tommy and quadrophenia live torrent download Tommy and quadrophenia live torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6694a7951c2616a5 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Tommy and quadrophenia live torrent download. There are some things that it is useless to debate. There's just no point to it. Abortion, the reasons for the civil war, and the existence of God are all things that people have made up their own mind about and there is no use trying to change it. Another such topic is the greatest rock band of all time. For me, it's The Who, and there's no use discussing it any further. It is simply a fact: The Who are the best, and their greatest album is Quadrophenia . (Though Who's Next comes a very close second.) The only bad thing about Quadrophenia is the lack of commercial live recordings of the album. Thought they toured extensively with Tommy , their other great 'rock opera', Quadrophenia didn't translate well to a live setting and it was seldom preformed, which is a shame. Now, for the first time, fans can own a live performance of both of their rock operas. The Who: Tommy and Quadrophenia Live is a three disc set that not only includes the two title concerts, but also has 22 additional songs done live in three different shows. This is an exciting and dynamic set that is sure to please the group's fans and attract new ones. The Tommy concert included in this set was recorded at the Universal Amphitheater in LA in 1989. This wasn't just wasn't another concert, it was the conclusion to their 25th anniversary tour. Because of that they decided to throw out all the stops and make this an EVENT, a lavish production with several guest stars including Steve Winwood as the Hawker, Patti LaBelle as the Acid Queen, Elton John as the Bally Table King (naturally), Billy Idol as Cousin Kevin, and Phil Collins as Uncle Ernie. That's the only thing I really have against this concert: it's not a raw and rough rock concert, but a huge production. I didn't think that the guests added much to the presentation either. It was nice seeing Elton John again, and Patti LaBelle was very good. Billy Idol on the other hand was horrid, overacting terribly. He doesn't really sing his song either, rather he just recites it. His incessant screams and swearing are supposed to make him come across as a tough guy, but he just looks like a fool. Having said that, the parts without the guests is really rocking. Pete (who plays an acoustic guitar in these concerts in deference to his poor ears but is backed up by an electric guitarist), still has a lot of life in him, and John Entwhistle is still fantastic, as always. Tommy contains some really great music and it sounds great here with a full compliment of backup musicians. A fun concert that is a joy to have. The Quadrophenia concert was recorded at various venues over the course of the group's 1996-97 US Tour. It comes from recordings of the footage of the band that they threw up on the screen while the concert was going on. This wasn't meant to be turned into a home video release, just to let the people in the cheap seats see the band members. Because of this, there are no shots of the entire stage, just closeups of the performers. There wasn't a lot of variation on the camera angles either, I think Richard Starkey only had a single angle during the whole show. In this show they wanted to tell the story of Jimmy, and to help audiences follow the narrative they filmed an actor who played the main character. Between songs he would act out a very short scene the would set up the next song. He did an really good job too. When I first heard about the idea I though it sounded stupid, but it works well. They also incorporated scenes from the 1979 movie, newsreel footage, and images that represented the England of the early 60's. While this does make the show flow better, the producers of the DVD decided to show only this footage during the instrumental sections instead of the limited closeups of the band members. I would have like to have seen the band rather than stock footage, and I assume most of the people who buy this set feel the same. In another stab to make it easier to understand the story, they hired a couple of guests to play a pair of roles. 