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University of Groningen Neurath, Arntz, and ISOTYPE Jansen
University of Groningen Neurath, Arntz, and ISOTYPE Jansen, Wim Published in: Journal of Design History DOI: 10.1093/jdh/epp015 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2009 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Jansen, W. (2009). Neurath, Arntz, and ISOTYPE: The Legacy in Art, Design, and Statistics. Journal of Design History, 22(3), 227-242. https://doi.org/10.1093/jdh/epp015 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 25-09-2021 Journal of Design History Vol. 22 No. 3 doi:10.1093/jdh/epp015 Neurath, Arntz and ISOTYPE: The Legacy in Art, Design and Statistics Wim Jansen To remember simplifi ed pictures is better than to forget accurate fi gures. 1 In the fi rst decades of the twentieth century, Otto Neurath and Gerd Arntz invented the ‘ Vienna Method of Pictorial Statistics ’ (Wiener Bildstatistik). -
Economics for the Masses: the Visual Display of Economic Knowledge in the United States (1921-1945) Yann Giraud, Loïc Charles
Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1921-1945) Yann Giraud, Loïc Charles To cite this version: Yann Giraud, Loïc Charles. Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1921-1945). 2013. hal-00870490 HAL Id: hal-00870490 https://hal.archives-ouvertes.fr/hal-00870490 Preprint submitted on 7 Oct 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Thema Working Paper n°2010-03 Université de Cergy Pontoise, France Economics for the Masses : The Visual Display of Economic Knowledge in the United States (1921-1945) Giraud Yann Charles Loic June, 2010 Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1921-1945) Loïc Charles (EconomiX, Université de Reims and INED) & Yann Giraud (Université de Cergy-Pontoise, THEMA)1 June 2010 Abstract: The rise of visual representation in economics textbooks after WWII is one of the main features of contemporary economics. In this paper, we argue that this development has been preceded by a no less significant rise of visual representation in the larger literature devoted to social and scientific issues, including economic textbooks for non-economists as well as newspapers and magazines. -
Isotype Visualizations a Chance for Participation & Civic Education
JeDEM 6(2): 136-150, 2014 ISSN 2075-9517 http://www.jedem.org Isotype Visualizations A Chance for Participation & Civic Education Eva Mayr Center for Cognition, Information and Management, Danube University Krems Dr. Karl Dorrek Str. 30, 3500 Krems, Austria [email protected], +43 2732 893 2324 Günther Schreder Center for Cognition, Information and Management, Danube University Krems Dr. Karl Dorrek Str. 30, 3500 Krems, Austria [email protected], +43 2732 893 2320 Abstract: In the 1920s, Otto Neurath proposed a pictorial statistics method known as “Isotype”. Isotype pictorial statistics were intended to inform the broad public and enable them to participate in society. In this article, the method is reviewed with respect to its relevance and potential for modern-day information visualization. Though some aspects are now outdated, the basic approach still has potential for information visualization and civic education. Possible new media applications are presented and their impact for civic education and participation is discussed. Keywords: Isotype, Neurath, information design, information visualization, mass communication n contrast to language-based communication, information visualization plays an increasing role in media, science, and education. Information visualization can be defined as “the use of computer-supported, interactive, visual representations of abstract data to amplify cognition” (Card, Mackinlay, & Shneiderman, 1999, p. 8). It promises “to help us speed our understanding and action in a world of increasing information volumes” (Card, 2008, p. 542) and to provide insights into complex subjects, both for experts and ”for the people” (Danziger, 2008). Such casual information visualizations for the people “depict personally meaningful information in visual ways that support everyday users in both everyday work and non-work situations” (Pousman, Stasko & Mateas, 2007, p. -
VAN-WINKLE-DISSERTATION-2016.Pdf (2.773Mb)
Advancing a Critical Framework for the Identification and Analysis of Visual Euphemism in Technical Communication Visuals by Kevin W. Van Winkle, B.A., M.A. A Dissertation In TECHNICAL COMMUNICATION AND RHETORIC Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Sean Zdenek Chair of Committee Dr. Craig Baehr Dr. Joyce Carter Dr. Mark Sheridan Dean of the Graduate School May, 2016 Copyright 2016, Kevin W. Van Winkle Texas Tech University, Kevin Van Winkle, May 2016 ACKNOWLEDGMENTS To the chair of this dissertation, Dr. Sean Zdenek, thank you for your early interest in this project and continued support throughout it. Your feedback, questions, and critiques were invaluable, ultimately helping me to achieve a deeper understanding of the topics and issues discussed herein. To Dr. Craig Baehr, thank you, as well, for the insight you were able to provide me during this dissertation process. Also, thank you for helping me to ensure that this dissertation was a “tech comm” dissertation. It was very important to me that it be such, and having you as a committee member guaranteed that it would be. To Dr. Joyce Carter, thank you for sitting on my committee and your willingness to help me complete this dissertation. More than this, though, I want to thank you for your leadership over the TCR program. Upon listening to the “You-Are- Texas-Tech” speech on the first day of my first May seminar, I felt both fortunate and proud. Because of you and the entire TCR faculty and students I have had the opportunity to study and work with, I still feel the same way today. -
Rudolf Modley's Contribution to the Standardization of Graphic Symbols
九州大学学術情報リポジトリ Kyushu University Institutional Repository RUDOLF MODLEY'S CONTRIBUTION TO THE STANDARDIZATION OF GRAPHIC SYMBOLS Ihara, Hisayasu Faculty of Design, Kyushu University http://hdl.handle.net/2324/20301 出版情報:2011-10-31. IASDR バージョン: 権利関係: /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// RUDOLF MODLEY’S CONTRIBUTION TO THE STANDARDIZATION OF GRAPHIC SYMBOLS Hisayasu Ihara Faculty of Design, Kyushu University [email protected] ABSTRACT From a historical viewpoint, one of the most important among them was Rudolf Modley, since his This study considers Rudolf Modley’s efforts to interest in standardization continued throughout his achieve the standardization of international graphic life. Early on, Modley had the experience of working symbols from 1940 to 1976. Modley was one of the under Otto Neurath in Vienna, who is usually major activists in the movement to standardize regarded as the pioneer advocate for internationally graphic symbols and his interest in standardization standardized graphic symbols in the last century. In continued throughout his life. During the 1930s and 1930 Modley left for the U.S. Four years later, 1940s, Modley, who had the experience of working Modley established Pictorial Statistics, Inc. whose under Otto Neurath in Vienna, worked in the making aim was creating graphic works based on this of charts in the U.S. After WWII, he continued to experience with Neurath, and he worked there undertake various projects and institutional works during the 1930s and 1940s. Although he abandoned devoted to developing international graphic symbols this work after WWII along with few exceptions,1 he until 1976, the year of his death. maintained his interest in the standardization of Although in some instances he is regarded as a graphic symbols. -
NO. MAIN TITLE (Title) AUTHOR ISBN ITEM TYPE 1 10 Minute Guide To
NO. MAIN TITLE (Title) AUTHOR ISBN ITEM TYPE 1 10 minute guide to getting into college / O'Neal Turner 28606167 REF 2 10 minute guide to upping your SAT scores / Lisa Bartl. 0028606175 REF 3 10 minutes to better health / Jane Collins 0276424174 REF 4 100 classic golf tips / NA 9780789315465 REF 5 100 years of Wall Street / Charles R. Geisst. 0071356193 0071373527 REF 6 1000 questions and answers / Nicola Baxter. 1843220091 REF 7 1000 questions and answers / NA 1843220091 REF 8 1000 su'al wa jawab fi al-Qur'an al-Karim / Qasim 'Ashur 9953811075 REF 9 101 American customs : Harry Collis 0844224073 REF Jean-Marie Cassagne ; illustrated by Lucques 10 101 French idioms : 0844212903 (pbk.) : REF Nisset-Raidon. Jean-Marie Cassagne ; illustrated by Luc 11 101 French proverbs : 0844212911 REF Nisset-Raidon. 12 102 extra training games / Gary Kroehnert 0074708023 REF 13 1-2-3, the complete reference / Mary Campbell. 0078810051 REF 15th Meeting of the Heads of ASEAN Power 14 Singapore Power. 1000000814 REF Utilities/Authorities Hapua XV : 15 16th edition wiring regulations : NA 852965400 REF 1981 residential school in power system electrical 16 NA NA REF engineering at the University of New South Wales : 1981 residential school in power system electrical 17 NA NA REF engineering at the University of New South Wales : 1989 residential school in power system electrical 18 NA 1000002393 REF engineering at the University of New South Wales / 1989 residential school in power system electrical 19 NA NA REF engineering at the University of New South Wales / 1989 residential school in power system electrical 20 University of New South Wales. -
Otto Neurath from Hieroglyphics to Isotype, 1945
