DOCSLIB.ORG

Stan Kenton and His Orchestra Artistry in Rhythm Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stan Kenton and His Orchestra Artistry in Rhythm Mp3, Flac, Wma Stan Kenton And His Orchestra Artistry In Rhythm mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Artistry In Rhythm Country: US Released: 1946 Style: Big Band MP3 version RAR size: 1729 mb FLAC version RAR size: 1122 mb WMA version RAR size: 1837 mb Rating: 4.2 Votes: 834 Other Formats: DMF VOX WAV RA MP1 VOC AIFF Tracklist Hide Credits Come Back To Sorrento A1 Arranged By – Pete RugoloSoloist, Tenor Saxophone – Vido MussoWritten-By – Ernesto de 3:03 Curtis, Giovan De Curtis* Just A-Sittin' And A-Rockin' Arranged By – Gene RolandSoloist, Bass – Eddie SafranskiSoloist, Piano – Stan A2 2:49 KentonSoloist, Tenor Saxophone – Vido MussoSoloist, Trumpet – Buddy Childers, Ray WetzelVocals – June ChristyWritten-By – Strayhorn*, Ellington*, Gaines* Fantasy A3 Soloist, Alto Saxophone – Boots MussulliSoloist, Bass – Eddie SafranskiSoloist, Piano – Stan 2:39 KentonSoloist, Tenor Saxophone – Vido MussoWritten-By, Arranged By – Stan Kenton Opus In Pastels A4 2:47 Written-By, Arranged By – Stan Kenton Soothe Me A5 3:10 Arranged By – Pete RugoloVocals – June ChristyWritten-By – Joe Greene Cocktails For Two Arranged By – Pete RugoloSoloist, Bass – Eddie SafranskiSoloist, Piano – Stan A6 3:01 KentonSoloist, Tenor Saxophone – Vido MussoSoloist, Trumpet – Chico Alvarez, Ray WetzelWritten-By – Arthur Johnston, Sam Coslow Artistry In Bloero B1 Soloist, Bass – Eddie SafranskiSoloist, Piano – Stan KentonSoloist, Tenor Saxophone – Vido 3:00 MussoSoloist, Trombone – Kai WindingWritten-By, Arranged By – Pete Rugolo Ain't No Misery In Me B2 Soloist, Alto Saxophone – Boots MussulliSoloist, Trombone – Kai WindingVocals – June 2:59 ChristyWritten-By, Arranged By – Gene Roland Safranski B3 Soloist, Bass – Eddie SafranskiSoloist, Piano – Stan KentonWritten-By, Arranged By – Pete 3:04 Rugolo Santa Lucia B4 3:16 Arranged By – Pete RugoloSoloist – Vido MussoWritten-By – Teodoro Cottrau Willow Weep For Me B5 Arranged By – Pete RugoloSoloist, Bass – Eddie SafranskiSoloist, Piano – Stan 3:07 KentonSoloist, Trombone – Kai WindingVocals – June ChristyWritten-By – Ann Ronell Artistry In Percussion B6 Soloist, Drums – Shelly ManneSoloist, Trombone – Kai WindingWritten-By, Arranged By – 3:07 Pete Rugolo Credits Bass – Don Bagley (tracks: B4), Eddie Safranski (tracks: A1 to B3, B5, B6) Bongos – Jack Costanzo (tracks: A5) Drums – Ralph Collier (tracks: A2), Shelly Manne (tracks: A1, A3 to B6) Guitar – Bob Ahern (tracks: A1 to A4, A6 to B3, B5, B6), Laurindo Almeida (tracks: A5, B4) Piano – Stan Kenton Saxophone – Al Anthony (tracks: A1 to A4, A6 to B3, B5, B6), Art Pepper (tracks: B4), Bart Caldarell* (tracks: B4), Bob Cooper, Bob Gioga, Boots Mussulli (tracks: A1 to A4, A6 to B3, B5, B6), Bud Shank (tracks: B4), Frank Pappalardo (tracks: A5), George Weidler (tracks: A5), Vido Musso (tracks: A1 to A4, A6 to B3, B5, B6), Warren Weidler (tracks: A5) Trombone – Bart Varsalona (tracks: A1 to A3, A5 to B6), Bob Fitzpatrick (tracks: B4), Eddie Bert (tracks: A5, B4), Freddie Zito* (tracks: A2), Harry Betts (tracks: A5, B4), Harry Forbes (tracks: A5, B5), Jimmy Simms (tracks: A2), Kai Winding (tracks: A1, A3, A6 to B3, B5, B6), Miff Sines (tracks: A1, A3, A6 to B3, B5, B6), Milt Bernhart (tracks: A5, B4), Milt Kabak* (tracks: A1 to A3, A6 to B3, B6) Trumpet – Al Porcino (tracks: A5, B4), Bob Lymperis (tracks: A2), Buddy Childers (tracks: A1 to A3, A5 to B3, B5, B6), Chico Alvarez (tracks: A1 to A3, A5 to B6), John Anderson (tracks: A1 to A3, A6 to B3, B5, B6), John Howell (tracks: B4), Ken Hanna (tracks: A1, A3, A5 to B3, B5, B6), Maynard Ferguson (tracks: B4), Ray Wetzel (tracks: A1 to A3, A5 to B3, B5, B6), Russ Burgher (tracks: A2), Shorty Rogers (tracks: B4) Other versions Category Artist Title (Format) Label Category Country Year Artistry In Rhythm Stan Kenton And Capitol BD-39 (4xShellac, 10", BD-39 US 1946 His Orchestra Records Album) Stan Kenton And Artistry In Rhythm Capitol CDF 167 CDF 167 US Unknown His Orchestra (4x7", Album) Records Artistry In Rhythm