Thiruvalluvar University M.A. English Syllabus Under Cbcs
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Historiography, Politics and the Indian Novel Book Section
Open Research Online The Open University’s repository of research publications and other research outputs Some Uses of History: Historiography, Politics and the Indian Novel Book Section How to cite: Tickell, Alex (2015). Some Uses of History: Historiography, Politics and the Indian Novel. In: Anjaria, Ulka ed. A History of the Indian Novel in English. Cambridge: Cambridge University Press, pp. 237–250. For guidance on citations see FAQs. c 2015 Ulka Anjaria and Alex Tickell https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.1017/CBO9781139942355.016 http://www.cambridge.org/gb/academic/subjects/literature/asian-literature/history-indian-novel-english Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 1 Author’s Agreed Version for Anjaria Ed. A History of the Indian Novel in English (Cambridge: CUP, 2015) © Alex Tickell Some Uses of History: Historiography, Politics and the Indian Novel Alex Tickell A foundational assumption of conventional literary history is that like any other cultural or physical institution the novel can be plotted through a more or less linear trajectory of formal change. In other words, within the disciplinary project of the literary history it is assumed that ‘history’ will describe a certain temporally structured developmental narrative about how the novel has evolved (in this case in an Indian national context). -
Women Novelists in Indian English Literature
WOMEN NOVELISTS IN INDIAN ENGLISH LITERATURE DR D. RAJANI DEIVASAHAYAM S. HIMA BINDU Associate Professor in English Assistant Professor in English Ch. S. D. St. Theresa’s Autonomous College Ch. S. D. St. Theresa’s Autonomous for Women College for Women Eluru, W.G. DT. (AP) INDIA Eluru, W.G. DT., (AP) INDIA Woman has been the focal point of the writers of all ages. On one hand, he glorifies and deifies woman, and on the other hand, he crushes her with an iron hand by presenting her in the image of Sita, the epitome of suffering. In the wake of the changes that have taken place in the society in the post-independence period, many novelists emerged on the scene projecting the multi-faceted aspects of woman. The voice of new Indian woman is heard from 1970s with the emergence of Indian English women novelists like Nayantara Sehgal, Anitha Desai, Kamala Markandaya, Ruth Prawer Jhabvala, Arundhati Roy, Shashi Deshpande, Gita Mehta, Bharathi Mukherjee, and Jhumpha Lahiri.. These Feminist writers tried to stamp their authority in a male dominated environment as best as it is possible to them. This paper focuses on the way these women writers present the voice of the Indian woman who was hitherto suppressed by the patriarchal authority. Key words: suppression, identity, individuality, resistance, assertion. INTRODUCTION Indian writers have contributed much for the overall development of world literature with their powerful literary expression and immense depth in characterization. In providing global recognition to Indian writing in English, the novel plays a significant role as they portray the multi-faceted problems of Indian life and the reactions of common men and women in the society. -
Chapter-Ii Journey of Women Novelists in India
CHAPTER-II JOURNEY OF WOMEN NOVELISTS IN INDIA 2.1 Preliminaries This chapter deals with the study of „novel‟ as a popular literary genre. It traces the advent of the novel in India which is a product of colonial encounter. Essentially dominated by male writers, women‟s writings in the past were looked down upon as inconsequential. Literary contributions by Indian women writers were undervalued on account of patriarchal assumptions which prioritized the works of male experiences. For many women writers, who are products of strong patriarchal cultures, ability to write and communicate in the language of the colonizers represents power. Since English is the language of British-ruled colonies, literature written in English has often been used to marginalize and thwart female point of view. But in the post-colonial era, however, the ability to use language, read, write, speak and publish has become an enabling tool to question the absence of female authorial representation from the literary canon. Post-colonial studies sparks off questions related to identity, race, gender and ethnicity. Since one of the objectives of the post-colonial discourse is aimed at re- instating the marginalized in the face of the dominant some of the aspects it seeks to address through its fictions are those related to women‟s status in society, gender bias, quest for identity among others. As Rosalind Miles remarks, The task of interpretation of women‟s experience cannot be left to male writers alone, however sympathetic they might be. The female perspective expressed through women‟s writings of all kinds is more than a valuable corrective to an all-male view of the universe.1 Taking this argument into consideration, the present chapter will very briefly study the works of women novelists in India. -
