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DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
1525 / 1867 1865 1850 / 1920 1920 1935 / 1950 1948 1950 / 1965 1959
This information is based on our own vision and experiences. When you think we are wrong, please mail us, we want you`re opinion, see mail bottom home page “ contact 1525 / 1867 Transatlantic Slave trade > Afrodance 1865 Freedom > Gospel / Jazz / Church choir 1850 / 1920 End of 19th. Cent. / 1e World War > Big band ( Afro ) / Salsa ( latin america ) 1920 Mid 1920`s > Big band ( white ) “ Benny Goodman Glenn Miller “ >> based on Movie music / Charleston 1935 / 1950 2e World War > Big band ( white ) >> commercial way Preformed Combination Big band and Jazz as High School music 1948 After the 2e World War > High school music now preformed as Rock And Roll > “entree of the electric guitar “ & Electric blues > One of the 1e DJ`s on tour was, J.P. Richardson “later named the big bopper “ as rock `n roll star He’s one of the founders of rock and roll for a dj in that time they play 78rpm records till mid 50’s , 45 rpm was promoted in 1949. 1950 / 1965 The birth of POP music > in the mid 50’s R&R explode, new R&R style as the british rock and roll ( cliff richard / the shadows ) 1959 Scepter records > end 50’s Florence Greenberg, founder of Scepter records hired “ Van Allen Clinton McCoy “ as staff writer. >15 Years later was Scepter records one of the famous record labels they promoted DanceMusic, together with Van McCoy. ( why this info, …. see later the mid 70’s ) > In the years between 1958 and 1977 was Motown ( Berry Gordy ) a famous label of soul music, not to be confused with DanceMusic. -
Jukebox Decades – 100 Hits Ultimate Soul
JUKEBOX DECADES – 100 HITS ULTIMATE SOUL Disc One - Title Artist Disc Two - Title Artist 01 Ain’t No Sunshine Bill Withers 01 Be My Baby The Ronettes 02 How ‘Bout Us Champaign 02 Captain Of Your Ship Reparata 03 Sexual Healing Marvin Gaye 03 Band Of Gold Freda Payne 04 Me & Mrs. Jones Billy Paul 04 Midnight Train To Georgia Gladys Knight 05 If You Don’t Know Me Harold Melvin 05 Piece of My Heart Erma Franklin 06 Turn Off The Lights Teddy Pendergrass 06 Woman In Love The Three Degrees 07 A Little Bit Of Something Little Richard 07 I Need Your Love So Desperately Peaches 08 Tears On My Pillow Johnny Nash 08 I’ll Never Love This Way Again D Warwick 09 Cause You’re Mine Vibrations 09 Do What You Gotta Do Nina Simone 10 So Amazing Luther Vandross 10 Mockingbird Aretha Franklin 11 You’re More Than A Number The Drifters 11 That’s What Friends Are For D Williams 12 Hold Back The Night The Tramps 12 All My Lovin’ Cheryl Lynn 13 Let Love Come Between Us James 13 From His Woman To You Barbara Mason 14 After The Love Has Gone Earth Wind & Fire 14 Personally Jackie Moore 15 Mind Blowing Decisions Heatwave 15 Every Night Phoebe Snow 16 Brandy The O’ Jays 16 Saturday Love Cherrelle 17 Just Be Good To Me The S.O.S Band 17 I Need You Pointer Sisters 18 Ready Or Not Here I The Delfonics 18 Are You Lonely For Me Freddie Scott 19 Home Is Where The Heart Is B Womack 19 People The Tymes 20 Birth The Peddlers 20 Don’t Walk Away General Johnson Disc Three - Title Artist Disc Four - Title Artist 01 Till Tomorrow Marvin Gaye 01 Lean On Me Bill Withers 02 Here -
Bear Family Records Sales Sheet
PRODUCTINFO (CD) September 3, 2021 Artist Various Artists Title The Gene Vincent Connection 36 Roots And Covers Of Gene Vincent Label Bear Family Productions Catalog no. BCD17620 Price code: AH EAN-Code 5397102176203 Format 1-CD (Digipak) with 36-page booklet Genre Rock ‘n’ Roll No. of tracks 36 approx. 78:00 min. Release date September 3, 2021 INFO: • To mark the 50th anniversary of Gene Vincent's death, this unique compilation of originals and rare cover versions of classic Gene Vincent tracks will be released! • This edition in Bear Family Records®' 'Connections' series presents the songs in chronological order - and as Gene Vincent recorded them. • With 36 interpretations from 1952-1966, we show the influence of 'Mr. Be-Bop-A-Lula' on the international music scene as well as artists who gave Gene Vincent their masterpieces! • Among them we count a whole series of famous peers such as Bobby Darin, Kay Starr or Jerry Vale. • The British in particular celebrated Gene Vincent; accordingly, many British recordings are included by Marty Wilde, Terry Dene and Vince Taylor, a.o.! • France (Les Chats Sauvages with Dick Rivers, Les Chaussettes Noires) is represented as well as Scandinavia (Rock-Ragge, Spotnicks) and Australia (Johnny Rebb, Terry Dean). • Many rarities are among them like an extremely rare live recording of British artist, Wee Willie Harris, and The Voices, an almost unknown group. • The 36-page color booklet contains the story on the subject, written by well-known music journalist Bill Dahl, with many often rare photos and memorabilia! Cat Man Gene Vincent's stage show, especially with the Blue Caps, was extremely energetic and simply sensational. -