Capitol SM-167 Stan Kenton SM-167 US 1975 (LP, Album, RE) Records Artistry In Rhythm Capitol SM-500167 Stan Kenton SM-500167 US Unknown (LP, Album, RE) Records Stan Kenton And Artistry In Rhythm Capitol SM-167 SM-167 US Unknown His Orchestra (LP, RE) Records Related Music albums to Artistry In Rhythm by Stan Kenton And His Orchestra Members Of The Stan Kenton Orchestra - Members Of The Stan Kenton Orchestra Salute Stan Kenton Stan Kenton - Artistry In Rhythm Stan Kenton And His Orchestra Presenting Vido Musso - Santa Lucia / Pagliacci Stan Kenton Orchestra - Artistry In Symphonic Jazz Stan Kenton And His Innovations Orchestra - The Compositions Of Pete Rugolo June Christy, Stan Kenton And His Orchestra - How High The Moon Stan Kenton And His Orchestra - Soothe Me / Lover Stan Kenton - One Night Stand With Stan Kenton's Encores #1 & #2.
Load more

Recommended publications
  • Interpretive Performance Techniques and Lyrical Innovations on The
    INTERPRETIVE PERFORMANCE TECHNIQUES AND LYRICAL INNOVATIONS ON THE BASS TROMBONE: A STUDY OF RECORDED PERFORMANCES BY GEORGE ROBERTS, “MR. BASS TROMBONE” Jonathan K. Yeager, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2006 APPROVED: Vern Kagarice, Major Professor Darhyl Ramsey, Minor Professor Tony Baker, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Yeager, Jonathan K., Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, “Mr. Bass Trombone.” Doctor of Musical Arts (Performance), December 2006, 82 pp., 18 illustrations, bibliography, 25 titles. Nicknamed “Mr. Bass Trombone” for his role as a prominent, trailblazing recording artist, George Roberts (b. 1928) has often been recognized as redefining the role of the bass trombone in popular music as well as setting new standards for technical refinement and expressive possibilities of the instrument. Through two interviews and a comparison between ten recorded performances by Roberts and corresponding lead sheets, I make observations about Roberts’ performance techniques and illustrate various examples of those techniques. The document includes 35 pp. of interview transcriptions. Copyright 2006 by Jonathan K. Yeager ii ACKNOWLEDGEMENTS I wish to thank those who assisted in the preparation of this document. Specifically, I would like to thank George Roberts for providing his time and thoughts; Vern Kagarice for his guidance and assistance in securing sources; Matthew Litwaitis for his help in locating resources; Ben van Dijk, Bob Hughes, and Douglas Yeo for providing comments; Keith Pawlak at the University of Arizona, John R.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • Cogjm Criterion 1947-04-10.Pdf (4.459Mb)
    PATRONIZE CO!ltfC TIME TO TH INK. Ou r· ABOUT THE ADVERTISERS S.B.A. ELECTI ON VOL. XIV. GRAND JUNCTION, COLO., THURSDAY, APRIL 10, 1947 NO. 22 Turn About Fa ir Play! 'Reporter Attempts "Roundup" Sale Mesa ·Males in Dither Over You've seen poster~ around the hall concerning perhaps an un­ known article called the Roundup. Fear no more, read on and you will know all. Prospect of Free Evening Each year the advanced composi­ tion class gathers the best literary Gold-diggers Ball Boom to Deflated Ban k Rolls; Girls to effort of aspiring English students and publishes these gems in a stu­ Recompense Boys Today I dent anthology called the Hound­ up. If you got all A's on your By J ean Yarnell I themes and compositions, get your copy of the Roundup and sec Under the clever publicity posters for the Gold-diggers' ll (if) the best (is the bestl. Ball, groups of males have been gathering all week in com­ This is your chance to see your­ templation over an event which will revolutionize the social I self and your friends and even -----==========-+date routine. I those not under these classifications Turn about is fair play. The girls in print. This is a permanent rec­ Pres. Wubben to Be who spend 365 days of a normal ord of your happy college days and year fleecing the unwary males, so more than worth the small price the fellows say, will be digging that will be charged. Toastmaster down deep all day Friday in Last year the Roundup was so President Horace Wubb<.n will recompense.
