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Broadcast and on Demand Bulletin Issue Number 392 02/12/19

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Broadcast and on Demand Bulletin Issue Number 392 02/12/19 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 Issue number 392 2 December 2019 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 Contents Introduction 3 Broadcast Standards cases In Breach Kitaab-ut-Tawheed – Part 59 Peace TV Urdu, 11 November 2019, 18:28; Peace TV Urdu, 12 November 2019, 01:52; Peace TV Urdu, 12 November 2019, 10:27 5 High Definition Sine FM, 18 September 2019, 18:00 6 Drivetime Radio St. Austell Bay, 7 August 2019, 17:00 9 Geoff Ruderham Black Diamond FM 107.8, 2 September 2019, 12:23 12 Broadcast Licence Conditions cases In Breach Broadcast licensees’ late and non-payment of licence fees Various licensees 16 Broadcast Fairness and Privacy cases Not Upheld Complaint by Iceland Foods Limited Watchdog, BBC 1, 18 April 2018, 25 April 2018 and 23 May 2018 18 Complaint by Iceland Foods Limited Breakfast, BBC 1, 18 April 2018 54 Complaint by Iceland Foods Limited You and Yours, BBC Radio 4, 18 April 2018 64 Tables of cases Complaints assessed, not investigated 75 Complaints outside of remit 87 BBC First 89 Investigations List 92 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. Ofcom reflects these requirements in its codes and rules. The Broadcast and On Demand Bulletin reports on the outcome of Ofcom’s investigations into alleged breaches of its codes and rules, as well as conditions with which broadcasters licensed by Ofcom are required to comply. The codes and rules include: a) Ofcom’s Broadcasting Code (“the Code”) for content broadcast on television and radio services licensed by Ofcom, and for content on the BBC’s licence fee funded television, radio and on demand services. b) the Code on the Scheduling of Television Advertising (“COSTA”), containing rules on how much advertising and teleshopping may be scheduled on commercial television, how many breaks are allowed and when they may be taken. c) certain sections of the BCAP Code: the UK Code of Broadcast Advertising, for which Ofcom retains regulatory responsibility for television and radio services. These include: • the prohibition on ‘political’ advertising; • ‘participation TV’ advertising, e.g. long-form advertising predicated on premium rate telephone services – notably chat (including ‘adult’ chat), ‘psychic’ readings and dedicated quiz TV (Call TV quiz services); and • gambling, dating and ‘message board’ material where these are broadcast as advertising3. d) other conditions with which Ofcom licensed services must comply, such as requirements to pay fees and submit information required for Ofcom to carry out its statutory duties. Further information can be found on Ofcom’s website for television and radio licences. e) Ofcom’s Statutory Rules and Non-Binding Guidance for Providers of On-Demand Programme Services for editorial content on ODPS (apart from BBC ODPS). Ofcom considers sanctions for advertising content on ODPS referred to it by the Advertising Standards Authority (“ASA”), the co-regulator of ODPS for advertising, or may do so as a concurrent regulator. Other codes and requirements may also apply to broadcasters, depending on their circumstances. These include the requirements in the BBC Agreement, the Code on Television Access Services (which sets out how much subtitling, signing and audio description relevant 1 The relevant legislation is set out in detail in Annex 1 of the Code. 2 The relevant legislation can be found at Part 4A of the Act. 3 BCAP and ASA continue to regulate conventional teleshopping content and spot advertising for these types of services where it is permitted. Ofcom remains responsible for statutory sanctions in all advertising cases. 3 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 licensees must provide), the Code on Electronic Programme Guides, the Code on Listed Events, and the Cross Promotion Code. It is Ofcom’s policy to describe fully television, radio and on demand content. Some of the language and descriptions used in Ofcom’s Broadcast and On Demand Bulletin may therefore cause offence. 