Introduction
I INTRODUCTION The objective of the thesis has been to explore the rootlessness in the major fictional works of V.S. Naipaul, the-Trinidad-born English author. The emphasis has been on the analysis of his writings, in which he has depicted the images of home, family and association. Inevitably, in this research work on V.S. Naipaul’s fiction, multiculturalism, homelessness (home away from home) and cultural hybridity has been explored. Naipaul has lost his roots no doubt, but he writes for his homeland. He is an expatriate author. He gives vent to his struggle to cope with the loss of tradition and makes efforts to cling to the reassurance of a homeland. Thepresent work captures the nuances of the afore-said reality. A writer of Indian origin writing in English seems to have an object, that is his and her imagination has to be there for his/her mother country. At the core of diaspora literature, the idea of the nation-state is a living reality. The diaspora literature, however, focuses on cultural states that are defined by immigration counters and stamps on one’s passport. The diaspora community in world literature is quite complex. It has shown a great mobility and adaptability as it has often been involved in a double act of migration from India to West Indies and Africa to Europe or America on account of social and political resources. Writers like Salman Rushdie, RohingtonMistry, Bahrain Mukherjee, and V.S. Naipaul write from their own experience of hanging in limbo between two identities: non-Indian and Indian. -
THE INDIAN JOURNAL of ENGLISH STUDIES an Annual Journal
ISSN-L 0537-1988 53 THE INDIAN JOURNAL OF ENGLISH STUDIES An Annual Journal VOL.LIII 2016 Editor-in-Chief Dr. Binod Mishra Associate Professor of English, IIT Roorkee The responsibility for facts stated, opinion expressed or conclusions reached and plagiarism, if any, in this Journal is entirely that of the author. The editor/publisher bears no responsibility for them whatsoever. THE OFFICIAL PUBLICATION OF ASSOCIATION FOR ENGLISH STUDIES OF INDIA 53 2016 INDIAN JOURNAL OF ENGLISH STUDIES Editor-in-Chief: Dr. Binod Mishra, CONTENTS Department of HSS, IIT Roorkee, Uttarakhand. The Indian Journal of English Studies (IJES), published since 1940, accepts Editorial Binod Mishra VII scholarly papers presented by members at the annual conferences World Literature in English of the Association for English Hari Mohan Prasad 1 Studies of India (AESI). Orders for the Indian and Western Canon copy of the journal for home, college, Charu Sheel Singh 12 departmental/university library may be sent to the Editor-in-Chief, Mahesh Dattani’s Ek Alag Mausam: Dr. Binod Mishra, by sending an Art for Life’s Sake Mukesh Ranjan Verma 23 e-mail on [email protected]. Teachers and research scholars are Encounters in the Human requested to place orders on behalf of Zoo through Albee their institutions for one or more J. S. Jha 33 copies. Orders can be sent to Dr. Binod John Dryden and the Restoration Milieu Mishra, Editor-in-Chief, IJES, 215/3 Vinod Kumar Singh 45 Saraswati Kunj, IIT Roorkee, District- Folklore and Film: Commemorating Haridwar, Uttarakhand-247667, Vijaydan Detha, the Shakespeare India. -
A Room of Their Own: Women Novelists 109
A Room of their Own: Women Novelists 109 4 A Room of their Own: Women Novelists There is a clear distinction between the fiction of the old masters and the new novel, with Rushdie's Midnight's Children providing a convenient watershed. When it comes to women novelists, the distinction is not so clear cut. The older generation of women writers (they are a generation younger than the "Big Three") have produced significant work in the nineteen-eighties: Anita Desai's and Nayantara Sahgal's best work appeared in this period. We also have the phenomenon of the "late bloomers": Shashi Deshpande (b. 1937) and Nisha da Cunha (b. 1940) have published their first novel and first collection of short stories in the eighties and nineties respectively. But the men and women writers also have much in common. Women too have written novels of Magic Realism, social realism and regional fiction, and benefited from the increasing attention (and money) that this fiction has received, there being an Arundhati Roy to compare with Vikram Seth in terms of royalties and media attention. In terms of numbers, less women writers have been published abroad; some of the best work has come from stay-at- home novelists like Shashi Deshpande. Older Novelists Kamala Markandaya has published just one novel after 1980. Pleasure City (1982) marks a new direction in her work. The cultural confrontation here is not the usual East verses West, it is tradition and modernity. An efficient multinational corporation comes to a sleepy fishing village on the Coromandal coast to built a holiday resort, Shalimar, the pleasure city; and the villagers, struggling at subsistence level, cannot resist the regular income offered by jobs in it. -