Japan's Best Sellers
Tape cartridges are the talk of the town these days: several major com- As reported before, the all Japan folk song festival was held on July 24 at panies are studying their entrance in this market and some producers are al- Zushi Beach, famous sumer resort place, under the auspices of Nippon Colum- ready manufacturing tape players. The biggest difficulty seems to be in the bia. This is the final contest to choose the best amateur group of all Japan fact that there are several models available, and that players and cartridges after many pre-contests, having been held for the three months since the end are not compatible. Up to now the efforts to arrange the production of a single of April at Tokyo, Hiroshima, Nagoya, Fukuoka, Osaka, and Sendai, in which type (or system) for players hasn’t given good results. Players available in more than 60 groups participated. So, it may be said that this festival was a the market are based on the Japanese system, with four tracks, cost 55,000 reduced drawing of current folk boom. Glancing through this festival, among pesos (about $240), and reportedly 1,500 of them were sold in the first month. groups, most of them are consisting of college students, high school students, RCA’s Adolfo Pino reports the release of two new Dunhill LP’s cut by the office ladies some groups look likely to be fond of Brothers Four, Bob Dylan, Brass Ring and Barry McGuire, and RCA soundtrack albums from “Ara- and Peter, Paul and Mary, while some groups look to intend to create Japan’s besque,” “Boeing Boeing” and Presley’s “Frankie And Johnny” and “Harum original folk, not the imitations of American folk groups, singing protest Scarum.” Regarding Dunhill, it may be commented that RCA has done good songs and others. -
CB Names Inigo
r CBS Inf'l Makes Host Of Rep Deals '68 'Grand Gala' Most Successfal Ever NEW YORK—CBS International has Disk, Tune Deals AMSTERDAM—Piet Beishuizen, di- and then there was Sandy Posey. In completed a number of publishing and In a combination recording and pub- rector of the C.C.G.C. (Committee Col- her inimitable way she performed record deals, according to Sol Rabin- lishing deal for Latin America, Rabin- lective Gramaphone Campaign) can some of the hits that made her fa- owitz, director of records acquisitions owitz announced the acquisition of look back to the most successful mous throughout the world and made and publishing operations. “Boogaloo Down Broadway” by The “Grand Gala Du Disque” that ever has her appearance in Holland unforget- Fantastic Johnny C. Distribution been organized in Holland. Every- table. Buffy Sainte-Marie was un- Catalog Deals rights for the recent chart single, as thing went shipshape and the program known to the Dutch people and the not only struck the people in the audi- audience had a little difficulty getting The entire catalogs of several well as for the “Boogaloo Down torium with great enthusiasm but the used to her style. Udo Jurgens is a United States publishers will now be Broadway” album, have been obtained millions of televiewers as well. The performer who needs more than the available for sub-publishing by CBS from Landa Records for CBS Inter- long proigram was televised in colour available ten minutes he had to get International publishing companies in national affiliates throughout Latin I for the first time. -
Who's Who in A&R at Prelude
Who's Who In A&R At Prelude INTRODUCTION: In the last two issues our A&R Spotlight has dealt with relatively large record company A&R staffs. In contrast, Prelude Records is a small new disco oriented label where A&R is very much a part of the overall running of the company. With disco playing an in- creasingly important role in contemporary music, we felt it would be interesting to take a closer look at this emerging new label. PERSONNEL: Marvin Schlachter— President Stan Hoffman — Executive Vice President Starr Arning — Director of Disco Promotion Joe Kolsky — Sales Manager Jeff Deliniko — Controller Gerry Kuster — Production Stacy Frankel — Accounts Receivable Bob Lowe — Retail Promotion Phyllis Katz — Assistant to Controller Eric Plotkin — Mail Room Francois Kevorkian — Director of A&R Brenda Winbush — Receptionist/Secretary MARVIN SCHLACHTER: President A native New Yorker, Marvin received a degree in Business Administration from City College in 1955. After 2 years in the army, he spent 4 months in the CBS mailroom before moving to Cashbox Magazine as an advertising representative from 1958 to 1960. He spent the next 9 years building Scepter Records with Florence Greenberg. As a principal in the company and Executive Vice President, Schlachter played a vital role in Scepter's unprece- dented growth. When Janus Records was established in July of 1969, Marv accepted the firm's Presidency. He promptly established Janus with eleven hit singles, including a gold record and several chart albums in the first year of operation. By March of 1971 he was President of the entire GRT Record Group, including Chess-Janus and GRT Records. -
