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The Beatles I Sverige År 1963

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The Beatles I Sverige År 1963 The Beatles i Sverige år 1963 En studie om The Beatles radioinspelning på Karlaplan samt gruppens mottagande i media under samma turné Ellinor Nilsson Examensarbete HS3 2012 Institutionen för musikvetenskap Uppsala universitet 2 Abstract Ellinor Nilsson: The Beatles i Sverige år 1963. En studie om The Beatles radioinspelning på Karlaplan och gruppens mottagande i media under samma turné [The Beatles in Sweden 1963. A study of The Beatles’ radio recording on Karlaplan and how the group was depicted in Swedish media during the tour]. Uppsala universitet: Institutionen för musikvetenskap, examensarbete 15 högskolepoäng, 2012. In October 1963 The Beatles started their first tour abroad, which took place in Sweden. Except for their concerts and their participation in a television show, they also did one recording to be broadcasted on radio. The aim of this study is to define how come The Beatles chose to travel to Sweden and why the group was an interesting product for the Swedish organizers. The study compares the group’s radio recording with the same but published songs and introduces articles and announcements from newspapers of the same time. One inference of the study is media’s focus on The Beatles’ appearance. That their recording on Karlaplan has more distorsion and a higher BPM number than their record recordings is another. The several connections between The Beatles and Sweden is, what I interpret, the main reason why Sweden was the tour’s destination. 3 Innehåll 1. Inledning ......................................................................................................................... 6 1.1 Syfte och frågeställning ................................................................................. 6 1.2 Begreppsutredning ......................................................................................... 7 1.3 Forskningsläge ................................................................................................ 7 1.4 Metod och källmaterial .................................................................................. 9 2. Vägen till Sverige ........................................................................................................ 10 2.1 Innan turnén ................................................................................................ 10 2.2 Samtidens musiska ideal ............................................................................. 16 3. Studioinspelningen på Karlaplan .............................................................................. 18 3.1 Förberedelse ................................................................................................ 18 3.2 Genomförande ............................................................................................ 19 3.3 Efter inspelningen ....................................................................................... 20 4. Svensk press om The Beatles i Sverige .................................................................... 21 4.1 Turnén och musiken ................................................................................... 22 4.1.1 Annonser ..................................................................................... 23 4.2 Utseende och uppenbarelse ....................................................................... 25 5. Karlaplansinspelningen kontra skivinspelningar .................................................... 27 1. “I Saw Her Standing There”.................................................................... 28 Karlaplan ............................................................................................... 28 LP ........................................................................................................... 29 2. ”From Me to You” ................................................................................... 29 Karlaplan ............................................................................................... 29 Singel ..................................................................................................... 30 3. ”Money” ..................................................................................................... 30 Karlaplan ............................................................................................... 30 LP ........................................................................................................... 31 4. ”Roll Over Beethoven” ............................................................................ 31 Karlaplan ............................................................................................... 31 LP ........................................................................................................... 32 4 5. “You Really Got a Hold on Me” ............................................................ 32 Karlaplan ............................................................................................... 32 LP ........................................................................................................... 33 6. “She Loves You”....................................................................................... 33 Karlaplan ............................................................................................... 33 Singel ..................................................................................................... 34 7. “Twist and Shout” .................................................................................... 34 Karlaplan ............................................................................................... 35 LP ........................................................................................................... 35 6. Sammanfattande diskussion ...................................................................................... 36 7. Käll- och litteraturförteckning .................................................................................. 41 Tryckt material ................................................................................................... 41 Internet ............................................................................................................... 41 Fonogram ........................................................................................................... 42 Dags- och kvällstidningar ................................................................................. 42 Artiklar .................................................................................................. 42 Övrigt .................................................................................................... 43 5 1. Inledning I oktober 1963 begav sig det engelska popbandet The Beatles till Sverige på sin första egentliga utlandsturné. De landade på Arlanda flygplats onsdagen den 23 oktober och mottogs av ungefär tio svenska fans, alla unga kvinnor.1 Innan det hade bandet varit verksamma runtom i England, där de gjorde många framträdanden tillsammans från år 1960, ibland under andra namn än ”The Beatles”. De hade även medverkat i radiosändningar och gjort inspelningar av originallåtar och covers. De släppte singlar i flera länder2 men var ännu inte särskilt kända, utan var ett popband i mängden. Under sin turné i Sverige framförde gruppen konserter i Stockholm, Göteborg, Borås, Eskilstuna och Karlstad. De gjorde likaså en studioinspelning i Stockholm, bestående av sju låtar, vilken två veckor senare sändes i svensk radio. Den här studien utreder hur det kom sig att The Beatles åkte till Sverige och hur de togs emot av svensk media under samtiden. Det tillsammans med en jämförelse mellan deras låtinspelningar i Stockholm och deras skivinspelningar3 av samma låtar är föremål för studien. 1.1 Syfte och frågeställning Huvudsyftet med föreliggande uppsats är att få klarhet i studioinspelningens omständigheter såsom förberedelse, genomförande och eventuella komplikationer kring inspelningen. Jag kommer även redogöra för hur The Beatles besök till Sverige mottogs av svensk media med fokus på dags- och kvällstidningar från tiden i anslutning till gruppens turné. Hur bemöttes popbandet i fråga av samtida svensk press och vad fokuserade artiklarna på? Inte heller har karlaplansinspelningen eller Sverige som marknad för The Beatles tidigare studerats djupgående. Hur skiljer sig karlaplansinspelningen från bandets skivinspelningar av samma låtar och vilka likheter finns? Varför var Sverige en tänkvärd marknad för popbandet och hur kom det sig att The Beatles var intressant för turnéns arrangörer? Min förhoppning är att även utreda hur bekanta The Beatles var i Sverige under samtiden och vad som kännetecknade bilden av gruppen. 1 Ammi Bohm & Börje Lundberg (2003), s. 52 och 57. Yeah! Yeah! Yeah! – The Beatles erövrar Sverige. Stockholm: Premium. 2 Ian MacDonald, (2000), s. 310-323. En revolution i huvudet: The Beatles’ inspelningar och 60-talet. Göteborg: Bo Ejeby Förlag. 3 Låtarna de spelade in i Stockholm var under tidpunkten för inspelningen redan släppta på skiva eller klara för publicering. 6 1.2 Begreppsutredning The Beatles gjorde den 24 oktober 1963 en spelning för publik i en studio på Karlaplan i Stockholm. Den spelades in för att sändas i radio en tid senare. I detta arbete använder jag mig av ”karlaplansinspelning”, ”studioinspelning” och ”radioinspelning” för att beskriva denna händelse. Under kapitel 4 omnämns samma händelse ”publikspelning” för att skilja den från skivinspelningar. Denna spelning på Karlaplan släpptes inte på skiva då4 och när jag i uppsatsen omnämner ”skivinspelning”
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