Sidney Myer Free Concerts
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Am Free Here Comes the Sun
Our Paradiso is Issue No. 12 So many muses pancakes with purpose, in mother December 2019–February 2020 Bobby Alu, Dayle Larter, Seabin nature's arms, creating impact, walking and we say Project, Dumbo Feather, Bronwyn in space, a better kind of fashion it's alright Bancroft, Merryn Jean, The Calile Hotel Here comes the sun ... am free Look Touch and Feel HELLO + WELCOME WE ARE HERE THIS IS PARADISO Paradiso is so very proudly brought to you by: Enjoy reading– –8 Lila Theodoros, Publisher and Creative Director @ohbabushka Nat Woods, Editor @nat.woods_ Leana Rack, Partnership Manager @leanarack Pancakes Martin Pain, Studio Manager & Distribution Here comes @lightayurveda Alana Potts, Designer @alanapotts Chris Theodoros, Accountant With Purpose –8 and Crossword Magician the sun ... businessmatters.com.au Tania Theodoros, Proof Reader @enjoyreadingourbooks –18 I love this George Harrison song for so many reasons – In Mother Thank you to our wonderful contributors– its nostalgia, its joy, its hope. Issue 12 is an ode to hope Anna Hutchcroft Brooklyn Reardon and our vision for the future. Byron Writers Festival This year has been heavy – there is so much Chris Theodoros Nature’s arms –18 Dayle Larter despair and worry running thick in our collective Dumbo Feather Magazine consciousness; so many decisions being made out Ming Nomchong Here comes the sun ... / Dec 2019–Feb 2020 Here comes the sun ... / Dec 2019–Feb Abigael Whittaker of fear instead of love. Even as I sit here writing this, Phoebe Barrett Seabin Project –26 Lara Fells the mountain range in view of our studio is covered Paris Bluett Renee Rae in terrifying thick plumes of smoke – climate change, Holly McCauley –36 budget cuts, drought. -
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword Imagine a world without performing or visual arts. Imagine – no opera houses, no theatres or concert halls, no galleries or museums, no dance, music, theatre, collaborative arts or circus – and in an instant we appreciate the essential, colourful, emotive and inspiring place that creative pursuits hold in our daily life. Creating opportunities for arts to flourish is vital, and this includes realising inspiring venues which are cutting edge, beautiful, functional, sustainable, have the right balance of architecture, acoustics, theatrical and visual functionality and most importantly are magnets for artists and audiences, are enjoyable spaces and places, and allow the shows and exhibitions to go on. 4 Performing Arts Bendigo Art Gallery 5 Performing Arts Arts and Culture Performing and Visual Arts 03 08 – 87 88 – 105 Foreword Performing Musicians, Arts Artists, Sculptors and Festivals 106 – 139 140 – 143 144 Visual Arup Services Photography Arts Clients and Credits Collaborators Contents Foreword 3 Victoria Theatre and Concert Hall 46 Singapore South Bank Studio, Queensland Symphony Orchestra 50 Australia Performing Marina Bay Sands Theatres 52 Arts 8 Singapore Elisabeth Murdoch Hall Federation Concert Hall 56 Melbourne Recital Centre 10 Australia Australia Chatswood Civic Place 58 Sydney Opera House 14 Australia Australia Carriageworks 60 Glasshouse Arts, Conference and Australia Entertainment Centre 16 Australia Greening the Arts Portfolio 64 Australia Melbourne -
James Turrell's Skyspace Robert Dowling Life, Death
HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang, -
Drinking Fountain SQUARE PELHAM ST ST MELBOURNE MUSEUM ST ST City of Melbourne QUEENSBERRY ST ST Central Business District ST ROYAL EXHIBITION BUILDING QUEENSBERRY
