Richard Cook - William Saunders Dan Soper - Elli-Mae Mcglone

Total Page:16

File Type:pdf, Size:1020Kb

Richard Cook - William Saunders Dan Soper - Elli-Mae Mcglone D N U M D E R O F Saturday 28 November 5pm E Four of the Cathedral Organists R present an evening of rousing A music to celebrate the ten year F anniversary of our N Harrison and Harrison organ A Richard Cook - William Saunders Dan Soper - Elli-Mae McGlone F St Edmundsbury Cathedral FANFARE FOR EDMUND Saturday 28 November 2020 ORGAN DEMONSTRATION WILLIAM SAUNDERS CATHEDRAL MUSIC ADVISOR RICHARD COOK ASSISTANT DIRECTOR OF MUSIC Toccata and Fugue in D minor BWV 565 JS Bach Folk Tune from Five Short Pieces Percy Whitlock Esquisse No.2 in B flat minor, Op. 41 No. 3 Marcel Dupré Richard Cook is currently the Assistant Director of Music at St Edmundsbury Cathedral. From January-October 2020, he held the position of Acting Director of Music at the cathedral, and established the Cathedral Girls’ Choir, which is already proving to be a successful venture. Prior to this he was Sub-Assistant Organist and Director of the Voluntary Choir at Worcester Cathedral, during which he played an active role in the running of the music department, and accompanied the Cathedral Choirs. This position afforded the opportunity to participate in the Three Choirs Festival each year, and during the 2017 festival, he played the organ for Elgar’s Dream of Gerontius with the Philharmonia Orchestra (in the presence of HRH the Prince of Wales). Last year, Richard was a repetiteur to the Three Choirs Festival Chorus. Richard was educated at St Edward's Comprehensive School in Romford, Essex, and subsequently received a prestigious scholarship to read music at Birmingham Conservatoire. During this period, he was Organist and Director of Music and All Saints’ Church, Bromsgrove, and latterly Organ Scholar at St Mary’s Collegiate Church, Warwick. Richard has accompanied the National Children’s Choir of Great Britain, and has directed and participated in various singing outreach projects across the country. Richard has performed recitals in many Cathedrals throughout the UK and Europe. St Edmundsbury Cathedral FANFARE FOR EDMUND Saturday 28 November 2020 ELLI-MAE MCGLONE CATHEDRAL ORGAN SCHOLAR Fanfare William Mathias Preambule from Seven Sketches Percy Whitlock Grand Chœur Dialogue Eugène Gigout Elli-Mae began to learn the piano at the age of 6, achieving grade 8 with distinction, and is now working towards a performance diploma. She has been a member of the Hall Gate Chamber Orchestra for many years where she began to take an interest in the organ. At 12 years old she then became Junior Organ Scholar at Doncaster Minster, working her way up to becoming Senior Organ Scholar during her secondary school years.Performing is Elli-Mae’s passion and she has been invited to perform many recitals around Doncaster and beyond, including Leeds Minster; St Lawrence Jewry, London; Bristol and Sheffield Cathedrals. Through her membership of the Danensian Choir, she has also sung and accompanied services at Worcester Cathedral, and through the Northern Cathedral Consort she has also played at Blackburn Cathedral.As the current Organ Scholar at St Edmundsbury Cathedral, Elli-Mae is excited for what opportunities the future may bring and hopes that you will enjoy her contribution to Fanfare for Edmund. St Edmundsbury Cathedral FANFARE FOR EDMUND Saturday 28 November 2020 DAN SOPER FORMER ASSISTANT DIRECTOR OF MUSIC Carillon (de Longpont) (24 pièces en style libre) Louis Vierne Scherzetto Martin How In dir ist Freude from The Orgelbüchlein (BWV 615) JS Bach Tuba Tune Norman Cocker Dan Soper is a full-time Software Developer and a freelance organist. He made the move into software development in 2016 after 11 years as an Assistant Director of Music (9 of which were in Cathedrals) and amateur developer. Dan’s musical life began as a chorister at Canterbury Cathedral, continuing at Trinity School in Croydon, with Organ Scholarships at Croydon Parish Church, Chelmsford Cathedral and Corpus Christi College, Cambridge, where he read music. During his time at Cambridge, Dan was responsible for the chapel choir, recording a CD and touring to Prague. There he also met Kat(herine), and wrote his first program — an online diary system for Chelmsford Cathedral. He spent a year after graduating at Winchester College as Assistant Organist, working