Richard Cook - William Saunders Dan Soper - Elli-Mae Mcglone
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Research Framework Revised.Vp
Frontispiece: the Norfolk Rapid Coastal Zone Assessment Survey team recording timbers and ballast from the wreck of The Sheraton on Hunstanton beach, with Hunstanton cliffs and lighthouse in the background. Photo: David Robertson, copyright NAU Archaeology Research and Archaeology Revisited: a revised framework for the East of England edited by Maria Medlycott East Anglian Archaeology Occasional Paper No.24, 2011 ALGAO East of England EAST ANGLIAN ARCHAEOLOGY OCCASIONAL PAPER NO.24 Published by Association of Local Government Archaeological Officers East of England http://www.algao.org.uk/cttees/Regions Editor: David Gurney EAA Managing Editor: Jenny Glazebrook Editorial Board: Brian Ayers, Director, The Butrint Foundation Owen Bedwin, Head of Historic Environment, Essex County Council Stewart Bryant, Head of Historic Environment, Hertfordshire County Council Will Fletcher, English Heritage Kasia Gdaniec, Historic Environment, Cambridgeshire County Council David Gurney, Historic Environment Manager, Norfolk County Council Debbie Priddy, English Heritage Adrian Tindall, Archaeological Consultant Keith Wade, Archaeological Service Manager, Suffolk County Council Set in Times Roman by Jenny Glazebrook using Corel Ventura™ Printed by Henry Ling Limited, The Dorset Press © ALGAO East of England ISBN 978 0 9510695 6 1 This Research Framework was published with the aid of funding from English Heritage East Anglian Archaeology was established in 1975 by the Scole Committee for Archaeology in East Anglia. The scope of the series expanded to include all six eastern counties and responsi- bility for publication passed in 2002 to the Association of Local Government Archaeological Officers, East of England (ALGAO East). Cover illustration: The excavation of prehistoric burial monuments at Hanson’s Needingworth Quarry at Over, Cambridgeshire, by Cambridge Archaeological Unit in 2008. -
The South East and the Midwest of England Tour of Castles And
Welcome to The South East and the Midwest of England Tour of Castles and Mansions Explore and Feel the History A 14 day packaged Tour starting August 30, 2019 Leave your luggage at a Hotel location and enjoy up to 11 separate guided day tour trips staying at only 3 hotels returning to your accommodation each evening No daily unpacking and packing Total one price package to include: Domestic and International flights – Transportation to and from the Airport Hotel accommodation Bed and Breakfast Entrance Fees and Day time lunches as indicated From $2,573.00 Per Person Sharing plus Flight Costs $846.00 Supplement for Single Person Call Barry Devo 330 284 4709 (Est) Or email [email protected] Prepco Island Vacations and Tours LLC 3687 Dauphin Drive NE., Canton, OH 44721 ITINERARY OVERVIEW for A Tour of English Castles and Mansions DAY DATE DAY 1 Aug 30 Friday Depart US location 2 Aug 31 Saturday Arrive London Heathrow Airport. Lunch will be provided but dependent on flight arrival time. Meet and travel 10 Miles West to Windsor Hotel Bed and Breakfast for 2 nights 3 Sept 1 Sunday Day at Windsor Castle. Entrance Fee and Lunch included 4 Sept 2 Monday Check out Windsor Hotel travel 30 Miles to Tower of London. Entrance Fee and Lunch included followed by onward Travel 62 Miles to Canterbury Hotel Bed and Breakfast for 5 nights 5 Sept 3 Tuesday Travel 30 Miles to Leeds Castle. Entrance Fee and Lunch included 6 Sept 4 Wednesday Travel 65 Miles to Hever Castle. Entrance Fee and lunch included 7 Sept 5 Thursday Travel 37 Miles to Scotney Castle. -
St Edmundsbury Cathedral
