Mechanical Musical Instruments
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The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 Mooluriil's MAGAZINE
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 MoOLURIil'S MAGAZINE The Self-Playing Piano is It People who have watched these things closely have noticed that popular favor is toward the self-playing piano. A complete piano which will ornament your drawing-room, which can be played in the ordinary way by human fingers, or which. -'\ can be played by a piano player concealed inside the case, is the most popular musical instrument in the world to-day. The Harmonist Self-Playing Piano is the instrument which best meets these condi tions. The piano itself is perfect in tone and workmanship. The piano player at tachment is inside, is operated by perforated music, adds nothing to the size of the piano. takes up no room whatever, is always ready, is never in the way. We want everyone who is thinking of buying a piano to consider the great advan tage of getting a Harmonist, which combines the piano and the piano player both. It costs but little more than a good piano. but it is ten times as useful and a hundred times as entertaining. Write for particulars. ROTH ~ENGELHARDT Proprietors Peerless Piano Player Co. Windsor Aroade. Fifth Ave.. New York Please mention McClure·s when you write to ad"crtiscrt. 77 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. -
The Leludion Story
Carousel Organ, Issue No. 8 — July, 2001 The LeLudion Story Eve Crasse The Beginnings have been made by a grandfather for his grandson's enjoyment he story of LeLudion started with the crossing of the or a divining machine by the fairman's hands, following the paths of two people with a passion for mechanical music. movement of a figure's wand - up and down. The Cartesian TThe place was the first district of Paris - a chance meet- diver seems to answer the publics’ question. ing in front of an antique dealer who specialized in organ Cartesian Diver clocks. Both students were interested in the same type of music Best described as a toy for the junior high school laboratory, it is sim- - one was enchanted with fairground music and the merry-go- ply a near-floating object in a closed plastic bottle that dives and rises round and the other was fascinated with the mechanism that according to pressure on the bottle. It involves physical forces of made this wonderful music. weight, pressure, gravity, vacuum and water. Several years passed before realizing the workshop as it is known today but the chance meeting was the start. Being able to teach the craft of mechanical music as well as working with great customers all added to the experience over the last 25 years. The craft of mechanical music? In France there was no formal school, not even for organ building. You had to learn from retired professionals. Today it is different in that there is a unique school near Strasbourg (in the eastern part of France) where the apprentice can find good teachers. -
Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No
MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 2 March/April, 2014 October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida Meet The Collectors Open House Collection Visits Elliot and Rhonda Shumann have been collecting for many years and have a delightful collection of fine cylinder music boxes. In this collection you will see a Mermod Long March, a Nicole Grand Format, a Nicole Overture box, a Falconet overture keywind, and a number of chalets. Most outstanding is a double cylinder mechanism oil painting with clock in an ornate frame. Howard and Margery Sanford Bob Smith joined the MBSI in 1975. His , members for over 30 collection includes cylinder boxes, disc years, have a collection that includes a Mortier 101 boxes including a three disc Symphonion a key dance hall organ, a Wurlitzer 146, a carousel Mira console and a Stella, a grandfather organ, an Encore/Ramey banjo, a Capitol cu box type organ clock, an oil painting which contains a C, several pianos, and a one-of-a-kind midi accordion clock and music box, an upright Duo Art with a wooden conductor resembling Mozart, all of piano and an Arburo dance organ. which is housed in a lovely Florida setting. Come and enjoy our southern hospitality as you visit these fascinating collections! Arrive early and luxuriate in the beautiful Check our website www.mbsi2014.org surroundings of the Bonaventure Resort and Spa, for updated information about the 2014 Annual Meeting and be ready for a fun-filled weekend. -
JULY, 2006 Union Church of Pocantico Hills Tarrytown, New