CARLTON GARDENS NORTH UNIVERSITY ST ST BERKELEY ST ST TCE BARRY ST PELHAM ST ST BLACKWOOD ST ST ST ELIZABETH BERKELEY LINCOLN BARRY ST O'CONNELL PELHAM ST QUEENSBERRY ST SQUARE ARGYLE ST Drinking Fountain SQUARE PELHAM ST ST MELBOURNE MUSEUM ST ST City of Melbourne QUEENSBERRY ST ST Central Business District ST ROYAL EXHIBITION BUILDING QUEENSBERRY DRYBURGH ABBOTSFORD CURZON ST VICTORIA ERROL PEEL ST LOTHIAN ST ST ST LEVESON LOCATION DIAGRAM ST VICTORIA ST City of MILLER City of Moreland KING Moonee Valley EADES PL CARLTON GARDENS SOUTH ST VICTORIA COBDEN ST ST LEICESTER ST BOUVERIE IRELAND ST SWANSTON CARDIGAN STAWELL SPENCER ST ST LYGON ST VICTORIA QUEEN City of City of DRUMMOND ST NICHOLSON Maribyrnong Yarra VICTORIA RATHDOWNE WILLIAM CAPEL HOWARD UNIVERSITY ST City of Melbourne ST MARKET THERRY RMIT DRYBURGH ST VICTORIA ST CHETWYND MACKENZIE ST SPRING EXHIBITION ADDERLEY ST PEEL ST PDE ABBOTSFORD HAWKE KING City of QUEEN ST ST RAILWAY FRANKLIN ST RUSSELL Port Phillip City of ST LONSDALE ALBERT Hobsons RODEN ST FRANKLIN Bay City of SPENCER Stonnington ST LITTLE ST SWANSTON ST STANLEY STATE LIBRARY ST. PATRICKS EADES ST ST ST OF VICTORIAST NICHOLSON ST CATHEDRAL ST ST ELIZABETHLA TROBE ST ROSSLYN ST A'BECKETT CATHEDRAL PL PL PARLIAMENT GISBORNE ST BOURKE HOUSE LEGEND ST LONSDALE ST DUDLEY FLAGSTAFF QUEEN ST GARDENS LITTLE ST ST LITTLE BATMAN WILLIAM ST ANDREWS PL ST FITZROY Drinking Fountain ADDERLEY ST SPRING LONSDALE ST ST EXHIBITION ST ST TREASURY GARDENS WURUNDJERI WAY BUILDINGS ST ST JZ COLLINS Drinking Fountain DUDLEY ST JEFFCOTT -
SPIRIT COUNTRY Contemporary Australian Aboriginal Art
SPIRIT COUNTRY Contemporary Australian Aboriginal Art SPIRIT COUNTRY Contemporary Australian Aboriginal Art Jennifer Isaacs Fine Arts Museums of San Francisco First published in Australia in 1999 By Hardie Grant Books Level 3, 44 Caroline Street South Yarra Victoria 3141 First published in the United States of America in 1999 By the Fine Arts Museums of San Francisco Golden Gate Park, San Francisco California 94118 Copyright © Jennifer Isaacs, 1999 Copyright © “Our Painting Is a Political Act,” Hetti Perkins Copyright © in the illustrated artworks remains with the artists Copyright © in substantive content of the painting explanations remains with the artist or Aboriginal community arts organizations All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form by any means, electronic, mechanical, photocopying, record- ing or otherwise, without the written permission of the publishers and copyright holders. National Library of Australia Cataloguing-in-Publication Data: Isaacs, Jennifer. Spirit country. ISBN 1 86498 049 4 1. Aborigines, Australian — Painting — Exhibitions. 2. Painting, Modern — 20th century — Australia — Exhibitions. 3. Paintings, Australian — Exhibitions. I. Title. 759.99407479461 Produced by Hardie Grant Books in association with the Fine Arts Museums of San Francisco Editing by Jenny Lee Proofreading by Elaine Miller Cover and text design by Michael Callaghan (Redback Graphix) Type styling by Gregory McLachlan Cartography by Guy Holt Photography on behalf of the Gantner Myer Collection by Mark Ashkanasy Photography on behalf of the Fine Arts Museums of San Francisco by Joseph McDonald Landscape photographs by Richard Woldendorp Produced by Phoenix Offset Printed and bound in Hong Kong This book is the product of a collaboration between Hardie Grant Books and the Fine Arts Museums of San Francisco, and therefore uses American style conventions. -
Sidney Myer Fund the Myer Foundation Annual Report 2018–19