SUNDAY 12 MAY 2019 SUNDAY 19 MAY 2019 St Edmundsbury Cathedral A beacon of faith, hope and love in Suffolk THE FOURTH 8.00 am Holy Eucharist BCP SUNDAY OF President: Marianne Atkinson Tuesday 7.40 am Morning Prayer Psalms 16, 147.1-12 EASTER 14 8.00 am Holy Eucharist 10.00 am Sung Eucharist Matthias the 5.30 pm Solemn Eucharist Hymns: 807, 664, 671, 800 Apostle sung by the St Cecilia Chorale Missa Æterna Christi Munera Hymns: 165 (t.318), 213 (t.512) Palestrina Gloria How Benedictus Palestrina Saturday 8.45 am Morning Prayer Psalm 34 Cunningham in C 18 9.00 am Holy Eucharist President: The Ven Sally Gaze Panis Angelicus Franck 2.00 pm Funeral Preacher: Canon Tim Jones, DDO 3.30 pm Evening Prayer Psalm 84 Wednesday 7.40 am Morning Prayer Psalm 119.57-80 11.30 am Mattins 15 8.00 am Holy Eucharist Hymn: 234 THE FIFTH 8.00 am Holy Eucharist BCP 9.00 am Staff Prayers President: The Dean Mothersole SUNDAY OF 1.00 pm Holy Communion BCP Easter Anthems EASTER 5.30 pm Evensong sung by Men’s Voices Psalm 146 8.45 am Morning Prayer Harris Stanford in B flat Psalm 59 10.00 am Sung Eucharist for the Bury Festival Locus iste a deo factus est Hymns: 523, 675, 667, 471 I.1/I.2 Bruckner Missa Sancti Nicolai Haydn Let God arise Locke Benedictus Haydn 12.30 pm Holy Baptism President: The Canon Pastor 3.30 pm Evensong Thursday 7.40 am Morning Prayer Psalm 57 and Sub Dean Hymns: 457, 296 16 8.00 am Holy Eucharist Preacher: The Dean Mothersole 11.00 am Women in Fellowship Founders’ Psalms 113, 114 Day Service 12.30 pm Holy Baptism Brewer in D 12.30 pm Silent -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
Worcester Cathedral
WORCESTER CATHEDRAL NEWS Autumn/Winter 2019 Inside this issue Installation Undercroft Mayor’s of new Learning Charity Canon Centre Event Page 3 Page 7 Page 15 Plus, full events calendar and details of regular Cathedral services From the Dean Community News Autumn/Winter 2019 Canon Stephen Contents Edwards installation 3-6 Community News 7 Development To live is to change The Revd Dr Stephen Edwards was installed 8 Maggs Day Centre as a Residentiary Canon of Worcester Cathedral 9-11 Events and to be perfect is in a special service of Evensong on Sunday 12-13 Events Guide 15 September 2019. 14-15 Christmas at to have changed often At the service Helen Dimmock MBE, the Cathedral Ecclesiastical Secretary to the Crown, presented 16 Enterprises Stephen to Bishop John on behalf of the Queen. 17 Time For Reflection The autumn has seen new faces in the Cathedral community - in the Chapter, in music, in education, Also present was the Mayor of Worcester, 18 Cathedral Information the Vice-Lieutenant and High Sheriff of and in the office. With the new faces come new points 19 Gift Aid Form Worcestershire and the former Bishop of 20 Tidings of Joy of view, new ideas, and new opportunities for creative Dudley, David Walker, who is now Bishop of Christmas Concert and imaginative collaboration among the different Manchester. Stephen was also supported by cathedral organisations and departments. The physical friends and family from across the country. appearance of the site is changing as well: the coming Stephen said: ‘The service was a joyous occasion Editorial Team down of the scaffolding on Edgar Tower is the last Susan Macleod and Emily Green through which I felt blessed by the warmth and major repair project on the exterior of the Cathedral Photography generosity of welcome and the prayerful support buildings for the foreseeable future; but the building Chris Guy, James Atkinson of all those who attended. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
St Edmundsbury Cathedral Tower Tour
St Edmundsbury Cathedral Tower Tour The Gothic-style lantern tower which now dominates the skyline of Bury St Edmunds was completed in 2005 and stands one hundred and sixty feet high. This tower was described by HRH the Prince of Wales as “A spiritual beacon for the new Millennium” 500 Years to a Tower The nave of the Cathedral was originally St James’s Church, built in 1503 on the site of a previous church also dedicated to St James, constructed by the Abbey for the use of the townspeople. The sixteenth-century work was started by John Wastell (1460 – 1518) who was a master mason at the Abbey. Other works attributed to him are the Chapel of King’s College, Cambridge, and the Bell Harry Tower at Canterbury. In 1914 the diocese of St Edmundsbury and Ipswich was created and St James Church was chosen to be the Cathedral, with the Bishop residing in Ipswich. In the 1940s the architect Stephen Dykes Bower was engaged by the Cathedral to begin planning the expansion. Work on the east end began in 1960 and the crossing was completed in 1970. Unfortunately, a lack of funds prevented the addition of a tower, or indeed the completion of the cloisters, the north transept or the Chapel of the Transfiguration. Above the crossing there was a simple ceiling. In 1994 Stephen Dykes Bower passed away, leaving the Cathedral a substantial legacy with which to finish the north transept. At this time, the Millennium Commission were on the search for projects to support in celebration of the millennium. -
