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STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items Through April 24
APRIL NEW RELEASE GUIDE STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items through April 24 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases April 2012 BONGO BEAT RECORDS! THE DIODES. ACTION/REACTION. 1980 PUNK HARD ROCK LP FINALLY AVAILABLE ON CD 6 BONUS TRACKS Cat: BB 1977-2 REMASTERED BY JOHN WILSON Label: Bongo Beat Records UPC: 777000197725 (MEAT BEAT MANIFESTO) Price: $8.15 EXTENSIVE LINER NOTES xhHHAAAy19772pz INCLUDES “CATWALKER” 7 7700-01977-2 5 (503) 231-0876 / www.bdcdistribution.com 2 BDC New Releases April 2012 Welcome!! Welcome!! Caspar Babypants who has spawned his fifth album, HOT DOG! Kids music that parents will like also (what a concept!). This one has soon-to-be-mama Rachel Flotard from First we hope you’ve all recovered from SXSW - good to see so many of you there - we all Visqueen as a guest. experienced great music and some great food along the way; always a delight! Frank Black has a world beyond The Pixies; several of them actually. In addition to having Marvin the Mandolin Man - you know, that guy from Lone Justice, Marvin Etzioni - brand a happy homelife, he has managed to have outlets under the Black Francis moniker, with new double CD and LP on Nine Mile Records with guests Richard Thompson, LJ bandmate his band The Catholics and in a duo album with his wife Violet Clark under the name of Maria McKee, John Doe, Lucinda Williams, Steve Earle and more: great songs - a labor of .Grand Duchy We have cool vinyl this month from all three aggregations.. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
The Washington Blues Society and Lee Oskar Harmonicas Present
In Th s Issue... From the IBC in Memphis: Rum Boogie! From the IBC in Memphis: Sun Studio Jim Valley (Photo by Eric Steiner) (Photo by Eric Steiner) (Photo by ML Sutton) Letter from the President 2 March Blues Bash Preview 6 Report from Memphis 12 Letter from the Editor 3 Valentine’s Day Blues Bash 7 Membership Opportunities 14 Offic s and Directors 4 Street Team Report: Rocky Nelson 10 Walla Walla Festival Preview 14 On the Cover 4 Street Team Report 12 File Gumbo 30th Anniversary 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, purchase of tickets. You can also purchase tickets start at 5:00 PM, and we wrap up at 8:00 PM so at the door! So save the date Sunday, April 9th and you can still get home in plenty of time to get a full The Best of the Blues due date for the final ballot make your plans to come to the Best of the Blues night’s sleep before work on Monday! It’s a one of is creeping up on us! Please be sure that you have Award show and the after party! Please see the ad those must do deals! See the ad in this issue of the your ballot to us by Tuesday, March 14th. in this edition of the Bluesletter! Bluesletter for this month’s show lineup! You can mail it in to our PO Box address (WBS, The International Blues Challenge was this past Festival season is coming up quickly! We kick off PO Box 70604, Seattle, WA 98127); give it to any month and our band (Polly O’Keary & the Rhythm the year with the Coeur de Alene Blues Festival in current Board of Director before March 14th, scan Method), our solo/duo -
Bert Weedons Play in a Day: (Guitar) Free
FREE BERT WEEDONS PLAY IN A DAY: (GUITAR) PDF Bert Weedon | 44 pages | 01 Jan 2008 | Faber Music Ltd | 9780571529650 | English | London, United Kingdom Bert Weedon obituary | Pop and rock | The Guardian The manual Play in a Day was the bible for generations of budding guitarists in the s and s. Its author was Bert Weedon, an unassuming dance- band musician whose unpatronising approach made him Britain's earliest expert on the instrumental niceties of rock'n'roll. Weedon, who has died aged 91, was among the first British musicians to incorporate into his style the innovations of American country and western, boogie and rock'n'roll guitarists. In the s, Weedon played on hundreds of recording sessions for most of the leading singers and bands of the era, including Alma Cogan, Dickie Valentine and Frankie Vaughan. He recalled that "you had to be so adaptable and flexible. For example, Winifred Atwell would want a honky-tonk approach, Russ Conway something light, while Frankie Vaughan would want something quite beaty and Ronnie Hilton something else again. He took part in more than 5, broadcasts during his career. It is difficult now to imagine the vehemence with which the musical establishment, from Sir Malcolm Sargent to Steve Raceexcoriated the records of Bill Haley and Elvis Presley and their effect on British youth. Weedon was one of the few experienced studio session players who wholeheartedly embraced rock, which he first heard when Stapleton procured a copy of Haley's Rock Around the Clock months before Bert Weedons Play in a Day: (Guitar) was issued in Britain. -
Press Images Surf’S Up! Instrumental Rock ‘N’ Roll