60's rocker P. J. Proby preformed as the Godfather, and Billy Idol as the Ace Face. Proby does a good job, and Idol better than he was in Tommy, but he still refuses to sing and speaks the lyrics instead. As for the concert itself, it was fantastic. This was simply an astounding concert. The opera manages to capture the feelings of being in your late teens better than any other music (or TV show or movie for that matter) and this high energy performance did a great job of conveying those feelings to the audience. You can still hear the anger, angst, and despair in Daltrey's voice as he sings about Jimmy's troubles. Pete Townshend doesn't jump and leap about as he did 20 years earlier, but he still plays with feeling and heart. I thought Entwhistle's bass was mixed a little lower than it should have been, but his wicked bass lines still came through clearly. In addition, Zak Starkey, Ringo's son, does an excellent job on drums. He's no Moon, but a pretty mean drummer in his own right. In both concerts I would have like to have seen more of John Entwhistle. The way his fingers fly over his bass is amazing. He produces complex and intricate bass lines and makes it not only look easy, but like he's bored by the whole thing. He does get some time on screen during his bass solo in 5:15, and it is astounding. The songs preformed on these discs are as follows: Overture It's A Boy 1921 Amazing Journey Sparks Eyesight To The Blind Christmas Cousin Kevin The Acid Queen Pinball Wizard Do You Think It's Alright? Fiddle About There's A Doctor Go To The Mirror! Smash The Mirror Tommy Can You Hear Me? I'm Free Extra Extra/ Miracle Cure Sally Simpson Sensation Tommy's Holiday Camp We're Not Gonna Take It. Disc Two: Quadrophenia. I Am The Sea The Real Me Quadrophenia Cut My Hair The Punk And The Godfather I'm One The Dirty Jobs Helpless Dancer Is It In My Head? I've Had Enough 5:15 Sea And Sand Drowned Bell Boy Doctor Jimmy The Rock Love Reign O'er Me. Disc Three: Live Hits. Tommy - Second set: Substitute I Can See For Miles Baba O'Riley Face the Face Love Reign O'er Me Boris the Spider Dig Join Together Rough Boys You'd Better You Bet Behind Blue Eyes Won't Get Fooled Again Who Are You. Won't Get Fooled Again (Acoustic) Substitute I Can't Explain The Kids Are Alright Behind Blue Eyes Who Are You. Giants Stadium 1989: Acid Queen Pinball Wizard A Little Is Enough. This three disc set comes in a gatefold pressboard case which folds up and fits into a slipcase. There is a book of liner notes included too. One odd thing about this set is that they have disabled the pause, fast forward and reverse buttons. The chapter skip still works, but I can't imagine why you can't pause the video. These discs come with both a 5.1 and a stereo mix. Both tracks sound very good, but I actually like the stereo mix a bit better. The 5.1 track often throws Roger's voice to the rear as well as the front speakers, and while it is very enveloping, it doesn't sound natural. Aside from that, the actual quality of the sound was very good. Tommy sounded better than Quadrophenia , this later concert has a slight hum in the background. Aside from that I was very happy with the way the shows sounded. They were clear and had good range and no distortion. The 1989 Tommy concert was recorded and telecast as a Pay-Per-View event and later released on VHS. Since this was filmed with future releases and the home viewer in mind the video quality is very good. The full frame image is just a little soft but the detail is good and the image is clear. It's sure to satisfy fans. As mentioned earlier, The Quadrophenia concert comes from a recording of the live feed that they threw up on the screen while the concert was going on. Because of this, the show doesn't look as good as Tommy, but it still is pretty good. The image is presented in widescreen, but is non- anamorphic unfortunately. The filmed sections of Jimmy were great, but the images of the band weren't as crisp as they could have been and overall soft. The level of detail wasn't as great as with the Tommy concert either and the live sections weren't lit very well making the image darker than it should have been. It's not too bad really overall, just not as good as I was hoping. Both the Tommy and Quadrophenia discs have "video commentaries" by Pete Townshend and Roger Daltrey. This has the musicians on screen commenting on the tour and the music. They didn't record these at the same time, so whenever one is on screen, the