    [Show full text]
  • STAN KENTON “Eager Beaver”
    120703bk Kenton 4 15/9/03 10:10 PM Page 2 1. Eager Beaver 3:02 13. You Betcha 3:25 (Stan Kenton) (Johnny Lange–Ralph Wolf) Also available in the Naxos Jazz Legends series 2. I’ll Remember April 3:07 Anita O'Day, vocal (Don Raye–Gene dePaul) 14. The Hour Of Parting 2:43 Gene Howard, vocal (Mischa Spoliansky–Gus Kahn) 3. Ride On 2:28 15. In A Little Spanish Town 1:59 (Skeets Tolbert) (Mabel Wayne–Sam Lewis–Joe Young) Anita O'Day, vocal Anita O'Day, vocal 4. Russian Lullaby 2:20 16. Begin The Beguine 3:12 (Irving Berlin) (Cole Porter) 1-4: MacGregor LB 34, mx MM0 584 13-16: MacGregor LB 37, mx MMO 587 Recorded 15 May 1944 Recorded 15 May 1944 5. Clair de lune 3:26 17. Blues 3:29 (Debussy, arr. Joe Rizzo) (Dave Matthews–Anita O'Day) 6. Build It Up And Tear It Down 3:21 Anita O'Day, vocal 8.120517* 8.120518* 8.120684* (Johnny Meyer–Al Jacobs) 18. Tico Tico 2:15 Anita O'Day, vocal (Zequinda Abreu–Aloysio Oliveira–Ervin 7. Moon Song 3:59 Drake) (Arthur Johnston–Sam Coslow) 19. Special Delivery 2:25 Gene Howard, vocal (Anita O'Day) 8. I Know That You Know 2:00 Anita O'Day, vocal (Vincent Youmans–Anne Caldwell) 20. Conversin’ With The Brain 2:36 5-8: MacGregor LB 35, mx MMO 585 (Boots Mussulli) Recorded 15 May 1944 17-20: MacGregor LB 128, mx MMO 671 9. Opus A Dollar Three Eighty 2:16 Recorded December 1944 (Pete Rugolo) All selections recorded at C.
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • “Big Chief” Moore, in New York a Few Weeks Earlier on January 16
    WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk ..........................................
    [Show full text]
  • Neuzugänge Lieber Kunde, Diese Nachfolgende Liste Haben Wir Neu
    Sonderposten https://www.deepgroove-schallplatten.de/web/de/sonderposten.afp Neuzugänge Lieber Kunde, diese nachfolgende Liste haben wir neu hereinbekommen. Bitte beachten Sie, diese Liste ist nicht in unserem Shopsystem integriert! Bestelllungen bitte per E-Mail, Telefon oder per Post. Labelbeschreibung und Abkürzungsverzeichnis Nummer: Interpret: Titel: Preis (€): 0 -More chords- 1969 w/ Woode,Clare. MPS 15032 (17) F M-/M- N0108 Buckner, Milt 19 ST; GLANZ-FOC -More chords- 1969 w/ Woode,Clare. MPS 15 237ST (47/V) D N0110 Buckner, Milt 26 VG++/M- ST; GLANZ-FOC N0111 Buckner, Milt Trio -Locked hands- MPS 15 199ST (47/V) D M--/M-- ST; GLANZ-FOC 20 -Play chords- 1966 w/Woode,Joe Jones. pink Saba SB 15 110ST N0112 Buckner, Milt Trio 16 M--/M-- ST; GLANZ-FOC -Play chords- 1966 w/Woode,Joe Jones. Saba SB 15 110ST (89/V) N0113 Buckner, Milt Trio 29 Erstausgabe mit Tannenbaum, M--/M-- ST; GLANZ-FOC -For all we know/Recorded live at Basin Street West,S.F.- 1971 N0116 Byrd, Charlie 20 w/Airto Moreira,etc. Columbia G 30622 (165) DOLP US M-/M- ST -The guitar artistry of- w/Keter Betts,Buddy Deppenschmidt. N0117 Byrd, Charlie 35 Riverside OLP 3007 (115/V) Mono NL VG++/M-; GLANZ -Guitars- rec.1975 w/Mariano, van´t Hof a.o. Atlantic 50193 D N0125 Catherine, Philip 16 M--/M-- ST -Live at the Berlin Philharmonie, with J.A.Rettenbacher, Intercord N0132 Cicero, Eugen 20 28779-7/1-2, DoLP, DE M-/VG++ -Klavierspielereien- w/Witte,Antolini. MPS 12 005ST (47/V/transition N0133 Cicero, Eugen 28 lbl.) D M--/M- ST; GLANZ -Klavierspielereien- w/Witte,Antolini.