with the Quiristers. From 2006 to 2010, Dan was Assistant Director of Music at Rochester Cathedral, where his responsibilities included the Girls’ Choir, service accompaniment and the music library, as well as departmental administration. He was involved on three Songs of Praise programmes, two Radio 3 Choral Evensong broadcasts, three CD recordings and one Classic FM broadcast. When the Cathedral music department was restructured in 2008, the ADoM job became part-time, and he took on responsibility for the Cathedral’s IT; he continued in this IT role when he moved to Dartford Parish Church as Assistant Director of Music, where he spent a year whilst trying a freelance IT and music career. Having failed to achieve the work balance for which he was hoping, he was delighted to be appointed as full-time Assistant Director of Music at St Edmundsbury Cathedral in 2011, where he enjoyed accompanying on the newly refurbished glorious Harrison & Harrison organ, including for two Radio 3 broadcasts and one CD recording. He also directed the St Edmundsbury Singers and had responsibility for visiting choirs and lunchtime recitals. His time at the Cathedral was one of significant personal developments: he became a driver in 2012, married Kat in 2014 and became a Fellow of the Royal College of Organists in 2015. As a freelance musician, Dan accompanies and directs a small number of Cathedral ‘visiting’ choirs. When he’s not working, Dan enjoys working (both with music and with computers), proof-reading, cycling and looking after 4- year-old Emily. St Edmundsbury Cathedral FANFARE FOR EDMUND Saturday 28 November 2020 WILLIAM SAUNDERS CATHEDRAL MUSIC ADVISOR Fanfare Percy Whitlock Gigue Fugue in G major BWV 577 JS Bach Fugue sur le nom d'Alain op.7 Marcel Duruflé William Saunders is one of Britain’s leading young concert organists, with an extensive schedule that includes many distinguished venues across Europe. He tours Germany annually and has performed recitals in including Hamburg and Cologne Cathedrals and the St Marien Church in Lübeck. His musical activities in the United Kingdom have included performances at the Cambridge Summer Music and Oundle International Festivals, and he has also accompanied the Kings Voices, the mixed-voice chapel choir of King’s College, Cambridge and Aldeburgh Voices, a choir established by Benjamin Britten. William’s organ repertoire is varied, but he particularly enjoys performing Romantic and modern English music, which has led to the production of a number of critically acclaimed CDs in recent years. The Gramophone commends his technique for its “rhythmic vitality” and his “athletically inclined” playing. William’s passion for inspiring youngsters and providing an unparalleled music education led to him holding the post of Director of Music at The Royal Hospital School in Suffolk between 2012-2019. He was responsible for a dynamic music department that undertook in excess of 80 concerts and services per year. These ranged from informal lunchtime concerts to those which attracted audiences of 800+ paying members of the public. Recent highlights have been working with the BBC Big Band, the Swingle Singers, National Youth Choir of Great Britain and forming partnerships with HM Royal Marines Training Band and Royal College of Organists. In addition, William has directed a number of highly successful ensembles including the Holbrook Choral Society; highlights included conducting The Dream of Geronitus by Elgar with 250 singers. He directed the Chapel Choir at The Royal British Legion Festival of Remembrance at The Royal Albert Hall in the presence of the royal family, which was broadcast live on BBC radio and television. He established the Sing Up Suffolk event which involved 800 primary school children annually to the school with the primary aim of making singing fun and accessible. Other conducting activities include his directorship of the Prometheus Consort, a choir that regularly leads the worship at St Paul’s Cathedral when the resident choir are on holiday. Before 2012 William was Assistant Director of Music at Ipswich School where he founded and directed the annual Festival of Music. He has also held the position of Organist at St Mary-le-Tower Civic Church, Ipswich and Deputy Organist at St Edmundsbury Cathedral. An interest in fast cars, good food and keeping fit ensure he is kept busy even when not engaged in music!.