other isn't. That is both good and bad. On the down side, there is no dialog between the two and they can't play off each other. On the plus side, they seem to be more candid than they would have been otherwise. I found this worth the price of the disc alone. Pete comments on each song and talks about the meaning of the song and what he was thinking about when he was writing it, which was immensely interesting. Though Pete gets more screen time, but Roger has a lot to say too. He talks about how Tommy changed the Who, why the record struck a cord with the public, and his feeling about the music as well as the guest stars. This was a great track, which you can also listen to without Pete and Roger's images on the screen by accessing the third audio track via the remote. There is also a 3 minute reel of photos. The Quadrophenia Story is an eight minute featurette which tells the story of bringing this amazing rock opera to the stage, and all of the problems that this entailed. Since a lot of the story takes place in Jimmy's head Quadrophenia doesn't have a tight narrative structure. Making this story come alive required some alterations but the results were very good. The third disc includes another bonus item, an interview entitled Billy Idol: From Cousin Kevin to The Ace Face . Final Thoughts: This three disc set has The Who's two 'rock operas' preformed live as well as some of their best hits. The shows are probably more accessible to causal fans than the die-hard purists like myself who want to see Pete, Roger and John and don't really care about the theatrical aspects of the shows. Tommy was very good, a real rocking show, but Quadrophenia was outstanding. A real exciting and exhilarating show that was everything I was hoping for and more. When you add to that the disc of Who hits and the great commentaries with Daltrey and Townshend, this is a no brainer. Even with the issues the Quadrophenia has, this set is Highly Recommended . If you have even a slight interest in the group, this would be a great purchase. The Who. Tommy and Quadrophenia Live with Special Guests. Written by John Metzger. When The Who embarked upon a series of farewell shows in 1982, the group had become a shadow of its former self. Not only were its members struggling with drug addiction � drummer Keith Moon had overdosed fatally in 1978, and Pete Townshend nearly had suffered the same fate in 1981 � but also what proved to be its final studio effort It�s Hard was largely a forgettable affair. Despite the bickering that threatened to keep the band apart, however, Townshend along with Roger Daltrey and John Entwistle managed to set aside their differences in order to reunite on several occasions. Although each jaunt has been met with accusations that the ensemble was selling out its principles, The Who at least made an attempt to do something special for its fans every time that it returned to the stage. Indeed, it resurrected Tommy for its 25 th anniversary tour in 1989, while seven years later, it once again hit the road in order to debut Quadrophenia in a concert setting. Each of these events is wonderfully reproduced on the newly issued, three-DVD set Tommy and Quadrophenia Live with Special Guests . Granted, the 1989 rendition of Tommy paled in comparison with the urgent, crash-and-burn fury that The Who had brought to the staging of its rock opera in 1970 � the reissued version of Live at Leeds along with The Isle of Wight collection are perfect examples of the band in its prime � and essentially, this latest incarnation of the album served as a precursor to its transformation into a Broadway musical. Although The Who didn�t tour with an all-star cast, it was joined by an array of artists that included Phil Collins, Steve Winwood, Patti LaBelle, Billy Idol, and Elton John for a unique concert in Los Angeles that was broadcast as a pay-per-view event. It�s this version of the story that is featured on Tommy and Quadrophenia Live with Special Guests . Aided by its sizeable entourage, which also boasted a five-piece horn section, The Who was extraordinarily well-rehearsed, and session drummer Simon Phillips was so polished and precise in his approach that he subsequently failed to propel the music in quite the same manner as Moon had. Nevertheless, on songs like Amazing Journey and Sparks , the group still succeeded in raising