    [Show full text]
  • Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284
    [Show full text]
  • Elmer Bernstein Elmer Bernstein
    v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards.
    [Show full text]
  • Radio 3 Listings for 29 June – 5 July 2019 Page
    Radio 3 Listings for 29 June – 5 July 2019 Page 1 of 12 SATURDAY 29 JUNE 2019 Chaconne for piano (Op.32) Cozzolani: Vespro della Beata Vergine Anders Kilstrom (piano) I Gemelli (ensemble) SAT 00:30 Music Planet World Mix (m00066s2) Emiliano Gonzalez Toro (tenor & director) Honolulu-bound 05:20 AM Naive V 5472 Johann Sebastian Bach (1685-1750) Tonight we're Honolulu-bound with some classic Hawaiian slide Motet: "Komm, Jesu, komm!" (BWV.229) Schubert: Die schöne Müllerin guitar, Omar Souleyman takes us to Syria with love, punk-polka Danish National Radio Choir, Stefan Parkman (conductor) Roderick Williams (baritone) from Attwenger and Congolese rumba from M'bilia Bel. Iain Burnside (piano) 05:30 AM Chandos CHAN 20113 Jean Baptiste Loeillet (1688-1720) https://www.chandos.net/products/catalogue/CHAN%2020113 SAT 01:00 Through the Night (m00066s4) Sonata in G major Trio con Brio Copenhagen Vladimir Jasko (trumpet), Imrich Szabo (organ) Schubert: Winterreise (Arr. for Voice and Chamber Ensemble) Philippe Sly (baritone) Piano trios by Haydn, Smetana and Schubert. Jonathan Swain 05:39 AM Le Chimera Project (ensemble) presents. Stanislaw Moniuszko (1819-1872) Analekta AN29138 Overture to Halka (Original version) https://www.analekta.com/en/albums/schubert-winterreise- 01:01 AM Polish Radio Symphony Orchestra, Lukasz Borowicz philippe-sly-le-chimera-project/ Joseph Haydn (1732-1809) (conductor) Piano Trio No 39 in G Hob XV:25 ‘Asphalt Cocktail’ – Music for wind band by John Mackey incl. Trio con Brio Copenhagen 05:48 AM Concerto for Trumpet ‘Antique
    [Show full text]
  • Adéla Jonášová
    Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud
    [Show full text]
  • Primary Sources: an Examination of Ira Gitler's
    PRIMARY SOURCES: AN EXAMINATION OF IRA GITLER’S SWING TO BOP AND ORAL HISTORY’S ROLE IN THE STORY OF BEBOP By CHRISTOPHER DENNISON A thesis submitted to the Graduate School-Newark Rutgers University, The State University of New Jersey In partial fulfillment of the requirements of Master of Arts M.A. Program in Jazz History and Research Written under the direction of Dr. Lewis Porter And approved by ___________________________ _____________________________ Newark, New Jersey May, 2015 ABSTRACT OF THE THESIS Primary Sources: An Examination of Ira Gitler’s Swing to Bop and Oral History’s Role in the Story of Bebop By CHRISTOPHER DENNISON Thesis director: Dr. Lewis Porter This study is a close reading of the influential Swing to Bop: An Oral History of the Transition of Jazz in the 1940s by Ira Gitler. The first section addresses the large role oral history plays in the dominant bebop narrative, the reasons the history of bebop has been constructed this way, and the issues that arise from allowing oral history to play such a large role in writing bebop’s history. The following chapters address specific instances from Gitler’s oral history and from the relevant recordings from this transitionary period of jazz, with musical transcription and analysis that elucidate the often vague words of the significant musicians. The aim of this study is to illustratethe smoothness of the transition from swing to bebop and to encourage a sense of skepticism in jazz historians’ consumption of oral history. ii Acknowledgments The biggest thanks go to Dr. Lewis Porter and Dr.
    [Show full text]