The Indian English Novel of the New Millennium Also by Prabhat K
The Indian English Novel of the New Millennium Also by Prabhat K. Singh Literary Criticism Z Realism in the Romances of Shakespeare Z Dynamics of Poetry in Fiction Z The Creative Contours of Ruskin Bond (ed.) Z A Passage to Shiv K. Kumar Z The Indian English Novel Today (ed.) Poetry Z So Many Crosses Z The Vermilion Moon Z In the Olive Green Z Lamhe (Hindi) Translation into Hindi Z Raat Ke Ajnabi: Do Laghu Upanyasa (Two novellas of Ruskin Bond – A Handful of Nuts and The Sensualist) Z Mahabharat: Ek Naveen Rupantar (Shiv K. Kumar’s The Mahabharata) The Indian English Novel of the New Millennium Edited by Prabhat K. Singh The Indian English Novel of the New Millennium, Edited by Prabhat K. Singh This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Prabhat K. Singh All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4951-0, ISBN (13): 978-1-4438-4951-7 For the lovers of the Indian English novel CONTENTS Preface ........................................................................................................ ix Chapter One ................................................................................................. 1 The Narrative Strands in the Indian English Novel: Needs, Desires and Directions Prabhat K. Singh Chapter Two .............................................................................................. 28 Performance and Promise in the Indian Novel in English Gour Kishore Das Chapter Three ........................................................................................... -
May-Jun, 2018
i FOREWORD I am pleased to put into the hands of readers Volume-3; Issue-3: 2018 (May-June, 2018) of “International Journal of English Literature and Social Sciences (IJELS) (ISSN: 2456-7620) ” , an international journal which publishes peer reviewed quality research papers on a wide variety of topics related to English Literature, Humanities and Social Sciences. Looking to the keen interest shown by the authors and readers, the editorial board has decided to release print issue also, journal issue will be available in various library also in print and online version. This will motivate authors for quick publication of their research papers. Even with these changes our objective remains the same, that is, to encourage young researchers and academicians to think innovatively and share their research findings with others for the betterment of mankind. This journal has DOI (Digital Object Identifier) also, this will improve citation of research papers. I thank all the authors of the research papers for contributing their scholarly articles. Despite many challenges, the entire editorial board has worked tirelessly and helped me to bring out this issue of the journal well in time. They all deserve my heartfelt thanks. Finally, I hope the readers will make good use of this valuable research material and continue to contribute their research finding for publication in this journal. Constructive comments and suggestions from our readers are welcome for further improvement of the quality and usefulness of the journal. With warm regards. Dr. Manoj Kumar Editor-in-Chief International Journal of English Literature and Social Sciences (IJELS) (ISSN: 2456-7620) www.ijels.com Date: June, 2018 ii Editorial Board Dr. -
Indian English Novel After 1980: Encompassing the New Generation
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 Vol 8, Issue 1, 2021 INDIAN ENGLISH NOVEL AFTER 1980: ENCOMPASSING THE NEW GENERATION Arnab Roy Research Scholar National Institute of Technology, Durgapur Email: [email protected] Abstract: Indian English Literature refers to authors' body of work in India whose native or mother tongues might be one of India's several languages. It is also related to the work of Indian Diaspora members. It is also named Indo-Anglian literature. As a genre, this development is part of the larger spectrum of postcolonial literature. This paper discusses about Indian English novels after 1980. 1. Introduction This article attempts to consolidate Indian English Literature after 1980. There are a variety of books by literary artists such as SrinivasaIyengar, C.D. Narasimmaiya, M. K. Naik etc. that describe the beginning and development up to 1980. But the timely collection is not enough to date and this report is useful for a briefing on contemporary literary pedalling in around three-and-a-half decades. Apart from the deficiency of the correctly written root of the works consulted by Wikipedia, this kind of history is regularly obligatory. In India, post-colonial pressures played a critical and special position rather than post-war circumstances. It is true that an Indian genre called English writing has flourished unlimitedly and immensely and continues to thrive only during that time, i.e. after 1980. This paper is a study of Post- modern Indian English Novel, highlighting its history, themes adopted, andother aspects. 2. Historical past English isn't a foreign tongue to us. -
