Channel Four Television Corporation Report and Financial Statements 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
October 2020 Message from the Chair Dear
October 2020 Message from the Chair Dear Colleague RTS PROGRAMME AWARDS 2021 I am delighted to be the new Chair of the RTS Programme Awards. These are one of the gold standard awards in our industry and are an important showcase of the extraordinary talent evident across all genres in British television. We have taken on board feedback from the industry following last year’s awards. Our aim, as ever, is to reflect the changing television landscape and to make sure the categories recognise the kinds of programmes and talent that make up today's schedules and the best content in Britain. Following discussions with judges and entering companies we have implemented the following changes: • Updated eligibility period: The eligibility period will now follow the calendar year. For this changeover year entries will be accepted from programmes broadcast between 1 November 2019 and 31 December 2020. Please refer to the Conditions of Entry for further details. Please be aware that in order to accommodate this change we will not be able to allow extensions to the entry deadlines. • Minimum duration: We have introduced a minimum duration of 10 minutes (with the maximum duration still 15 minutes) for all performance categories • Comedy Entertainment: We have introduced a new Comedy Entertainment category alongside the existing Entertainment category. • Allocation of entries: in the genre and writing categories we will now limit the number of entries per category by broadcaster rather than by channel. Details of the new limit can be found within the description of each category. Entries in the performance categories remain at 5 per channel. -
Workshop Briefing
King’s Research Portal Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Steemers, J. H., Sakr, N., & Singer, C. (2018). Facilitating Arab-European Dialogue: Consolidated Report on an AHRC Project for Impact and Engagement: Children's Screen Content in an Era of Forced Migration - 8 October 2017 to 3 November 2018. King's College London. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Came the Dawn : Memories of a Film Pioneer
ICIL M. HEPWORTH a film pioneer The Dawn comes to Flicker Alley Still a familiar figure in Wardour Street, Mr. Cecil Hepworth is a pioneer of British Cinema. In his autobiography he has a fascinating story to tell. They were simpler, sunnier days. Hepworth began in the 'showmanship' period in the late 'nineties, carrying his forty-second films to lecture-halls all over the country, where frenzied audiences demanded their repetition many times at a sitting. From the 'fairground' period he helped nurse the cinema to the time of the great Hepworth Company at its Walton-on- Thames studios. To those studios came famous stage actors, men of mark in many fields, anxious to try the new medium. In those studios many 'stars' of yesterday made world-wide reputations: Alma Taylor, Chrissie White, Gerald Ames, Ronald Colman, Violet Hopson, Stewart Rome, names remembered with deep affection four decades later. From Walton-on-Thames films were dispatched in quantity to the world, even to the United States before the Hollywood era. Conditions, if not primitive, were rudi- mentary in the earlier days; the grandiose notions of the industry today were un- dreamt of; and, most marvellous of all, leading actors and actresses played for as little as half a guinea a day (including fares), and were not averse to doing sorting, filing and running errands in their spare time. [ please turn to back flap MANY 16s ILLUSTRATIONS NET bih'iij II. .niij 37417 NilesBlvd §£g A 510-494-1411 Fremont CA 94536 www.nilesfilmnniseum.org Scanned from the collections of Niles Essanay Silent Film Museum Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from Jeff Joseph GAME THE DAWN CECIL M. -
Parker Review
Ethnic Diversity Enriching Business Leadership An update report from The Parker Review Sir John Parker The Parker Review Committee 5 February 2020 Principal Sponsor Members of the Steering Committee Chair: Sir John Parker GBE, FREng Co-Chair: David Tyler Contents Members: Dr Doyin Atewologun Sanjay Bhandari Helen Mahy CBE Foreword by Sir John Parker 2 Sir Kenneth Olisa OBE Foreword by the Secretary of State 6 Trevor Phillips OBE Message from EY 8 Tom Shropshire Vision and Mission Statement 10 Yvonne Thompson CBE Professor Susan Vinnicombe CBE Current Profile of FTSE 350 Boards 14 Matthew Percival FRC/Cranfield Research on Ethnic Diversity Reporting 36 Arun Batra OBE Parker Review Recommendations 58 Bilal Raja Kirstie Wright Company Success Stories 62 Closing Word from Sir Jon Thompson 65 Observers Biographies 66 Sanu de Lima, Itiola Durojaiye, Katie Leinweber Appendix — The Directors’ Resource Toolkit 72 Department for Business, Energy & Industrial Strategy Thanks to our contributors during the year and to this report Oliver Cover Alex Diggins Neil Golborne Orla Pettigrew Sonam Patel Zaheer Ahmad MBE Rachel Sadka Simon Feeke Key advisors and contributors to this report: Simon Manterfield Dr Manjari Prashar Dr Fatima Tresh Latika Shah ® At the heart of our success lies the performance 2. Recognising the changes and growing talent of our many great companies, many of them listed pool of ethnically diverse candidates in our in the FTSE 100 and FTSE 250. There is no doubt home and overseas markets which will influence that one reason we have been able to punch recruitment patterns for years to come above our weight as a medium-sized country is the talent and inventiveness of our business leaders Whilst we have made great strides in bringing and our skilled people. -