Catalogue of Adoption Items Within Worcester Cathedral Adopt a Window
Catalogue of Adoption Items within Worcester Cathedral Adopt a Window The cloister Windows were created between 1916 and 1999 with various artists producing these wonderful pictures. The decision was made to commission a contemplated series of historical Windows, acting both as a history of the English Church and as personal memorials. By adopting your favourite character, event or landscape as shown in the stained glass, you are helping support Worcester Cathedral in keeping its fabric conserved and open for all to see. A £25 example Examples of the types of small decorative panel, there are 13 within each Window. A £50 example Lindisfarne The Armada A £100 example A £200 example St Wulfstan William Caxton Chaucer William Shakespeare Full Catalogue of Cloister Windows Name Location Price Code 13 small decorative pieces East Walk Window 1 £25 CW1 Angel violinist East Walk Window 1 £50 CW2 Angel organist East Walk Window 1 £50 CW3 Angel harpist East Walk Window 1 £50 CW4 Angel singing East Walk Window 1 £50 CW5 Benedictine monk writing East Walk Window 1 £50 CW6 Benedictine monk preaching East Walk Window 1 £50 CW7 Benedictine monk singing East Walk Window 1 £50 CW8 Benedictine monk East Walk Window 1 £50 CW9 stonemason Angel carrying dates 680-743- East Walk Window 1 £50 CW10 983 Angel carrying dates 1089- East Walk Window 1 £50 CW11 1218 Christ and the Blessed Virgin, East Walk Window 1 £100 CW12 to whom this Cathedral is dedicated St Peter, to whom the first East Walk Window 1 £100 CW13 Cathedral was dedicated St Oswald, bishop 961-992, -
Rochester Cathedral in 1634 Torr
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society ROCHESTER CATHEDRAL IN 1634 By V. J. TORR MANY years ago I published in Volume LVII of Archceologia Cantiana an account of a journey through Kent in 1723, which was copied from the version printed by the Historical MSS. Commission, and wherein are contained various interesting references to bygone Rochester. The long series of these closely-printed volumes comprises all sorts of items of local significance, but it is feared that they are lost to most people, by reason of the few public libraries which possess them. I now revert to the same source to set down in these pages the Kentish portions of documents of great historic importance, the metropolitical visitation of his province undertaken by Archbishop Laud, soon after his translation from London to Canterbury in 1633. I shall take Rochester first and Canterbury second, with warning to the reader that both reports affect only the cathedral establishments and not the respective dioceses. This valuable series is not complete for the province of Canterbury. There is nothing for the following sees, although it is known that their cathedrals were actually visited, the records not however included by Hit. MSS. Corn.: Chichester, Ely, Lincoln, Oxford, and Winchester (undated); and Hereford and the four in Wales, probably in 1635 or 1636. St. Paul's was left until 1636, and duly appears in H.M.C. In 1634 were taken Canterbury, Rochester, Sarum, Bristol, Wells, and Exeter, each with both injunctions and reports. -
Music in Wells Cathedral 2016