Syllabus MA English Semester 1 Course Title: Literary Criticism-I Course Code
Syllabus M.A. English Semester 1 Course Title: Literary Criticism-I Course Code: SLLCHC001ENG3104 L T P Credits 3 1 0 4 Total Lectures: 60 Objective: –The course intends to provide a critical understanding of the developments in literary criticism from the beginnings to the end of 19th century. Moreover some selected texts/critics are prescribed for detailed study whose contribution to this area constitutes a significant benchmark in each era. It also provides a conceptual framework for developing an understanding of the function and practice of traditional modes of literary criticism. Prescribed Texts: Unit - A Aristotle: Poetics (Chapters i-xvi, xxv) Unit - B William Wordsworth: Preface to Lyrical Ballads Unit - C Matthew Arnold: The Function of Criticism in the Present Time Unit - D T. S. Eliot: Tradition and the Individual Talent Suggested readings: Abrams, M. H. A Glossary of Literary Terms. Singapore: Harcourt Asia Pvt. Ltd., 2000. Arnold, Matthew. Essays in Criticism. New York: MacMillan and company, 1865. Blamires, Harry. A History of Literary Criticism. Delhi: Macmillan, 2001. Daiches, David. Critical Approaches to Literature, 2nd ed. Hyderabad: Orient Longman, 2001. Ford, Boris (ed). The Pelican Guide to English Literature, Vols. 4 & 5. London: Pelican, 1980. Habib, M. A. R. A History of Literary Criticism and Theory: From Plato to the Present. Oxford: Blackwell, 2005. House, Humphrey. Aristotle’s Poetics. Ludhiana: Kalyani Publishers, 1970. Lucas, F. L. Tragedy in Relation to Aristotle’s Poetics. New Delhi: Allied Publishers, 1970. Nagarajan, M.S. English Literary Criticism & Theory: An Introductory History. Hyderabad: Orient Longman, 2006. Waugh, Patricia. Literary Theory & Criticism: An Oxford Guide. -
Amitav Ghosh's Writings: Issues, Idologies and Craftsmanship”, Thesis Phd, Saurashtra University
CORE Metadata, citation and similar papers at core.ac.uk Provided by Etheses - A Saurashtra University Library Service Saurashtra University Re – Accredited Grade ‘B’ by NAAC (CGPA 2.93) Vaishnav, Bhakti I., 2012, “Amitav Ghosh's Writings: Issues, Idologies and Craftsmanship”, thesis PhD, Saurashtra University http://etheses.saurashtrauniversity.edu/id/958 Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Saurashtra University Theses Service http://etheses.saurashtrauniversity.edu [email protected] © The Author Amitav Ghosh’s Writings: Issues, Ideologies and Craftsmanship A Dissertation Submitted To Saurashtra University Rajkot For the Award of Degree of Doctor of Philosophy In English Supervised by: Submitted by: Dr. Sanjay Mukherjee Bhakti Vaishnav Associate Professor Department of English And Comparative Literary Studies Saurashtra University Rajkot 2012 3780 1 Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) CERTIFICATE This is to certify that the thesis entitled Amitave Ghosh’s Writings: Issues, Ideologies and Craftsmanship is a bonafide research work carried out by Ms. Bhakti Vaishnav under my guidance and supervision and that no part of this thesis has been university for the award of any degree, diploma or title. -
Indian Novels in English: the Rise and Popularity
INDIAN NOVELS IN ENGLISH: THE RISE AND POPULARITY ANURAG PANDEY Research Scholar, Department of English, University of Allahabad. (UP) INDIA Indian novels in English have generated a considerable amount of interest both in India and in English-speaking countries, particularly during India’s post-liberalization period since 1991. For India, this period has seen unparalleled consumption of global goods and exposure to international media, and has resulted in Indian writers writing in English (including writers of Indian origin) catching the attention of the Western world like never before. The nineteen nineties proved a significant period for the Indian novel written in English. This period saw some of the writers making a successful debut in creative writing as novelists and winning prestigious international award like Booker Prize and commonwealth Writers Prize. This period witnessed further consolidation of the ground won by the novel at the cost of other genres. More than the eighties, it is in the nineties that readers and critics paid their undivided attention to the Indian novel written in English. Referring to this Nanavati and Kar remark:“It is perhaps the only form of writing that instantly acquires a world-wide visibility as it is created” (14). Not only in India but all over the world, the novel is more read, more appreciated and even more marketed than poetry, “its traditional rival”. Significantly enough, at various conferences of Indian Association for Studies in Contemporary Literature, held in various universities of India, the majority of papers submitted were about the Indian English novel, especially the novel in the nineties.