Für Sonntag, 21
InfoMail 28.06.17: BEATLES-Repertorie von anderen Interpreten: Neu BEATLES BEGINNINGS 9; noch vorhanden BEATLES BEGINNINGS 8 /// MANY YEARS AGO InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken an [email protected] Im Beatles Museum erhältlich: BEATLES-Repertorie von anderen Interpreten: neu: BEATLES BEGINNINGS 9 noch vorhanden: BEATLES BEGINNINGS 8 ca. Mai 2017: verschiedene Interpreten: 4er CD BEATLES BEGINNINGS 9 - THE EARLY BEATLES REPERTOIRE 1960-61. 29,95 € Rhythm & Blues Records RANDB039, Europa. Freitag, 25. September 2015: verschiedene Interpreten: 4er CD BEATLES BEGINNINGS 8 - THE QUARRYMEN REPERTOIRE. 17,90 € Rhythm & Blues Records A 17 - 00088191 4CD A17, Großbritannien. NACHSTEHENMD DIE KOMPLETTEN TRACKLISTEN: ca. Mai 2017: verschiedene Interpreten: 4er CD BEATLES BEGINNINGS 9 - THE EARLY BEATLES REPERTOIRE 1960-61. 29,95 € Rhythm & Blues Records RANDB039, Europa. CD 1: Track 1: Elvis Presley: We're Gonna Move. Track 2: Gene Vincent: Wild Cat. Track 3: Peggy Lee: Alright Okay You Win. Track 4: The Coasters: I'm A Hog For You. Track 5: Buddy Holly: Words Of Love. Track 6: Larry Williams: Slow Down. Track 7: Carl Perkins: Right String Wrong Yoyo. Track 8: Ernest Tubb: Thirty Days (To Come Back Home). Track 9: Johnny Burnette Trio: Honey Hush. Track 10: The Isley Brothers: Shout Pt 1. Track 11: The Isley Brothers: Shout Pt 2. Track 12: Gene Vincent & His Blue Caps: Bluejean Bop. Track 13: Eddie Cochran: C'mon Everybody. Track 14: Eddie Fontaine: Nothin' Shakin' (Leaves On The Trees). Track 15: Fats Domino: I'm Gonna Be A Wheel Someday. Track 16: Chuck Berry: Little Queenie. -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War. -
The Top of the Poppers Sing and Play Punk
Title The Top of the Poppers sing and play punk Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/14980/ Dat e 2 0 1 9 Citation Bestley, Russ (2019) The Top of the Poppers sing and play punk. Punk & Post Punk, 8 (3). pp. 399-421. ISSN 2044 1 9 8 3 Cr e a to rs Bestley, Russ Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Top of the Poppers sing and play punk Russ Bestley, London College of Communication By the mid-1970s, the music industry had a long history of accommodating and recuperating teenage rebellion, and punk’s defiant message of radical change also offered new opportunities for commercial enterprise. A rush to sign new bands who could be (broadly) associated with punk, and the concomitant shift toward ‘new wave’ styles, led to a degree of UK chart success for a number of groups. The inclusion of punk and new wave songs on a series of low-budget compilations featuring cover versions of contemporary hits strikes a particularly discordant tone with punk’s self-styled image of a break with traditional music industry conventions. The albums released on the longstanding budget compilation series Top of the Pops between mid-1977 and early 1982 tell an interesting story about the cultural recuperation of punk, new wave and post-punk, and ask questions, perhaps, about the legitimacy of punk’s often mythologised ‘outsider status’. -
CREATIVITY and INNOVATION in the MUSIC INDUSTRY Creativity and Innovation in the Music Industry
CREATIVITY AND INNOVATION IN THE MUSIC INDUSTRY Creativity and Innovation in the Music Industry by PETER TSCHMUCK Institute of Culture Management and Culture Science, University of Music and Performing Arts Vienna, Austria A C.I.P. Catalogue record for this book is available from the Library of Congress. ISBN-10 1-4020-4274-4 (HB) ISBN-13 978-1-4020-4274-4 (HB) ISBN-10 1-4020-4275-2 (e-book) ISBN-13 978-1-4020-4275-1 (e-book) Published by Springer, P.O. Box 17, 3300 AA Dordrecht, The Netherlands. www.springer.com Printed on acid-free paper Printed with the support of the Austrian Ministery of Education, Science, and Culture All Rights Reserved © 2006 Springer No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Printed in the Netherlands. TABLE OF CONTENTS Preface ix Acknowledgements xi Introduction xiii 1. Aim and Structure of the Book xiii 2. Implications of Culture Institutions Studies xvi Chapter 1: The Emergence of the Phonographic Industry 1 Within the Music Industry 1. The Phonograph as Business Machine 1 2. “Coin-in-the-Slot:”-Machine 6 3. Records and Gramophones 9 4. “Herr Doctor Brahms Plays the Piano” 15 Chapter 2: The Music Industry Boom until 1920 19 1.