Egyptian Hieroglyphics • not an excessive amount of detail, just enough to convey a clear impression of a given situation • no distracting elements, every detail had its purpose • the drawings are not confusing Engraved cross-section of a lion from Peter Mark Roget, Animal and Childhood books Vegetable Physiology. Instruction sheets for building blocks that Neurath used as a boy. • fascinated w/toy and game instructions as a child Example of the kind of schematic shading that Neurath preferred to • analyzed the more successful styles of instructive visuals indicate the effects of light. From the children's journal: Der gute • illustrations should treat the reader properly, respect them and Kamerad: illustrierte Knaben-Zeitung. communicate clearly to them Pages form Oliver Byrne, The First Six Books of the Elements of Euclid (in which colored diagrams and symbols are used instead of letters for the greater ease of learners), William PIckering, 1847. • ". compel me to regard a certain simplicity, combined with impressiveness, as something of importance wherever pictures for children are concerned." - Otto Neurath From Hieroglyphics to Isotype, 1945. • oddly, he criticized Oliver Byrne's Euclid as a "bad attempt at applying color" Silhouette portraits & paintings similar to the ones Neurath had in his collection. (usually scissor-cut, sometimes ink) • " a silhouette forces us to look at essential details and sharp lines; there are no vague backgrounds or superfluities Rene Descartes, Opera Philosophica, 1685. • thought the childish caricature -
Concernd with Symbols of a Given Countty As to What Symbols
EOCUMENT RESUME ED 045 479 SO COO 335 AUTHOF, Mcdley, Pudolf TrTL7 Universal Symbols and Cartography. INSTITUTION cuoen's Univ., Kingston (Ontario). ?UE LAT': C Sep 70 107E 11p.; Paper presented at a symrosium on the Influence of the ''lap7.1scr on Map QUePlits University, Kingston, Ontario, Canada, September 8-10, 1970 i'NSPit ICE IF Fs Price MF-$0.25 9C-$0.1F, DFScNIFTOFS *Lesign Needs, *Geography, *Maps,}' Standards, *'technical Illustration IPENIIFIEFS *Cartography, Universal Symbols APSTFACT The broad use of mars hv non-cartographers irloses on the cartcgrarhet the burden tc makE maps nut only accurate, but to use symbols which make map- reading easier for the public. The latter requirement imrlics a heed for universal symbols. Although there arc no universal symtols today (letters, words, and figures, to a lesser extent, are derenricnt for their meaning on the symbology of particular cultures), there are favorable tactors which could make cartography afirst in the development cf truly universal graphic Frouels. There are three major categories cf graphic symbols: pictographic, ctncept-related, and arbitrary symbols. Official Canadian and U.S.maps, among others, have all three symbol typiqi represented. In order tc rencve this complexity and make progress toward universal symbols, at least two actions will be required: 1) agreement among the professional and governmental otganizations concErnd with symbols of a given countty as to what symbols are currently in use, and which of these are primary eandi.lates for standardiz:ticn, and 2) organization of a permanent international agency for the development of universal symbols, p°rhars as an expansion of the existing Internctional Standards Organization.(JLP) U S DEPARTMENT OF HEALTH. -
The Role of Information Design
ARTICLE https://doi.org/10.1057/s41599-019-0231-z OPEN Effective antimicrobial resistance communication: the role of information design Sue Walker 1 ABSTRACT Getting the message across about the dangers of antimicrobial resistance (AMR) and how to prevent it is a global priority. This article discusses the role of information design in the effective communication of information about AMR, and suggests that the — — 1234567890():,; design process user input, iteration and consideration of circumstances of use is key to successful communication. To illustrate this, using material from the Otto and Marie Neurath Isotype Collection at the University of Reading, this article considers the work of Otto and Marie Neurath who developed the Isotype system for visual education in the 1920s. They collaborated with scientists, writers and illustrators to ensure that messages were both accurate and relevant for their intended audiences, so that people could make their own decisions based on factual explanation. Their use of pictograms and schematic illustrations, consistent use of colours to represent meaning, and carefully considered relationships between text and image provided a distinctive visual ‘look and feel’. The charts designed by the Neuraths to educate people about health included a series made in the 1930s for the US National Tuberculosis Association to explain the dangers of, and how to prevent TB. This article reviews how these charts were designed, including the designated role of the ‘transformer’ who worked to ensure that scientific facts were presented in an understandable form. The way of working and the verbal and graphic characteristics of the charts deserve serious consideration for effective communication of information about AMR today. -
Are Pictorial Statistics Still Appropriate for Use in Projects Involving Public Decision Making?
Are pictorial statistics still appropriate for use in projects involving public decision making? SUE PERKS UK University for the Creative Arts This presentation will review a series of social policy campaigns from the 1940s that use pictorial statistics to explain key facts. Its aim is to establish whether this form of graphic explanation still has resonance today. The starting point for the argument was the confusion caused by the barrage of conflicting information pre- sented to the British public for the June 2016 European Referendum on banners, buses and through a leaflet sent to every UK household. Debate was also prompted by the current trend for McCandless style pastel colou- red infographics which proliferate today – which begs the question of why the UK Government did not pick up on this popular form of graphic communication (or indeed any form of visual statistics) to reinforce their message that the UK would be better off remaining within the EU. Published material such as the UK Government’s 1943 Social Security: The Story of British Social Progress and the Beveridge Plan and Social Insurance: Inclu- ding Industrial Injury Insurance: Brief Guide to the Government’s Plan booklets (both visualized by the Isotype Institute) will be discussed along with the 1945 County of London Plan (by E.J. Carter and Ernö Goldfinger). American New Deal policy documents explaining the Works Progress Administration (WPA) from the same era, many using charts designed by Rudolf Modley’s organization, ‘Pictorial Statistics Inc’. will also be presented as examples of campaigns that used pictorial statistics to support government policy, rally and inspire the nation. -
Rigor and Relevance in the International
九州大学学術情報リポジトリ Kyushu University Institutional Repository Rigor and Relevance in the International Picture Language Rudolf Modley’s Criticism against Otto Neurath and his Activity in the Context of the Rise of the “Americanization of Neurath method” Ihara, Hisayasu http://hdl.handle.net/2324/20302 出版情報:Proceedings of IASDR2009, 2009-10 バージョン: 権利関係: Rigor and Relevance in the International Picture Language Rudolf Modley’s Criticism against Otto Neurath and his Activity in the Context of the Rise of the “Americanization of Neurath method” Hisayasu Ihara Faculty of Design, Kyushu University Japan, [email protected] Abstract: Rudolf Modley, known as the person who took over the idea of Otto Neurath’s Isotype in the USA, wrote a text critical of Neurath in the 1930s. In this text Modley pointed out that the rigid nature of Neurath’s International Picture Language caused difficulty in propagate it in the USA. His criticism seems to be concerned with the theme of “rigor and relevance in design” in to- day’s context of so-called “Glocalization.” The purpose of this paper is to clarify his contribution to the argument about this theme through investigation into his criticism and activity. For this pur- pose, this paper interprets the criticism in the context of the “Americanization of Neurath method” that rose after them. The conclusion in this paper is that Modley’s attempt in the 1930s can be rec- ognized as a search for the actual method for propagating picture language into the public within this context, and thus his activity suggests the fact that rigor and relevance of design always de- pends on its historical and cultural context. -
Betriebssystem Kunst
diagrammgestützte Bildanalysen Betriebssystem Kunst RANKING im Feld Felix Thürlemann Claudia Blümle art diagrams in context Spielregeln der Kunst Quantifying reputation and success in art Max Imdahl Robert Jelinke (Kunst Filz) Charles Bouleau G. Dirmoser (Parasitenrad) Diderot/Rosenberg Die Rolle der Diagramme im Feld der Kunst Alvaro Terrone (Prozeßdiagramm Performance) Anwendungsfelder R. Zendron (100 Jahre MAERZ Linz u. Kunst UNI) Studie 01-12/2018 Ulf Wuggenig, Vera Kockot (Bourdieu Analysen) Netzwerk der Einflüsse Widmung: Holger Jagersberger @ Salzamt Linz N.N. (150 Jahre Angewandte Wien) ISMEN Kunsthistorischer Zugang Yvonne Rainer Bauhaus u. Diagramm Alfred Barr mit Hang zum Mapping Josef Albers R5 Fluxus (…) DADA (…) Herbert Bayer concept art (…) s.u. Walter Gropius Useful Pictures (2008) Hg. Adelheid Mers Context art (…) Johannes Itten turn 2014 Nützliche Bilder – Bild, Diskurs, Evidenz (2014) Rolf F. Nohr kunsthistorische Diagramme Vaszilij Kandinskij Paul Klee Historische Beispiele Camilla Leiteritz Astrit Schmidt-Burkhardt Werkgenealogie Genealogische Nützliche Bilder am Rande der Kunst Hannes Meyer Genealogische Selbsthistorisierung Hermann Pitz Baumdiagramme (u. Netze) vs. Autonome Kunst Vergl. Studie zur ars electronica Laszlo Moholy-Nagy Maciunas (Fluxus), SPUR, IRWIN Oskar Schlemmer ultimate akademie (Köln) Synchronoptische Diagramme Impuls Bauhaus Projekt Die Kunst Schnitte zu setzen s.u. Pinnwand Jens Weber & Andreas Wolter Diagrammatische Versammlung relevante Kunstwissenschaften Entwurfszeichnung Z11 Plurale Bildlichkeit