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F a L L W I N T E R 2 0
NEW BOOKS FALL WINTER 2020 TABLE OF CONTENTS Welcome New Publishers ..............................................................................................2 Featured Titles ...................................................................................................................3 Biography/History/True Crime......................................................................................5 Science and Social Sciences ......................................................................................30 Fiction/Poetry/Graphic Novels ...................................................................................41 Religion and Inspiration ..............................................................................................64 Games/Gifts/Seasonal .................................................................................................72 Crafts and Hobbies .......................................................................................................81 Performing Arts and The Arts ............................................................................... 102 Cooking .......................................................................................................................... 117 Children’s ....................................................................................................................... 125 Health/Self-Help/Parenting ..................................................................................... 137 Sports and Recreation ......................................................................................... -
Sexuality Education for Mid and Later Life
Peggy Brick and Jan Lunquist New Expectations Sexuality Education for Mid and Later Life THE AUTHORS Peggy Brick, M.Ed., is a sexuality education consultant currently providing training workshops for professionals and classes for older adults on sexuality and aging. She has trained thousands of educators and health care professionals nationwide, is the author of over 40 articles on sexuality education, and was formerly chair of the Board of the Sexuality Information and Education Council of the United States (SIECUS). Jan Lunquist, M.A., is the vice president of education for Planned Parenthood Centers of West Michigan. She is certified as a sexuality educator by the American Association of Sex Educators, Counselors, and Therapists. She is also a certified family life educator and a Michigan licensed counselor. During the past 29 years, she has designed and delivered hundreds of learning experiences related to the life-affirming gift of sexuality. Cover design by Alan Barnett, Inc. Printing by McNaughton & Gunn Copyright 2003. Sexuality Information and Education Council of the United States (SIECUS), 130 West 42nd Street, New York, NY 10036-7802. Phone: 212/819-9770. Fax: 212/819-9776. E-mail: [email protected] Web site: http://www.siecus.org 2 New Expectations This manual is dedicated to the memory of Richard Cross, M.D. 1915-2003 “What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?” “Real isn’t how you are made,” said the Skin Horse. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Under the Arch
Summer, 1982 Hours of operation A free publication to May 29-September 6 provide information Visitor Center, 8:00 a.m. under about the Jefferson to 10:00 p.m. National Expansion Tram Ride, 8:30 a.m. to Memorial 9:30p.m. the Museum of Westward Expansion, 8:00 a.m. to 1arc h 10:00 p.m. Inside this GATEWAY ARCH: issue How long does it take to ride to the top? Where do I A Monument purchase tickets? These and other often asked questions are answered in "Riding to For Our Time the Top." The Museum of Westward Expansion recreates one of the country's most colorful eras. The next page provides a map of the museum and two articles that explain how to view it. See It Today May 29-September 6: Monument to the Dream, a 30-minute film, documents the construction of the Gateway Arch. Shows begin at 8:15 a.m., 9:15 a.m., 10:45 a.m., 12:15 p.m., 1:45 p.m., 2:30 p.m., 3:15 p.m., 4:45 •i p.m., 6:15 p.m., 7:45 p.m. and 8:45 p.m. in Tucker Theater adja i cent to the Gateway Arch lobby. Charles M. Russell: American Artist, a 20-minute film, interprets i the life and significance of a well- known artist of the West. Shows s begin at 10:00 a.m., 11:30 a.m., •2 1:00 p.m., 4:00 p.m., 5:30 p.m. CO and 7:00 p.m. -
