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The Chase Family
THE CHASE FAMILY OP YAHMOUTH Library oi Caps Cod liislory and Gsneaiogy NO 59 /»N THE CHASE FAMILY OF YARMOUTH. THOMAS and Sarah Chase. - , ; Isaac, b." March 28,: 1714; - m. Children. • i^.Thankful .Maher, 1737. ' • Guell, b. Jan. 22/ 170f7-«; k"' Jane Phillips, 1727. i' ' Hannah, h. May 24. 1712. ■ » Phehe. h. July 4. 1713:- m. Thomas Baker, .kug. 2. 1733. „ Richard, h. March 3. 1714-15; m. Widow Thankful Chase. Jan. Oct.^ 1726. _ _ .| 21 1734-5. ISAAC Chase m. Chanty CKelTey, Joseph, b. March 17, 1718-19;"..^^®'*,^' m. Sarah O'Kelley, Jan. 19, 1743-4.' _ Children. PriscUla. h. April 10. 1720; m. Barnabas h. Apnl 173U Christopher Ellis. Oct. 12. 1739. h 173.' Sarah, h. May 20. 1722; m. „„ Tempeianc^^ h. March ,4. 17M- Nalhaniei Basset of Chatham. Aug. Baker. Jan. 23. 23, n39. •r..:.;- 7.1 . .r Abner b June 22 4729- m • • Charity,-b. July M5, 173S;-.T^^ Deborah Baker, Oct. 27,' 1748.' ; *■ Sylvanus Chase of Harwich, 1757j GO^r^rkr-T^TT Ohase./.i wn of^ Thomas.mu' Mehitable,Eldridge b.bf Aug.Harwich. 9, 1740; Jkii.-!®. m. m. Jane Phillips, 1727. £^55 i,, . i'- . - v; -:%'rf Children. , .r. Desire,^ b. March'6, 1741-2; m. Thomas, b. July 20, 1728; m. Archelus Chase, 1764." w ^ Martha Rogers of Harwich,* 1751. *jOHN- Chase m. Thankful "Berry; Gouell, b. Feb. 7, 1729-30; m. .1733. Thankful m. Richard Chase/ Basheba Nickerson, 1752. • : Jan; 21/ 1734-5. ^ '^tc ISAAC Chase m. Mary Berry, May r Children. ^^*3 23, 1705. - : ' . ■ " Marcy, b. Feb. 11, 1733-4. -
2011-12 USBWA Directory
MISSISSIPPI VALLEY STATE DELTA DEVILS mvsu.edu/athletics UMKC KANGAROOS umkckangaroos.com 14000 Highway 82 West, Itta Bena, MS 38941-1400 Southwestern Athletic Conference 5100 Rockhill Rd., SRC 201, Kansas City, MO 64110 The Summit League Harrison HPER Complex (6,000) Press Row: 662-254-6641 Swinney Recreation Center(1,504)/Municipal Auditorium (9,827) Press Row: 816-235-6903/513-5217 Men’s/Women’s Contact: William Bright Jr. Men’s Contact: Rob McCutcheon Women’s Contact: Nik Busch [email protected] [email protected] [email protected] Offi ce .........................................662-254-3011 Offi ce .........................................816-235-1034 Offi ce .........................................816-235-6618 Cell ............................................662-299-5534 Cell ............................................816-284-9251 Cell ............................................ 816-529-7694 Men’s Coach: Sean Woods Women’s Coach: Nate Kilbert Men’s Coach: Matt Brown Women’s Coach: Candace Whitaker Offi ce .........................................662-254-3561 Offi ce .........................................601-254-3549 Offi ce .........................................816-235-1036 Offi ce .........................................816-235-1264 Athletic Director: Donald R. Sims (Interim) .............................................Offi ce: 662-254-3550 Athletic Director: Tim Hall .........................................................................Offi ce: 816-235-1020 BEAT WRITERS Offi ce/Cell BEAT WRITERS Offi ce/Cell Bill Burris, -
Stoic Enlightenments
Copyright © 2011 Margaret Felice Wald All rights reserved STOIC ENLIGHTENMENTS By MARGARET FELICE WALD A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in English written under the direction of Michael McKeon and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey October 2011 ABSTRACT OF THE DISSERTATION Stoic Enlightenments By MARGARET FELICE WALD Dissertation Director: Michael McKeon Stoic ideals infused seventeenth- and eighteenth-century thought, not only in the figure of the ascetic sage who grins and bears all, but also in a myriad of other constructions, shaping the way the period imagined ethical, political, linguistic, epistemological, and social reform. My dissertation examines the literary manifestation of Stoicism’s legacy, in particular regarding the institution and danger of autonomy, the foundation and limitation of virtue, the nature of the passions, the difference between good and evil, and the referentiality of language. Alongside the standard satirical responses to the ancient creed’s rigor and rationalism, seventeenth- and eighteenth-century poetry, drama, and prose developed Stoic formulations that made the most demanding of philosophical ideals tenable within the framework of common experience. Instead of serving as hallmarks for hypocrisy, the literary stoics I investigate uphold a brand of stoicism fit for the post-regicidal, post- Protestant Reformation, post-scientific revolutionary world. My project reveals how writers used Stoicism to determine the viability of philosophical precept and establish ways of compensating for human fallibility. The ambivalent status of the Stoic sage, staged and restaged in countless texts, exemplified the period’s anxiety about measuring up to its ideals, its efforts to discover the plenitude of ii natural laws and to live by them. -