Recommended publications
  • Research Framework Revised.Vp
    Frontispiece: the Norfolk Rapid Coastal Zone Assessment Survey team recording timbers and ballast from the wreck of The Sheraton on Hunstanton beach, with Hunstanton cliffs and lighthouse in the background. Photo: David Robertson, copyright NAU Archaeology Research and Archaeology Revisited: a revised framework for the East of England edited by Maria Medlycott East Anglian Archaeology Occasional Paper No.24, 2011 ALGAO East of England EAST ANGLIAN ARCHAEOLOGY OCCASIONAL PAPER NO.24 Published by Association of Local Government Archaeological Officers East of England http://www.algao.org.uk/cttees/Regions Editor: David Gurney EAA Managing Editor: Jenny Glazebrook Editorial Board: Brian Ayers, Director, The Butrint Foundation Owen Bedwin, Head of Historic Environment, Essex County Council Stewart Bryant, Head of Historic Environment, Hertfordshire County Council Will Fletcher, English Heritage Kasia Gdaniec, Historic Environment, Cambridgeshire County Council David Gurney, Historic Environment Manager, Norfolk County Council Debbie Priddy, English Heritage Adrian Tindall, Archaeological Consultant Keith Wade, Archaeological Service Manager, Suffolk County Council Set in Times Roman by Jenny Glazebrook using Corel Ventura™ Printed by Henry Ling Limited, The Dorset Press © ALGAO East of England ISBN 978 0 9510695 6 1 This Research Framework was published with the aid of funding from English Heritage East Anglian Archaeology was established in 1975 by the Scole Committee for Archaeology in East Anglia. The scope of the series expanded to include all six eastern counties and responsi- bility for publication passed in 2002 to the Association of Local Government Archaeological Officers, East of England (ALGAO East). Cover illustration: The excavation of prehistoric burial monuments at Hanson’s Needingworth Quarry at Over, Cambridgeshire, by Cambridge Archaeological Unit in 2008.
    [Show full text]
  • The South East and the Midwest of England Tour of Castles And
    Welcome to The South East and the Midwest of England Tour of Castles and Mansions Explore and Feel the History A 14 day packaged Tour starting August 30, 2019 Leave your luggage at a Hotel location and enjoy up to 11 separate guided day tour trips staying at only 3 hotels returning to your accommodation each evening No daily unpacking and packing Total one price package to include: Domestic and International flights – Transportation to and from the Airport Hotel accommodation Bed and Breakfast Entrance Fees and Day time lunches as indicated From $2,573.00 Per Person Sharing plus Flight Costs $846.00 Supplement for Single Person Call Barry Devo 330 284 4709 (Est) Or email [email protected] Prepco Island Vacations and Tours LLC 3687 Dauphin Drive NE., Canton, OH 44721 ITINERARY OVERVIEW for A Tour of English Castles and Mansions DAY DATE DAY 1 Aug 30 Friday Depart US location 2 Aug 31 Saturday Arrive London Heathrow Airport. Lunch will be provided but dependent on flight arrival time. Meet and travel 10 Miles West to Windsor Hotel Bed and Breakfast for 2 nights 3 Sept 1 Sunday Day at Windsor Castle. Entrance Fee and Lunch included 4 Sept 2 Monday Check out Windsor Hotel travel 30 Miles to Tower of London. Entrance Fee and Lunch included followed by onward Travel 62 Miles to Canterbury Hotel Bed and Breakfast for 5 nights 5 Sept 3 Tuesday Travel 30 Miles to Leeds Castle. Entrance Fee and Lunch included 6 Sept 4 Wednesday Travel 65 Miles to Hever Castle. Entrance Fee and lunch included 7 Sept 5 Thursday Travel 37 Miles to Scotney Castle.