The Leludion Story
Carousel Organ, Issue No. 8 — July, 2001 The LeLudion Story Eve Crasse The Beginnings have been made by a grandfather for his grandson's enjoyment he story of LeLudion started with the crossing of the or a divining machine by the fairman's hands, following the paths of two people with a passion for mechanical music. movement of a figure's wand - up and down. The Cartesian TThe place was the first district of Paris - a chance meet- diver seems to answer the publics’ question. ing in front of an antique dealer who specialized in organ Cartesian Diver clocks. Both students were interested in the same type of music Best described as a toy for the junior high school laboratory, it is sim- - one was enchanted with fairground music and the merry-go- ply a near-floating object in a closed plastic bottle that dives and rises round and the other was fascinated with the mechanism that according to pressure on the bottle. It involves physical forces of made this wonderful music. weight, pressure, gravity, vacuum and water. Several years passed before realizing the workshop as it is known today but the chance meeting was the start. Being able to teach the craft of mechanical music as well as working with great customers all added to the experience over the last 25 years. The craft of mechanical music? In France there was no formal school, not even for organ building. You had to learn from retired professionals. Today it is different in that there is a unique school near Strasbourg (in the eastern part of France) where the apprentice can find good teachers. -
Ernst Toch Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft0z09n428 No online items Ernst Toch papers, ca. 1835-1988 Finding aid prepared by UCLA Library Special Collections staff and Kendra Wittreich; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2008 The Regents of the University of California. All rights reserved. Ernst Toch papers, ca. 1835-1988 PASC-M 1 1 Title: Ernst Toch papers Collection number: PASC-M 1 Contributing Institution: UCLA Library Special Collections Language of Material: German Physical Description: 44.0 linear ft.(88 boxes) Date (inclusive): ca. 1835-1988 Abstract: The Collection consists of materials relating to the Austrian-American composer, Ernst Toch. Included are music manuscripts and scores, books of his personal library, manuscripts, biographical material, correspondence, articles, essays, speeches, lectures, programs, clippings, photographs, sound recordings, financial records, and memorabilia. Also included are manuscripts and published works of other composers, as well as Lilly Toch's letters and lectures. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Toch, Ernst 1887-1964 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. -
Singer of the Hollies and Marks An- Thews.Melissa'ssoulfulversion Should Down Home Funkisstillvery Much a Other Change of Pace for Havens
DEDICATED TO THE NEEDS OF THE MUSIC 'RECORD I SINGLES SLEEPERS ALBUMS BOZ SCAGGS, "LIDO SHUFFLE" (prod. by Joe THIN .LIZZY, "DON'T BELIEVE A WORD" (prod. NATALIE COLE, "UNPREDICTABLE."It Wissert)(writers: B.Scaggs & D. by John Alcock)(writer:P.Lynott) is rare that an artist "arrives" on the Paich) (Boz Scaggs/Hudmar, ASCAP) (RSO/Chappell, ASCAP) (2:18). The scene, estabiishes herself with a first (3:40). One of the best tracks from closest that the group has come to release and :mmediately takes a place Scaggs' much acclaimed "Silk De- the infectious,rockingbadboy among the giants of popdom with every grees" album, this one seems the sound of "The Boys Are BackIn indicatio' being that's where she'll re- most likely contender to follow in Town," this "Johnny The Fox" track main for many years. Such has been.thie' thesuccessfulfootstepsof"Low- has already charted in the U.K. Be- case for Ms. Cole, whose remarkable down." Scaggs' easy going vocal lieveit: the boys are back to stay. growth continues unabated with yet a blazes the way. Columbia 3 10491. Mercury 73892. third Ip. Capitol SO -11600 (6.98). DAVID BOWIE, "SOUND AND VISION" (prod. GENESIS, "YOUR OWN SPECIAL WAY" (prod. JETHRO7JIi.L, "SONGS FROM THE )114K)1.1 -,P - by David Bowie & Tony Visconti) by David Hentschel & Genesis) WOOD." .::te tour of smaller halls re- (writers: David Bowie) (Bewlay Bros./ (writer: Michael Rutherford) (Warner cently completed by Tull has put the Fleur, BMI) (3:00). "The man who Bros., ASCAP) (3:03). The group is group in the proper frame of reference fell to earth" is still one step ahead currently enjoying its biggest album for this latest set. -