4 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 Broadcast Standards cases In Breach Kitaab-ut-Tawheed – Part 59 Peace TV Urdu, 11 November 2019, 18:28; Peace TV Urdu, 12 November 2019, 01:52; Peace TV Urdu, 12 November 2019, 10:27 Ofcom has a duty to suspend a broadcast licence if we are satisfied that the licensee has broadcast a programme likely to encourage or to incite the commission of crime; that it has therefore contravened its licence conditions; and that the contravention justifies the revocation of the licence. Ofcom issued a draft notice to suspend the broadcasting licence of Club TV Limited, after its channel Peace TV Urdu repeatedly rebroadcast material that we had previously found incited murder. On 18 November 2019, having received Ofcom’s draft suspension notice, Club TV surrendered its licence. Its sister company Lord Production Inc Limited, which held the licence to broadcast the English language Peace TV service, also surrendered its licence at the same time. The Peace TV and Peace TV Urdu services are no longer broadcasting. On 28 November 2019, we published a breach finding in relation to the repeated rebroadcasts, which were very serious. 5 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 In Breach High Definition Sine FM, 18 September 2019, 18:00 Introduction Sine FM is a community radio station for listeners in the Doncaster area. The licence for Sine FM is held by Higher Rhythm Limited (“Higher Rhythm” or “the Licensee”). High Definition is a weekly Urban music show broadcast between 18:00 and 20:00. Ofcom received a complaint about multiple instances of offensive language in music tracks broadcast during the final hour of this programme: • Trouble by Kano included the word “bullshit”. • U Know What’s Up by Donell Jones included the word “niggers”. • Got Your Money by Ol’ Dirty Bastard included the word “pussy”, two instances of the word “bitch/es”, two of the word “fucking” and two uses of “nigger/s”. • I’m a Hustler Baby by DJ Lenny Ducano contained the lyrics, “don’t bullshit me” repeated five times, “ride nice dick” and two uses of the word “fuck”. • Shake Ya Ass by Mystikal included the lyrics “I’ve got my dick in my hand” and “bend over hoe”, the word “pussy”, two uses of the word “bitch/es”, two uses of “shit”, the word “motherfucker”, five instances of “fuck” (or variations of it) and five uses of the word “nigger/s”. • Don’t Mess With My Man by Lucy Pearl included one use of “bitched”. • Drop It Like It’s Hot by Snoop Dogg contained three instances of the word “shit”, two of the word “fuck” and three of “niggers”. • Gold Digger by Kanye West included two uses of the word “fuck” (and variations of it) and four of the word “niggers”. • In Da Club by 50 Cent included two instances of the word “fuck” (and variations of it) and five of the word “niggers”. • Favorite Drug by Styles P included three instances of the word “shit”, one use of “nigger” and one of the word “fuck”. • Get Ur Freak On by Missy Elliott included two instances of the word “nigger” and one use of “bitch”. Ofcom requested the Licensee’s comments under the following Code rule: Rule 2.3: “In applying generally accepted standards broadcasters must ensure that material which may cause offence is justified by the context. Such material 6 Issue 392 of Ofcom’s Broadcast and On Demand Bulletin 2 December 2019 may include, but is not limited to, offensive language... Appropriate information should also be broadcast where it would assist in avoiding or minimising offence”. Response Higher Rhythm apologised for this incident and accepted this part of the show was “littered with expletives”. It said that this had happened because an “unedited mix” of music tracks was broadcast by mistake. The Licensee explained the presenter had to “temporarily put his broadcast on hold to attend to an urgent phone call about a family matter, and in his haste, accidentally selected the wrong mix to play out without realising”. The Licensee said the type of language that was the subject of this complaint was “strictly prohibited” from being broadcast on the station and was “simply down to human error”. It said all Sine FM volunteers are given training about Ofcom broadcasting rules, adding this error had been discussed “at length” with the presenter. The Licensee told Ofcom the presenter had voluntarily stepped down citing his “own lack of preparation for being the cause of the error”. Higher Rhythm also said that, in the wider context of this radio show, some of the lyrics would use language typical of music within the Urban genre. However, the Licensee accepted the wrong tracks had been broadcast in error during this programme and that there was “no justification” for the context in which this material was played. Decision Reflecting our duties under the Communications Act 2003 (Section 319), Rule 2.3 requires that the broadcast of potentially offensive material is justified by the context. Context includes factors such as the service on which the content is broadcast, the time of broadcast and likely audience expectations. Ofcom’s research on offensive language indicates the words “bitch”, “bullshit” and “shit” are considered medium strength words, while “dick”, “pussy” and “hoe” are considered by audiences to be strong language.
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