Kentucky Derby, Flamingo Stakes, Florida Derby, Blue Grass Stakes, Preakness, Queen’S Plate 3RD Belmont Stakes
Northern Dancer 90th May 2, 1964 THE WINNER’S PEDIGREE AND CAREER HIGHLIGHTS Pharos Nearco Nogara Nearctic *Lady Angela Hyperion NORTHERN DANCER Sister Sarah Polynesian Bay Colt Native Dancer Geisha Natalma Almahmoud *Mahmoud Arbitrator YEAR AGE STS. 1ST 2ND 3RD EARNINGS 1963 2 9 7 2 0 $ 90,635 1964 3 9 7 0 2 $490,012 TOTALS 18 14 2 2 $580,647 At 2 Years WON Summer Stakes, Coronation Futurity, Carleton Stakes, Remsen Stakes 2ND Vandal Stakes, Cup and Saucer Stakes At 3 Years WON Kentucky Derby, Flamingo Stakes, Florida Derby, Blue Grass Stakes, Preakness, Queen’s Plate 3RD Belmont Stakes Horse Eq. Wt. PP 1/4 1/2 3/4 MILE STR. FIN. Jockey Owner Odds To $1 Northern Dancer b 126 7 7 2-1/2 6 hd 6 2 1 hd 1 2 1 nk W. Hartack Windfields Farm 3.40 Hill Rise 126 11 6 1-1/2 7 2-1/2 8 hd 4 hd 2 1-1/2 2 3-1/4 W. Shoemaker El Peco Ranch 1.40 The Scoundrel b 126 6 3 1/2 4 hd 3 1 2 1 3 2 3 no M. Ycaza R. C. Ellsworth 6.00 Roman Brother 126 12 9 2 9 1/2 9 2 6 2 4 1/2 4 nk W. Chambers Harbor View Farm 30.60 Quadrangle b 126 2 5 1 5 1-1/2 4 hd 5 1-1/2 5 1 5 3 R. Ussery Rokeby Stables 5.30 Mr. Brick 126 1 2 3 1 1/2 1 1/2 3 1 6 3 6 3/4 I. -
Sunshine Superman (C7)(PDF)
Sunshine Superman Donovan 1966 or best or INTRO: / 1 2 3 4 / [C7] / [C7] / [C7] / [C7] / [C7] Sunshine came softly a-through my, a-window today [C7] Could've tripped out easy a-but I've, I’ve changed my ways [F] It'll take time I know it, but in a while [C7] You're gonna be mine and I know it, we'll do it in style [G7] ‘Cause I made my mind up you're [F] going to be mine I'll tell you right [C7] now, any trick in the book a-now baby [C7] All that I can find [C7] Everybody's hustlin' just to, have a little scene [C7] When I say we'll be cool I think that, you know what I mean [F] We stood on a beach at sunset, do you remember when? [C7] I know a beach where baby, a-it never ends [G7] When you've made your mind up, for-[F]ever to be mine Mmm-mmm-mmm-[C7] mmm, I'll pick up your hand and slowly [C7] Blow your little mind [G7] ‘Cause I made my mind up you're [F] going to be mine I'll tell you right [C7] now, any trick in the book a-now baby [C7] All that I can find [C7] Superman or Green Lantern ain't got, a-nothin' on me [C7] I can make like a turtle and dive for, your pearls in the sea, yup! [F] I'll give you, you can just sit there a-thinkin', on your velvet throne [C7] About all the rainbows a-you can, a-have for your own [G7] When you've made your mind up, for-[F]ever to be mine Mmm-mmm-mmm-[C7] mmm, I'll pick up your hand and slowly [C7] Blow your little mind [G7] When you've made your mind up, for-[F]ever to be mine I'll pick up your [C7] hand, I'll pick up your hand and slowly [C7] Blow your little mind [G7] When you've made your mind up, for-[F]ever to be mine [C7] www.bytownukulele.ca . -
Mellow Yellow [Verse 1] I'm Just Mad About Saffron
Mellow Yellow (Donovan) [Verse 1] If you want your cup our fill I'm just mad about Saffron Saffron's mad about me [Hook] I'm just mad about Saffron She's just mad about me (So mellow, he's so yellow) [Hook] [Verse 4] They call me mellow yellow Electrical banana (Quite rightly) Is gonna be a sudden craze They call me mellow yellow Electrical banana (Quite rightly) Is bound to be the very next They call me mellow yellow phase [Verse 2] [Hook] I'm just mad about Fourteen Fourteen's mad about me [Verse 5] I'm just mad about Fourteen Saffron -- yeah She's just mad about me I'm just mad about her I'm just mad about Saffron [Hook] She's just mad about me [Verse 3] [Hook] Born high forever to fly Wind velocity nil (Oh so yellow, oh so mellow) Wanna high forever to fly 145 "Mellow Yellow" is a song written and recorded by Scottish singer-songwriter Donovan. It reached No. 2 on the US Billboard Hot 100 in 1966 and No. 8 in the UK in early 1967. The song was rumored to be about smoking dried banana skins, which was believed to be a hallucinogenic drug in the 1960s, though this aspect of bananas has since been debunked. According to Donovan's notes, accompanying the album Donovan's Greatest Hits, the rumor that one could get high from smoking dried banana skins was started by Country Joe McDonald in 1966, and Donovan heard the rumor three weeks before "Mellow Yellow" was released as a single. -
Page 1 of 125 © 2016 Factiva, Inc. All Rights Reserved. Colin's Monster
