full text]
  • A Study of Selected Works of Ignaz Joseph Pleyel
    The Woman's College of The University of North Carolina LIBRARY CQ no. Ml COLLEGE COLLECTION Gift of Rachel Elizabeth Mu^eon y A STUDY OF SELECTED WORKS OF IGNAZ JOSEPH PLEYEL by Rachel Elizabeth Hudson A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree '... Master of Education in Music Education Greensboro July, 1964 Approved by f-GL Director • h APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School at the University of North Carolina at Greensboro. Greensboro, North Carolina. Thesis Director Oral Examination Committee Members %^McA^ $££* %6-L**<L-^ July 17, 1964 2703 Date of Examination ii HUDSON, RACHEL ELIZABETH. A Study of Selected Works of Ignaz Joseph Pleyel. (1964) Directed by: Dr. Lee Rigs by. 165 pp. The purpose of this study is to help fulfill a need in keyboard instruc - tion for more materials which are both worthy and exemplary of the period they reflect. For students in the intermediate grades, much of the literature re- flecting the classic style of the eighteenth century is far too difficult in its technical and interpretive demands. This is not true of many of the composi- tions of Ignaz Joseph Pleyel, but unfortunately his works fell into oblivion during the early nineteenth century and have up to the present played a very small role in the performing repertoire. The present discussion deals first with the biography of Pleyel, describ- ing his life as a composer and later as a successful business man.
    [Show full text]
  • Submitted to the Faculty of the Jacobs School of Music in Partial Fulfillment of the Requirements for the Degree, Doctor of Music, Indiana University December, 2015
    A HANDBOOK FOR INTRODUCING UNDERGRADUATES TO THE ORGAN AND ITS LITERATURE BY PATRICK EUGENE POPE Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University December, 2015 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Katherine Strand, Research Director __________________________________ Christopher Young, Chairperson __________________________________ Mary Ann Hart __________________________________ Marilyn Keiser September 17, 2015 ii Copyright © 2015 Patrick E. Pope iii ACKNOWLEDGEMENTS The writer wishes to acknowledge his organ teachers and professors, whose instruction led to a discerned need for this handbook and its creation: Donnie Beddingfield (1994-1998); William Bates (1998-2002); Marilyn Keiser (2002-2004); Todd Wilson (2008- 2009); and Christopher Young (2009-present). Their love and passion for teaching, performing, and researching has kindled the writer’s interest in the organ, its music, and its literature. The writer is a better musician because of their wisdom and encouragement. The writer wishes to thank the Reverend Kevin Brown, rector, and the parish of Holy Comforter Episcopal Church, Charlotte, North Carolina for their encouragement during the final stages of the doctoral degree. The writer wishes to thank the members of his doctoral research committee and other faculty for their guidance and professional support: Katherine Strand, research director; Christopher Young, chairperson; Janette Fishell; Marilyn Keiser; Mary Ann Hart; and Bruce Neswick. In particular, the writer is grateful to Professor Young for his insightful and energizing classroom teaching in a four-semester organ literature survey at Indiana University, in which the writer was privileged to take part during master’s and doctoral coursework.
    [Show full text]
  • Journal of the American Viola Society Volume 31 No. 1, Spring 2015
    New Horizons Vadim Borisovsky and His Viola Arrangements, Part II The Viola Concertos of J. G. Graun and M. H. Graul Unconfused The Absolute Zero Viola Quartet Volume 31 Number 1 Number 31 Volume Turn-Out in Standing Journal of the American Viola Society Viola American the of Journal Journal of the American Viola Society A publication of the American Viola Society Spring 2015: Volume 31, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 9 Primrose Memorial Concert 2015 Myrna Layton reports on Atar Arad’s appearance at Brigham Young University as guest artist for the 33rd concert in memory of William Primrose. p. 13 42nd International Viola Congress in Review: Performing for the Future of Music Martha Evans and Lydia Handy share with us their experiences in Portugal, with a congress that focused on new horizons in viola music. Feature Articles p. 19 Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II After a fascinating look at Borisovsky’s life in the previous issue, Elena Artamonova delves into the violist’s arrangements and editions, with a particular focus on the Glinka’s viola sonata p. 31 The Viola Concertos of J.G. Graun and M.H. Graul Unconfused The late Marshall ineF examined the viola concertos of J. G. Graul, court cellist for Frederick the Great, in arguing that there may have been misattribution to M. H. Graul. Departments p. 39 With Viola in Hand: A Passion Absolute–The Absolute Zero Viola Quartet The Absolute eroZ Quartet has captured the attention of violists in some 60 countries.