1 307A Muggsy Spanier and His V-Disk All Stars Riverboat Shuffle 307A Muggsy Spanier and His V-Disk All Stars Shimmy Like My
1 307A Muggsy Spanier And His V-Disk All Stars Riverboat Shuffle 307A Muggsy Spanier And His V-Disk All Stars Shimmy Like My Sister Kate 307B Charlie Barnett and His Orch. Redskin Rhumba (Cherokee) Summer 1944 307B Charlie Barnett and His Orch. Pompton Turnpike Sept. 11, 1944 1 308u Fats Waller & his Rhythm You're Feets Too Big 308u, Hines & his Orch. Jelly Jelly 308u Fats Waller & his Rhythm All That Meat and No Potatoes 1 309u Raymond Scott Tijuana 309u Stan Kenton & his Orch. And Her Tears Flowed Like Wine 309u Raymond Scott In A Magic Garden 1 311A Bob Crosby & his Bob Cars Summertime 311A Harry James And His Orch. Strictly Instrumental 311B Harry James And His Orch. Flight of the Bumble Bee 311B Bob Crosby & his Bob Cars Shortin Bread 1 312A Perry Como Benny Goodman & Orch. Goodbye Sue July-Aug. 1944 1 315u Duke Ellington And His Orch. Things Ain't What They Used To Be Nov. 9, 1943 315u Duke Ellington And His Orch. Ain't Misbehavin' Nov. 9,1943 1 316A kenbrovin kellette I'm forever blowing bubbles 316A martin blanc the trolley song 316B heyman green out of november 316B robin whiting louise 1 324A Red Norvo All Star Sextet Which Switch Is Witch Aug. 14, 1944 324A Red Norvo All Star Sextet When Dream Comes True Aug. 14, 1944 324B Eddie haywood & His Orchestra Begin the Beguine 324B Red Norvo All Star Sextet The bass on the barroom floor 1 325A eddy howard & his orchestra stormy weather 325B fisher roberts goodwin invitation to the blues 325B raye carter dePaul cow cow boogie 325B freddie slack & his orchestra ella mae morse 1 326B Kay Starr Charlie Barnett and His Orch. -
JULY, 2006 Union Church of Pocantico Hills Tarrytown, New
THE DIAPASON JULY, 2006 Union Church of Pocantico Hills Tarrytown, New York Cover feature on pages 30–31 Organ Combination Duos Oct/Nov 2006 & February 2007 Organized Rhythm Clive Driskill-Smith, organist Joseph Gramley, multi-percussionist Percussion and organ, a somewhat surprising combination with a surprisingly pleasing sound, now has its own duo of performers. “Not only an exciting two-hour musical adventure, but also a startlingly clear insight for me into what makes a live performance good, and why good live performances are important for us....passion, technical mastery, and precision...two young musicians doing what they clearly love—making music, not just for themselves, but for us as well.” (The Granite State News, Wolfeboro NH) November 2006 Paulsson & Canning soprano saxophone & organ duo, Sweden “World class musicians...roaring applause and standing ovations.” (Skövde Nyheter, Sweden) “One of the greatest musical experiences I have ever had.” (Nynäshamnsposten, Sweden) “The performance was superb, with a beautiful combination of distinctive organ playing and Paulsson’s supple, exquisitely pure saxophone tone.” (Upsala Nya Tidning, Sweden) “Paulsson’s Bach playing was like a miracle. The audience went wild.” (Vakka-Suomen Sanomat, Finland) Anthony & Beard trumpet & organ duo “There must be other trumpeters in this world as fine as Ryan Anthony, but you’d never think so while listening to him play.” (Fanfare) “Dashing...stole the show with obvious enjoyment of music-making and by his personification of the [Canadian Brass’] -
Deadness Technologies of the Intermundane Jason Stanyek and Benjamin Piekut
Deadness Technologies of the Intermundane Jason Stanyek and Benjamin Piekut Figure 1. A meeting of mouths, from Natalie Cole, Unforgettable, directed by Steve Barron. New York: Elektra Video, 1991. (Screen shot by Jason Stanyek and Benjamin Piekut) In late capitalism, the dead are highly productive. Of course, all capital is dead labor, but the dead also generate capital in collaboration with the living. What is “late” about late capitalism could be the new arrangements of interpenetration between worlds of living and dead, arrange- ments that might best be termed intermundane. As Joseph Roach writes, “modernity itself might be understood as a new way of handling (and thinking about) the dead,” but the mechanisms and procedures through which this handling takes place are under constant revision (1996:14). While Roach is concerned with mapping “a revolutionary spatial paradigm: the segregation of the dead from the living” (48) in early modern Europe and its colonies, we are interested in a later arrangement of bio- and necroworlds, one centered on production of several kinds: social, economic, cultural, and affective. In this arrangement, the living do not one-sidedly handle the dead, but participate in an inter-handling, a mutually effective co-laboring. TDR: The Drama Review 54:1 (T205) Spring 2010. ©2010 14 New York University and the Massachusetts Institute of Technology “Death isn’t the end,” remarks Mark Roesler, the CEO of CMG Worldwide, an intellectual property management company that plays an important role in the growing field of “necro- marketing” (in Hoffman 2005).1 In what could be seen as a case of millennial anxiety over the reconfiguration of labor in a burgeoning necro market, Forbes in 2001 began publishing their annual list of “Top Earning Dead Celebrities,” which for the past seven years has been fleshed out by a barely rotating cast of actors, writers, artists, and musicians: Marilyn Monroe, Charles Schultz, J.R.R. -
Issue 5 – Summer 2018
A C Pilmer Automatic Music Ltd. Issue Five Summer 2018 G RACE N OTES INSIDE THIS ISSUE: 87- K E Y G AVIOLI O R G A N ’ S D E BU T INSIDE THIS ISSUE: Belgian Café Culture 2 4046 yearskey organ in business! to Australia 2 MarenghiIn Brief bandmaster 2 W.B.S. Model 76 / 77 3 Launch of Newsletter 2 Jim Krughoff RIP 3 32 key Prinsen organs 3 The air that we breathe 3 In Brief 3 87-key Gavioli organ’s 4 debut On the weekend of June 16th and 17th 2018 our latest full restoration project made its public debut at the Castle Fraser steam rally in Aberdeenshire, Scotland. The organ, an early 87-key Gavioli, was built in 1898 and now forms part of the extensive collection of Mike Dree- lan, a prominent collector of steam and other road vehicles. It is not known exactly where the organ was first used commercially, but it was possibly somewhere in Belgium; at some point it was ex- ported to the United States where it provided the music for a carousel in a permanent amusement park. In the late 1920s the organ was rebuilt by the B.A.B. Organ Company of Brooklyn, New York. At this time, the Gavioli keyframe was removed and the scale changed to their own 80-keyless book system, making the old library of music redundant. A new selection of popular music was then supplied for it. Later, the organ operated at Almonesson Lake, a permanent amusement park in New Jersey. -
Nutcracker Study Guide, 2012 Salt Creek Ballet Page 2
STUDY GUIDE SALT CREEK BALLET’S PRODUCTION OF EXCERPTS FROM THE NUTCRACKER SPONSORED BY THE ADDISON CENTER FOR THE ARTS A GUIDE FOR TEACHERS GRADES 2-5 ALIGNED WITH THE ILLINOIS STATE STANDARDS Dear Teacher: We know that classroom time is precious, so we thank you for taking the time to use this resource and enrich your students’ experience of The Nutcracker ballet! The purpose of this packet is to both assist you in preparing your students for Salt Creek Ballet’s production of The Nutcracker ballet as well as provide you with several ways in which to integrate the dance experience into your daily academic curriculum. Although the students will only view specific portions of the ballet (the end of Act I and part of Act II), we encourage you and your students to learn more about ballet and the complete story of The Nutcracker ballet by using the pre-performance discussion activities provided below. After attending the performance, you may help the students “dive more deeply” by using any of the suggested post-performance writing or discussion activities provided. TABLE OF CONTENTS Suggested Pre-Performance Activities…….page 2 About Ballet……………………………………………page 2 About the Theater…………………………………. page 4 About the Music……………………………………..page 4 Background Information…………………………page 5 Ballet and Dance Vocabulary……………….…page 7 Creating a Ballet………………………………….…page 8 What Students can expect………………………page 8 Ideas for Curriculum Integration…………….page 9 Selected Bibliography and Resources……page 12 SUGGESTED PRE-PERFORMANCE ACTIVITIES Basic Activities: Read aloud or have the students read the story of The Nutcracker ballet. (A synopsis of SCB’s version of story is included in this packet.) Listen to excerpts from the Tchaikovsky score and notice the ways the music changes with each different scene in the story.