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Mastermind and Celebrity Mastermind Invitation to Tender
BBC’s Mastermind and Celebrity Mastermind Invitation To Tender (ITT) 10 September 2018 Production of Mastermind and Celebrity Mastermind Contract for 2 years commencing with delivery in July 2019 ITT SUMMARY1 The BBC is inviting producers to tender for the production of Mastermind and Celebrity Mastermind. Mastermind and Celebrity Mastermind are long-running, successful BBC series at the heart of the BBC Two and BBC One schedules. The contract to produce Mastermind and Celebrity Mastermind is offered on a work-for-hire basis and all IP remains with the BBC. The contract, including 31 episodes of Mastermind and 10 episodes of Celebrity Mastermind per year, is for 2 years commencing with delivery in July 2019. John Humphrys will continue to present both shows. The current tariff for Mastermind and Celebrity Mastermind is an average of £36,0412 per episode or £2,955,362 for both series across the 2 years, funded by the BBC public service. The Production must remain Out of London, with a preference for one of the BBC’s centres for quiz content in Salford, Scotland or Northern Ireland. Schedule of key stages* ITT Published 10 September 2018 Tender eligibility closes 21 September 2018 Longlist notified 5 October 2018 Face to face meeting 19 October 2018 Tender submissions 14 November 2018 Shortlist notified 3 December 2018 Interviews 17 December 2018 TUPE Conversations 10 January 2019 Award decision announced 14 February 2019 Transmission from August 2019 * all dates are subject to change and Tenderers will be notified of any changes Tender eligibility Producers bidding on their own or in partnership will be considered. -
Box of Broadcasts Staff User Guide
Box of Broadcasts Staff User Guide Contents Introduction ............................................................................................................................................ 2 Getting Started ....................................................................................................................................... 2 Programme Guide .................................................................................................................................. 4 Searching the Archive............................................................................................................................. 5 Creating a Clip ......................................................................................................................................... 6 Creating a Playlist ................................................................................................................................... 8 How to embed a video in Moodle ....................................................................................................... 10 How to add a Video to your Reading List ............................................................................................ 10 Further Help .......................................................................................................................................... 11 Updated October 2018 Introduction What is it? Box of Broadcasts (BoB) is an on demand TV and radio service for higher education. It allows staff and students to record programmes -
Roy Williams Avid Offline Editor
Roy Williams Avid Offline Editor Profile Roy is a fantastic editor with the benefit of having a facilities background and experience across a broad range of genres. With an easy going and relaxed nature he is very easy to work with – nothing seems to phase him. He has a great sense of narrative, he can find a story in amongst hours of rushes and is incredibly organised. Roy is also known for his creative edge. Long-form Credits *Currently Cutting* “Motorhoming” 1 x 60min. The series follows comic couple Paul Merton and Suki Webster as they immerse themselves in the world of Motorhoming bringing the audience the ultimate A-Z guide to having an epic Great British Adventure, on four wheels. Curve Media for Channel 5 “For The Love of Kitchens” In this 8-part series, deVOL, an England-based furniture manufacturer will work with talented craftspeople to design stunning kitchens and interiors for clients. Betty TV for Discovery and Magnolia Network “Weekend Escapes with Greg Wallace” 2 x 60min. (Venice & Rome) Travelogue series which sees Wallace exploring various cities in search of the ideal weekend. In each city he’ll be experiencing the culture, exploring the history and, of course, indulging in the local cuisine. Rumpus Television for Channel 5 “Children in Need: 40 Fabulous Years” Special episode hosted by Ade Adepitan MBE, the programme will celebrate the previous appeal shows in 40 bite-sized chunks, including the funniest and the greatest moments from the last four decades. BBC One “Eastenders” Reversions of Britain’s most famous soap opera. -
Britain's Tastiest and Least Tasty Celebrities Crowned Submitted By: Jellybean Creative Solutions Limited Thursday, 25 October 2018