quite a ruckus � even if it was one that was carefully arranged � and overall, its momentum largely was kept afloat by the superstar extravaganza that was on display. In particular, Collins was remarkably effective as Uncle Ernie, while LaBelle took a page from Tina Turner�s book by adding a soulful bite to her portrayal of The Acid Queen. The Who undoubtedly was just as practiced in bringing Quadrophenia to life, but in the end, its approach proved to be more aggressive, thanks to the punishing reverberations of drummer Zak Starkey, who fared better than Phillips in balancing Moon�s chaotic mayhem with the professional refinement that Townshend was seeking for the tour. Laced with visual imagery and pre-recorded dialogue, the storyline gained focus while the band effortlessly darted among moments of raging angst, heartbreaking confession, and orchestral majesty. In particular, the tortured exchange between Daltrey and Townshend on Helpless Dancer perfectly captured the fracturing psyche of the tale�s protagonist, while in the middle of a punchy rendition of 5:15 , Entwistle launched into a vicious solo that, unfortunately, is one of the precious few segments in which the sound of his bass isn�t buried almost inaudibly in the mix. Featuring the entirety of the second set � 13 songs in all � from the Los Angeles production of Tommy , a trio of tracks from its counterpart in New Jersey, and six selections from the Quadrophenia tour, the final disc of Tommy and Quadrophenia Live with Special Guests is largely a survey of The Who�s greatest hits. All of the material was delivered solidly, and while much of it lacked the full-throttle fury for which the band was known, the enthusiasm of the group, as particularly was evidenced by Townshend�s antics, is undeniably infectious. Not surprisingly, the encores from the Quadrophenia shows � which included a punchy romp through Substitute ; a playfully intimate, acoustic rendition of Won�t Get Fooled Again ; and an explosive, blues-inflected journey through Who Are You � fared best, and the performances provided further proof that a better line-up was fielded for this particular sojourn. However, it isn�t the music that makes Tommy and Quadrophenia Live with Special Guests such a worthwhile endeavor; it�s the delightfully candid, full-length commentaries that Townshend and Daltrey recently recorded for the package. Over the years, these sorts of accoutrements have become standard fodder for DVD renditions of theatrical releases, but they remain a real rarity for music-oriented collections. In addition to providing background information about how the material originally came together as well as how each tour was mounted, Daltrey discusses the challenges in performing the songs, while Townshend elaborates on the obstacles he had to overcome in writing them. In addition, he offers a detailed analysis of each of his rock operas and gives them a proper historical perspective. Without a doubt, these carefully edited dialogues are an impeccably insightful addition to the collection, and they inevitably save Tommy and Quadrophenia Live with Special Guests from being just another concert video. Indeed, this is a relic that is too invaluable for fans of The Who to ignore. Of Further Interest. 1 Star: Pitiful 2 Stars: Listenable 3 Stars: Respectable 4 Stars: Excellent 5 Stars: Can't Live Without It!! The Who – Quadrophenia: Live In London (2014) UPDATE. The Who – Quadrophenia: Live In London (2014) EAC Rip | 2xCD | FLAC Tracks + Cue + Log DVD | Video: NTSC 16:9 (720×480) VBR | AC-3 (5.1 & 2.0) / DTS (5.1) Blu-Ray 1 | MPEG-4 AVC | LPCM (2.0 / 24bit / 48kHz) | DTS-HD MA (5.1 / 24bit / 48kHz) | Dolby TrueHD (5.1 / 24bit / 48kHz) Blu-Ray 2 | MPEG-4 AVC | LPCM (2.0 / 24bit / 96kHz) | DTS-HD MA (5.1 / 24bit / 96kHz) | Dolby TrueHD (5.1 / 24bit / 96kHz) Hi-Res | FLAC Tracks / 24bit / 48-96kHz | Stereo & Multichannel Full Scans Included Total Size: 90.2 GB | 3% RAR Recovery Label: Universal | USA | Cat#: B0020389-00 | Genre: Hard Rock, Classic Rock. When the Who initially attempted to tour Quadrophenia in 1974, the results were a disaster. The band performed the rock opera alongside a series of backing tapes containing synthesizers and sound effects, a decision that put the mercurial Who into a straitjacket and led to uncharacteristically restrained performances. For years, the legend that