    [Show full text]
  • St Edmundsbury Cathedral
    SUNDAY 12 MAY 2019 SUNDAY 19 MAY 2019 St Edmundsbury Cathedral A beacon of faith, hope and love in Suffolk THE FOURTH 8.00 am Holy Eucharist BCP SUNDAY OF President: Marianne Atkinson Tuesday 7.40 am Morning Prayer Psalms 16, 147.1-12 EASTER 14 8.00 am Holy Eucharist 10.00 am Sung Eucharist Matthias the 5.30 pm Solemn Eucharist Hymns: 807, 664, 671, 800 Apostle sung by the St Cecilia Chorale Missa Æterna Christi Munera Hymns: 165 (t.318), 213 (t.512) Palestrina Gloria How Benedictus Palestrina Saturday 8.45 am Morning Prayer Psalm 34 Cunningham in C 18 9.00 am Holy Eucharist President: The Ven Sally Gaze Panis Angelicus Franck 2.00 pm Funeral Preacher: Canon Tim Jones, DDO 3.30 pm Evening Prayer Psalm 84 Wednesday 7.40 am Morning Prayer Psalm 119.57-80 11.30 am Mattins 15 8.00 am Holy Eucharist Hymn: 234 THE FIFTH 8.00 am Holy Eucharist BCP 9.00 am Staff Prayers President: The Dean Mothersole SUNDAY OF 1.00 pm Holy Communion BCP Easter Anthems EASTER 5.30 pm Evensong sung by Men’s Voices Psalm 146 8.45 am Morning Prayer Harris Stanford in B flat Psalm 59 10.00 am Sung Eucharist for the Bury Festival Locus iste a deo factus est Hymns: 523, 675, 667, 471 I.1/I.2 Bruckner Missa Sancti Nicolai Haydn Let God arise Locke Benedictus Haydn 12.30 pm Holy Baptism President: The Canon Pastor 3.30 pm Evensong Thursday 7.40 am Morning Prayer Psalm 57 and Sub Dean Hymns: 457, 296 16 8.00 am Holy Eucharist Preacher: The Dean Mothersole 11.00 am Women in Fellowship Founders’ Psalms 113, 114 Day Service 12.30 pm Holy Baptism Brewer in D 12.30 pm Silent
    [Show full text]
  • The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
    The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig.
    [Show full text]
  • Worcester Cathedral
    WORCESTER CATHEDRAL NEWS Autumn/Winter 2019 Inside this issue Installation Undercroft Mayor’s of new Learning Charity Canon Centre Event Page 3 Page 7 Page 15 Plus, full events calendar and details of regular Cathedral services From the Dean Community News Autumn/Winter 2019 Canon Stephen Contents Edwards installation 3-6 Community News 7 Development To live is to change The Revd Dr Stephen Edwards was installed 8 Maggs Day Centre as a Residentiary Canon of Worcester Cathedral 9-11 Events and to be perfect is in a special service of Evensong on Sunday 12-13 Events Guide 15 September 2019. 14-15 Christmas at to have changed often At the service Helen Dimmock MBE, the Cathedral Ecclesiastical Secretary to the Crown, presented 16 Enterprises Stephen to Bishop John on behalf of the Queen. 17 Time For Reflection The autumn has seen new faces in the Cathedral community - in the Chapter, in music, in education, Also present was the Mayor of Worcester, 18 Cathedral Information the Vice-Lieutenant and High Sheriff of and in the office. With the new faces come new points 19 Gift Aid Form Worcestershire and the former Bishop of 20 Tidings of Joy of view, new ideas, and new opportunities for creative Dudley, David Walker, who is now Bishop of Christmas Concert and imaginative collaboration among the different Manchester. Stephen was also supported by cathedral organisations and departments. The physical friends and family from across the country. appearance of the site is changing as well: the coming Stephen said: ‘The service was a joyous occasion Editorial Team down of the scaffolding on Edgar Tower is the last Susan Macleod and Emily Green through which I felt blessed by the warmth and major repair project on the exterior of the Cathedral Photography generosity of welcome and the prayerful support buildings for the foreseeable future; but the building Chris Guy, James Atkinson of all those who attended.
    [Show full text]
  • REACHING out a Celebration of the Work of the Choir Schools’ Association
    REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers .................................................................................................................