    [Show full text]
  • Edition 3 | 2019-2020
    A Message from the Chair of the Board of Trustees 4 2020 Musician Roster 5 JANUARY 10-12 9 Russian Winter Festival I: Natasha Returns JANUARY 24-25 17 Russian Winter Festival II: Masterpieces FEBRUARY 21-22 25 Saint-Saëns Organ Symphony With Cameron Carpenter FEBRUARY 28-29 33 Chihuly Festival: Bluebeard’s Castle Spotlight on Education 42 Board of Trustees/Staff 43 Friends of the Columbus Symphony 45 Columbus Symphony League 46 Future Inspired 47 Partners in Excellence 49 Corporate and Foundation Partners 49 Individual Partners 50 In Kind 53 Tribute Gifts 53 Legacy Society 56 Concert Hall & Ticket Information 58 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The Columbus Symphony program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The Columbus Symphony program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. A MESSAGE FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear Columbus Symphony Supporter, As the wonderful performances of our 2019-20 season continue, we again thank you for your support of quality, live performances of orchestral music in our community! We start the new year by putting the star in Columbus with Russian Winter Festival I: Natasha Returns (January 10–12, Ohio Theatre). Natasha Paremski performs Rachmaninoff’s first piano concerto, and the concert concludes with the dramatic genius of Tchaikovsky in his powerful Manfred symphony.
    [Show full text]
  • International Touring Organ - March 19
    ABOUT THE ARTIST CAMERON CARPENTER AND THE INTERNATIONAL TOURING ORGAN - MARCH 19 piano works by Chopin, Godowsky, Grainger, Ives, Liszt, Medtner, Rachmaninoff, Schumann and others. Mr. Carpenter received a Master’s Degree from The Juilliard School in New York in 2006. The same year, he began his worldwide organ concert tours, giving numerous debuts at venues including Royal Albert Hall, the Leipzig Gewandhaus, Melbourne Town Hall, Tchaikovsky Hall in Moscow, Davies Hall in San Francisco and many others. His first album for Telarc®, the Grammy®-nominated CAMERON CARPENTER, ORGAN Revolutionary (2008), was followed in THE INTERNATIONAL TOURING ORGAN 2010 by the critically acclaimed full length AMERON CARPENTER is having DVD and CD Cameron Live! Edition Peters of years with a single instrument. Therefore a ball smashing the stereotypes became his publisher in 2010, beginning Marshall & Ogletree has sampled sounds of organists and organ music – all the ongoing release of his original works from many traditional pipe organs, C with Aria, Op. 1 (2010). His first major the while generating worldwide acclaim including many of Cameron’s favorite work for organ and orchestra, The Scandal, and controversy. His repertoire – from instruments – from the cathedral to the Op. 3, was commissioned by the Cologne the complete works of J. S. Bach to film Wurlitzer. These come together in an organ Philharmonie (KölnMusic GmbH) and scores, his original works and hundreds designed not for size, limitless variety or to premiered on New Year’s Day 2011 by the of transcriptions and arrangements – is model any particular pipe organ, but rather Deutsche Kammerphilharmonie under the probably the most diverse of any organist.