Music in Wells Cathedral 2016 wellscathedral.org.uk Saturday 17 September 7.00pm (in the Quire) EARLY MUSIC WELLS: BACH CELLO SUITES BY CANDLELIGHT Some of the most beautiful music ever written for the cello, in the candlelit surroundings ofWells Cathedral, with one of Europe’s leading baroque cellists, Luise Buchberger (Co-Principal Cello of the Orchestra of the Age of Enlightenment): Suites No. 1 in G major, BWV 1007; No. 4 in E-flat major, BWV 1010; and No. 5 in C minor, BWV 1011 Tickets: £12.00; available from Wells Cathedral Shop Box Office and at the door Thursday 22 September 1.05 – 1.40pm (in the Quire) BACH COMPLETE ORGAN WORKS: RECITAL 11 The eleventh in the bi-monthly series of organ recitals surveying the complete organ works of J.S. Bach over six years – this year featuring the miscellaneous chorale preludes, alongside the ‘free’ organ works – played by Matthew Owens (Organist and Master of the Choristers,Wells Cathedral): Prelude in A minor, BWV 569; Kleines harmonisches Labyrinth, BWV 591; Chorale Preludes – Liebster Jesu, wir sind hier, BWV 706; Herr Jesu Christ, dich zu uns wend, BWVs 709, 726; Ein feste Burg ist unser Gott, BWV 720; BWV 726; Ach Gott, von Himmel sieh’ darein, BWV 741; Prelude and Fugue in A minor, BWV 543 Admission: free Retiring collection in aid of Wells Cathedral Music Saturday 24 September 7.00pm WELLS CATHEDRAL CHOIR IN CONCERT: FAURÉ REQUIEM Wells Cathedral Choir, Jonathan Vaughn (organ),Matthew Owens (conductor) In a fundraising concert forWells Cathedral, the world-famous choir sings one of the -
From: the Dean the Very Revd Nicholas Henshall
From: The Dean The Very Revd Nicholas Henshall 9 June 2020 CHELMSFORD CATHEDRAL RE-OPENING Chelmsford Cathedral is re-opening for personal prayer and reflection on 4th July and will then be open every day from 11 am to 3 pm. The Dean writes: I am delighted to announce that Chelmsford Cathedral is re-opening for personal prayer and reflection on 4th July. The Cathedral will then be open daily from 11 am to 3 pm. This is a great moment, and it is important to stress that is just a first step. Public worship will not resume for some time to come, but it has been wonderful to welcome so many joining us on-line for the daily prayer. That will continue to be streamed live on Facebook at 7.45 am and 5.15 pm every day, with the Eucharist streamed on Sundays at 10.30 am. From 4th July the interior of the Cathedral will be laid out in a different way. This is to comply fully with guidance from the Government and from the Church of England. We are determined to ensure that everyone who visits the Cathedral can do so in full confidence that it is a safe and secure environment. A one-way system will be in operation through the Cathedral, with everyone entering through the South Door and leaving through the North Door. There will be handwash at the door which everyone must use, and certain areas will not accessible, including the vestry block. Any seating in the Cathedral will be appropriately distanced, and every chair will be cleaned after every use, in accordance with the guidelines. -
Rochester Cathedral: Roof Repairs (1 Project Funded in 3 Phases) Awarded a Total of £832,000 Between November 2014 and July 2016
Rochester Cathedral: Roof Repairs (1 project funded in 3 phases) Awarded a total of £832,000 between November 2014 and July 2016 The need The 2013 Quinquennial Inspection highlighted the need for a number of significant areas of repair work, with the full cost of the repairs in the region of £5 million, a sum far beyond the capacity of the cathedral to fund. Each area required urgent repairs to keep the building wind- and weather-tight, safe and open. In some place leaks had already caused damage to timber beams and threatened plasterwork in the historic Chapter Library. Around the north side work was Aerial view of the roof works in progress. Photo credit: SUMO Aerial needed to prevent falls of stone from split and Surveys. decayed shafts and ensure weather proofing to masonry below, and for repairs and weather proofing to weak, buckled and leaking stained glass and clear glazing. Falling masonry presented a danger to the public and would have required closing the north door, the main entrance of the cathedral for visitors and the only level access point. Outcomes The building is now much more watertight, making the building drier and reducing the risk of damage. There is no longer plasterwork falling from the ceiling. Due to these important works, further development work funded by the Heritage Lottery Fund as part of the cathedral’s Hidden Treasures, Fresh Expressions project could proceed. A new skylight to the Gundulf tower has significantly increased the light available to the music room below, whilst also rendering the roof watertight and draught proof.