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download entire album of by pete townsend Download entire album of empty glass by pete townsend. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 669adee37ee81685 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Empty Glass. was heading toward collapse as the '70s turned into the '80s. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's death, questioning more than ever why he did what he did (and this is a who always asked questions). Signs of that crept out on Face Dances, but he saved a full-blown exploration of his psyche for Empty Glass, his first solo album since , a vanity project released to little notice around Who's Next (so limited in its distribution that Empty Glass seemed like his solo debut). Some of the songs on Empty Glass would have worked as Who songs, yet this is clearly a singer/songwriter album, the work of a writer determined to lay his emotions bare, whether on the plaintive "I Am an Animal" or the blistering punk love letter "Rough Boys." Since this is Townshend, it can be a little artier than it needs to be, as on the pseudo-Gilbert & Sullivan chorus of "," but the joy of Empty Glass is that his writing is sharp, his performances lively, his gift for pop hooks as apparent as his wit. Though it runs out of steam toward the end, Empty Glass remains one of the highlights of Townshend's catalog and is one of the most revealing records he cut, next to his other breakdown album, by Numbers. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Pete Townshend – Empty Glass (1980/2016) [HDTracks FLAC 24bit/96kHz] Pete Townshend – Empty Glass (1980/2016) FLAC (tracks) 24 bit/96 kHz | Time – 40:02 minutes | 924 MB | Genre: Rock Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © UMe Recorded: 1978-1980 at and A.I.R. Studios, London, UK. Who mastermind Pete Townshend’s strongest solo record was born in a hailstorm of despair, uncertainty, and tribulation. With the once viscerally powerful Who in limbo, the guitarist nearly sunk himself into brandy-drenched oblivion. He emerged with one of his most gripping solo pieces and- perhaps unsurprisingly-the most Who-like album of all his solo work. Pete plunges into his familiar themes of aging, sexuality, and spiritual decay with fervor, desperation, and commitment. And while „Empty Glass“ does not approach the roaring physicality of the Who at its best, the emotional punch of “Jools and Jim” and “I Am an Animal” is sure to rattle the cage of even the most ardent hard rock devotee. Also of note are Townshend’s vocals. Through the entire album, whether on the radio-ready paean to “Let My Love Open the Door,” the bracing “Rough Boys,” or the sublime “,” his vocals are hanging on the edge of a cliff, presumably dangling over a certain death. Pete Townshend was heading toward collapse as the ’70s turned into the ’80s. He had battled a number of personal demons throughout the ’70s, but he started spiraling downward after Keith Moon’s death, questioning more than ever why he did what he did (and this is a songwriter who always asked questions). Signs of that crept out on Face Dances, but he saved a full-blown exploration of his psyche for Empty Glass, his first solo album since Who Came First, a vanity project released to little notice around Who’s Next (so limited in its distribution that Empty Glass seemed like his solo debut). Some of the songs on Empty Glass would have worked as Who songs, yet this is clearly a singer/songwriter album, the work of a writer determined to lay his emotions bare, whether on the plaintive “I Am an Animal” or the blistering punk love letter “Rough Boys.” Since this is Townshend, it can be a little artier than it needs to be, as on the pseudo-Gilbert & Sullivan chorus of “Keep on Working,” but the joy of Empty Glass is that his writing is sharp, his performances lively, his gift for pop hooks as apparent as his wit. Though it runs out of steam toward the end, Empty Glass remains one of the highlights of Townshend’s catalog and is one of the most revealing records he cut, next to his other breakdown album, The Who by Numbers. -AllMusic Review by Stephen Thomas Erlewine. Tracklist: 1. Rough Boys 04:03 2. I Am An Animal 03:48 3. And I Moved 03:23 4. Let My Love Open The Door 02:45 5. Jools And Jim 02:37 6. Keep On Working 03:24 7. Cat’s In The Cupboard 03:34 8. A Little Is Enough 04:43 9. Empty Glass 05:23 10. Gonna Get Ya 06:23. Personnel: Pete Townshend, vocals, guitars, synthesizer John “Rabbit” Bundrick, keyboards Simon Phillips, drums James Asher, drums Kenney Jones, drums Mark Brzezicki, drums Tony Butler, bass Raphael Rudd, brass arrangements on “Rough Boys” Peter Hope-Evans, harmonica on “Cat’s in the Cupboard” Empty Glass. Pete Townshend was heading toward collapse as the '70s turned into the '80s. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's death, questioning more than ever why he did what he did (and this is a songwriter who always asked questions). Signs of that crept out on Face Dances, but he saved a full-blown exploration of his psyche for Empty Glass, his first solo album since Who Came First, a vanity project released to little notice around Who's Next (so limited in its distribution that Empty Glass seemed like his solo debut). Some of the songs on Empty Glass would have worked as Who songs, yet this is clearly a singer/songwriter album, the work of a writer determined to lay his emotions bare, whether on the plaintive "I Am an Animal" or the blistering punk love letter "Rough Boys." Since this is Townshend, it can be a little artier than it needs to be, as on the pseudo-Gilbert & Sullivan chorus of "Keep on Working," but the joy of Empty Glass is that his writing is sharp, his performances lively, his gift for pop hooks as apparent as his wit. Though it runs out of steam toward the end, Empty Glass remains one of the highlights of Townshend's catalog and is one of the most