THE DIAPASON JULY, 2006 Union Church of Pocantico Hills Tarrytown, New York Cover feature on pages 30–31 Organ Combination Duos Oct/Nov 2006 & February 2007 Organized Rhythm Clive Driskill-Smith, organist Joseph Gramley, multi-percussionist Percussion and organ, a somewhat surprising combination with a surprisingly pleasing sound, now has its own duo of performers. “Not only an exciting two-hour musical adventure, but also a startlingly clear insight for me into what makes a live performance good, and why good live performances are important for us....passion, technical mastery, and precision...two young musicians doing what they clearly love—making music, not just for themselves, but for us as well.” (The Granite State News, Wolfeboro NH) November 2006 Paulsson & Canning soprano saxophone & organ duo, Sweden “World class musicians...roaring applause and standing ovations.” (Skövde Nyheter, Sweden) “One of the greatest musical experiences I have ever had.” (Nynäshamnsposten, Sweden) “The performance was superb, with a beautiful combination of distinctive organ playing and Paulsson’s supple, exquisitely pure saxophone tone.” (Upsala Nya Tidning, Sweden) “Paulsson’s Bach playing was like a miracle. The audience went wild.” (Vakka-Suomen Sanomat, Finland) Anthony & Beard trumpet & organ duo “There must be other trumpeters in this world as fine as Ryan Anthony, but you’d never think so while listening to him play.” (Fanfare) “Dashing...stole the show with obvious enjoyment of music-making and by his personification of the [Canadian Brass’] -
Issue 5 – Summer 2018
A C Pilmer Automatic Music Ltd. Issue Five Summer 2018 G RACE N OTES INSIDE THIS ISSUE: 87- K E Y G AVIOLI O R G A N ’ S D E BU T INSIDE THIS ISSUE: Belgian Café Culture 2 4046 yearskey organ in business! to Australia 2 MarenghiIn Brief bandmaster 2 W.B.S. Model 76 / 77 3 Launch of Newsletter 2 Jim Krughoff RIP 3 32 key Prinsen organs 3 The air that we breathe 3 In Brief 3 87-key Gavioli organ’s 4 debut On the weekend of June 16th and 17th 2018 our latest full restoration project made its public debut at the Castle Fraser steam rally in Aberdeenshire, Scotland. The organ, an early 87-key Gavioli, was built in 1898 and now forms part of the extensive collection of Mike Dree- lan, a prominent collector of steam and other road vehicles. It is not known exactly where the organ was first used commercially, but it was possibly somewhere in Belgium; at some point it was ex- ported to the United States where it provided the music for a carousel in a permanent amusement park. In the late 1920s the organ was rebuilt by the B.A.B. Organ Company of Brooklyn, New York. At this time, the Gavioli keyframe was removed and the scale changed to their own 80-keyless book system, making the old library of music redundant. A new selection of popular music was then supplied for it. Later, the organ operated at Almonesson Lake, a permanent amusement park in New Jersey. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
English Poster
As for new research perspectives, I can affirm that they are numerous esults since a multitude of avenues remain to be explored on the subject of Recognition fairground arts. The existing works are often old, not a lot of work has R been written recently on the subject, yet there is currently a very strong Findings and results were indeed established as a result of my research. First desire to recognize this heritage. of all, this research has enabled me to understand that fairgrounds are rooted The Pavillons of Bercy, for example, have communicated their desire for and Appreciation in an ancient legacy already started by popular festivals in the Middle-Ages me to write a subject that would make it possible to establish specific and the development of the first rides even before the creation of fairgrounds. parallels between certain objects in their collection and works of art. From the 1880s, we see the development of an architecture specific to the However, for my part, I would like to take a greater interest in the Hippo- of Objects: fairground, deeply influenced by the development of architecture in general Palace carousel-salon, in particular by attempting to attribute certain and by the Universal Exhibitions. The phenomenon of fairground elements but also by providing a precise iconographic study since this has production schools is determined only a posteriori by specialists such as never been done. In my view this perspective would perhaps also allow François and Fabienne Marchal (collectors) or Zeev Gourarier (former me to respond to their desire for a parallel between art and fairground art scientific director and curator of the MuCEM collections in Marseille). -
Revealed After a Century: the Model 46 Ruth of 1912
Carousel Organ , Issue No. 50—January, 2012 Revealed after a Century: The Model 46 Ruth of 1912 Fred Dahlinger © 2012 Introduction That observation came very close to the reality of the situation. There were actually two such instruments, and each was some- he late Dan Slack constantly sought mechanical musical what “unique.” instrument buying and selling opportunities. His work as Subsequent to the acquisition, examination of details and Ta salesman of Cessna propeller aircraft and later Chris- further analysis, including accessing European literature on the Craft luxury boats took him cross-country, giving him exposure topic, the make and specific model number of this interesting from coast to coast and border to border. He examined many machine have been confirmed. It is the first of two Model 46 machines, passing on most, buying some, re-selling the majori- Ruths fabricated in Waldkirch, Germany. Constructed and sold ty and holding a few. in 1912, awareness of the existence of the organ has been out- After one 1980s side the knowl- trip to California dur- edge of contem- ing which he’d porary organ bought a prized enthusiasts Model 38 Ruth chas- everywhere, sis, he reported spot- including both ting another intrigu- North America ing instrument. and Europe. Based on the knowl- The purpose edge he’d gained of this mono- from examining the graph is to fill the construction hall- void about Ruth’s marks of his unusual Model 46 Waldkirch-built organ and to re-count Dan was sure it was a how the identity Ruth, but he couldn’t of the 1912 figure out exactly instrument was what model. -