Britain's Tastiest and Least Tasty Celebrities Crowned Submitted by: JellyBean Creative Solutions Limited Thursday, 25 October 2018 Phil and Holly win tastiest TV duo...Tom Hardy receives tastiest male award...whilst Katie Hopkins picks up bad taste gong The Great British public have voted to crown Britain’s tastiest and least tasty celebs. The winners of the SAUSIES awards, sponsored by Porky Whites - the great tasting British sausage brand since 1935 - have been announced today (Thursday 25 October 2018) and reveal which celebrities the nation think are the epitome of great taste and those who leave a bad taste in their mouths. Hundreds of online votes* were cast to determine the celebrity winners in thirteen hotly contested categories from TV and Sport to Radio and Politics. Voters were asked to consider celebrities’ looks, style, personality and behaviour. And the winners are... Tastiest TV duo – ITV’s This Morning Phillip Schofield & Holly Willoughby Phil and Holly were voted the Tastiest TV duo with nearly half of all votes cast. They came out on top ahead of Strictly’s Tess and Claudia and Bake Off’s Sandi and Noel. “Phil and Holly have such great chemistry and go together like sausages and mash” said one voter. Tastiest male celebrity – Tom Hardy Tom Hardy, the former model and now actor and film producer scooped the tastiest male award. “He’s not only extremely good looking he’s an amazing actor and an animal lover too” said another voter. Tastiest female celebrity – ITV’s Holly Willoughby Holly picked up her second award, this time in the tastiest female celebrity category. -
ALISON MARTIN 07801 522944 [email protected]
ALISON MARTIN 07801 522944 [email protected] EXECUTIVE PRODUCER/SERIES PRODUCER An award winning programme maker with a proven track record in delivering popular factual TV shows and getting the best from talent. I enjoy building vibrant teams, casting brilliant contributors, getting the most out of the edit and delivering on time and on budget. My experience includes launching three new series, foreign filming, producing live or as live studio, secret filming, location directing and leading teams in high pressured environments. I’m used to working closely with Business Affairs, skilled in devising budgets, agent negotiation, format development and broadcasting/legal compliance. POLICE TAPES, ITV 9PM THE GARDEN - DEVELOPMENT PRODUCER SEP 18 Secured sensitive access with family and Dfyed Powys Police for documentary centred on a child’s abduction and murder. KATIE PRICE MY CRAZY LIFE, DISCOVERY/SHIVER-EXEC/SP JAN 17 - SEP 18 I created and delivered this first UK commission for new channel Quest Red. I built the team and oversaw months of immersive filming over two series including trips to The Maldives and Miami and South Africa. I ran the edit, looking after multiple suites and was main point of contact for the talent and the channel. 12x30” and 6 x 60”. HOW D’YA GET SO RICH, C4 10pm CPL - EDIT PRODUCER SEP 16 – NOV 16 Comedienne Katherine Ryan travels around the UK, Europe and USA asking obscenely wealthy people the secret to their wealth. 6x45” TX Jan 2017. Exec - Mob Dar THE MARTIN LEWIS MONEY SHOW, ITV 8pm SHIVER – Series Editor JUNE 12 – AUG 16 I launched and devised this show for ITV overseeing five series (42 x 30” Episodes) and a one hour special. -
LOO 2015 — Dick in a Seasonal Box Packet 3B Written by Pericardium and David Knapp Edited by David Knapp
LOO 2015 | Dick in a seasonal box Packet 3b Written by Pericardium and David Knapp Edited by David Knapp 1. This character lives in the suburbs of London with twin sister Mimmy, and parents George and Mary, who bakes the best apple pie in the neighbourhood. She has a cat called Charmmy and a seal called Mori. This character's motto is \you can never have too many friends". She first appeared in 1974 on a purse and can now be found on over 50,000 product lines which make huge sums for the Japanese Sanrio corporation. Resembling a white Japanese bobtail cat with a colourful bow, for ten points, name this anthropomorphic fictional character whose name follows the word \Hello". ANSWER: Kitty [accept Hello Kitty] 2. This man cries \the power of Christ compels you" when he loses control of his rotating chair. One scheme created by this man was named the \Alan Parsons Project" and he possesses a bald cat named Mr. Bigglesworth. This man was separated from his twin brother as a toddler and raised by Belgians, which resulted in his malevolence, and he was reconciled with his son after the latter presented him with sharks with laser beams on their heads. This man hires an obese Scotsman to steal the mojo of his enemy, and he creates a clone of himself called Mini-Me. For ten points, name this nemesis of Austin Powers. ANSWER: Dr. Evil [or Dougie Powers] 3.This former Oakland Raiders linebacker's acting credits include an appearance in the video to Michael Jackson's \Liberian Girl" as well as a brief appearance in Close Encounters of the Third Kind. -
Jenni Sheppard CV
JENNI SHEPPARD Mobile: +44 7791697036 Email: [email protected] Website: http://www.jennisheppard.com/ Nationality: British A linguist and digital media professional with a passion for global news EDUCATION 07/10 Travel Writing Workshop with Peter Carty, London, UK One day workshop teaching all aspects of travel writing including choosing countries, locations and subject matter, how to go about researching your travel features and practicing travel writing skills. 11/06 - present BBC Training, London, UK Various Broadcast Journalism skills courses Training in self-operated studios, audio editing using Radioman and video editing using Jupiter and Q- Cut, stills editing, conducting pre-recorded and live interviews, producing clip sequences and packages, advanced web techniques and search engine optimisation. 01/08 – 11/08 News Associates Sportsbeat, London, UK NCTJ Pre Entry Certificate in Newspaper Journalism, Pass 40 week NCTJ accredited journalism course. Modules include Public Affairs, Journalism and Media Law. 04/07 – 07/07 London School of Journalism, London, UK Introduction to Journalism, Grade A+ 12-week introductory course to the basics of Journalism. This included news and features article composition, media law and assessment of four written news and features assignments. 09/00 – 05/04 University of Nottingham, Nottingham, UK Modern Language Studies BA 2:1 with distinction in spoken French and Slovene French, Spanish and Slovene languages with subsidiary modules in Portuguese, Serbian, translation and French and Spanish -
Web CB Minutes
Ofcom Content Board Minutes 160(19) MINUTES OF THE ONE HUNDRED AND SIXTIETH MEETING OF THE OFCOM CONTENT BOARD HELD AT RIVERSIDE HOUSE, LONDON, ON TUESDAY 1 OCTOBER 2019 Members Present: Tim Suter Chairman Kevin Bakhurst Executive Member Tony Close Executive Member Bob Downes Member (via Teams) Aled Eirug Member Robin Foster Member Angelina Fusco Member Stephen Nuttall Member Monisha Shah Member Janey Walker Member Apologies Jonathan Baker Member Maggie Cunningham Member Sophie Morgan Member In Attendance: Ali Marsden Director, Standards and Audience Protection Caroline O’Dwyer Senior Standards Executive Siobhan Walsh Director, Content Policy David Edwards Assistant Corporation Secretary Other Ofcom Colleagues Introduction & Welcome 1. The Chairman welcomed all present to the one hundred and sixtieth meeting of the Content Board. Chairman’s update 2. The Chairman reported on discussions at the September 2019 Ofcom Board meeting and focussed on the main areas of work. 3. At that meeting the Board had appointed Tim Suter as Chairman of Ofcom’s Election Committee. He would appoint members, drawn from the Content Board and/or the Executive, as and when the Committee was required to meet. 4. Over the coming weeks the Chairman would meet with Content Board members, one-to-one, to seek their views on ways of working. Minutes of the Content Board Meeting held on 2 July 2019 - CB Minutes 159(19), Actions List and Matters Arising 5. The minutes of the Content Board meeting held on 2 July 2019 were agreed as a true and accurate record for signature by the Chairman. 6. There were no other matters arising that were not covered by the meeting agenda. -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
Annex to the BBC Annual Report and Accounts 2016/17
Annual Report and Accounts 2016/17 Annex to the BBC Annual Report and Accounts 2016/17 Annex to the BBC Annual Report and Accounts 2016/17 Presented to Parliament by the Secretary of State for Culture, Media and Sport by command of Her Majesty © BBC Copyright 2017 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/annualreport BBC Pay Disclosures July 2017 Report from the BBC Remuneration Committee of people paid more than £150,000 of licence fee revenue in the financial year 2016/17 1 Senior Executives Since 2009, we have disclosed salaries, expenses, gifts and hospitality for all senior managers in the BBC, who have a full time equivalent salary of £150,000 or more or who sit on a major divisional board. Under the terms of our new Charter, we are now required to publish an annual report for each financial year from the Remuneration Committee with the names of all senior executives of the BBC paid more than £150,000 from licence fee revenue in a financial year. These are set out in this document in bands of £50,000. -
Driving Efficiency at the BBC
Driving efficiency at the BBC To deliver quality content for the Licence Fee payer Foreword November 2014 In February 2014, Tony Hall made a speech to the Oxford Media Convention where he argued that although the BBC had done much to become efficient, we must never stop looking for ways to do more. At the same time, Tony asked me to carry out an efficiency review, looking both at the BBC’s record and where we can go further to deliver value for money for Licence Fee payers. Having completed this review, I am immensely proud of the range, depth and quality of the BBC’s content and services. I see very clearly the significant financial challenges the BBC has faced and continues to face, the extent of change taking place across all parts of the BBC and the scale of achievement in doing more for less. Over the last 20 years the BBC has significantly increased the number of services it provides to Licence Fee payers for the same price in real terms. In 2010 the Licence Fee was held flat at £145.50 for six years and the BBC took on new annual funding obligations which build up to £500 million (13 per cent of the Licence Fee) by April 2014. Funding these obligations, absorbing inflation and finding the investment needed to stay relevant to audiences in the digital world requires an unprecedented focus on efficiency. Since the start of the current Charter, BBC staff have delivered annual savings of £1.1 billion and we are on track to deliver £1.5 billion by 2016/17.