    [Show full text]
  • St Edmundsbury Cathedral Tower Tour
    St Edmundsbury Cathedral Tower Tour The Gothic-style lantern tower which now dominates the skyline of Bury St Edmunds was completed in 2005 and stands one hundred and sixty feet high. This tower was described by HRH the Prince of Wales as “A spiritual beacon for the new Millennium” 500 Years to a Tower The nave of the Cathedral was originally St James’s Church, built in 1503 on the site of a previous church also dedicated to St James, constructed by the Abbey for the use of the townspeople. The sixteenth-century work was started by John Wastell (1460 – 1518) who was a master mason at the Abbey. Other works attributed to him are the Chapel of King’s College, Cambridge, and the Bell Harry Tower at Canterbury. In 1914 the diocese of St Edmundsbury and Ipswich was created and St James Church was chosen to be the Cathedral, with the Bishop residing in Ipswich. In the 1940s the architect Stephen Dykes Bower was engaged by the Cathedral to begin planning the expansion. Work on the east end began in 1960 and the crossing was completed in 1970. Unfortunately, a lack of funds prevented the addition of a tower, or indeed the completion of the cloisters, the north transept or the Chapel of the Transfiguration. Above the crossing there was a simple ceiling. In 1994 Stephen Dykes Bower passed away, leaving the Cathedral a substantial legacy with which to finish the north transept. At this time, the Millennium Commission were on the search for projects to support in celebration of the millennium.
    [Show full text]
  • Catalogue of Adoption Items Within Worcester Cathedral Adopt a Window
    Catalogue of Adoption Items within Worcester Cathedral Adopt a Window The cloister Windows were created between 1916 and 1999 with various artists producing these wonderful pictures. The decision was made to commission a contemplated series of historical Windows, acting both as a history of the English Church and as personal memorials. By adopting your favourite character, event or landscape as shown in the stained glass, you are helping support Worcester Cathedral in keeping its fabric conserved and open for all to see. A £25 example Examples of the types of small decorative panel, there are 13 within each Window. A £50 example Lindisfarne The Armada A £100 example A £200 example St Wulfstan William Caxton Chaucer William Shakespeare Full Catalogue of Cloister Windows Name Location Price Code 13 small decorative pieces East Walk Window 1 £25 CW1 Angel violinist East Walk Window 1 £50 CW2 Angel organist East Walk Window 1 £50 CW3 Angel harpist East Walk Window 1 £50 CW4 Angel singing East Walk Window 1 £50 CW5 Benedictine monk writing East Walk Window 1 £50 CW6 Benedictine monk preaching East Walk Window 1 £50 CW7 Benedictine monk singing East Walk Window 1 £50 CW8 Benedictine monk East Walk Window 1 £50 CW9 stonemason Angel carrying dates 680-743- East Walk Window 1 £50 CW10 983 Angel carrying dates 1089- East Walk Window 1 £50 CW11 1218 Christ and the Blessed Virgin, East Walk Window 1 £100 CW12 to whom this Cathedral is dedicated St Peter, to whom the first East Walk Window 1 £100 CW13 Cathedral was dedicated St Oswald, bishop 961-992,
    [Show full text]
  • Rochester Cathedral in 1634 Torr
    http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society ROCHESTER CATHEDRAL IN 1634 By V. J. TORR MANY years ago I published in Volume LVII of Archceologia Cantiana an account of a journey through Kent in 1723, which was copied from the version printed by the Historical MSS. Commission, and wherein are contained various interesting references to bygone Rochester. The long series of these closely-printed volumes comprises all sorts of items of local significance, but it is feared that they are lost to most people, by reason of the few public libraries which possess them. I now revert to the same source to set down in these pages the Kentish portions of documents of great historic importance, the metropolitical visitation of his province undertaken by Archbishop Laud, soon after his translation from London to Canterbury in 1633. I shall take Rochester first and Canterbury second, with warning to the reader that both reports affect only the cathedral establishments and not the respective dioceses. This valuable series is not complete for the province of Canterbury. There is nothing for the following sees, although it is known that their cathedrals were actually visited, the records not however included by Hit. MSS. Corn.: Chichester, Ely, Lincoln, Oxford, and Winchester (undated); and Hereford and the four in Wales, probably in 1635 or 1636. St. Paul's was left until 1636, and duly appears in H.M.C. In 1634 were taken Canterbury, Rochester, Sarum, Bristol, Wells, and Exeter, each with both injunctions and reports.