Sidney Myer Fund The Myer Foundation Annual Report 2018–19 Contents Mission 3 How to Read this Report 4 Joint Statement 5 Sidney Myer Fund Trustees 6 The Myer Foundation Directors 7 Strategic Theme: People 8 Strategic Theme: Organisations 10 Strategic Theme: Beyond Grantmaking 12 Strategic Theme: Family Engagement 14 Grant Listings 16 Summary Financial Information 23 L2R’s Due West 1 2 The Sidney Myer Fund and The Myer Foundation are two separate philanthropic entities of Myer family philanthropy. They are both managed by the same team and have separate but complementary philanthropic programs and activities. Sidney Myer, a generous philanthropist in his lifetime, left a portion of his estate upon his death in 1934 to be invested for the benefit of the community in which he made his fortune. That act created the Sidney Myer Fund which will exist in perpetuity. The income of the Fund is distributed annually. The Myer Foundation was established in 1959 by Sidney Myer’s sons, the late Kenneth Myer AC DSC, and Baillieu Myer AC, as a way to support initiatives and new opportunities arising from contemporary issues. The Myer Foundation was endowed through Kenneth Myer’s estate following his death in 1992. The Sidney Myer Fund and The Myer Foundation continue the legacy of Myer family generosity, through members of four succeeding generations of the Myer family, who give in many ways, to make significant and lasting contributions to our society. 3 How to Read this Report The FY19 Annual Report is organised Each pillar of the strategy features in a double page spread in this report. -
Rupert Myer: the Rising Tide of Philanthropy by Nicole Richards September 24, 2014
Rupert Myer: The rising tide of philanthropy by Nicole Richards September 24, 2014 www.generositymag.com.au “There are a number of very wealthy, self-made, successful entrepreneurs who are bursting their boiler to create an adjacency with a thoughtful cultural organisation,” says Rupert Myer. “Too many arts organisations are missing this fact.” A luminary of the Australian philanthropic scene, Rupert Myer AM has been an active and devoted supporter of the arts for decades. He has held roles across Australia’s largest arts institutions, chaired the Commonwealth Inquiry into the Contemporary Visual Arts and Craft Sector, and currently sits on nine boards as well as serving as Chair of the Australia Council for the Arts. Myer’s deep philanthropic roots are, of course, steeped in a family history that was shaped by the legendary generosity of his grandfather, Sidney Myer. Though he grew up surrounded by the business of philanthropy, Myer says there was an understanding that merely carrying the family name did not make you a philanthropist. “All the family were invited to participate in the administration of the Myer Foundation and the Sidney Myer Fund,” he says. “We were very mindful of the fact that our involvement didn’t, in turn, make us philanthropists – we were administering someone else’s philanthropic act, be it that of my grandfather or my uncle or my father. Administering someone else’s philanthropic act doesn’t allow you to wear the shingle.” “But having had the exposure to the various organisations that have the support of the Foundation and Fund, I recognised that I had some capacity to become directly involved with my interest being in the arts, youth unemployment and indigenous affairs. -
Adelaide Festoval Centre
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2011-12 September 2012 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ......................................................................................................... 4 Chairman’s Report .............................................................................................. 5 CEO & Artistic Director’s Report ......................................................................... 7 ROLE, PERFORMANCE AND GOVERNANCE ................................. 9 Adelaide Festival Centre Trust Act 1971............................................................. 9 Trustees .............................................................................................................. 9 Risk and Audit Committee ................................................................................ 