CHSA 5147 1978) © Lebrecht Music & Arts Photo Library Photo Music & Arts © Lebrecht 1978) – Photograph by Tamara Karsavina (1885 Karsavina Tamara by Photograph
CHSA 5147 Igor Stravinsky, right, with Alexander Benois, at Tivoli, 1911 Benois, atTivoli, right,withAlexander Stravinsky, Igor Photograph by Tamara Karsavina (1885 – 1978) © Lebrecht Music & Arts Photo Library Igor Stravinsky (1882 – 1971) Concerto (1923 – 24, revised 1950) 18:36 for Piano and Wind Instruments À Madame Nathalie Koussevitzky 1 I Largo – Allegro – Più mosso – Maestoso (Largo del principio) 7:17 2 II Largo – L’istesso tempo ma poco rubato. Cadenza (poco rubato) – Più mosso – Cadenza (poco rubato) – Doppio valore, tempo I 6:23 3 III Allegro – [ ] – Tempo I – Agitato – Lento – Stringendo 4:49 Capriccio (1928 – 29, revised 1949) 16:59 for Piano and Orchestra 4 I Presto – Doppio movimento – Presto – Doppio movimento – [ ] – Tempo I [Doppio movimento] – Poco più mosso – Tempo I – Presto – Doppio movimento – Presto – Doppio movimento – 6:38 5 II Andante rapsodico – Più mosso – Tempo I – 4:51 6 III Allegro capriccioso ma tempo giusto 5:29 3 Movements (1958 – 59) 9:19 for Piano and Orchestra To Margrit Weber 7 I = 110 – Meno mosso, = 72 – = 52 2:56 8 II = 52 – = 72 1:16 9 III = 72 – = 80 1:05 10 IV = 80 – = 52 – 1:57 11 V = 104 2:03 Pétrouchka (1910 – 11, revised 1946) 34:16 Scènes burlesques en quatre tableaux by Igor Stravinsky and Alexander Benois (1870 – 1960) À Alexandre Benois First Part. The Shrove-tide Fair 12 Vivace – Meno mosso – Tempo I – Meno mosso – L’istesso tempo – Tempo I (Vivace) – 5:29 13 Lento – Poco più mosso (Cadenza) – A tempo – 1:38 14 Danse russe. Allegro giusto – Meno mosso – Tempo I – 2:50 Second Part. -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
Historic Organs of Belgium May 15-26, 2018 12 Days with J
historic organs of BELGIUM May 15-26, 2018 12 Days with J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from Mr. & Mrs. Wesley C. Dudley, grants from Walter McCarthy, Clara Ueland, and the Greystone Foundation, the Art and Martha Kaemmer Fund of the HRK Foundation, and Jan Kirchner on behalf of her family foun- dation, by the contributions of listeners to American Public Media stations nationwide, and by the thirty member organizations of the Associated Pipe Organ Builders of America, APOBA, represent- ing the designers and creators of pipe organs heard throughout the country and around the world, with information at www.apoba.com. See and hear Pipedreams on the Internet 24-7 at www.pipedreams.org. A complete booklet pdf with the tour itinerary can be accessed online at www.pipedreams.org/tour Table of Contents Welcome Letter Page 2 Bios of Hosts and Organists Page 3-6 A History of Organs in Belgium Page 7-12 Alphabetical List of Organ Builders Page 13-17 Organ Observations Page 18-21 Tour Itinerary Page 22-25 Playing the Organs Page 26 Organ Sites Page 27-124 Rooming List Page 125 Traveler Profiles Page 126-139 Hotel List Page 130-131 Map Inside Back Cover Thanks to the following people for their valuable assistance in creating this tour: Rachel Perfecto and Paul De Maeyer Valerie Bartl, Cynthia Jorgenson, Kristin Sullivan, Janet Tollund, and Tom Witt of Accolades International Tours for the Arts in Minneapolis. In addition to site specific websites, we gratefully acknowledge the following source for this booklet: http://www.orgbase.nl PAGE 22 HISTORICALORGANTOUR OBSERVATIONS DISCOGRAPHYBACKGROUNDWELCOME ITINERARYHOSTS Welcome Letter from Michael.. -
The Wurlitzer Style 180 Band Organ
THE www.amica.org Volume 51, Number 2 AMICA March/April 2014 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a Visit the AMICA web site at: http://www.amica.org 501(c)(3) non-profit, tax exempt group devoted to the restoration, distribution, to enter the “Members-Only” portal, Current User Name: AMICA research and enjoyment of automatic musical instruments. AMICA was Password: Bellows@1963 founded in San Francisco, California in 1963. VOLUME 51, Number 2 March/April 2014 AMICA BULLETIN FEATURES Display and Classified Ads Meet the Younger Generation . .edited by Glenn Thomas . .53 Articles for Publication Letters to the Publisher Nickel Notes: Jim Krughoff . .by Matthew Jaro . 56 Chapter News Wurlitzer Style 180 Band Organ . .by Matthew Caulfield . .64 UPCOMING PUBLICATION Link A Orchestrion Acquisition . .by Glenn Thomas . .73 DEADLINES Link A Orchestrion Restoration . .by Paul Manganaro . .74 The ads and articles must be received Repairing / Replacing Piano Roll Leaders . .by Douglas Heckrotte . by the Publisher on the 1st of the 81 Odd number months: Facade a la Mode . .by Kenneth Hodge . .84 January July Where Are They Now? . .by Terry Smythe . March September 86 May November Bulletins will ordinarily be mailed in the 1st week of the even months, for COLUMNS expected delivery mid-month. Editorial Observations . Glenn Thomas, Publisher 48 165 Kildee Rd. From the Membership Secretary . .48 Belle Mead, NJ 08502 Membership Update . Phone: 908-431-0490 49 e-mail: [email protected] Web Sites of Interest .