    [Show full text]
  • View PDF Editionarrow Forward
    T H E DIAPASON APRIL 2019 American Organ Institute University of Oklahoma Norman, Oklahoma Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 4, 20 Under 30 Whole No. 1313 We thank all those who submitted nominations for our Class APRIL 2019 of 2019. We are impressed by the number of f ne nominations Established in 1909 for the brightest and most promising our young leaders in the Stephen Schnurr ISSN 0012-2378 f eld of the organ, church music, harpsichord, and carillon. 847/954-7989; [email protected] To see the 20 Under 30 Class of 2019, visit The Diapason www.TheDiapason.com An International Monthly Devoted to the Organ, website (www.thediapason.com, click on “20 Under 30”). Next the Harpsichord, Carillon, and Church Music month’s issue will include in-depth entries and photographs of In “Harpsichord Notes,” Larry Palmer reprises various front- each member of the class.
    [Show full text]
  • Spring 2003 Issue (PDF)
    N O T E S F R O M ZAMIR SPRING 2003 THE M AGAZINE OF THE Z AMIR C HORALE The Food of Italian Jews, page 27 OF B OSTON Zamir’s Mission to Israel, page 31 The Jews of Italy: A Paper Symposium MUSICA EBRAICA In 1622 the Venetian rabbi Leon Modena wrote, “No longer will arrogant opponents heap scorn on the Hebrew folk. They will see that it too pos- sesses talent, the equal of the best endowed.” What kind of scorn had Modena experienced? In 1611 Thomas Coryat published a book about his impressions of Venice. He referred to the sing- ing in the synagogue as “exceeding loud yelling, indecent roar- ing, and as it were a beastly bellowing.” What was the basis for Modena’s optimism? “There has arisen in Israel, thank God, a very talented man, versed in the singer’s skill, who has performed music before princes, yea, dukes and nobles. He set the words of the psalms to music or- ganized in harmony, designating them for joyous song before the Ark.” Salamone Rossi, That man was the Jewish composer Salamone Rossi, who, the Mystery Man of Jewish Art Music Composers in 1622, produced the first book of its kind: a stunning setting by Don Harrán 5 of the synagogue service. “He is more talented than any other Rabbis, Politics, and Music: man, not only those of our own people, for he has been com- Leon Modena and Salamone Rossi pared with, and considered the equal of, many of the famous by Howard Tzvi Adelman 8 men of yesterday among the families of the earth.” Lord & Tailor: As we listen to Rossi’s music we become aware of the ex- Fashioning Images of Jews in Renaissance Italy traordinary accomplishments of the Jews in Renaissance Italy.
    [Show full text]
  • JANUARY, 2009 First Congregational Church Sioux Falls, South Dakota
    THE DIAPASON JANUARY, 2009 First Congregational Church Sioux Falls, South Dakota Cover feature on pages 28–29 Jan 08 Cover_original.indd 1 12/10/08 12:30:56 PM available from the Iceland Music Infor- also features themes for the mass. The mation Centre (www.mis.is/eng). Moto Preghiera has also been recorded at THE DIAPASON di Gioia by Leslie Howard is available the Cathedral Church of St. John, Al- A Scranton Gillette Publication directly from the composer (www.les buquerque by Raven CD [OAR 880] One Hundredth Year: No. 1, Whole No. 1190 JANUARY, 2009 liehowardpianist.com). Since the time (www.ravencd.com). of its composition as a Postludium to Iain Quinn Established in 1909 ISSN 0012-2378 his Missa Sancti Petri (written for St. Director of cathedral music and organist An International Monthly Devoted to the Organ, Peter’s Eaton Square), Mr. Howard has Cathedral Church of St. John the Harpsichord, Carillon, and Church Music also written a Prelude, Preghiera, which Albuquerque, New Mexico CONTENTS Editor & Publisher JEROME BUTERA [email protected] FEATURES 847/391-1045 Here & There 2008 Albert Schweitzer Organ Festival September 5–7, 2008 Associate Editor JOYCE ROBINSON The Cathedral of the Incarnation, Laird; April 15, Elena Gascho, harpsi- by Frederick Hohman 21 [email protected] Garden City, New York, continues its chord; May 20, Paul Skevington. For in- 847/391-1044 music series: January 11, Choral Even- formation: <www.musicinmclean.org>. William Dowd (February 28, 1922– November 25, 2008) song for Epiphany (Larry Tremsky, di- An Appreciation Contributing Editors LARRY PALMER rector; Alistair Nelson, organist); Febru- The Cathedral Church of St.