10 Risk Management ............................................................................................. 10 Remuneration Committee ................................................................................. 10 Precinct Reference Group ................................................................................ 10 The Adelaide Festival Centre Foundation Board .............................................. 10 Organisational Chart ........................................................................................ -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin -
Ode to Margaret
CHILDS PLAY an Original Piece Performed by Preshil Senior Chamber Orchestra Adrian Perger Luke Stevenson Billy O’Connell Phil Bywater Callum Harrod Riley Turner Emily Wilson Rosemary Simons Fran Johnson Ruby Dargaville Gina Mendoza Shirley Harrod JUPITER by Gustav Holst Han Day Silvana Verrocchi Performed by Carneval Strings & Preshil Strings Ivan Rosa Zoe Verocchi Ode to Margaret Acorn Holmes à Court Liv Carlisle Lawrence Folvig Adrian Perger Lucinda Greene Alex Lander Lucy Williams A Celebratory Fundraising Concert Lisa Reynolds Jennen Ngian-Keng PUR TI MIRO FROM L’INCORONAZIONE DI POPPEA Allegra Holmes à Court Mila Goren-Chirico by Claudio Monteverdi Amelie Justin Nichaud Kuti Performed by Preshil Senior Vocal Angelo von Moller Nicholas Jowett Georgia Andrew Anja Margach Nick Bentley McKinnon Helen Kerr-Lawley Asher Brady Plum Talbot Riley Turner Callum Harrod Riley Turner Charlotte Jowett Ruby Marriot Dante Kuti Sasha Arnold-Levy MELBOURNE MUSICIANS Dari Justin Sia Xipolitou Conductor Frank Pam Ebony Campese Simon Holmes à Court Elena Boyce Stella Holmes à Court Lesley Qualtrough Biana Goldenberg Ezra Justin Tilde George-Murphy Meredith Thomas Alyssa Kennedy Fran Johnson Tim Dargarville Edwina Kayser Liz Bonetti Hugo Thatcher Veronica Greene Felicité Heine Oleksandr Belenko Ilona von Moller Will Govenlock Rosia Pasteur Therese McCoppin Imogen Purves Will Holmes à Court Naomi Wileman Karoline Kuti Katrina Holmes à Court Zoe Verrochi Rebecca Scully Meredith Woinarski Laura Prior Lawrence Folvig Jenny Lowe Zoey Pepper Jess Belll Chloe -
What's on Issue 82
REGULARS Got any news about the happenings in your studio or venue? Email Brad at [email protected] or go to the AT website and register online: WHAT’S ON www.audiotechnology.com.au Text: Brad Watts Kicking o! with the Victorian sound-smiths recording two singles with engineer, Callum At Sample and Hold Studio, the crew completed this issue, we see Toyland Studio in Northcote Barter. Meanwhile, Mat Robins is in the early audio mixes for TV campaigns for Disney busy recording basic tracks for the upcoming stages of tracking an album with Melbourne movies, Pirates of the Carribean: On Stranger Bloodduster album, and completing an album band, Cardboard Machines. Coloursound is also Tides and Cars 2, sound design for short %lms for Melbourne death metal band, Eskhaton. inviting artists, and freelance engineers to pop in "e Wardrobe and White Square, along with At the other extreme, jazz fusion band, Logic, to say hello and see if the studio can cater to their recording and mixing songs with singer/ mixed their Live at Bennetts Lane DVD, Indy next project. songwriter, Ben Usher. David Ashton is also band, Wild Mind, mixed their full length album, pleased to report that a podcast he recorded T-Bone Tunes Recording Studio in St Kilda has hardcore band, "e Day Everything Became and edited, Boxcutters Episode 246, has won a been busy with tracks recorded and produced Nothing, tracked to two-inch tape (Ampex 456 Chronos Award. Props to David! for March In Moscow, Barry Jones, Dee Ellus, running at 15IPS) for their upcoming album, Karl Fredericks and "e Broken Splendour. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble