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Henryk Berlewi
HENRYK BERLEWI HENRYK © 2019 Merrill C. Berman Collection © 2019 AGES IM CO U N R T IO E T S Y C E O L L F T HENRYK © O H C E M N 2019 A E R M R R I E L L B . C BERLEWI (1894-1967) HENRYK BERLEWI (1894-1967) Henryk Berlewi, Self-portrait,1922. Gouache on paper. Henryk Berlewi, Self-portrait, 1946. Pencil on paper. Muzeum Narodowe, Warsaw Published by the Merrill C. Berman Collection Concept and essay by Alla Rosenfeld, Ph.D. Design and production by Jolie Simpson Edited by Dr. Karen Kettering, Independent Scholar, Seattle, USA Copy edited by Lisa Berman Photography by Joelle Jensen and Jolie Simpson Printed and bound by www.blurb.com Plates © 2019 the Merrill C. Berman Collection Images courtesy of the Merrill C. Berman Collection unless otherwise noted. © 2019 The Merrill C. Berman Collection, Rye, New York Cover image: Élément de la Mécano- Facture, 1923. Gouache on paper, 21 1/2 x 17 3/4” (55 x 45 cm) Acknowledgements: We are grateful to the staf of the Frick Collection Library and of the New York Public Library (Art and Architecture Division) for assisting with research for this publication. We would like to thank Sabina Potaczek-Jasionowicz and Julia Gutsch for assisting in editing the titles in Polish, French, and German languages, as well as Gershom Tzipris for transliteration of titles in Yiddish. We would also like to acknowledge Dr. Marek Bartelik, author of Early Polish Modern Art (Manchester: Manchester University Press, 2005) and Adrian Sudhalter, Research Curator of the Merrill C. -
No-Scale Conditions
S A J _ 2016 _ 8 _ original scientific article approval date 16 12 2016 UDK BROJEVI: 72.013 COBISS.SR-ID 236418828 RELATIONAL LOGICS AND DIAGRAMS: NO-SCALE CONDITIONS A B S T R A C T The paper investigates logics of relational thinking and connectivity, rendering particular correspondences between the elements of representation and the things represented in drawings, diagrams, maps, or notations, which either deny notions of scale, or work at all scales without belonging to any specific one of them. They include ratios and proportions (static and dynamic, geometric, arithmetic and harmonic progressions) expressing symmetry and self-similarity principles in spatial-metric terms, but also principles of nonlinearity and complexity by symmetry-breakings within non-metric systems. The first part explains geometric and numeric relational figures/sets as taken for “principles of beauty and primary aesthetic quality of all things” in classical philosophy, science, and architecture. These progressions are guided by certain rules or their combinations (codes and algorithms) based on principles of regularity, usually directly spatially reflected. Conversely, configurations representing the main subject of the following sections, could be spatially independent, transformable, and unpredictable, escaping regular extensive definitions. Their forms are presented through transitions from scalable to no-scale conditions showing initial symmetry breakings and abstractions, through complex forms of dynamic modulations and variations of matter, ending with -
Introduction to Information Visualization.Pdf
Introduction to Information Visualization Riccardo Mazza Introduction to Information Visualization 123 Riccardo Mazza University of Lugano Switzerland ISBN: 978-1-84800-218-0 e-ISBN: 978-1-84800-219-7 DOI: 10.1007/978-1-84800-219-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Control Number: 2008942431 c Springer-Verlag London Limited 2009 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publish- ers, or in the case of reprographic reproduction in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. The use of registered names, trademarks, etc., in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant laws and regulations and therefore free for general use. The publisher makes no representation, express or implied, with regard to the accuracy of the information contained in this book and cannot accept any legal responsibility or liability for any errors or omissions that may be made. Printed on acid-free paper Springer Science+Business Media springer.com To Vincenzo and Giulia Preface Imagine having to make a car journey. Perhaps you’re going to a holiday resort that you’re not familiar with. -
University of Groningen Neurath, Arntz, and ISOTYPE Jansen
University of Groningen Neurath, Arntz, and ISOTYPE Jansen, Wim Published in: Journal of Design History DOI: 10.1093/jdh/epp015 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2009 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Jansen, W. (2009). Neurath, Arntz, and ISOTYPE: The Legacy in Art, Design, and Statistics. Journal of Design History, 22(3), 227-242. https://doi.org/10.1093/jdh/epp015 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 25-09-2021 Journal of Design History Vol. 22 No. 3 doi:10.1093/jdh/epp015 Neurath, Arntz and ISOTYPE: The Legacy in Art, Design and Statistics Wim Jansen To remember simplifi ed pictures is better than to forget accurate fi gures. 1 In the fi rst decades of the twentieth century, Otto Neurath and Gerd Arntz invented the ‘ Vienna Method of Pictorial Statistics ’ (Wiener Bildstatistik). -
Economics for the Masses: the Visual Display of Economic Knowledge in the United States (1921-1945) Yann Giraud, Loïc Charles
Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1921-1945) Yann Giraud, Loïc Charles To cite this version: Yann Giraud, Loïc Charles. Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1921-1945). 2013. hal-00870490 HAL Id: hal-00870490 https://hal.archives-ouvertes.fr/hal-00870490 Preprint submitted on 7 Oct 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Thema Working Paper n°2010-03 Université de Cergy Pontoise, France Economics for the Masses : The Visual Display of Economic Knowledge in the United States (1921-1945) Giraud Yann Charles Loic June, 2010 Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1921-1945) Loïc Charles (EconomiX, Université de Reims and INED) & Yann Giraud (Université de Cergy-Pontoise, THEMA)1 June 2010 Abstract: The rise of visual representation in economics textbooks after WWII is one of the main features of contemporary economics. In this paper, we argue that this development has been preceded by a no less significant rise of visual representation in the larger literature devoted to social and scientific issues, including economic textbooks for non-economists as well as newspapers and magazines. -
Isotype Visualizations a Chance for Participation & Civic Education
JeDEM 6(2): 136-150, 2014 ISSN 2075-9517 http://www.jedem.org Isotype Visualizations A Chance for Participation & Civic Education Eva Mayr Center for Cognition, Information and Management, Danube University Krems Dr. Karl Dorrek Str. 30, 3500 Krems, Austria [email protected], +43 2732 893 2324 Günther Schreder Center for Cognition, Information and Management, Danube University Krems Dr. Karl Dorrek Str. 30, 3500 Krems, Austria [email protected], +43 2732 893 2320 Abstract: In the 1920s, Otto Neurath proposed a pictorial statistics method known as “Isotype”. Isotype pictorial statistics were intended to inform the broad public and enable them to participate in society. In this article, the method is reviewed with respect to its relevance and potential for modern-day information visualization. Though some aspects are now outdated, the basic approach still has potential for information visualization and civic education. Possible new media applications are presented and their impact for civic education and participation is discussed. Keywords: Isotype, Neurath, information design, information visualization, mass communication n contrast to language-based communication, information visualization plays an increasing role in media, science, and education. Information visualization can be defined as “the use of computer-supported, interactive, visual representations of abstract data to amplify cognition” (Card, Mackinlay, & Shneiderman, 1999, p. 8). It promises “to help us speed our understanding and action in a world of increasing information volumes” (Card, 2008, p. 542) and to provide insights into complex subjects, both for experts and ”for the people” (Danziger, 2008). Such casual information visualizations for the people “depict personally meaningful information in visual ways that support everyday users in both everyday work and non-work situations” (Pousman, Stasko & Mateas, 2007, p. -
VAN-WINKLE-DISSERTATION-2016.Pdf (2.773Mb)
Advancing a Critical Framework for the Identification and Analysis of Visual Euphemism in Technical Communication Visuals by Kevin W. Van Winkle, B.A., M.A. A Dissertation In TECHNICAL COMMUNICATION AND RHETORIC Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Sean Zdenek Chair of Committee Dr. Craig Baehr Dr. Joyce Carter Dr. Mark Sheridan Dean of the Graduate School May, 2016 Copyright 2016, Kevin W. Van Winkle Texas Tech University, Kevin Van Winkle, May 2016 ACKNOWLEDGMENTS To the chair of this dissertation, Dr. Sean Zdenek, thank you for your early interest in this project and continued support throughout it. Your feedback, questions, and critiques were invaluable, ultimately helping me to achieve a deeper understanding of the topics and issues discussed herein. To Dr. Craig Baehr, thank you, as well, for the insight you were able to provide me during this dissertation process. Also, thank you for helping me to ensure that this dissertation was a “tech comm” dissertation. It was very important to me that it be such, and having you as a committee member guaranteed that it would be. To Dr. Joyce Carter, thank you for sitting on my committee and your willingness to help me complete this dissertation. More than this, though, I want to thank you for your leadership over the TCR program. Upon listening to the “You-Are- Texas-Tech” speech on the first day of my first May seminar, I felt both fortunate and proud. Because of you and the entire TCR faculty and students I have had the opportunity to study and work with, I still feel the same way today. -
Making Mathematics with Needlework
i i making mathematics with needlework i i i i i i i i making mathematics with needlework ten papers and ten projects edited by SARAH-MARIE BELCASTRO CAROLYN YACKEL A K Peters, Ltd. Wellesley, Massachusetts i i CRC Press Taylor & Francis Group 6000 Broken Sound Parkway NW, Suite 300 Boca Raton, FL 33487-2742 © 2007 by Taylor & Francis Group, LLC CRC Press is an imprint of Taylor & Francis Group, an Informa business No claim to original U.S. Government works Version Date: 20140130 International Standard Book Number-13: 978-1-4398-6513-2 (eBook - PDF) This book contains information obtained from authentic and highly regarded sources. Reasonable efforts have been made to publish reliable data and information, but the author and publisher cannot assume responsibility for the validity of all materials or the consequences of their use. The authors and publishers have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. If any copyright material has not been acknowledged please write and let us know so we may rectify in any future reprint. Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. For permission to photocopy or use material electronically from this work, please access www.copyright.com (http://www.copyright.com/) or contact the Copyright Clearance Center, Inc. -
Treemap Art Project
EVERY ALGORITHM HAS ART IN IT Treemap Art Project By Ben Shneiderman Visit Exhibitions @ www.cpnas.org 2 tree-structured data as a set of nested rectangles) which has had a rippling impact on systems of data visualization since they were rst conceived in the 1990s. True innovation, by denition, never rests on accepted practices but continues to investigate by nding new In his book, “Visual Complexity: Mapping Patterns of perspectives. In this spirit, Shneiderman has created a series Information”, Manuel Lima coins the term networkism which of prints that turn our perception of treemaps on its head – an he denes as “a small but growing artistic trend, characterized eort that resonates with Lima’s idea of networkism. In the by the portrayal of gurative graph structures- illustrations of exhibition, Every AlgoRim has ART in it: Treemap Art network topologies revealing convoluted patterns of nodes and Project, Shneiderman strips his treemaps of the text labels to links.” Explaining networkism further, Lima reminds us that allow the viewer to consider their aesthetic properties thus the domains of art and science are highly intertwined and that laying bare the fundamental property that makes data complexity science is a new source of inspiration for artists and visualization eective. at is to say that the human mind designers as well as scientists and engineers. He states that processes information dierently when it is organized visually. this movement is equally motivated by the unveiling of new In so doing Shneiderman seems to daringly cross disciplinary is exhibit is a project of the knowledge domains as it is by the desire for the representation boundaries to wear the hat of the artist – something that has Cultural Programs of the National Academy of Sciences of complex systems. -
Collection 1880S–1940S, Floor 5 Checklist
The Museum of Modern Art Fifth Floor, 1880s-1940s 5th Fl: 500, Constantin Brancusi Constantin Brâncuși Bird in Space 1928 Bronze 54 x 8 1/2 x 6 1/2" (137.2 x 21.6 x 16.5 cm) Given anonymously 153.1934 Fall 19 - No restriction Constantin Brâncuși Fish Paris 1930 Blue-gray marble 21 x 71 x 5 1/2" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8" (13 cm) high, and two limestone cylinders 13" (33 cm) high and 11" (27.9 cm) high x 32 1/8" (81.5 cm) diameter at widest point Acquired through the Lillie P. Bliss Bequest (by exchange) 695.1949.a-d Fall 19 - No restriction Constantin Brâncuși Mlle Pogany version I, 1913 (after a marble of 1912) Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm) 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Other (approx. weight): 40 lb. (18.1 kg) Acquired through the Lillie P. Bliss Bequest (by exchange) 2.1953 Fall 19 - No restriction Constantin Brâncuși Maiastra 1910-12 White marble 22" (55.9 cm) high, on three-part limestone pedestal 70" (177.8 cm) high, of which the middle section is Double Caryatid, c. -
Rudolf Modley's Contribution to the Standardization of Graphic Symbols
九州大学学術情報リポジトリ Kyushu University Institutional Repository RUDOLF MODLEY'S CONTRIBUTION TO THE STANDARDIZATION OF GRAPHIC SYMBOLS Ihara, Hisayasu Faculty of Design, Kyushu University http://hdl.handle.net/2324/20301 出版情報：2011-10-31. IASDR バージョン： 権利関係： /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// RUDOLF MODLEY’S CONTRIBUTION TO THE STANDARDIZATION OF GRAPHIC SYMBOLS Hisayasu Ihara Faculty of Design, Kyushu University [email protected] ABSTRACT From a historical viewpoint, one of the most important among them was Rudolf Modley, since his This study considers Rudolf Modley’s efforts to interest in standardization continued throughout his achieve the standardization of international graphic life. Early on, Modley had the experience of working symbols from 1940 to 1976. Modley was one of the under Otto Neurath in Vienna, who is usually major activists in the movement to standardize regarded as the pioneer advocate for internationally graphic symbols and his interest in standardization standardized graphic symbols in the last century. In continued throughout his life. During the 1930s and 1930 Modley left for the U.S. Four years later, 1940s, Modley, who had the experience of working Modley established Pictorial Statistics, Inc. whose under Otto Neurath in Vienna, worked in the making aim was creating graphic works based on this of charts in the U.S. After WWII, he continued to experience with Neurath, and he worked there undertake various projects and institutional works during the 1930s and 1940s. Although he abandoned devoted to developing international graphic symbols this work after WWII along with few exceptions,1 he until 1976, the year of his death. maintained his interest in the standardization of Although in some instances he is regarded as a graphic symbols. -
Sample Syllabus
ARTG 5110 INFORMATION DESIGN HISTORY | FALL 2014 | Mondays | Lab #305 SYLLABUS 4/6 Isabel Meirelles: [email protected] SHORT BIBLIOGRAPHY Literature in the histories of visualization practices is dispersed among papers and books dealing with particular topics. There are certain areas that have a vast literature, such as spatial and temporal structures, whereas other areas are scarcely studied, as is the case of spatio-temporal and textual structures. I list below a selection of seminal texts, and I encourage you to explore these and other resources during the course of this semester. * Indicates books available at NU library Text in bold indicates the suggested weekly readings RECOMMENDED TEXTS ON THE HISTORY OF VISUALIZATION Akerman, James R (2006): Cartographies of travel and navigation. Chicago, IL: University of Chicago Press * Beniger, James R. & Robyn, Dorothy L. (1978): Quantitative Graphics in Statistics: A Brief History in The American Statistician, Vol. 32, No. 1, pp. 1-11. (http://www.jstor.org/stable/2683467) Brinton, Willard C. (1939): Graphic Presentation. New York, NY: Brinton Associates (available as reprint) — (914): Graphic methods for Presenting Facts. New York, NY: The Engineering Magazine Company (available as reprint) Drucker, Johanna (2014): Graphesis: Visual Forms of Knowledge Production. Cambridge, MA: Harvard University Press Frangsmyr, T.; Heilbron, J. L.; Rider, R. E. (1990): The Quantifying Spirit in the Eighteenth Century (Uppsala Studies in History of Science, 7). Berkeley, CA: University of California Press Friendly, Michael (2005): Milestones in the History of Data Visualization: A Case Study in Statistical Historiography in C. Weihs & W. Gaul (Eds.) Classification: The Ubiquitous Challenge, pp.