    [Show full text]
  • Journal of the American Theatre Organ Society
    ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2009 ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 2 IntroducingInntroducing thethe 7KHDWUH3LSH2UJDQµ'XHW¶7KHDWUH3LSH22UJDQµ''XHW¶ AtAt last . there’stherre’’ss a complete,complete, ready-to-play,readyy-to-playy,, MIDI Theatre PipePipe OrganOrgan unit which can tratransformansform yyourour instrument into a 24 rank three manual ttheatre oorgan.rgan. ‘Duet’‘Duet’ also providprovidesdes an efeffectivefffective way too add 24 ranks of ‘ensemble’ too existingexisting virtual andd commercial TOs,TTOOs, Keyboards andand MIDI ppreparedrepared PiPipepe OrOrgans!gans! 6SHFL¿FDWLRQV6SHFL¿FDWLRQV E 24 ranksranks,, 32’32’ throughthrough 1’1’ . plusplus an alternatealternate second VoxVox HHumanaumana ranrankk anandd an aalternatelternate thithirdrd TibiaTibiia rankrank One registersreegisters and saves the organ’sorgan’s 2082 voices, couplerscouplers and E 1111 TunedTuned PercussionPercusssion voicesvoices (Chryso.,(Chryso., Xylophone,Xylopphone, VibesVibes etc)etc) trems to pistons through unique divisional/selectdivisiional/select system.system. E 1111 TrapsTraps (Kick(Kick Drum,Drrum, RepeatingRepeating Snare,Snare, CymbalsCymmbals etc)etc) E 8 ToysTTooys (Bells, Whistles,Whistles, Birds,Birds, AoogaAooga etc.etc. onon rightright pistons)pistons) MIDI Con, E 10 memory bbanksankss ooff 10 generagenerall regregisterableisterablee memory pistonspistons :YBOARD Des1gnuf & b111lr111 U with LED indicators.indicators. (Comes(Comes programmedprogrammed
    [Show full text]
  • December 1984
    MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D.
    [Show full text]
  • Baroque and Classical Style in Selected Organ Works of The
    BAROQUE AND CLASSICAL STYLE IN SELECTED ORGAN WORKS OF THE BACHSCHULE by DEAN B. McINTYRE, B.A., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Chairperson of the Committee Accepted Dearri of the Graduate jSchool December, 1998 © Copyright 1998 Dean B. Mclntyre ACKNOWLEDGMENTS I am grateful for the general guidance and specific suggestions offered by members of my dissertation advisory committee: Dr. Paul Cutter and Dr. Thomas Hughes (Music), Dr. John Stinespring (Art), and Dr. Daniel Nathan (Philosophy). Each offered assistance and insight from his own specific area as well as the general field of Fine Arts. I offer special thanks and appreciation to my committee chairperson Dr. Wayne Hobbs (Music), whose oversight and direction were invaluable. I must also acknowledge those individuals and publishers who have granted permission to include copyrighted musical materials in whole or in part: Concordia Publishing House, Lorenz Corporation, C. F. Peters Corporation, Oliver Ditson/Theodore Presser Company, Oxford University Press, Breitkopf & Hartel, and Dr. David Mulbury of the University of Cincinnati. A final offering of thanks goes to my wife, Karen, and our daughter, Noelle. Their unfailing patience and understanding were equalled by their continual spirit of encouragement. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii ABSTRACT ix LIST OF TABLES xi LIST OF FIGURES xii LIST OF MUSICAL EXAMPLES xiii LIST OF ABBREVIATIONS xvi CHAPTER I. INTRODUCTION 1 11. BAROQUE STYLE 12 Greneral Style Characteristics of the Late Baroque 13 Melody 15 Harmony 15 Rhythm 16 Form 17 Texture 18 Dynamics 19 J.
    [Show full text]