    [Show full text]
  • Music in Wells Cathedral 2016
    Music in Wells Cathedral 2016 wellscathedral.org.uk Saturday 17 September 7.00pm (in the Quire) EARLY MUSIC WELLS: BACH CELLO SUITES BY CANDLELIGHT Some of the most beautiful music ever written for the cello, in the candlelit surroundings ofWells Cathedral, with one of Europe’s leading baroque cellists, Luise Buchberger (Co-Principal Cello of the Orchestra of the Age of Enlightenment): Suites No. 1 in G major, BWV 1007; No. 4 in E-flat major, BWV 1010; and No. 5 in C minor, BWV 1011 Tickets: £12.00; available from Wells Cathedral Shop Box Office and at the door Thursday 22 September 1.05 – 1.40pm (in the Quire) BACH COMPLETE ORGAN WORKS: RECITAL 11 The eleventh in the bi-monthly series of organ recitals surveying the complete organ works of J.S. Bach over six years – this year featuring the miscellaneous chorale preludes, alongside the ‘free’ organ works – played by Matthew Owens (Organist and Master of the Choristers,Wells Cathedral): Prelude in A minor, BWV 569; Kleines harmonisches Labyrinth, BWV 591; Chorale Preludes – Liebster Jesu, wir sind hier, BWV 706; Herr Jesu Christ, dich zu uns wend, BWVs 709, 726; Ein feste Burg ist unser Gott, BWV 720; BWV 726; Ach Gott, von Himmel sieh’ darein, BWV 741; Prelude and Fugue in A minor, BWV 543 Admission: free Retiring collection in aid of Wells Cathedral Music Saturday 24 September 7.00pm WELLS CATHEDRAL CHOIR IN CONCERT: FAURÉ REQUIEM Wells Cathedral Choir, Jonathan Vaughn (organ),Matthew Owens (conductor) In a fundraising concert forWells Cathedral, the world-famous choir sings one of the
    [Show full text]
  • From: the Dean the Very Revd Nicholas Henshall
    From: The Dean The Very Revd Nicholas Henshall 9 June 2020 CHELMSFORD CATHEDRAL RE-OPENING Chelmsford Cathedral is re-opening for personal prayer and reflection on 4th July and will then be open every day from 11 am to 3 pm. The Dean writes: I am delighted to announce that Chelmsford Cathedral is re-opening for personal prayer and reflection on 4th July. The Cathedral will then be open daily from 11 am to 3 pm. This is a great moment, and it is important to stress that is just a first step. Public worship will not resume for some time to come, but it has been wonderful to welcome so many joining us on-line for the daily prayer. That will continue to be streamed live on Facebook at 7.45 am and 5.15 pm every day, with the Eucharist streamed on Sundays at 10.30 am. From 4th July the interior of the Cathedral will be laid out in a different way. This is to comply fully with guidance from the Government and from the Church of England. We are determined to ensure that everyone who visits the Cathedral can do so in full confidence that it is a safe and secure environment. A one-way system will be in operation through the Cathedral, with everyone entering through the South Door and leaving through the North Door. There will be handwash at the door which everyone must use, and certain areas will not accessible, including the vestry block. Any seating in the Cathedral will be appropriately distanced, and every chair will be cleaned after every use, in accordance with the guidelines.
    [Show full text]
  • Rochester Cathedral: Roof Repairs (1 Project Funded in 3 Phases) Awarded a Total of £832,000 Between November 2014 and July 2016
    Rochester Cathedral: Roof Repairs (1 project funded in 3 phases) Awarded a total of £832,000 between November 2014 and July 2016 The need The 2013 Quinquennial Inspection highlighted the need for a number of significant areas of repair work, with the full cost of the repairs in the region of £5 million, a sum far beyond the capacity of the cathedral to fund. Each area required urgent repairs to keep the building wind- and weather-tight, safe and open. In some place leaks had already caused damage to timber beams and threatened plasterwork in the historic Chapter Library. Around the north side work was Aerial view of the roof works in progress. Photo credit: SUMO Aerial needed to prevent falls of stone from split and Surveys. decayed shafts and ensure weather proofing to masonry below, and for repairs and weather proofing to weak, buckled and leaking stained glass and clear glazing. Falling masonry presented a danger to the public and would have required closing the north door, the main entrance of the cathedral for visitors and the only level access point. Outcomes The building is now much more watertight, making the building drier and reducing the risk of damage. There is no longer plasterwork falling from the ceiling. Due to these important works, further development work funded by the Heritage Lottery Fund as part of the cathedral’s Hidden Treasures, Fresh Expressions project could proceed. A new skylight to the Gundulf tower has significantly increased the light available to the music room below, whilst also rendering the roof watertight and draught proof.
    [Show full text]