Press Images Surf’s Up! Instrumental Rock ‘n’ Roll Pantone 871 C Metallic = C-0 M-15 Y-78 K-36 + Black [left to right] [left to right] [left to right] Danelectro Guitarlin 1958 Fender Jazzmaster 1965 Mosrite Ventures Mk.V NAMM Custom 1966 played by Link Wray played by Bob Demmon of The Astronauts played by Don Wilson of The Ventures Danelectro Corporation | Red Bank, New Jersey Fender Electric Instrument Co. | Fullerton, California Mosrite of California | Bakersfield, California Courtesy of Deke Dickerson Courtesy of Chad and Sean Demmon Courtesy of Black Book Guitars L2020.1903.001a L2020.1915.001a,b L2020.1904.001a Howard Custom double-neck guitar 1960 Fender 6G14 Showman Amp 1961 Fender FR–1000 Solid State Reverb 1966 played by Duane Eddy used by Rich Fifield of The Astronauts used by Nokie Edwards of The Ventures Howtronics | Phoenix, Arizona Fender Electric Instrument Co. | Fullerton, California Fender Musical Instruments | Santa Ana, California Courtesy of Deke Dickerson Courtesy of Mel Bergman Courtesy of Black Book Guitars L2020.1903.002a L2020.1906.002a,b L2020.1904.002a [left to right] [clockwise from top left] [left to right] Mike Patterson and The Rhythm Rockers 1962 Come Surf With Me 1963 “DoubleJunk” Fender Jazzmaster/Jaguar 1992 Courtesy of John Blair Aki Aleong and the Nobles | Southern California constructed and played by Mel Bergman of The Phantom L2020.1907.006 Vee Jay Records | Chicago Surfers Courtesy of Johnny Bartlett various makers The Music Man Presents The Impacts 1962 L2020.1908.003 Courtesy of Mel Bergman Courtesy of Scott Beerwolf L2020.1906.006a L2020.1916.001 Surf Rider! 1963 The Lively Ones | Orange County, California Del-Fi Records | Hollywood, California Weather King bass drumhead 1989 Courtesy of Mickey McGowan, Unknown Museum Archives illustrated by Johnny Bartlett of The Phantom Surfers L2020.1905.018 Remo, Inc. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest
January 9, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest with Special Guest Sarah Siskind; Sonny Landreth and Cindy Cashdollar; Paul Cebar Tomorrow Sound; and Maceo Parker All Shows at The Barns at Wolf Trap 1635 Trap Road, Vienna, VA 22182 International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mike Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 Showcasing extraordinary songwriting and playing skills which demonstrate a high level of both technical ability and musicality, International Guitar Night has become a major force in live contemporary guitar music. This year’s version of North America’s premier touring guitar festival features guitarists from South America, Italy, England, and the United States. American “guitar poet” Brian Gore’s playing contains a “bounce and spaciousness all his own” (Los Angeles Times). He created International Guitar Night in 1995 and has released multiple albums and books on fingerstyle guitar. Italian steel-string guitarist Pino Forastiere fuses the classical, contemporary, and rock genres as he “employs a dazzling blend of slapping, tapping, strumming, altered tunings, and harmonics, combined with classical phrasing and a focus on distinct and addictive melodies” (Guitar Player). English fingerstyle guitarist Mike Dawes has developed a multifaceted repertoire of sound in his short but successful career, fusing Celtic, rock, jazz, and experimental music to create a product all his own. He has gained praise from artists like Gotye, Frank Turner, and Justin Hayward. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations. -
Buck Owens Obituary
Obituary of Buck Owens: March 27, 2006 By: Dave Hoekstra Buck Owens was more than a voice in country music. He was an American metaphor for the clarion of possibility after The Grapes of Wrath migration to California. Alvin Edgar "Buck" Owens was a honky-tonk singer, a TV star -- best known for his role in "Hee-Haw" -- and an entrepreneur who owned radio and television stations in Bakersfield, Calif. He was a good soul, one who would fly from Bakersfield to Portland, Ore., as he did in March 2005 to surprise compatriot Merle Haggard, who was opening for Bob Dylan. The depth of the moment was understood. With Mr. Owens standing stage right in a resplendent brown and black cowboy jacket, Dylan took a chance on Haggard's "Sing Me Back Home." Mr. Owens died Saturday at home in Bakersfield. He was 76. On Sunday, CMT.com reported the cause of death as a heart attack. He grew old, but his songs never became tired. In recent years he stopped touring outside of California, but he still managed to capture a new generation of fans that included Dwight Yoakam, Steve Earle and the Bottle Rockets. In the late 1990s, John Soss of Chicago's Jam Productions held an annual Buck Owens birthday party at Schubas that featured artists as diverse as soul singers Otis Clay and Mavis Staples, and country-rocker Jon Langford. Mr. Owens crossed borders he never would have dreamed of as a child when he headed west with his sharecropper parents from the Red River Valley near Sherman, Texas. -
Ctba Newsletter 1107
1 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION IBMA Member Central Vol. 33 No. 7 Texas Bluegrass July 1, 2011 Copyright © 2011 by Central Texas Bluegrass Association July 15-16, South Shore Harbor Resort & Convention Center, League City, TX Our good friends at the Bay Area Bluegrass Association have once again put together an awesome lineup for their annual Fire on the Strings Music Festival. This year’s lineup will include Charlie Sizemore, Kenny & Amanda Smith, The Chapmans, The Lonestar Bluegrass Band, The Bluegrass Solution, Buffalo Nickel, White Dove, Cypress Creek, Southern Style, and Justified. This event is also where we crown the State of Texas Flatpicking and Banjo Champions! Notice that the event is being held on a different weekend and in A NEW LOCATION!!! The event will be held at the South Shore Harbor Resort and Convention Center, 2500 South Shore Boulevard, in League City! BABA President, Rick Kirkland tells us to, “Be sure to ask for the bluegrass discount when booking rooms for a discount and a free breakfast”. There are also RV sites at the Marina Bay RV Resort 925 Marina Bay Dr, Kemah, TX (281) 334-9944. There are several sites to see. You’re not too far from the beaches, Galveston, NASA, and some really great fishing. I’ll be looking for you, but not at the beach. Hey y’all, let’s pick! Sunday, July 3rd. 1:30 - 6:00 PM. Artz Rib House, 2330 S. Lamar It’s time for CTBA’s Band Scramble!!! Put some new strangs on that banjer, mando, fiddle, gitfiddle and get yourself on down to Artz July 3rd. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.