Statement: Ofcom's Plan of Work 2021/22
Ofcom’s plan of work 2021/22 Making communications work for everyone Ofcom’s plan of work 2021/22 – Welsh translation STATEMENT: Publication Date: 26 March 2021 Contents Section 1. Chief Executive’s foreword 1 2. Overview 3 3. Our goals and priorities for 2021/22 9 4. Delivering good outcomes for consumers across the UK 31 Annex A1. What we do 37 A2. Project work for 2021/2022 39 Plan of Work 2021/22 1. Chief Executive’s foreword Ofcom is the UK’s communications regulator, with a mission to make communications work for everyone. We serve the interests of consumers and businesses across the UK’s nations and regions, through our work in mobile and fixed telecoms, broadcasting, spectrum, post and online services. Over the past year we have learned that being connected is everything. High-quality, reliable communications services have never mattered more to people’s lives. But as consumers shift their habits increasingly online, our communications sectors are transforming fast. It is an exciting moment for our industries and for Ofcom as a regulator - it requires long-term focus alongside speed and agility in response to change. Against this backdrop our statement sets out our detailed goals for the coming financial year, and how we plan to achieve them. On telecoms, Ofcom has just confirmed a new long-term framework for investment in gigabit- capable fixed networks. In the coming year, we will shift our focus to support delivery against this programme, alongside investment and innovation in 5G and new mobile infrastructure. Following legislation in Parliament, we will put in place new rules to hold operators to account for the security and resilience of their networks. -
Regulating the National Lottery
Section 5 Regulating the National Lottery The Third National Lottery Licence May 2021 The Third Licence Conditions 1. Grant of Licence 2. Definitions and Interpretation 3. Commencement 4. Handover from the Previous Licence 5. Service requirement 6. Prohibition of activities not related to the National Lottery 7. Consumer Protection 8. Retailer commission and retailer management 9. Independent section 6 licence applicants 10. Information and reporting 11. Payments to the Secretary of State 11A. Promotion of the National Lottery 12. Shareholders, other Connected parties and debt providers 13. Vetting 14. Control environment 15. Contractors 16. Employees 17. Performance monitoring 18. Handover on expiry or revocation of the Licence 19. Security for Players’ funds 20. Confidentiality and freedom of information 21. Intellectual Property 22. Data Protection 23. Licence extensions 24. No waiver 25. Severability 26. Governing Law and jurisdiction 27. Third Party rights 28. Notices 29. Survival Schedules Schedule 1 Definitions Schedule 2 Part 1 Games and facilities to be available in the first five weeks of the Licence Schedule 2 Part 2 Financial penalties Schedule 2 Part 3 Schedule 3 Handover from the Previous Licensee Schedule 4 Part 1 Ancillary activities that the Commission has consented to Schedule 4 Part 2 Further Conditions relating to Ancillary Activities Schedule 5 The Ancillary Activity Payment Schedule 6 Schedule 7 Codes of practice and strategies Schedule 8 Primary and Secondary Contributions Part 1 Definitions and interpretation Schedule -
1 May 2015 Page 1 of 17
Radio 4 Listings for 25 April – 1 May 2015 Page 1 of 17 SATURDAY 25 APRIL 2015 SAT 06:30 Farming Today (b05rk5tb) In 1915 we start to see how artists, like poet Guillaume Farming Today This Week: Countryfile Farming Hero Robert Apollinaire and Rudyard Kipling, are responding to war, and SAT 00:00 Midnight News (b05qvz8f) Bertram explore an unlikely alliance of the avant-garde and the military. The latest national and international news from BBC Radio 4. Followed by Weather. Robert Bertram has lived in the same valley in Northumberland World War One altered the ways in which men and women since he was born, in 1947, and his local knowledge was crucial thought about the world, and about culture and its expressions. to saving his neighbour's life in January this year. SAT 00:30 Skyfaring: A Journey with a Pilot (b05pr1jd) During the bloody battle at Gallipoli, Australia's sense of Episode 5 A blizzard was raging when, late one evening, Laura Hudson identity started to take shape. But national bonds were also came to Robert's door with her two very young children. Her beginning to weaken as war shattered allegiances and fractured Landing, flying blind and coming home. partner, Mark Dey, had failed to return from the hill where he'd borders. been feeding sheep, and because her phone was cut off, she had Mark Vanhoenacker always had a passion for flying, but didn't struggled to get the family into the car to drive and get help. We look at the ways in which new perspectives entered the ever really consider it as a job, until his research as a young Robert didn't hesitate to set out in search of Mark. -
Digital Television Transmitters: Pre-Switchover Network
Digital Television Transmitters: pre-switchover network This leaflet provides details of the Digital Terrestrial Television (DTT) transmitters which have not yet switched over to fully-digital operation (the 'low power' DTT network). Detailed information on post-switchover transmitter characteristics is available on the Ofcom website at www.ofcom.org.uk. Transmitters are grouped according to the ITV1 region that they broadcast, which will determine each transmitter's place in the digital switchover sequence. Details of the programme services carried in each multiplex are available on the Digital Television Group's website, www.dtg.org.uk/retailer. While this information is believed to be correct at the time of preparation, changes to the DTT network will occur, particularly as more transmitters switch to digital. For the latest information, please see the Ofcom website, www.ofcom.org.uk, or Digital UK's website, www.digitaluk.co.uk. Multiplex 1 Multiplex 2 Multiplex A Multiplex B Multiplex C Multiplex D Multiplex 1 Multiplex 2 Multiplex A Multiplex B Multiplex C Multiplex D BBC Digital 3&4 SDN BBC Arqiva Arqiva BBC Digital 3&4 SDN BBC Arqiva Arqiva Avg. Avg. Aerial ERP ERP ERP ERP ERP ERP Aerial ERP ERP ERP ERP ERP ERP Site Name NGR Aerial Site Name NGR Aerial Group (kW) (kW) (kW) (kW) (kW) (kW) Group (kW) (kW) (kW) (kW) (kW) (kW) Offset Offset Offset Offset Offset Offset Offset Offset Offset Offset Offset Height Offset Height Channel Channel Channel Channel Channel Channel Channel Channel Channel Channel Channel Channel Anglia Tyne Tees -
Copenhagen Workshop Briefing
COPENHAGEN WORKSHOP BRIEFING Children’s Screen Content in an Era of Forced 19-20 March Migration: Facilitating Arab-European Dialogue - 2018 Documentaries, Distribution, Ethics Workshop at the Danish Film Institute as part of the Copenhagen International Documentary Festival, CPH:DOX Copenhagen Workshop Briefing TABLE OF CONTENTS 1 Reaching young children in northern Europe with factual content about forced migration 1.1 Overview of relevant factual content for young children……………………………………………2 1.2 Dangerous crossings………………………………………………………………………………….3 1.3 Seeking safety……………………………………………………………………………………….4 1.4 Living in limbo……………………………………………………………………………………...... 5 1.5 Diversity and cultural exchanges ...…………………………………………………………………..5 1.6 Participation and engagement……………………………………………………………………….6 2 Challenges of funding and distribution 2.1 Subsidies’ impact on know-how………………………………………………………………………8 2.2 The YouTube syndrome………………………………………………………………………………9 2.3 ‘I miss the voice of the children’……………………………………………………………………...11 2.4 Cinemas and schools………………………………………………………………………………...11 2.5 EU funds for serving children in camps …………………………………………………………….12 3 Putting flight into perspective 3.1 Life vests and rubber dinghies……………………………………………………………………. .13 3.2 To label or not to label? …………………………………………………………………………....13 3.3 Advantages of the documentary genre…………………………………………………………… 14 3.4 Going ‘home’………………………………………………………………………………………. 15 4 Ethical risks of exploiting vulnerability 4.1 When is ‘close’ too close? .………………………………………………………………..………...16 4.2 The -
Diamond Technical Account and Methodology
Diamond Technical Account and Methodology What is Diamond? Diamond is designed to answer two questions: - Does the workforce on UK productions, both on and off-screen, reflect the diversity of the UK population? - Are audiences seeing themselves reflected on-screen. With the support of production companies, Diamond collects diversity data directly from cast and crew working on TV programmes (actual data), as well as information about how those on-screen might be perceived by viewing audiences (perceived data). Diamond data collection Scope Diamond is collecting data from: UK original productions commissioned by BBC, ITV, Channel 4, C5/ViacomCBS and Sky. All genres (although we do not currently report on film, sport and news) A large number of on and off-screen TV production roles (see Appendix 2) Programmes broadcast across the following channels BBC One, BBC Two, BBC Scotland, CBBC, CBEEBIES, CITV, GMTV1, GMTV2, ITV Encore, ITV1, ITV2, ITV3, ITV4, ITVBe, 4seven, Channel4, E4, Film Four, More 4, 5 Star, Channel5, Challenge TV, Paramount Network, Pick TV, Real Lives, Sky Arts, Sky Atlantic, Sky One, Sky Two, Sky Witness1 Data about 6 diversity characteristics: gender, gender identity, age, ethnicity, disability and sexual orientation. Diamond is not collecting data about: Programmes which have not been commissioned by the five Diamond broadcasters People working across broadcasting more generally, outside of production (our data are not overall workforce statistics). People who are not making a significant contribution to a programme (for example part of a crowd scene) More information about what is and isn’t collected can be found in the guidance notes issued to producers.