Quadrophenia didn’t lend itself to the stage persisted but things started to change in 1996 , when an all-star production was launched at London’s Hyde Park. This was such a rousing success that U.K. and U.S. tours followed and, from that point on, the Who returned to Quadrophenia far more often than Tommy, which they essentially retired after it turned into a Broadway musical. Anchored by a July 8, 2013 performance, 2014’s Quadrophenia: Live in London pays tribute to the enduring legacy of Pete Townshend’s rock opera. The concert is available in a variety of iterations, the simplest containing nothing more than the 2013 show — this is available as a double-CD set, a Blu-ray, and a DVD, plus a digital download — the most lavish being a five-disc box that contains the concert in the CD, Blu-ray, and DVD formats, along with the first-ever 5.1 mix of the original 1973 album, a feature many fans wish was included in the 2011 deluxe box set reissue of the album (there, only eight songs were mixed into Surround). If there ever were a record that cried out to be remixed in 5.1 Surround Sound, it’s Quadrophenia — it’s enveloping enough as stereo, but the synths and sound effects beg for an immersive experience — so this mix (which is also available separately as a Blu-ray Pure Audio single disc) is a worthwhile enticement on its own terms, but the 2013 show is strong on its own terms, too. Working with their longtime touring band of drummer Scott Devours, bassist Pino Paladino, and rhythm guitarist Simon Townshend, Pete Townshend and Roger Daltrey are tight and assured, substituting a weathered gravitas for the original’s roiling teenage angst. Neither singer can hit the high notes he did in the ’70s but neither tries, and their deeper voices add a sense of melancholy that contrasts well with the vigorous muscle of the band. An encore of greatest hits (plus “Tea & Theatre,” from 2006’s Endless Wire) is a nice touch but the focus is where it should be: on Quadrophenia, which upon its 40th anniversary sounds like Pete Townshend’s masterpiece, whether it’s heard in its original LP version or on this very good live set. ― Allmusic. [su_spoiler title=”UPDATES” icon=”plus-square-1″ style=”fancy”] 24/11/2018 – ADDED Hi-Res FLAC from BD1 & BD2 [/su_spoiler] Additional Info: • Released Date: 9 June 2014 • More info. CD 1 01. I Am the Sea – 01:58 02. The Real Me – 03:42 03. Quadrophenia – 05:50 04. Cut My Hair – 04:08 05. The Punk and the Godfather – 05:02 06. I’m One – 03:01 07. The Dirty Jobs – 04:55 08. Helpless Dancer – 02:17 09. Is It in My Head – 03:37 10. I’ve Had Enough – 06:42 11. 5:15 – 11:14. CD 2 01. Sea and Sand – 05:41 02. Drowned – 07:21 03. Bell Boy – 05:11 04. Doctor Jimmy – 08:09 05. The Rock – 06:51 06. Love Reign O’er Me – 07:22 07. Who Are You – 06:27 08. You Better You Bet – 05:35 09. Pinball Wizard – 02:53 10. Baba O’Riley – 05:27 11. Won’t Get Fooled Again – 09:06 12. Tea & Theatre – 04:00. DVD – Concert Film 01. I Am The Sea – 02:02 02. The Real Me – 03:42 03. Quadrophenia – 05:50 04. Cut My Hair – 04:08 05. The Punk And The Godfather – 05:00 06. I’m One – 03:02 07. The Dirty Jobs – 04:55 08. Helpless Dancer – 02:18 09. Is It In My Head? – 03:38 10. I’ve Had Enough – 06:52 11. 5:15 – 11:04 12. Sea And Sand – 05:30 13. Drowned – 07:21 14. Bell Boy – 05:25 15. Doctor Jimmy – 08:06 16. The Rock – 06:40 17. Love Reign O’er Me – 09:44 18. Who Are You – 06:48 19. You Better You Bet – 05:39 20. Pinball Wizard – 02:53 21. Baba O’Riley – 05:49 22. Won’t Get Fooled Again – 11:24 23. Tea & Theatre – 04:29. Blu-ray 1 – Concert Film 5.1 Surround Sound & Stereo at 24/48 01. I Am The Sea – 02:02 02. The Real Me – 03:42 03. Quadrophenia – 05:50 04. Cut My Hair – 04:08 05. The Punk And The Godfather – 05:00 06. I’m One – 03:02 07. The Dirty Jobs – 04:55 08. Helpless Dancer – 02:18 09. Is It In My Head? – 03:38 10. I’ve Had Enough – 06:52 11. 5:15 – 11:04 12. Sea And Sand – 05:30 13. Drowned – 07:21 14. Bell Boy – 05:25 15. Doctor Jimmy – 08:06 16. The Rock – 06:40 17. Love Reign O’er Me – 09:44 18. Who Are You – 06:48 19. You Better You Bet – 05:39 20. Pinball Wizard – 02:53 21. Baba O’Riley – 05:49 22. Won’t Get Fooled Again – 11:24 23. Tea & Theatre – 04:29. Blu-ray 2 – The Complete 1973 Album (Pure Audio) 2014 Mix – 5.1 Surround Sound & Stereo at 24/96 01. I Am The Sea – 02:10 02. The Real Me – 03:21 03. Quadrophenia – 06:13 04. Cut My Hair – 03:45 05. The Punk And The Godfather – 05:10 06. I’m One – 02:38 07. The Dirty Jobs – 04:28 08. Helpless Dancer – 02:33 09. Is It In My Head – 03:44 10. I’ve Had Enough – 06:16 11. 