revealing records he cut, next to his other breakdown album, The Who by Numbers. Pete Townshend - Empty Glass Full Album. Specialty Records Corporation pressing denoted by "SP" suffix in label matrices. Differs from other Specialty press by Tim Young lacquer cut. Variant 5 also has EAST stamped into label as in Pete Townshend - Empty Glass, but does not have "CH" on label. Additional recording at Eel Pie Studios and Air Studios with Steve Nye engineering. Mixed at Wessex No.2 & Mastered At Sterling Sound N.Y.C. Barcodes. Matrix / Runout (Label Side A): ST-C-804437-SP Matrix / Runout (Label Side B): ST-C-804438-SP Matrix / Runout (Side A runout, Etched, Variant 1): ST-C-804437-D SP timtom- cbs england 01SM1-1 Matrix / Runout (Side B runout, Etched, Variant 1): ST-C-804438-D SP 0- 3SM1-1 timtom-cbs-england Matrix / Runout (Side A runout, Etched, Variant 2): timtom-cbs england 0-1SM3-2 ST-C-804437-D SP Matrix / Runout (Side B runout, Etched, Variant 2): timtom-cbs england ST-C-804438-D SP 0-1SM3-4 Matrix / Runout (Side A runout, Etched, Variant 3): timtom-cbs england 0-1SM3-1 ST-C-804437-D SP Matrix / Runout (Side B runout, Etched, Variant 3): timtom-cbs england ST-C-804437- D SP 0-1SM3-1 Matrix / Runout (Side A runout, Etched, Variant 4): ST-C-804437-D SP timtom- cbs england 01SM1-2 Matrix / Runout (Side B runout, Etched, Variant 4): ST-C-804438-D SP 0-2SM1-2 timtom-cbs-england Matrix / Runout (Side A runout, Etched, Variant 5): ST-C- 804437-D SP 0-4SM1-1 timtom-cbs england Matrix / Runout (Side A runout, Etched, Variant 5): ST-C-804438-D SP 0-3SM1-2 timtom-cbs- england Pressing Plant ID (On labels): SP Rights Society: BMI. Companies. Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Eel Pie Recording Productions Ltd. Copyright (c) – Eel Pie Recording Productions Ltd. Copyright (c) – Ltd. Pressed By – Specialty Records Corporation Published By – Eel Pie Publishing Ltd. Published By – Towser Tunes, Inc. Recorded At – Eel Pie Studios Recorded At – Air Studios Mixed At – Wessex Sound Studios Mastered At – CBS Studios, London Mastered At – Sterling Sound. Album. Empty Glass - Pete Townshend. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Empty Glass is the second solo studio album by English rock musician Pete Townshend, and his first composed of original material, released on 21 April 1980 by Atco Records. The album deals with issues that Townshend was struggling with at the time, including alcoholism, drug abuse, marital problems and deceased friends, particularly Keith Moon, the Who's former drummer, who died in 1978. Empty Glass also contained the devotional love song, Let My Love Open the Door, which became a Top 10 hit in the. Pete Townshend - Empty Glass 1980. To favorites 4 Download album. Listen album. Pete Townshend. Songs in album Pete Townshend - Empty Glass 1980. Pete Townshend - Rough Boys. Pete Townshend - I Am An Animal. Pete Townshend - And I Moved. Pete Townshend - Let My Love Open The Door. Pete Townshend - Jools And Jim. Pete Townshend - Keep On Working. Pete Townshend - Cat's In The Cupboard. Pete Townshend - A Little Is Enough. Pete Townshend - Em. Pete Townshend's 1980 hit solo album presented in a non-modified recording of Atco SD 32-100 vinyl LP. All efforts were made to realistically reproduce the. Some of the songs on Empty Glass would have worked as Who songs, yet this is clearly a singersongwriter album, the work of a writer determined to lay his emotions bare, whether on the plaintive I Am an Animal or the blistering punk love letter Rough Boys. Album 1980 10 Songs. Music Videos. Rough Boys. Let My Love Open the Door. More by Pete Townshend. One of them, Pete Townshends May 1980 solo project Empty Glass, has been cited as a Who record that never was, but its final form benefits from development as the guitarists personal project, and would have been diminished as a band enterprise. Listen to the title track from Empty Glass. The strongest case in point is the albums first track, Rough Boys. Townshends third solo record was his first built of true originals, and the first real harbinger of what would become a healthy solo piece of his career. It wasnt all new to the project, as a couple of Empty Glass tracks, including its title track, were leftovers from the Who Are You sessions. Pete Townshend released 'Empty Glass' on April 21, 1980. Pete Townshend started experimenting with a recording career outside the Who in the early '70s, but it would take him until 1980 to produce the album he'd later call his official solo debut. Titled Empty Glass , the record arrived during a tumultuous time for Townshend and his comrades in the Who. Still reeling from the death of drummer Keith Moon in 1978 and slowly working their way back from a period of curtailed touring and decreased activity following their 1976 tour, they were a different band in more ways than one as the '70s waned. Listen free to Pete Townshend Empty Glass Rough Boys, I Am An Animal and more. 10 tracks 38:32. Recorded April 21, 1980 Pete Townshend was heading toward collapse as the '70s turned into the '80s. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's death, questioning more than ever why he did what he did and this is a songwriter who always asked questions. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's. Empty Glass contains the least stiff-necked music that Pete Townshend has made in ages. Indeed, youd have to go back to The Who Sell Out to find him so consistently self-confident. All this comes through in both the song structure, where he toys with sixteenth- and thirty-second notes as well as standard rock & roll chords, and in the arrangements, where guitars and keyboards no longer fight for space but simply fill in where appropriate. Now he rocks more freely, and when he does stretch out, he simply gets on with it. Empty Glass may be an album without much innocence not even in Rough Boys, the rousing rocker dedicated to his children and the.