Colin's monster munch ............................................................................................................................................. 4 What to watch tonight;Television.............................................................................................................................. 5 What to watch tonight;Television.............................................................................................................................. 6 Kerry's wedding tackle.............................................................................................................................................. 7 Happy Birthday......................................................................................................................................................... 8 Joke of the year;Sun says;Leading Article ............................................................................................................... 9 Atomic quittin' ......................................................................................................................................................... 10 Kerry shows how Katty she really is;Dear Sun;Letter ............................................................................................ 11 Host of stars turn down invites to tacky do............................................................................................................. 12 Satellite & digital;TV week;Television.................................................................................................................... -
Harvey Study Guide
STUDY GUIDE SHOW SYNOPSIS HARVEY, the classic Pulitzer Prize-winning Broadway and Hollywood comedy, pulls laughter out of the hat at every turn. Elwood P. Dowd is charming and kind with one character flaw: an unwa- vering friendship with a 6-foot-tall, invisible white rabbit named Harvey. When Elwood starts to introduce his friend to guests at a society party, his sister Veta can't take it anymore. In order to save the family's social reputation, Elwood's sister takes him to the local sanatorium. But when the doctor mistakenly commits his anxiety-ridden sister, Elwood and Harvey slip out of the hospital unbothered, setting off a hilarious whirlwind of confusion and chaos as everyone in town tries to catch a man and his invisible rabbit. DISCUSSION QUESTIONS BEFORE THE SHOW AFTER THE SHOW Has anyone ever been to a live play before? How was Did you enjoy this performance? What was your it different from television or a movie? favorite part? What is the difference between a play and a musical? Who was your favorite character? Why? Why do you think some of the characters, Have you ever seen the movie Harvey? particularly Elwood, can see Harvey and others Did you have an imaginary friend as a young kid? can’t? What do you remember about them? Do you think Veta made the right decision in not allowing her brother to receive the medicine? Why Could you imagine still having an imaginary friend or why not? as an adult? How do you think others would respond Do you think Harvey is imaginary? Why or why to you in this situation? not? THEATRE 101 Ever wondered how to put on a play? ACTORS The actors are the people that perform the show There are many different elements that go into putting a show onstage. -
Biblical Theology Division (BT)
Liberty College of Biblical Studies CATALOG 2016-17 From the Dean We are so excited that you have chosen Liberty College of Biblical Studies (LCBS) for your online biblical training and academic needs. As a student of LCBS, you will have access to the premier church-based training and equipping program available today! This catalog has been prepared to assist you in selecting courses that will help you fulfill your God-given purpose and destiny both in and outside the church. It will also define a large variety of training programs available to you. Complete faculty information is also contained in the catalog. Our goal is to provide the finest curriculum and the best support possible. We are fully dedicated to this goal and are available to assist you in reaching your educational objectives. We are excited about the possibilities! May God bless you as you seek to obey the Great Commission by discipling and teaching God’s Word. Sincerely, BroDon Park, BS, MA Dean of Academics Liberty College of Biblical Studies 2 Introduction to Liberty College Vision & Mission Vision. To be the premier global provider of Christian higher education programs and resources. Mission. To provide the best Bible, theology, ministry and leadership training resources; thereby offering quality, flexible and affordable education to students and schools globally. Core Values: Quality. A commitment to providing the very best Christian higher education resources and programs from the best instructors. Flexibility. A commitment to provide customizable education solutions for every local church, ministry and student. Affordability. A commitment to keeping costs low while providing a source of funding for participating programs. -
Robert Bell, Printer
ROBERT BELL, PRINTER Not quite two years since, in the spring of 1906, the writer came across an item relating to Robert Bell, a Quaker city printer of the later Colo- nial period, whose brilliancy of career was unearthed in detail mainly through a business deal we noted he was to have had with Lancaster's prominent townsman, Edward Ship- pen; and there is so much of general as well as some local interest at- tached to Bell's life that it is now and here presented to our Historical So- ciety as a valuable addition to eastern Pennsylvania history. Some one whose identity has not been revealed states, in the Master Printer, that "Robert Bell's very name is forgotten, and only recalled when one of his publications is found in the auction room or on the second-hand stalls. To the world at large Frank- lin's name stands alone in represent- ing the Philadelphia printer, while that of Bell is as dead as the world's indifference can make it." We shall endeavor to bring his work back to life. Bell practically began his publishing career where the famous Franklin left off, and from then on really issued and sold a larger variety if not more books than his philosophic predeces- sor. The period of hie activity ranges from 1768 to 1784. Bell was in Phila- delphia prior to the former date, prob- ably as early as 1765. He was a re- puted Scotchman, and supposed by one authority to have been a partner of George Alexander Stevens, coming to Philadelphia in 1766. -
No-Scale Conditions
S A J _ 2016 _ 8 _ original scientific article approval date 16 12 2016 UDK BROJEVI: 72.013 COBISS.SR-ID 236418828 RELATIONAL LOGICS AND DIAGRAMS: NO-SCALE CONDITIONS A B S T R A C T The paper investigates logics of relational thinking and connectivity, rendering particular correspondences between the elements of representation and the things represented in drawings, diagrams, maps, or notations, which either deny notions of scale, or work at all scales without belonging to any specific one of them. They include ratios and proportions (static and dynamic, geometric, arithmetic and harmonic progressions) expressing symmetry and self-similarity principles in spatial-metric terms, but also principles of nonlinearity and complexity by symmetry-breakings within non-metric systems. The first part explains geometric and numeric relational figures/sets as taken for “principles of beauty and primary aesthetic quality of all things” in classical philosophy, science, and architecture. These progressions are guided by certain rules or their combinations (codes and algorithms) based on principles of regularity, usually directly spatially reflected. Conversely, configurations representing the main subject of the following sections, could be spatially independent, transformable, and unpredictable, escaping regular extensive definitions. Their forms are presented through transitions from scalable to no-scale conditions showing initial symmetry breakings and abstractions, through complex forms of dynamic modulations and variations of matter, ending with -
Introduction to Information Visualization.Pdf
Introduction to Information Visualization Riccardo Mazza Introduction to Information Visualization 123 Riccardo Mazza University of Lugano Switzerland ISBN: 978-1-84800-218-0 e-ISBN: 978-1-84800-219-7 DOI: 10.1007/978-1-84800-219-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Control Number: 2008942431 c Springer-Verlag London Limited 2009 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publish- ers, or in the case of reprographic reproduction in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. The use of registered names, trademarks, etc., in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant laws and regulations and therefore free for general use. The publisher makes no representation, express or implied, with regard to the accuracy of the information contained in this book and cannot accept any legal responsibility or liability for any errors or omissions that may be made. Printed on acid-free paper Springer Science+Business Media springer.com To Vincenzo and Giulia Preface Imagine having to make a car journey. Perhaps you’re going to a holiday resort that you’re not familiar with.