5:15 – 04:57 12. Sea And Sand – 05:01 13. Drowned – 05:26 14. Bell Boy – 04:55 15. Doctor Jimmy – 08:31 16. The Rock – 06:39 17. Love, Reign O’er Me – 06:00 1973 Original Mix – Stereo at 24/96 01. I Am The Sea – 02:10 02. The Real Me – 03:22 03. Quadrophenia – 06:15 04. Cut My Hair – 03:46 05. The Punk And The Godfather – 05:15 06. I’m One – 02:39 07. The Dirty Jobs – 04:30 08. Helpless Dancer – 02:36 09. Is It In My Head – 03:45 10. I’ve Had Enough – 06:16 11. 5:15 – 05:03 12. Sea And Sand – 05:06 13. Drowned – 05:27 14. Bell Boy – 04:59 15. Doctor Jimmy – 08:40 16. The Rock – 06:40 17. Love, Reign O’er Me – 05:52. Hi-Res BD 1 – Concert Film 5.1 Surround Sound & Stereo at 24/48 01. I Am The Sea – 02:02 02. The Real Me – 03:42 03. Quadrophenia – 05:50 04. Cut My Hair – 04:08 05. The Punk And The Godfather – 05:00 06. I’m One – 03:02 07. The Dirty Jobs – 04:55 08. Helpless Dancer – 02:18 09. Is It In My Head? – 03:38 10. I’ve Had Enough – 06:52 11. 5:15 – 11:04 12. Sea And Sand – 05:30 13. Drowned – 07:21 14. Bell Boy – 05:25 15. Doctor Jimmy – 08:06 16. The Rock – 06:40 17. Love Reign O’er Me – 09:44 18. Who Are You – 06:48 19. You Better You Bet – 05:39 20. Pinball Wizard – 02:53 21. Baba O’Riley – 05:49 22. Won’t Get Fooled Again – 11:24 23. Tea & Theatre – 04:29. Hi-Res BD 2 – The Complete 1973 Album (Pure Audio) 2014 Mix – 5.1 Surround Sound & Stereo at 24/96 01. I Am The Sea – 02:10 02. The Real Me – 03:21 03. Quadrophenia – 06:13 04. Cut My Hair – 03:45 05. The Punk And The Godfather – 05:10 06. I’m One – 02:38 07. The Dirty Jobs – 04:28 08. Helpless Dancer – 02:33 09. Is It In My Head – 03:44 10. I’ve Had Enough – 06:16 11. 5:15 – 04:57 12. Sea And Sand – 05:01 13. Drowned – 05:26 14. Bell Boy – 04:55 15. Doctor Jimmy – 08:31 16. The Rock – 06:39 17. Love, Reign O’er Me – 06:00 1973 Original Mix – Stereo at 24/96 01. I Am The Sea – 02:10 02. The Real Me – 03:22 03. Quadrophenia – 06:15 04. Cut My Hair – 03:46 05. The Punk And The Godfather – 05:15 06. I’m One – 02:39 07. The Dirty Jobs – 04:30 08. Helpless Dancer – 02:36 09. Is It In My Head – 03:45 10. I’ve Had Enough – 06:16 11. 5:15 – 05:03 12. Sea And Sand – 05:06 13. Drowned – 05:27 14. Bell Boy – 04:59 15. Doctor Jimmy – 08:40 16. The Rock – 06:40 17. Love, Reign O’er Me – 05:52. [/su_spoiler] [su_spoiler title=”BDs Screenshots” icon=”plus-square-1″ style=”fancy”] Quadrophenia [Music from the Soundtrack of The Who Film] The film adaptation of the Who's rock opera Quadrophenia couldn't have been different than the film of Tommy. Where that was garish, star- studded, and wrong-headed, Franc Roddam's Quadrophenia was lean, incisive, and nearly brilliant, thanks in no small part to his gritty, matter-of- fact approach and a searing, star-making performance by Phil Daniels. It was focused, dramatic, and affecting, the best illustration of what a rock musical can do, so it shouldn't be a surprise that the accompanying soundtrack is equally fine. It repeats much of the Who's album of the same name, plus a generous share of re-recordings, which may be subtly different (there are an abundance of grace notes on "I'm One," for instance), but different, more produced all the same. Even better, they're all pretty good, and help give this a different -- yet, again, subtly different -- feel than the album that's welcome. Then there's the last side of the record, containing a bunch of mod anthems -- which means there's a bunch of early-'60s soul, plus a couple of girl group numbers and "Louie Louie," all of which are familiar, yet still offer a good portrait of what mods actually listened to. Along the way, a song by the High Numbers -- the early incarnation of the Who -- is thrown in for good measure, along with the Cross Section's take on "Hi Heel Sneakers," plus three new songs, all added to assist the film narrative, all enjoyable but only "Four Faces" really standing out (and it sounds more Who by Numbers than Quadrophenia, anyway). So, unlike the Tommy soundtrack, this not just stands apart from the film, it's a nice little record on its own merits -- one that many passionate Who fans will enjoy, even as they realize it's hardly a monumental effort.